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Anushka Sharma: Have never succumbed to pressure of any sort

By IANS News
March 2, 2020 at 10:48 AM IST
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2 min read
Anushka Sharma: Have never succumbed to pressure of any sort

Mumbai, March 2 (IANS) Actress-producer Anushka Sharma says as an artist and a producer, she has only tried to do new things and has never succumbed to pressure of any sort.





"As an artist and a producer, I have only tried to do new things. I have never succumbed to pressure of any sort and I have relished at every opportunity to do something new and learn something dramatically different," Anushka said.





She said that her body of work is a testimony to this.





"And I consider myself fortunate that I have got the opportunity to collaborate with some of the best minds in the business and always push the envelope," she added.





Anushka's horror flick "Pari" has completed two years of its release on Monday. She says she wanted to set a course towards an uncharted territory with the film.





"I was blown away with (the script of) 'Pari' and I knew immediately that I was producing this film. 'Pari' presented me with a unique challenge that I never faced and I wanted to explore myself as an actor in a genre and a character that I had never done before and had not seen many explore too.





"So, for me, I wanted to set course towards an uncharted territory and entertain audiences and with something that they wouldn't expect," she said.





For Anushka, it was satisfying that she gave audiences worldwide a genre-defining horror film.





"I was thrilled with (the success of) 'Pari'... we did it with a genre-bending, intelligent horror film. I'm thankful for the love and appreciation that the film and I received from audiences and critics. It has always motivated me to push myself harder and entertain audiences more and more," she said.



For more and the latest news about Bollywood, stay tuned to us.

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Published on March 2, 2020 at 5:18 AM

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Deool Band 2 Day 7 Box Office: India Net Hits Rs. 25.85 Cr; Surpasses Sairat's Week 1 Net Collections

BY SACNILK

2026 is turning out to be a massive year for Marathi cinema, following the strong performance of Krantijyoti Vidyalay Marathi Madhyam and the record-setting run of Raja Shivaji. Deool Band 2 has now firmly joined this successful trend, showing a level of consistency that is rare for even the biggest releases. While its extended first week is still ongoing, the film has already started challenging some of the most historic milestones in the industry by maintaining a rock-solid hold through its first seven days. On its first Wednesday, the film earned a net collection of ₹3.35 Cr. What is particularly impressive about this figure is that it represents no change at all from the previous day collection. Holding completely flat on a weekday is a clear sign of very strong word-of-mouth. This steady performance across 1,878 shows has pushed the total India net collection to ₹25.85 Cr and the total India gross to ₹30.40 Cr within the first week. With a seven-day total net of ₹25.85 Cr, Deool Band 2 has officially become the second-highest first-week net grosser in the history of Marathi cinema. It managed to surpass the opening week collection of Sairat, which stood at ₹25.50 Cr. Currently, the only film ahead of it in the all-time list is Raja Shivaji, which holds the top record with a first-week net of ₹36.25 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) The regional performance remains the backbone of this success. The film maintained an overall occupancy of 38.0 percent on Wednesday. Pune continues to be the primary driver, recording a strong 45.5 percent occupancy across 404 shows. Mumbai also contributed significantly with 33.3 percent occupancy over 624 shows. These high occupancy levels in major Marathi-speaking hubs suggest that the film is connecting deeply with its core audience. In the national chains, the film saw steady footfalls for a seventh day. PVR led the contributions with approximately 1,270 tickets sold, bringing in a gross of ₹2.75L. INOX added around 660 tickets with a gross of ₹1.38L, while Cinepolis recorded roughly 470 tickets for a gross of ₹1.20L. Combined, the big three chains accounted for about 2,400 tickets and a total gross of ₹5.33L for the day. With a worldwide gross now standing at ₹30.40 Cr, all of which has come from the domestic market, the film has already proven to be a massive success. The fact that it has managed to stay so consistent throughout its opening week bodes well for its second-week prospects. As it enters its second weekend, the focus will be on how close it can get to the lifetime records of the biggest hits in the industry.