Watch Aamir Khan's New Song Sexy Baliye from Movie Secret Superstar

Bollywood

1 day ago

7.2K views

Raja Shivaji (Hindi) and Ek Din Day 1 Box Office Prediction: Can The New Releases Challenge Holdovers?

BY SACNILK

Mumbai, April 29 - The Box Office battleground for May 1, 2026, is set. As the industry celebrates Maharashtra Day, two distinct films - the Marathi historical epic Raja Shivaji and the soulful romance Ek Din - are hitting the big screen amid mid expectations. But the big question is, can these new entrants topple the strong holdovers, in the form of Bhooth Bangla and Dhurandhar 2, currently dominating the charts? Raja Shivaji: The Regional Powerhouse (adsbygoogle = window.adsbygoogle || []).push({}) Directed by and starring Riteish Deshmukh, Raja Shivaji is the most anticipated Marathi film in years. While the Marathi version is expected to see a historic opening, the Hindi dubbed version faces a different set of expectations. The advance booking for the film is good overall, but the Hindi version is seeing an underwhelming response. The advance booking trend suggests Hindi opening of Raja Shivaji around 1.50-2 crores net, but the movie has the advantage of the genre and a story deeply personal to the people, especially in Maharashtra. Releasing on Maharashtra Day is another plus, which is expected to boost the walk-in footfalls. However, despite having certain advantages, the original Marathi version is expected to dominate the footfalls, leaving not much room for the Hindi version. While the trade is expecting the Hindi opening in the range of 3-4 crore net, the trend suggests it might be somewhere between 2-3 crores net, depending on spot bookings. (adsbygoogle = window.adsbygoogle || []).push({}) Ek Din: Low Buzz, Word-of-Mouth Dependent Backed by Aamir Khan's production house, Ek Din stars his son Junaid Khan alongside Sai Pallavi. Despite the reputation attached to it, the film has struggled to generate some sort of pre-release excitement. The makers tried to boost the buzz by opening the advance sales a month before the release date, but things haven't turned out as expected with low pre-sales. As a result, Ek Din is expected to open in the 1 to 2 crore net range on Day 1. The romantic drama's niche appeal and limited awareness mean that its box office journey will heavily depend on audience word of mouth rather than an initial surge. Bhooth Bangla To Remain Top Choice? (adsbygoogle = window.adsbygoogle || []).push({}) Superstar Akshay Kumar-fronted horror comedy Bhooth Bangla has been performing very well since its release on April 17, and is expected to remain the top choice in Hindi this Friday, unless the new releases really surprise on the release day. There is Dhurandhar 2 also, which, even though it is slowing down, is expected to retain some screens and collect on low levels.

Bollywood

2 days ago

1.2K views

Aamir Khan Confirms Sequel To 3 Idiots With Rajkumar Hirani

BY SACNILK

Mumbai, April 28 - The sequel to director Rajkumar Hirani's iconic blockbuster 3 Idiots, starring Aamir Khan, R. Madhavan, Sharman Joshi, and Kareena Kapoor, has long been in discussion among the fans and industry people alike. Recently, it was reported that the filmmaker was working on the idea of a sequel, and now, superstar Aamir Khan has confirmed that same. Aamir Khan Confirms 3 Idiots Sequel In a major and exciting update for Bollywood fans, Aamir Khan has officially confirmed that a sequel to his iconic film 3 Idiots is in the works. The project will reunite him with acclaimed filmmaker Rajkumar Hirani, who is currently developing the script. (adsbygoogle = window.adsbygoogle || []).push({}) The actor revealed that Hirani has already narrated the story to him, and he was thoroughly impressed by the concept. While the screenplay is still under development, Aamir described the idea as "wonderful," hinting that the sequel is being crafted with the same care and depth that made the original film a cultural phenomenon. The sequel will be set 10 years after the events of the first film, revisiting the lives of Rancho, Farhan, and Raju. The time jump is expected to explore how their journeys have evolved beyond college, while maintaining the emotional core and relatable storytelling that resonated with audiences back in 2009. (adsbygoogle = window.adsbygoogle || []).push({}) Aamir also hinted that while the sequel will retain the humour and heart of the original, it will feature a fresh and "unusual" storyline. This suggests that Hirani is aiming to avoid a conventional follow-up and instead bring a new perspective, much like he did with the first film's take on India's education system. Released in 2009, 3 Idiots went on to become one of the most successful and influential films in Indian cinema, praised for its message on pursuing passion over societal pressure. With a sequel now officially in development, expectations are naturally sky-high, and if executed well, the film could mark one of the biggest nostalgic returns on the big screen.

Bollywood

7 days ago

18.7K views

Reasons Dhurandhar 2 Failed To Beat Dangal In Bid To Become Biggest Indian Grosser Worldwide

BY SACNILK

Mumbai, April 23 - The box office journey of Dhurandhar 2: The Revenge has been nothing short of historic, but the bigger picture now reveals a fascinating reality. While the film is within touching distance of Baahubali 2, surpassing Dangal is now a pipe dream. It is not that Dhurandhar 2 was always going to surpass Dangal's lifetime worldwide collection of 2070 crores, as the latter had the rare advantage that most Indian films never had and still don't have - China. However, China was not the only thing that stopped the Ranveer Singh starrer from achieving ultimate glory. Here are some of the reasons that prevented Dhurandhar 2 from beating Dangal. (adsbygoogle = window.adsbygoogle || []).push({}) No China and Gulf Effect A major pillar behind Dangal's historic success was its extraordinary performance in China, where it minted a staggering 1300+ crores. The film witnessed an unprecedented reception there, contributing a massive portion to its worldwide total. It was the luxury Dhurandhar 2 didn't have (yet). On top of China, Dhurandhar 2 also had a setback when it comes to the Gulf markets, one of the biggest revenue sources for Indian films. Due to its anti-Pakistan content, the film faces a ban in the region, preventing it from adding another 100 crores or so to its massive global tally. In terms of regular markets, Dhurandhar 2's overseas performence has been historic. Without China, Dangal grossed 230 crores in international markets. On the other hand, the spy action thriller has already scored 422+ crores without any support from China as well as the Gulf. This shows how decisive China market proved in favour of Aamir Khan's sports biopic. (adsbygoogle = window.adsbygoogle || []).push({}) No Strong Regional Languages Turnout It is not something comparable with Dangal, but to make it up for China advantange and beat it, Dhurandhar 2 needed more from other Indian languages, especially in Telugu, than what it got. In the era of Pan India dominance, multi lingual statergy has played a pivotal roles. The biggest Telugu blockbusters has one thing common - Hindi. A large share of total domestic, or take worldwide collection for Telugu origin movies have come from Hindi languages, be it Pushpa 2, Baahubali 2, RRR, and others. The trade was betting big on other languages, especially after the first film got incredibaly positive reception from Southern Indian audiences. Dhurandhar 2 too got super positive word of mouth, but it didn't entirely translated into ticket sales. (adsbygoogle = window.adsbygoogle || []).push({}) While the movie performence well in Telugu states and Karnataka, it couldn't find a breakout success in regional languages, grossing around 80 crores in South Indian languages, an incredibaly low number as compared to what a Telugu film of this level could have make in Hindi. As a result, Dhurandhar 2 will end up as the third biggest grosser at the Indian box office, behind Baahubali 2 and Pushpa 2. Adult Certification Barrier (adsbygoogle = window.adsbygoogle || []).push({}) One of the biggest structural disadvantages for Dhurandhar 2 was its adult (A) certification. This significantly restricted its audience base, keeping younger viewers and a large section of family audiences away from theatres. While the target audience flocked to theatres, the adult rating still kept a large number of people away from it, which ultimately reduced total potential of footfalls, even though Dhurandhar 2 is still the greatest adult rated Indian blockbuster. Impact of Long Runtime Runtime is an often overlooked but crucial factor in box office performance, and when mixed with high ticket prices, it becomes a deadly combo against the film's overall potential. Dhurandhar 2's lengthy duration (nearly 4 hours) reduced the number of shows theatres could screen in a day. Over time, this limits overall ticket sales, especially when compared to films with tighter runtimes. Exibitors did try to make it up by scheduling round the clock showcasing but the capacity issue was still there.

Bollywood

29 days ago

65.2K views

Dhurandhar 2 vs Dangal, Baahubali 2, Pushpa 2 Box Office Analysis:Can It Bridge the 25–30% Gap To Dangal Without China Release?

BY SACNILK

Dhurandhar 2: The Revenge is currently rewriting box office history and has already entered the all-time top 5 highest grossing Indian films worldwide. After Day 12, the film has collected approximately ₹1,044.20 crore India gross, ₹872.17 crore India net, and ₹1,394.20 crore worldwide gross. With these numbers, the film currently stands in the 4th position in the all-time worldwide gross list, behind Dangal, Baahubali 2, and Pushpa 2. To understand whether Dhurandhar 2 can become the highest grossing Indian film of all time, it is important to compare the current top films. Dangal remains the highest grossing Indian film worldwide with around ₹2,070 crore globally, largely boosted by its massive China run where it alone collected over ₹1,300 crore. Baahubali 2 collected around ₹1,788 crore worldwide, while Pushpa 2 collected around ₹1,742 crore worldwide. Dhurandhar 2 currently stands at ₹1,394 crore worldwide and is rapidly closing the gap. If we compare India gross collections, Pushpa 2 leads with around ₹1,471 crore India gross, followed by Baahubali 2 at around ₹1,416 crore India gross. Dhurandhar 2 has already crossed ₹1,044 crore India gross in just 12 days, which means it still has a strong chance of crossing Baahubali 2 and Pushpa 2 India gross totals if the trend continues for another 2–3 weeks. (adsbygoogle = window.adsbygoogle || []).push({}) Language Wise India Net Contribution Comparison MOVIE NAME HINDI TELUGU TAMIL KANNADA MALAYALAM TOTAL INDIA NET Pushpa 2 ₹ 812.14 Cr ₹ 341.48 Cr ₹ 58.56 Cr ₹ 7.77 Cr ₹ 14.15 Cr ₹ 1,234.10 Cr Baahubali 2 ₹ 510.99 Cr ₹ 338.80 Cr ₹ 125.85 Cr ₹ 0 Cr ₹ 54.78 Cr ₹ 1,030.42 Cr Dhurandhar 2 ₹ 818.04 Cr ₹ 35.42 Cr ₹ 15.35 Cr ₹ 1.98 Cr ₹ 1.38 Cr ₹ 872.17 Cr One of the most important comparisons comes from language contribution. Pushpa 2 had a massive contribution from Hindi markets, contributing more than ₹800 crore net alone, while Telugu contributed around ₹341 crore. Baahubali 2, on the other hand, had a more balanced distribution with Hindi contributing around ₹510 crore, Telugu around ₹338 crore, Tamil around ₹125 crore, and Malayalam around ₹54 crore. Dhurandhar 2 shows a very different trend. Out of its ₹872 crore India net so far, Hindi alone has contributed around ₹818 crore, which is an extremely high dependency on a single language market. Telugu has contributed around ₹35 crore, Tamil around ₹15 crore, Kannada around ₹2 crore, and Malayalam around ₹1.5 crore approximately. This clearly shows that Dhurandhar 2 is primarily driven by the Hindi market, unlike Baahubali 2 which had strong multi-language support. (adsbygoogle = window.adsbygoogle || []).push({}) This language distribution is both a strength and a drawback. The strength is that the Hindi market alone is driving the film towards historic numbers. The drawback is that the South language markets are contributing very little compared to Baahubali 2 and Pushpa 2, which had strong Telugu and Tamil markets supporting the overall total. Another major drawback for Dhurandhar 2 is the absence of a Gulf release. The Gulf market is extremely important for mass action films and big event films, and skipping this market could result in a loss of ₹200–250 crore potential overseas gross. This could directly affect the film's chances of competing with Baahubali 2 and Pushpa 2 worldwide totals. However, it is also important to note that Dangal's worldwide total is heavily dependent on China collections. During its initial India and overseas run (without China), Dangal's worldwide total was much lower. The China release later pushed it to the ₹2,000 crore mark. This means Dhurandhar 2's current worldwide total should be compared with the non-China phase of Dangal for a fair comparison. (adsbygoogle = window.adsbygoogle || []).push({}) Based on current trends, Dhurandhar 2 is almost certain to cross Pushpa 2 worldwide total and Challenging Baahubali 2 is difficult but still achievable depending on long-term theatrical run - If the film maintains strong third and fourth week collections.The Dangal record, however, is a different benchmark altogether due to its massive China contribution, and whether Dhurandhar 2 can reach that level remains a pure wait and watch scenario at this stage. In conclusion, Dhurandhar 2 is currently on track to finish in the Top 3 highest grossing Indian films of all time worldwide and could potentially finish at Rank 2 if the current trend continues. The film's biggest strengths are its historic Hindi market performance and strong weekday holds, while the biggest drawbacks are weak South language contributions and the absence of Gulf market collections. The final worldwide ranking will largely depend on how long the Hindi market sustains and whether the film gets additional overseas market releases in the coming weeks.

Bollywood

31 days ago

15K views

Dhurandhar 2 Overseas Box Office: Record Run in Australia, UK and Historic Breakthrough in Germany and Hong Kong

BY SACNILK

Dhurandhar 2: The Revenge is not just performing well overseas — it is redefining the scale, consistency, and market reach of Indian cinema across global territories. In just 11 days, the film has established dominance across key markets like Australia, UK, Germany, New Zealand, and even non-traditional markets like Hong Kong, setting benchmarks that very few Indian films have managed historically. What makes the overseas run even more significant is that the film is not just performing in traditional strongholds of Indian cinema, but is also expanding into markets that were historically dominated by specific stars, languages, or dubbed versions. In several territories, the film is now challenging or even surpassing markets that were once considered exclusive strongholds of certain superstars and industries. In Australia, the film has already emerged as the highest-grossing Indian film of all time, collecting A$6.37M in just 11 days. It has comfortably crossed the lifetime numbers of films like Pathaan, Jawan, and Animal, and has done so in record time. The film also became the first ever Indian title to breach the A$6M mark within just 10 days, highlighting its extraordinary pace and strong trend. (adsbygoogle = window.adsbygoogle || []).push({}) Australia has emerged as one of the biggest overseas markets for Telugu cinema over the past decade, with big spectacle films dominating the territory. Dhurandhar 2 becoming the highest-grossing Indian film in Australia shows that the film has not only entered the market but completely dominated a territory that was previously driven heavily by large-scale action spectacles and franchise films. Top Indian Grossers in AustraliaMOVIE NAMETOTAL COLLECTIONDhurandhar 2: The RevengeA$6.37M+DhurandharA$5.61MAnimalA$5.02MPathaanA$4.72MJawanA$4.68M (adsbygoogle = window.adsbygoogle || []).push({}) The United Kingdom market tells a similar story of dominance. Dhurandhar 2 has already entered the prestigious £3M club within just 10 days, becoming the first 18+ rated Indian film to achieve this milestone. It now stands as the second highest-grossing Indian film of all time in the region, surpassing the lifetime collections of several major Indian releases. The UK has traditionally been one of the strongest overseas markets for Bollywood and especially star-driven films due to the large South Asian diaspora. Dhurandhar 2 entering the top all-time list within just 10 days shows a clear shift in audience trends and indicates that the film is performing like a long-run blockbuster rather than just an opening-driven hit. Top Indian Grossers in UKMOVIE NAMETOTAL COLLECTIONPathaan£4.38MDhurandhar 2: The Revenge£3.21MSaiyaara£3.21MJawan£3.10MDhurandhar£3.05M Germany, a market where Indian films traditionally struggle to cross even €100K in their opening weekend, is now witnessing a historic run with Dhurandhar 2 heading towards the €1M mark after already collecting €841K in just 10 days with strong second weekend growth. Historically, Indian films in Germany were limited to niche diaspora screenings and film festivals, and the market has largely been dominated by Shah Rukh Khan films — with 4 out of the top 5 highest-grossing Bollywood films in Germany being SRK starrers such as Pathaan (€888K), Jawan (€688K), Dunki (€460K), and My Name Is Khan (€375K), highlighting his long-standing brand value in the region. Dhurandhar 2 performing at this level without a dubbed version and without that traditional market base indicates that the film is not just performing in the market but expanding the market itself and attracting a new audience segment beyond the usual diaspora and niche Indian cinema audience. (adsbygoogle = window.adsbygoogle || []).push({}) New Zealand is another territory where the film is rewriting records. With NZ$988K in 11 days, it is set to enter the NZ$1M club, becoming only the second Indian film after Pathaan to do so. Notably, it has already surpassed the lifetime collections of most Indian films in the region within just 10 days, indicating a very strong trend in the market. Top Indian Grossers in New Zealand RANK MOVIE NAME TOTAL COLLECTION 1 Pathaan NZ$1.37M 2 Dhurandhar 2: The Revenge NZ$988K+ 3 Jawan NZ$955K 4 Animal NZ$903K 5 Padmaavat NZ$874K 6 Pushpa 2 The Rule NZ$847K With NZ$988K in just 11 days, Dhurandhar 2: The Revenge has already become the second highest-grossing Indian film of all time in New Zealand, surpassing the lifetime collections of Jawan, Animal, Padmaavat and Pushpa 2, and is now second only to Pathaan in the market. Perhaps the most surprising performance comes from Hong Kong, where Dhurandhar 2 has crossed HK$1.15M despite releasing in just two theatres and without Chinese subtitles. This is significant from a distribution perspective because Indian films in East Asian markets usually rely heavily on local language subtitles or dubbed versions to reach wider audiences. Films like Dangal in China succeeded largely because of a Mandarin-dubbed version tailored for the local audience, whereas Dhurandhar 2 is performing purely on word of mouth and genre appeal rather than localization, making this a rare breakthrough for Indian cinema in the region. (adsbygoogle = window.adsbygoogle || []).push({}) When compared to previous global blockbusters, Dhurandhar 2 stands out not just for its openings, but for its consistency and expansion into newer markets. While most Indian films rely heavily on traditional diaspora markets, Dhurandhar 2 is showing growth across Europe and East Asia as well, which is a very rare trend for an Indian commercial film. The overall overseas trajectory clearly indicates that the film is not just opening big, but trending like a long-run blockbuster across multiple territories simultaneously. From dominating traditional markets like Australia and the UK to expanding into newer territories like Germany and Hong Kong, Dhurandhar 2: The Revenge is setting a new benchmark for overseas box office performance for Indian cinema.

Bollywood

57 days ago

1.1K views

Aamir Khan Echoes Leonardo DiCaprio's Concerns; Calls India's Theatrical-OTT Window a Not a Graceful Compromise

BY SACNILK

The global debate surrounding the future of the theatrical experience has found a powerful new resonance in the Indian film industry. Recently, Hollywood legend Leonardo DiCaprio voiced his concerns to The Times regarding the shrinking theatrical window and the rising dominance of streaming platforms. DiCaprio argued that the communal magic of watching a film in a cinema hall is under threat, a sentiment that is now being mirrored by Indian megastar Aamir Khan. In an industry currently grappling with the balance between box-office stability and OTT revenue, Khan's latest insights suggest that the current state of affairs is far from ideal. In an exclusive conversation with Variety India, Aamir Khan delved deep into the theatrical versus streaming debate. When asked if Indian cinema was doing enough to protect the big-screen experience or if it was negotiating a graceful compromise with streaming economics, the actor-producer was remarkably candid. He stated that, at this point, the situation does not feel like a graceful compromise from any angle. Khan emphasized that the current dynamic is a difficult position for the industry to be in, suggesting that while a middle ground is necessary, the current scales are tipped in a way that feels unrefined and potentially damaging to the theatrical business. The Perfectionist of Bollywood further noted that this struggle is not unique to Hindi cinema. According to Khan, several producers from the South Indian film industries have expressed similar anxieties regarding the pressure to meet streaming mandates while trying to keep the theatrical business healthy. He firmly backed Leonardo DiCaprio's stance, asserting that if the theatrical business is to thrive and remain a sustainable ecosystem, the exclusive window for cinema halls must be protected at all costs. For Khan, the survival of the big screen is not just about commerce, but about preserving the culture of moviegoing. As a producer known for his strategic foresight, Aamir Khan proposed a more flexible release model rather than a rigid one-size-fits-all approach. He envisions a system where mainstream films with massive stakes are granted a significantly longer theatrical window to maximize their box-office potential. Conversely, he suggested that smaller, more experimental films could benefit from shorter windows, allowing them to find their niche audience on digital platforms more quickly. This tiered approach, he believes, would allow the industry to cater to different types of content without cannibalizing the theatrical market. (adsbygoogle = window.adsbygoogle || []).push({})   The validity of Khan's theatrical-first philosophy was recently proven by the success of his film Sitaare Zameen Par. Released in June 2025, the movie—which paired Aamir Khan with Genelia Deshmukh—became a significant hit, grossing over ₹250 crores at the box office. Directed by RS Prasanna, the film's strong performance served as a reminder that family audiences are still willing to throng theaters for high-quality, emotional storytelling. By prioritizing the theatrical experience for such a project, Khan demonstrated that the big screen remains the ultimate platform for cinematic impact. As the Indian film industry continues to navigate the complexities of the digital age, Aamir Khan's remarks to Variety India serve as a crucial wake-up call. The tension between the immediate financial security offered by streaming giants and the long-term health of the exhibition sector remains a defining challenge for producers. Whether the industry can transition into the graceful compromise Khan hopes for will likely depend on whether other major stakeholders join him in protecting the sanctity of the silver screen.

Bollywood

65 days ago

1K views

Sunny Deol's Lahore 1947 To Undergo Title Change?

BY SACNILK

Mumbai, February 23 - Sunny Deol's much-anticipated period drama Lahore 1947 has reportedly sparked discussions around a possible title change ahead of its theatrical release. The film, which marks Deol's reunion with director Rajkumar Santoshi after years, is set to release on Independence Day this year. Lahore 1947 is produced by Aamir Khan and is set against the backdrop of India's Partition, one of the most sensitive and defining chapters in the country's history. According to reports, the team feels that a new title might better communicate the film's core themes to a wider audience, especially considering the subject's emotional and historical weight. (adsbygoogle = window.adsbygoogle || []).push({}) Interestingly, Sunny Deol himself has addressed the speculation recently, hinting that while a title change is being discussed, the film may also retain its original name. This indicates that the makers are still weighing their options and will take a final call very soon. The film is an adaptation of the acclaimed play Jis Lahore Nai Vekhya, O Jamya E Nai and also stars Preity Zinta, Ali Fazal, and Shabana Azmi in key roles. Slated for release around Independence Day 2026, Lahore 1947 is expected to be a hard-hitting, emotionally driven narrative. Whether the title changes or not, the film remains one of the most-awaited projects in Sunny Deol’s upcoming lineup. Stay tuned...

Bollywood

79 days ago

1.2K views

Sunny Deol's Lahore 1947 With Rajkumar Santoshi Sets Independence Day 2026 Release

BY SACNILK

Mumbai, February 9 - Aamir Khan Productions has officially announced the release date of its long-awaited Lahore 1947. Starring Sunny Deol, the period action drama will be hitting worldwide theatres on August 13, 2026, strategically timed for the Independence Day week. The release date announcement was shared with a formal note, confirming the long-anticipated collaboration and locking the film's big-screen debut during one of the most lucrative release windows of the year. The film marks a first-time collaboration of the trio of Sunny Deol, director Rajkumar Santoshi, and producer Aamir Khan, while it marks the reunion of Sunny with the director after nearly 3 decades. (adsbygoogle = window.adsbygoogle || []).push({}) Set against the backdrop of the Partition of India, Lahore 1947 is expected to blend historical gravitas with powerful storytelling. The film boasts an ensemble cast featuring Sunny Deol, Shabana Azmi, Preity G. Zinta, Abhimanyu Singh, Karan Deol, and Ali Fazal. The film's music is composed by A. R. Rahman, with lyrics by Javed Akhtar, while dialogues are penned by Rajkumar Santoshi and Asghar Wajahat. The technical team includes Santosh Sivan as cinematographer, Shyam Salgaonkar handling editing, Resul Pookutty overseeing sound design, and Subrata Chakraborty and Amit Ray leading production design. With Lahore 1947, Sunny Deol lines up his next major theatrical release following his recent blockbuster successes. (adsbygoogle = window.adsbygoogle || []).push({}) Backed by a formidable creative team and a patriotic release window, the film is already being positioned as a high-profile Independence Day attraction for 2026. Stay tuned...

Bollywood

80 days ago

823 views

Rohit Shetty Issues Clarification On The Reports Claiming Golmaal 5 Is Based On Do Aur Do Paanch

BY SACNILK

Mumbai, February 9 – Filmmaker Rohit Shetty and his production banner Rohit Shetty Picturez have issued an official clarification addressing recent media reports that claimed that the director's upcoming film Golmaal 5 is inspired by or based on the cult classic Do Aur Do Paanch. In a strongly worded statement shared by the production house, the makers categorically dismissed these reports, calling them "factually incorrect, misleading and completely untrue." The clarification makes it clear that Golmaal 5 has no connection to the 1980 film and that the circulating claims are baseless. (adsbygoogle = window.adsbygoogle || []).push({}) IMPORTANT... 'GOLMAAL 5' – ROHIT SHETTY CLARIFIES pic.twitter.com/MzU7oo2Vz6— taran adarsh (@taran_adarsh) February 9, 2026 The statement further urged media houses, digital platforms, and publications to refrain from publishing or circulating unverified information, stressing the importance of journalistic responsibility. It also warned that any news or updates related to Rohit Shetty or Golmaal 5 must be verified with the production house or their official PR agency, Universal Communications, prior to publication. Additionally, the team requested that incorrect reports currently in circulation be corrected or taken down at the earliest, warning that strict legal action would be taken against those who continue to spread false information regarding the much-awaited comedy entertainer. Stay tuned...

Bollywood

93 days ago

1.1K views

Happy Patel: Khatarnak Jasoos Box Office: Vir Das' Comedy Thriller Struggles Amid the Border 2 Storm

BY SACNILK

Vir Das' latest outing, Happy Patel: Khatarnak Jasoos, has completed its first week at the box office, and the numbers tell a story of a difficult theatrical run. Despite being backed by a big production house and featuring a quirky concept, the film has managed to garner only ₹ 5.55 Crore (estimated) in its opening week. The film, which marks the directorial debut of Vir Das, opened with a modest ₹ 1.25 Crore and saw a slight peak on Saturday, but failed to sustain any momentum on the weekdays. The primary reason behind the film's lackluster performance is the massive Border 2 fire currently raging at the box office. Sunny Deol's war epic has dominated single screens and multiplexes alike, leaving very little breathing room for smaller-budget films. The patriotic fervor surrounding Border 2 has resulted in a significant diversion of the mass audience, causing Happy Patel to witness a sharp crash starting from its first Monday. Produced by Aamir Khan Productions, Happy Patel: Khatarnak Jasoos is a comedy-spy thriller that follows the misadventures of a clumsy, accidental spy. The film stars Vir Das in the titular role, supported by a talented ensemble including Aamir Khan and Sharib Hashmi. The film aimed to bring back the screwball comedy genre to Bollywood, a style Vir Das is well-known for in his stand-up career. (adsbygoogle = window.adsbygoogle || []).push({})   This project marks a significant reunion for Vir Das and Aamir Khan, who previously worked together in the cult classic Delhi Belly (2011). While Delhi Belly was an adult-comedy blockbuster that redefined the genre, Happy Patel has struggled to replicate that magic in a highly competitive market. Vir Das has previously been a part of several successful films, but his transition into a solo lead and director has met with a tough challenge due to the current box office dynamics. Happy Patel: Khatarnak Jasoos - Week 1 India Net CollectionDAYINDIA NET COLLECTIONDay 1 [1st Friday]₹ 1.25 CrDay 2 [1st Saturday]₹ 1.6 CrDay 3 [1st Sunday]₹ 1.5 CrDay 4 [1st Monday]₹ 0.45 CrDay 5 [1st Tuesday]₹ 0.35 CrDay 6 [1st Wednesday]₹ 0.2 CrDay 7 [1st Thursday]₹ 0.2 CrTotal (Week 1)₹ 5.55 Cr

Tollywood

101 days ago

5.7K views

Mana ShankaraVaraPrasad Garu: Anil Ravipudi's Latest Hit Cements His Status as the Undisputed King of the Sankranti Box Office

BY SACNILK

Director Anil Ravipudi has once again proven his mettle, cementing his status as the master of the Sankranti festive season. His latest venture, Mana Shankara Vara Prasad Garu, which teams him up with the legendary Megastar Chiranjeevi, has hit the bull's eye, emerging as a major success despite facing stiff competition from multiple releases. The film is not just winning hearts in the Telugu states but is also posting impressive numbers internationally, showcasing the powerful combination of a hit-machine director and an iconic star. This victory marks a remarkable achievement for Anil Ravipudi, who has now scripted a new record by delivering four consecutive blockbusters during the Sankranti period. His incredible streak began in 2019 with the laugh riot F2: Fun and Frustration, which became a colossal success, amassing over ₹137 crores worldwide. He followed this in 2020 with the Mahesh Babu-starrer Sarileru Neekevvaru, another massive blockbuster that collected approximately ₹221 crores globally. The streak continued in 2025 with Sankranthiki Vasthunam, which also performed exceptionally well. Now, with Mana Shankara Vara Prasad Garu in 2026, Ravipudi has made the festival his own, proving his unique ability to deliver content that resonates perfectly with the holiday audience. (adsbygoogle = window.adsbygoogle || []).push({})   The success of Mana Shankara Vara Prasad Garu has been swift and substantial. Released on January 12th, the film has achieved phenomenal numbers in less than a week. Domestically, it has garnered an India Net collection of ₹121.35 crore, with an India Gross of ₹144.4 crore. The film's appeal has transcended national borders, with a remarkable overseas collection of ₹33.6 crore, bringing its total worldwide gross to an impressive ₹178 crore. The international performance has been particularly noteworthy. The film is scoring big across key markets, having already grossed over 2.4 million in NorthAmerica.It is also storming the boxoffice in other regions,crossing A$353,000 in Australia and £217,000 in the UK, with the numbers still climbing. This powerful start, both at home and abroad, indicates that Chiranjeevi's victorious run continues unabated, while Anil Ravipudi has firmly established his reign over the Sankranti box office.