BY SUNIT JANGIR

Mumbai, July 7 - After witnessing a noticeable drop in collections on Monday, Alpha is looking to bounce back on its fifth day at the Indian box office with the help of discounted ticket prices. The YRF Spy Universe action thriller, starring Alia Bhatt and Sharvari, is expected to record better occupancy throughout Tuesday as several cinema chains continue to offer attractive ticket deals. (adsbygoogle = window.adsbygoogle || []).push({}) The film opened with decent numbers but couldn't match the blockbuster standards set by previous YRF Spy Universe titles. While it showed healthy growth over its first weekend despite mixed word-of-mouth, Monday witnessed the expected decline. Now, the Tuesday discount offer is likely to bring back family audiences and young moviegoers, giving the film a chance to post a day-on-day jump. The evening and night shows will play a crucial role in determining the extent of the growth. If walk-in bookings improve as expected, Alpha could register a solid increase over Monday's business, keeping its first-week total on a respectable trajectory. However, the film will still need strong holdover collections over the coming days to maintain momentum before new releases arrive. (adsbygoogle = window.adsbygoogle || []).push({}) LIVE BLOG 09:00 PM (IST) 07 JUL 2026 Live Update: Heads For 4.25+ Crore Net Day Alpha has minted 3.25 crores net as of 9 PM and is heading towards 4.25+ crores net. The occupancy is obviously much better than yesterday due to discounted prices, which keeps it on course for 10-15% growth. 04:00 PM (IST) 07 JUL 2026 Live Update: Heads For 4+ Crore Net Day Alpha has minted 1.25+ crores net as of 4 PM and is heading towards 4+ crores net. The occupancy is obviously much better than yesterday due to discounted prices, which keeps it on course for 10-15% growth. 11:00 AM (IST) 07 JUL 2026 Live Update: Discounted Tuesday Expected To Give A Boost The film is expected to witness a growth on Tuesday due to the discounted prices. It will be interesting to see if it can touch the 5 crore net mark which will keep it on course for a 50 crore net weekend. (adsbygoogle = window.adsbygoogle || []).push({}) 10:00 AM (IST) 07 JUL 2026 Alpha Collected 3.85+ Crore Net On Monday The spy action thriller witnessed a 70% drop on Monday from its Sunday collection. The film collected around 3.85+ crores net, which is somewhat respectable given the negative reception, keeping the film on track for a decent week. @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 7px; width: 7px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; } { "@context": "https://schema.org", "@type": "LiveBlogPosting", "headline": "Peddi Box Office Collection Day 5 Live Update", "description": "Analytical report and live updates for Peddi box office performance.", "liveBlogUpdate": [ { "@type": "BlogPosting", "headline": "Peddi hits 150 cr mark", "datePublished": "2026-06-08T09:50:00+05:30", "articleBody": "Peddi has officially crossed the 150 crore net mark in India, according to early estimates." } ] }

BY CHRISTA LINCY

Welcome To The Jungle (Welcome 3) has shown a steady performance through its second weekend and managed a decent hold on its second Monday. The star-studded comedy ensemble, featuring Akshay Kumar alongside a massive cast, has successfully crossed the ₹100 crore mark in India net collections. As it enters Day 12, the focus remains on how well the film can sustain its occupancy in the morning shows of a working weekday. With family audiences being the primary target, the film is looking to maintain a consistent run before the next set of major releases arrive. Live Now LIVE BLOG 06:45 PM (IST) 07 JUL 2026 Welcome To The Jungle Day 12 Live Update: Evening Shows Maintain Surge; India Net Crosses ₹119 Cr The second Tuesday for Welcome To The Jungle is turning out to be a highly productive day. According to the latest live tracking, the film has collected a net of ₹1.52 Cr today so far across 4,676 shows. This brings the cumulative India net collection to ₹119.07 Cr, while the overall India gross collection has reached ₹141.69 Cr. The impact of the Cinema Day pricing offer is clearly visible in the ticket sales momentum. Between 5 PM and 6 PM today, the film sold 2,950 tickets on BookMyShow, an increase over the 2,560 sold during the same window yesterday. Looking at the broader day-long trend from 9 AM onwards, the platform has recorded a total of 29,290 ticket sales, which is significantly higher than yesterday’s count of 22,500. Occupancy levels have also seen a healthy jump as the day progressed. While the morning started at 6.69%, the afternoon window saw a sharp rise to 20.15%. The evening shows are maintaining this momentum with 19.38% occupancy reported so far, bringing the overall average for the day to 16.35%. 02:00 PM (IST) 07 JUL 2026 Welcome To The Jungle Day 12 Live Update: Ahmed Khan Opens Up on Anil Kapoor & Nana Patekar's Absence; Hints at Welcome 4 Reunion Director Ahmed Khan has finally addressed one of the biggest questions surrounding Welcome To The Jungle (Welcome 3)—the absence of the franchise's iconic duo, Anil Kapoor and Nana Patekar. According to the filmmaker, both actors were originally expected to be part of the project, but scheduling conflicts and prior work commitments made it impossible to align their dates with the film's shoot. Ahmed Khan clarified that the decision had nothing to do with creative differences. Instead, he explained that coordinating a massive ensemble cast of over 30 actors proved to be a major logistical challenge, with matching everyone's schedules becoming increasingly difficult during production. The director also offered a positive update for fans by hinting that the beloved duo could reunite in a potential Welcome 4. He added that Anil Kapoor and Nana Patekar remain an important part of the franchise's family, leaving the door open for their return in the next installment. Responding to the criticism surrounding the missing characters, Ahmed Khan noted that films are often judged before release. However, he pointed out that Welcome To The Jungle has managed to connect with audiences despite the skepticism, crossing the ₹100 crore mark at the Indian box office within just 10 days of its theatrical run. 01:15 PM (IST) 07 JUL 2026 Welcome To The Jungle Day 12 Live Update: Afternoon Surge Pushes Net to ₹117.92 Cr; BMS Sales See 30% Growth Welcome To The Jungle is witnessing a visible surge in momentum as it enters the afternoon window on its second Tuesday. According to the latest live tracking, the film is currently running across 2,232 shows and has already netted ₹0.37 Cr today. This brings the cumulative India net collection to ₹117.92 Cr, while the domestic gross has reached ₹140.33 Cr. The ticket sales on BookMyShow (BMS) highlight a significant growth trend compared to Monday. In the 12 PM to 1 PM window today, the film sold 3,960 tickets, marking a 31% increase over the 3,020 tickets sold during the same period yesterday. This positive trend is reflected in the cumulative morning sales as well; from 9 AM to 1 PM, the film has recorded 11,080 ticket sales, a healthy jump from yesterday’s 8,530 during the same timeframe. In terms of occupancy, the film recorded an overall morning occupancy of 6.69%. Regionally, the National Capital Region (NCR) continues to be the top performer with 11.0% occupancy across 629 shows. Mumbai followed with 9.0% occupancy from 394 shows, while Pune and Lucknow both stood at 7.0%. The Bengaluru market recorded 6.0%, whereas Gujarat markets like Ahmedabad and Surat saw lower morning turnouts of 5.0% and 2.0% respectively. With the Cinema Day offer driving footfalls, the trade expects the evening occupancy to show an even larger spike. 12:15 PM (IST) 07 JUL 2026 Welcome To The Jungle Day 12 Live Update: Cinema Day Offer Triggers 3X Jump in Sales; National Chains Record 25K Tickets Welcome To The Jungle has received a massive boost in momentum on its second Tuesday, largely driven by the Cinema Day ticket pricing offer. This promotional pricing has significantly lowered entry barriers, resulting in a sharp jump in footfalls across the country. The impact of the offer is most visible in the major national chains (PIC). Compared to yesterday’s Monday sales of approximately 8,500 tickets, the film has already recorded a nearly threefold jump today with 25,000 tickets sold so far. Despite the lower ticket prices, the gross has also surged to roughly ₹43L from about 2,060 shows, with the overall occupancy climbing to 6.4%—a notable increase from yesterday's 2.2%. 11:15 AM (IST) 07 JUL 2026 Welcome To The Jungle Day 12 Live Update: Akshay Kumar Hits Historic Milestones as Film Totals ₹117.66 Cr The second Tuesday for Welcome To The Jungle is showing a steady hold as it enters the mid-day shows. Based on current live tracking, the film is running across 1,669 shows and has collected a net of ₹0.11 Cr live today. This brings the cumulative India net collection to ₹117.66 Cr, with the domestic gross reaching ₹140.03 Cr. This successful theatrical run has allowed Akshay Kumar to achieve several massive career records. This project is officially his 21st ₹100 crore net grosser, which is the highest for any Indian actor. It also marks his 7th century-maker in the post-pandemic era, a feat that stands as the highest for any actor in this period. Furthermore, the movie is Akshay's 4th consecutive film to enter the ₹100 crore net club, setting a new record for a Bollywood actor post-pandemic. From a franchise perspective, this installment has also become the first film in the Welcome series to hit the ₹100 crore milestone, underscoring its broad commercial appeal. 10:15 AM (IST) 07 JUL 2026 Welcome To The Jungle Day 12 Live Update: Tuesday Sales Outpace Monday; National Chains Record ₹43L Gross Ticket sales on BookMyShow are showing an encouraging upward trend compared to the start of the week. Between 9 AM and 10 AM today, the film sold 1,820 tickets, which is a notable jump from the 1,140 tickets sold during the same time slot on Monday. The performance in major national chains remains stable, with 25,000 tickets sold so far, resulting in a gross of approximately ₹43L from 2,060 shows at 6.4% occupancy. PVR remains the primary driver with roughly 11,300 tickets (₹20.2L) at 7.4% occupancy, followed by INOX with 9,200 tickets (₹15.6L) at 6.4% and Cinepolis with 4,500 tickets (₹7.2L) at 4.7% occupancy. This consistent traction in urban centers is a positive sign for the film's second-week longevity. 09:45 AM (IST) 07 JUL 2026 Welcome To The Jungle Day 12 Live Update: Second Tuesday Starts with 8.0% Occupancy; Total Net Reaches ₹117.58 Cr The second Tuesday for Welcome To The Jungle is off to a stable start as it navigates the weekday stretch. Based on the latest live tracking, the film is playing across 738 shows and has already collected a net of ₹0.03 Cr live today. The movie recorded a morning occupancy of 8.0%, showing a decent hold for an early weekday window. This brings the total India net collection to ₹117.58 Cr, while the overall India gross collection has reached ₹139.93 Cr so far. As the day progresses, the trade will be watching for the usual spike in the evening and night shows to see if the movie can maintain its steady daily momentum. @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 7px; width: 7px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; } { "@context": "https://schema.org", "@type": "LiveBlogPosting", "headline": "Welcome To The Jungle Box Office Collection Day 12 Live Update", "description": "Analytical report and live updates for Welcome To The Jungle box office performance.", "liveBlogUpdate": [ { "@type": "BlogPosting", "headline": "Welcome To The Jungle reaches 117 cr mark", "datePublished": "2026-07-07T09:45:00+05:30", "articleBody": "Welcome To The Jungle has officially reached 117.58 crore net in India, according to early morning live tracking." } ] }

BY SUNIT JANGIR

Mumbai, July 7 - Director Imtiaz Ali's Main Vaapas Aaunga continues to script one of the biggest comeback stories of the year at the box office. After a slow start, the period romantic drama has witnessed extraordinary growth on the back of exceptional word-of-mouth, turning into a genuine sleeper hit. The period romantic drama is now inching closer to the 100 crore worldwide gross milestone. Starring Diljit Dosanjh, Nasserudin Shah, Vedang Raina, and Sharvari, the film has collected an estimated 58.25 crore net (69.30 crore gross) at the Indian box office in 25 days. The fourth weekend once again delivered impressive gains, with the film continuing to attract audiences despite fresh competition. Its remarkable trend has ensured that it remains one of the strongest-performing Hindi releases in recent weeks. (adsbygoogle = window.adsbygoogle || []).push({}) The worldwide total is also moving steadily upward, with estimates indicating that the film now has a chance to reach the 100 crore gross mark. In 25 days, the film has grossed around 90 crores, with overseas collection around 20 crores gross. What makes the run even more impressive is that Main Vaapas Aaunga has consistently outperformed its opening week in subsequent weeks, a rare achievement in today's theatrical market. Directed by Imtiaz Ali, the Partition-era drama has earned widespread appreciation for its emotional storytelling, music, and performances, particularly those of Nasserudin Shah, Diljit Dosanjh, and Sharvari. If the current trend continues over the coming days, Main Vaapas Aaunga is expected to comfortably finish its theatrical run with over 100 crore in worldwide gross collections, completing an outstanding turnaround at the box office.

BY CHRISTA LINCY

The Indian film industry is currently witnessing a rare and intense standoff involving the film Satluj. After a grueling four-year battle with the censor board, the movie was quietly released on ZEE5 on July 3, 2026, without any prior marketing or announcement. However, the victory for the filmmakers was short-lived. Within just 48 hours, the Ministry of Information and Broadcasting forced the streaming platform to take the movie down in India, citing national security concerns. This sudden ban has only served to amplify the conversation around the film, with veteran filmmaker Ram Gopal Varma being one of the first major voices to speak out in its favor. Ram Gopal Varma, known for his own history with gritty and realistic cinema, described Satluj as a deep wound that will never heal. He noted that the film serves as a form of confrontation rather than mere entertainment. RGV specifically praised the way director Honey Trehan chose a slow-burn investigative approach instead of sensationalizing the horror. He highlighted that any art that makes the powerful this uncomfortable has successfully done its job, further emphasizing that the truth hits harder when someone tries to hide it. (adsbygoogle = window.adsbygoogle || []).push({}) The controversy surrounding the film is as complex as its production history. Originally titled Ghallughara, the project faced a demand for 127 cuts from the censor board. The makers subsequently changed the title to Punjab '95 and finally to Satluj to bypass authorities and reach the audience. While government officials have accused the team of being misleading to avoid compliance, the film has found a massive audience abroad. Despite being banned in India, it remains available on ZEE5 Global in markets like the US and Canada, leading to a massive 374% surge in international app downloads. At its heart, Satluj is a biographical crime drama based on the real-life crusade of human rights activist Jaswant Singh Khalra. Diljit Dosanjh delivers what many are calling a career-defining performance as Khalra, a bank manager who unearthed a paper trail exposing thousands of illegal extrajudicial cremations in Punjab during the 1990s. Arjun Rampal also features in a significant role as a morally complex CBI officer navigating the institutional rot within the system. RGV commented on this specifically, stating that Diljit acts with a quiet fury that replaces typical chest-thumping heroism with a ledger and a conscience. (adsbygoogle = window.adsbygoogle || []).push({}) Just saw SATLUJ and it is not a film , but a deep wound that will never heal. It stirs up the sludge in one of the darkest chapters of our history This is cinema used as confrontation , where @diljitdosanjh acts with a quiet fury with no chest thumping heroism.. His only weapons…— Ram Gopal Varma (@RGVzoomin) July 7, 2026 The film is being compared to classics like Gulzar's Maachis for its emotional weight and historical honesty. By focusing on bureaucratic files and cremation records rather than exploitation, the movie creates a hard-hitting reminder of the dark chapters in modern history. The fact that Jaswant Singh Khalra himself disappeared and was murdered shortly after making his findings public adds a chilling layer of realism to the narrative. (adsbygoogle = window.adsbygoogle || []).push({}) As it stands, Satluj has become more than just a movie; it is a point of national debate regarding censorship and the freedom of artistic expression. While Indian viewers are currently blocked from watching it legally, the massive international traction and the vocal support from industry figures like RGV suggest that the film's impact will linger far longer than its 48-hour stay on Indian streaming servers. It serves as a courageous piece of filmmaking that chooses truth over popcorn spectacle, proving that some stories simply refuse to be silenced.

BY SUNIT JANGIR

Mumbai, July 7 - The Central Government has responded to the controversy surrounding the removal of Diljit Dosanjh's Satluj from ZEE5, stating that the decision was taken in view of national security concerns and issues related to the film's certification process (as per ANI). The Ministry of Information and Broadcasting (MIB) has also constituted a high-level Inter-Departmental Committee (IDC) to conduct a detailed review of the film's content. (adsbygoogle = window.adsbygoogle || []).push({}) According to Information and Broadcasting Ministry sources, the IDC was set up on Monday, a day after ZEE5 took down Satluj from its platform. The committee has been tasked with examining the film, which is inspired by the disappearance of Punjab-based human rights activist Jaswant Singh Khalra, and will assess whether any further action is required under the existing legal and regulatory framework. Explaining the takedown, ANI reported, citing government sources, that the film was released on the OTT platform without completing the mandatory certification process. Officials claimed that the project, which was earlier developed under the title Punjab 95, had faced objections during certification and was released as Satluj without resolving those issues. The Centre maintained that the removal directive was issued in accordance with the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Honey Trehan and starring Diljit Dosanjh in the lead role, Satluj is based on the life of human rights activist Jaswant Singh Khalra and depicts events linked to Punjab during the militancy era. The film premiered on ZEE5 before being removed from the platform following the government's direction, triggering widespread debate over censorship, freedom of expression, and regulatory oversight of OTT content. With the formation of the Inter-Departmental Committee, the government has now initiated a formal review of the film. The committee's findings are expected to play a key role in determining the Centre's next course of action and could influence whether Satluj returns to streaming in the future or faces additional regulatory measures.

BY CHRISTA LINCY

The mid-2026 cinematic window is shaping up to be one of the most competitive periods in recent box office history. As major domestic and international titles prepare for their theatrical debuts, BookMyShow interest trends provide a fascinating look at which films are currently capturing the audience’s imagination. From massive superhero sequels to technically ambitious epics from master directors, the diversity of content is driving high engagement across the board. Leading the pack with massive traction is Spider-Man: Brand New Day, which currently boasts over 636k total interests. Directed by Destin Daniel Cretton, the film explores a Peter Parker operating in complete anonymity in a world that has forgotten him. Starring Tom Holland and Zendaya alongside new additions like Sadie Sink and Mark Ruffalo, the movie is adding a steady 8k interests daily as it approaches its July 31 release. Close behind is the pan-Indian spectacle Toxic: A Fairy Tale for Grown-ups. Starring Yash in a dual role, this ₹500 crore period gangster epic has amassed 619k interests. Even with its August 26 release still weeks away, the buzz surrounding Geetu Mohandas's vision and the powerhouse female cast of Nayanthara and Kiara Advani is undeniable. (adsbygoogle = window.adsbygoogle || []).push({}) Christopher Nolan's The Odyssey is carving its own unique path with 226k interests. This project is making history as the first narrative feature shot entirely on IMAX film cameras. While early trailers sparked internet debates over Robert Pattinson's modern dialogue choices, official first reactions from critics have described it as a visual masterpiece. With a nearly three-hour runtime and a cast featuring Matt Damon and Anne Hathaway, the film is set to hit theaters on July 17. The daily growth of 2k interests suggests that Nolan's technical ambition is outweighing any social media polarization. In the comedy and drama segments, Dhamaal 4 is generating healthy momentum with 121k total interests. The Ajay Devgn-led ensemble is currently adding 4k daily likes, showing strong nostalgia for the franchise as it gears up for a July 10 launch. Meanwhile, Awarapan 2 has crossed the 150k milestone. The legacy sequel marks the return of Emraan Hashmi to his iconic role as Shivam. Directed by Nitin Kakkar, the film completed principal photography in June and is eyeing an August 14 release. To better visualize how these heavyweights stack up against each other, here is a breakdown of their current standing on the platform. (adsbygoogle = window.adsbygoogle || []).push({}) Most Anticipated Movies (July-August 2026) - BMS Interest TrendsMOVIE NAMETOTAL BMS INTERESTSRELEASE DATESpider-Man: Brand New Day636K+31 Jul 2026Toxic: A Fairy Tale for Grown-ups619K+26 Aug 2026The Odyssey226K+17 Jul 2026Awarapan 2150K+14 Aug 2026Dhamaal 4121K+10 Jul 2026 The data suggests a very healthy appetite for diverse genres this summer. While Spider-Man and Toxic are operating on a different scale of volume, the steady rise of films like Dhamaal 4 indicates that family audiences and franchise fans are ready to return to theaters in large numbers. As release dates draw closer, these interest counts are expected to translate into strong advance booking numbers, setting the stage for several potential blockbusters across July and August.

BY CHRISTA LINCY

The landscape of Indian cinema is preparing for what could be its most monumental theatrical event yet. Nitesh Tiwari's mythological epic, Ramayana, has remained a constant subject of fascination since its announcement. In a significant development for the film's domestic prospects, Variety India has exclusively reported that Karan Johar's Dharma Productions has officially secured the Indian distribution rights for this ambitious project. The deal comes after a rigorous selection process by producer Namit Malhotra, the CEO of DNEG and Founder of Prime Focus. To find the right partner for a project of this scale, Malhotra reportedly showcased an edited 30-minute footage of the film to several major studios. The visual spectacle and craftsmanship shown in this sneak peek reportedly left Dharma Productions impressed, leading to deep negotiations. While initial discussions for the distribution rights were said to have started at a staggering ₹500 crore, the deal was eventually finalized at ₹250 crore. This partnership ensures that the film will benefit from Dharma’s extensive reach and marketing expertise across the Indian market. (adsbygoogle = window.adsbygoogle || []).push({}) While Dharma Productions handles the domestic front, the film's global footprint is equally impressive. Warner Bros. Pictures has been brought on board to distribute the first installment overseas, marking a rare collaboration between a major Hollywood studio and an Indian mythological epic for a Diwali release. This dual distribution strategy highlights the producer's vision to position Ramayana not just as a national event, but as a global cinematic milestone. The project boasts one of the most high-profile pan-India ensembles ever assembled. Ranbir Kapoor leads the cast as Lord Rama, with Sai Pallavi portraying Goddess Sita and Yash taking on the role of the formidable Ravana. The supporting cast is equally star-studded, featuring Sunny Deol as Lord Hanuman and Ravie Dubey as Lakshman. The wider cast includes industry veterans and popular stars like Lara Dutta as Kaikeyi, Rakul Preet Singh as Surpanakha, and Arun Govil—who famously played Rama in the original television series—now appearing as King Dashrath. The scale of the production is further elevated by its musical score, which is a historic collaboration between Hollywood maestro Hans Zimmer and the legendary AR Rahman. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Nitesh Tiwari, known for his work on Dangal and Chhichhore, the film is set to be released in two parts. By focusing on a character-driven narrative supported by world-class visual effects from DNEG, the production aims to bring a fresh yet faithful perspective to the timeless epic. With the distribution partners now locked in both locally and internationally, the path is clear for Ramayana to dominate the theatrical space when it arrives this Diwali.

BY CHRISTA LINCY

Welcome To The Jungle, the third installment in the popular comedy franchise, has officially completed its second Monday in theaters. While the film saw a decent second weekend, the transition into the work week has brought a significant decline in its collection momentum. On its 11th day, the movie earned a net of ₹2.65 Cr across India from 5,972 shows. This represents a 72.8% drop from the second Sunday net of ₹9.75 Cr, which is a fairly steep fall even by weekday standards for a big-budget ensemble film. With this addition, the total net collection in India has reached ₹117.55 Cr. When we look at the gross figures, the domestic total stands at ₹139.90 Cr. Internationally, early estimates indicate that the film added ₹0.50 Cr on its 11th day, bringing the total overseas gross to ₹30.45 Cr. According to data provided by Venky Box Office, the film earned $52K [approx ₹44L] in North America on Sunday, taking its total in that region to $1.09M [approx ₹9.07 Cr]. Collectively, the worldwide gross collection for Welcome To The Jungle now stands at ₹170.35 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) The digital ticket tracking on BookMyShow also reflects this slowing pace. On its second Monday, the platform recorded 46.01K ticket sales, which is a sharp drop from the 139.57K tickets sold on the second Sunday. This brings the total BookMyShow sales to approximately 21.08 lakh tickets. Interestingly, when compared to other major releases in the 2025-26 period, Welcome To The Jungle missed a spot in the top 10 list for second Monday BMS sales. It currently sits at the 11th position, trailing behind films like Housefull 5 and Jolly LLB 3. Looking at the performance within major national chains, the numbers remained modest. PVR recorded about 3,500 ticket sales, resulting in a gross of approximately ₹10.6L from 846 shows with 2.3% occupancy. INOX saw nearly 3,400 tickets sold, bringing in roughly ₹7.4L across 730 shows at 2.4% occupancy. Cinepolis contributed around 1,600 tickets for a gross of about ₹3.4L from 433 shows with 1.8% occupancy. In total, these top three chains accounted for approximately 8,500 tickets and a gross of roughly ₹21.35L from about 2,000 shows, with an overall occupancy of around 2.22%. (adsbygoogle = window.adsbygoogle || []).push({}) The regional occupancy report for the Hindi 2D version shows that Mumbai was the best-performing major market with 14.5% occupancy across 430 shows, peaking at 21% during night screenings. The National Capital Region followed with 12.8% occupancy from 654 shows. Pune also showed some resilience with 13.5% occupancy. However, the film faced a tougher time in Gujarat, where Ahmedabad recorded 8.3% occupancy and Surat dropped to a low of 4.0%. Across most regions, the night shows saw the highest footfalls, while morning shows generally stayed in the single digits.

BY CHRISTA LINCY

Alpha has officially hit the first Monday mark, and the performance suggests a challenging road ahead. As the first female-led spy thriller in the YRF Spy Universe, this Shiv Rawail directorial featuring Alia Bhatt and Sharvari Wagh takes a bold step by focusing on an emotional origin story rather than typical spy tropes. However, the film has faced a sharp crash in collections today, with numbers dropping over 70% compared to Sunday. For a big-budget action franchise of this scale, such a steep decline in momentum during the weekday transition is not ideal and indicates that the movie is struggling to find a steady grip at the box office. On its fourth day, the film collected a net of ₹3.85 Cr in India. This comes after a solid opening weekend, but the Monday test shows a 70.9% drop compared to Sunday net collection of ₹13.25 Cr. While a dip is expected after the weekend, a drop of over 70% suggests that the film is finding it challenging to maintain its initial momentum during the work week. (adsbygoogle = window.adsbygoogle || []).push({}) The film was screened across 6,997 shows on Monday with an overall occupancy of 13%. When we look at the regional breakdown for the Hindi 2D version, the National Capital Region led with 13.5% occupancy across 722 shows. Kolkata also saw a similar occupancy rate of 13.5% but on 208 shows. Mumbai followed closely at 11.8% from 562 shows. However, markets like Surat and Ahmedabad struggled, recording occupancies of 5% and 8.3% respectively. Looking at the time-of-day trends, evening and night shows generally performed better, with Mumbai hitting 17% occupancy in the late hours. Looking at the performance across major national chains, PVR led the way by selling about 5,500 tickets, which translated to a gross of approximately ₹16L from around 1,200 shows at 2.2% occupancy. INOX followed with nearly 4,900 tickets sold, bringing in roughly ₹11L across 1,000 shows with a similar occupancy of 2.2%. Cinepolis saw around 1,800 tickets sold for a gross of about ₹4L from 600 shows, recording 1.5% occupancy. Collectively, these chains contributed roughly 12,200 tickets and a total gross of about ₹31L from approximately 2,800 shows, with the overall occupancy settling at around 2% for the day. (adsbygoogle = window.adsbygoogle || []).push({}) With these additions, the total net collection in India now stands at ₹37.85 Cr, while the gross total has reached ₹45.34 Cr after four days of release. On the digital front, BookMyShow recorded 73.52K ticket bookings on Monday, bringing the total platform sales to 682.05K tickets so far. According to early estimates for the international market, the film added ₹1.50 Cr from overseas on Day 4, taking its total overseas gross to ₹18.30 Cr. Data provided by Venky Box Office shows that the film earned $136K [approx ₹1.30 Cr] in North America on Sunday, which pushes its total in that region to $574K [approx ₹5.48 Cr]. When we combine the domestic and international figures, the worldwide gross for Alpha is now estimated at ₹63.64 Cr. As the film moves through the rest of its first week, the focus will be on whether it can stabilize its daily collections to ensure a steady long-term run.The coming days will determine how well this character-focused approach resonates with the broader audience.

BY SUNIT JANGIR

Mumbai, July 6 - Filmmaker Aditya Dhar penned an emotional birthday note for Ranveer Singh as the actor turned 41, showering him with praise for his work in Dhurandhar films. Sharing his thoughts on social media, Dhar called Ranveer an "extraordinary actor" and described working with him as one of the most memorable experiences of his career. (adsbygoogle = window.adsbygoogle || []).push({}) In his heartfelt message, Dhar revealed that Dhurandhar would always remain special to him, not only because of the story they told but because he witnessed something incredibly rare while directing Ranveer. He specifically mentioned several intense sequences from the film, including the 26/11 sequence, the Pathankot massacre, and the final tea shop scene, praising the actor’s consistency and emotional depth in every take. "Every emotion landed exactly where it needed to. Every silence had meaning. Every glance had intent, "Dhar wrote, adding that Ranveer’s performance felt "touched by divine grace." The director went on to call the actor's work in Dhurandhar "one of the finest performances Indian cinema has ever seen," describing it as "a force of nature" that completely disappeared into the soul of the character. (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the professional admiration, Dhar also reflected on the personal bond they developed during the making of the film. "Somewhere along the way, you stopped being just my actor. You became my brother," he wrote, thanking Ranveer for trusting him with "your heart, your craft and your madness." The Dhurandhar duology has been a monstrous blockbuster at the box office. The first Dhurandhar, released in December last year, grossed over 1300 crores worldwide, while the sequel, Dhurandhar 2: The Revenge, went on to gross over 1800 crores after its release in March this year. Interestingly, reports say that Aditya Dhar and Ranveer Singh are planning another film together next year. (adsbygoogle = window.adsbygoogle || []).push({}) Happy Birthday, Ranveer Singh. ❤️Some films stay with you forever. Dhurandhar will always be one of those films for me. Not just because of the story we told but because I got to witness something very few directors ever get to witness.I’ve always known you’re an extraordinary… pic.twitter.com/Nuj5RTielg— Aditya Dhar (@AdityaDharFilms) July 6, 2026

BY SUNIT JANGIR

Mumbai, July 6 - The first weekend of July delivered a decent boost to the Indian box office, with new releases and strong holdover titles combining to generate impressive numbers across languages and territories. Leading the charts was Alpha, which opened at the top spot with better-than-expected weekend numbers, while Welcome to the Jungle continued its good run with a superb second-weekend hold. (adsbygoogle = window.adsbygoogle || []).push({}) 1. Alpha Leads The Pack With 40+ Cr Gross Alpha topped the weekend charts with a 40.80 crore gross opening weekend at the domestic box office. While expectations were significantly higher considering the scale and its connection to the YRF Spy Universe, the overall start can still be termed decent. The film performed best in multiplexes and urban markets, with Sunday collections showing noticeable growth. 2. Welcome To The Jungle Stood Firm In The Second Weekend Welcome 3 continued its successful theatrical run with a strong 25+ crore gross in its second weekend. The comedy entertainer showed a very good hold despite the arrival of new competition and continued to attract family audiences across mass circuits and single screens. The franchise value and entertainment factor are clearly working in the film's favour. (adsbygoogle = window.adsbygoogle || []).push({}) 3. Gatta Kusthi 2 Took An Excellent Opening Gatta Kusthi, the sequel to Vishnu Vishal's 2022 movie Gatta Kusthi, was one of the biggest winners of the weekend. The film performed very well in Tamil Nadu while the rest of the markets put up a decent performance, where positive word-of-mouth translated into strong occupancies throughout the weekend. Its trend indicates solid audience acceptance. Meanwhile, the Telugu 100 crore budgeted film had an average opening weekend domestically. Despite being mounted on a massive budget, Nagabandham managed a moderate 11+ crore gross during the weekend. While the film saw decent traction in select Telugu centres, the overall performance remained average considering the expectations. Rounding off the top 5 list was Main Vaapas Aaunga, which, despite increasing competition, emerged as one of the most impressive performers of the weekend due to its superb hold. The film continued to attract audiences steadily and maintained stable collections despite facing competition from multiple releases. Its consistency suggests strong support in mass pockets and smaller centres. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 India Box Office Weekend Winners (July 3-5) S. No. Movie Weekend India GBOC Total India GBOC 1 Alpha ₹ 40.80 Cr ₹ 40.80 Cr 2 Welcome 3 ₹ 25.85 Cr ₹ 136.80 Cr 3 Gatta Kusthi 2 ₹ 16.00 Cr ₹ 16.00 Cr 4 Nagabandham ₹ 11.65 Cr ₹ 11.65 Cr 5 Main Vaapas Aaunga ₹ 6.20 Cr ₹ 68.50 Cr Note: Gross collection*

BY CHRISTA LINCY

Cocktail 2 has wrapped up its third weekend at the box office, and the narrative has shifted from a promising start to a struggle for survival. After seventeen days in theaters, the film has reached a total India net collection of ₹92.55 Cr. While the movie began its journey with a powerhouse opening week of ₹70.50 Cr, the subsequent weeks have seen a sharp and concerning decline. Although the film is indeed battling a massive screen crunch due to newer tentpole releases, the primary issue lies with the word of mouth, which hasn't been strong enough to sustain interest. In an environment where audience appreciation typically drives longevity, the mixed reception has made it difficult for the sequel to maintain its momentum against the heavy competition. The third weekend began on a quiet note this past Friday, with the film collecting ₹0.75 Cr net. However, as is often the case with urban comedies, it saw a significant jump on Saturday, growing by 53.3% to earn ₹1.15 Cr. Sunday followed with another 8.7% rise, bringing in ₹1.25 Cr. This brings the three-day weekend total to approximately ₹3.15 Cr. When we look at the cumulative figures, the India gross now stands at ₹110.35 Cr, achieved across more than 1,01,000 shows since its release. (adsbygoogle = window.adsbygoogle || []).push({}) Cocktail 2 - 3rd Weekend India Net CollectionDAYINDIA NET COLLECTIONSHOWSDay 15 (3rd Friday)₹ 0.75 Cr1,521Day 16 (3rd Saturday)₹ 1.15 Cr1,095Day 17 (3rd Sunday)₹ 1.25 Cr1,129Total 3rd Weekend₹ 3.15 Cr3,745 In terms of audience engagement on digital platforms, BookMyShow recorded steady interest over the weekend. Friday saw 12.94K tickets sold, Saturday peaked with 19.25K, and Sunday maintained a decent hold with 17.62K tickets. In total, the film has sold over 1.6 million tickets on the platform to date. In the national chains like PVR, INOX, and Cinepolis, the film sold over 15,000 tickets during the third weekend, with Sunday being the busiest day. Specifically for Sunday, around 7,400 tickets were sold across these chains. PVR led the weekend contribution with 3,800 tickets, followed by INOX with 2,100, and Cinepolis with 1,500 tickets. The occupancy for Sunday sat at an average of 6.5%, reflecting the limited screen space currently available. (adsbygoogle = window.adsbygoogle || []).push({}) The global performance remains a highlight, with the film grossing a total of ₹140.40 Cr worldwide. This includes an overseas contribution of ₹30.05 Cr. In the North American market, Cocktail 2 continues to find takers; data from Venky Box Office shows it collected $16K on Saturday, taking its total in that region to $1.42M. While these international numbers are respectable, the domestic market remains the primary focus as the film nears the 100 Crore milestone. The journey from the second week to the third has been particularly difficult for the film. After a solid opening weekend of ₹47.50 Cr, the collections suffered a significant 75% drop in momentum. While a severe screen crunch caused by the arrival of Alpha, Welcome to the Jungle, and Main Vaapas Aaunga certainly limited its reach, the primary challenge has been the lack of strong word-of-mouth. Typically, films that resonate deeply with audiences manage to find their way even with fewer screens, but the mixed reception for this sequel has made it hard to sustain footfalls. With a landing cost of ₹150 Cr, the film is now in a tough spot as it struggles to recover its investment against the current box office trend. (adsbygoogle = window.adsbygoogle || []).push({}) The big question now is whether Cocktail 2 can cross the ₹100 Cr net mark in India. It currently needs about ₹7.45 Cr to reach that goal. Given that the entire third weekend only generated a little over ₹3 Cr, reaching the century mark will be a steep uphill battle. Unless the film manages a miraculous hold during the weekdays or regains some screens in the coming week, it might fall just short of that coveted three-figure milestone.