Khalnayak Returns: Sanjay Dutt Approaches Rajkumar Santoshi to Direct; Filmmaker Politely Declines

BY SUNIT JANGIR

Mumbai, July 16 - The Bhool Bhulaiyaa franchise is gearing up for another spooky adventure. After the commercial success of the previous instalments, work has reportedly begun on Bhool Bhulaiyaa 4, with reports suggesting that the film is currently in development. Kartik Aaryan is expected to reprise his popular role as Rooh Baba, continuing the character's journey in the horror-comedy universe. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest report by Pinkvilla, the script for Bhool Bhulaiyaa 4 is presently being written, with the makers taking their time to craft a fresh story for the next chapter. Production is reportedly being planned for 2027, although the project is still in its early stages. The remaining cast and crew, including the film's director, are yet to be officially finalised. Director Anees Bazmee had previously confirmed that the fourth instalment was in the works and stated that Kartik Aaryan's return was the only casting decision locked at the time. There is no clarity if Bazmee will return to direct the upcoming comedy entertainer, as the conversations are progressing internally on who will helm the project. (adsbygoogle = window.adsbygoogle || []).push({}) The Bhool Bhulaiyaa franchise has evolved into one of Bollywood's most successful horror-comedy series. Following the success of the original film starring Akshay Kumar, the franchise found renewed momentum with Kartik Aaryan leading Bhool Bhulaiyaa 2 and Bhool Bhulaiyaa 3. With a fourth instalment now in development, fans can expect another blend of supernatural thrills, comedy, and mystery as Rooh Baba prepares to return to the big screen.

BY SACNILK TEAM

Virgin Music Group ("VMG"), the world's leading partner to independent artists, labels and entrepreneurs, today announces a global distribution partnership with acclaimed artist Rajesh Ahir. The agreement spans Rajesh Ahir's future work as well as his complete existing catalogue. This partnership marks a significant milestone in Rajesh Ahir's musical journey and underscores his commitment to delivering exceptional music across generations and geographies. Rajesh Ahir shared his excitement about the partnership, saying: "Music has always been my way of connecting with people and sharing stories that come from the heart. Working with Virgin Music Group is the start of an exciting new chapter in my journey. Their global infrastructure makes them the ideal partner to help take my music to audiences far and wide, and I look forward to creating songs that continue to inspire, entertain, and leave a lasting impact." Rajesh Ahir is a renowned Gujarati folk singer, musician, and performing artist from Dhaneti village in Kutch, Gujarat. Rajesh is recognised for his contributions to Gujarati folk and devotional music and has gained popularity through songs such as "Maan Na Mohanji," "Dwarika Ni Sheriye," "Kana Ne Makhan Bhave," "Aavje Mogal," and "Mava Tari Murti." Known for his ability to blend his traditional Kutch and Gujarati folk heritage with a contemporary music influence, Rajesh strives to keep the region's rich cultural legacy alive while connecting with a younger generation of listeners. Amol Suryavanshi, Label Manager at Virgin Music Group, said: "Rajesh Ahir is a remarkable artist whose authenticity, creativity, and connection with his audience make him truly special. We’re excited to work closely with Rajesh and help him take Gujarati music to listeners across India and around the world."

BY SUNIT JANGIR

Mumbai, July 16 - The first week of December 2026 is shaping up to be one of the biggest box office battlegrounds in recent memory. Three major Hindi and pan-India releases are set to arrive within two days of each other, setting the stage for an intense clash before Hollywood giants Avengers: Doomsday and Dune: Part Three, and Shah Rukh Khan's King dominate cinemas later in the month. (adsbygoogle = window.adsbygoogle || []).push({}) Prabhas' much-awaited period action drama Fauzi has officially locked December 3, 2026, as its theatrical release date. Directed by Hanu Raghavapudi, the film has generated significant buzz ever since its announcement and is expected to be one of the biggest pan-India releases of the year. With Prabhas returning in a larger-than-life role, the film is expected to command a massive release across multiple languages. Just a day later, on December 4, Ajay Devgn's much-awaited Ranger is scheduled to hit theatres. Sharing the same release date is Akshay Kumar's untitled collaboration with director Anees Bazmee, setting up a direct three-way contest among some of Indian cinema's biggest stars. While all three films cater to different audiences, they will inevitably compete for premium screens, show timings, and opening weekend collections. (adsbygoogle = window.adsbygoogle || []).push({}) The timing makes the clash even more significant. The three Indian releases will have barely two weeks to maximise their theatrical business before Avengers: Doomsday and Dune: Part Three, along with King, arrive later in December, films that are expected to occupy a substantial share of IMAX and premium large-format screens worldwide. As a result, the opening weekend and first fortnight will be crucial for Fauzi, Ranger, and Akshay Kumar's upcoming entertainer. With Prabhas, Ajay Devgn, and Akshay Kumar all eyeing the lucrative year-end holiday season, the first week of December 2026 is set to become one of the most closely watched box office clashes in recent years. Whether all three films stick to their announced dates or one eventually opts to avoid the crowded window remains to be seen, but as of now, audiences are in for a blockbuster showdown.

BY SUNIT JANGIR

Hyderabad, July 16 - Pan-India superstar Prabhas' highly anticipated period war drama Fauzi has finally locked its theatrical release date. The makers officially announced that the Hanu Raghavapudi directorial will release in cinemas worldwide on December 3, 2026, while unveiling a powerful new poster featuring the actor in one of his most intense looks to date. The announcement comes after months of speculation over the film's release window and immediately puts Fauzi among the biggest Indian releases lined up for the end of the year. The newly released poster presents Prabhas in a battered and blood-soaked avatar, seated on a rock amidst a war-ravaged battlefield filled with fallen soldiers. (adsbygoogle = window.adsbygoogle || []).push({}) Holding a rifle while covered in battle scars, the actor exudes determination despite the destruction around him. The poster also carries the striking tagline, "A Battalion Who Fights Alone," hinting at a story centred on courage, sacrifice, and an extraordinary soldier fighting against overwhelming odds. The rugged visual has already generated massive excitement across social media. Directed by acclaimed filmmaker Hanu Raghavapudi, Fauzi is set against the backdrop of pre-Independence India and is expected to blend large-scale action with an emotionally driven narrative. The film stars debutante Imanvi opposite Prabhas, while veteran actors Mithun Chakraborty and Jaya Prada play pivotal roles. (adsbygoogle = window.adsbygoogle || []).push({}) Backed by Mythri Movie Makers in association with T-Series, the film is mounted on a lavish budget and is being shot as one of the most ambitious projects in Prabhas' career. The release announcement also confirms that Fauzi will be available in multiple Indian languages, including Telugu, Hindi, Tamil, Kannada, Malayalam, and Bengali, underscoring its pan-India appeal. Prabhas has an exciting slate ahead with Spirit, Kalki 2898 AD Part 2, and Salaar Part 2. With Fauzi now officially dated for December 3, 2026, fans can expect the promotional campaign to gather pace in the coming months, beginning with the teaser and first glimpses from what promises to be one of the biggest cinematic spectacles of the year. (adsbygoogle = window.adsbygoogle || []).push({}) अज्ञातपर्व ENDS. THE REBELLION BEGINS 🔥#Fauzi GRAND RELEASE WORLDWIDE ON 3rd DECEMBER 2026 ❤‍🔥#FauziOnDec3Rebel Star #Prabhas#Imanvi @hanurpudi #MithunChakraborty #JayaPrada @AnupamPKher @Composer_Vishal @sudeepdop @kk_lyricist @MrSheetalsharma @rckamalakannan… pic.twitter.com/EBeYKkNsjo— Mythri Movie Makers (@MythriOfficial) July 16, 2026

BY CHRISTA LINCY

Director Ponram officially confirmed that a sequel to the 2013 cult comedy blockbuster, Varuthapadatha Valibar Sangam, was in development during an interview back in December 2025. This update was shared while he was promoting his film Kombuseevi, finally addressing years of fan requests for a second installment. Despite the confirmation happening late last year, the project continues to spark intense debate across Kollywood social media circles due to a significant shift in its casting and creative direction. While the news has been public for some time, the transition from the original leads to a new team remains a major talking point as the production moves closer to reality. The original film was a major milestone in Sivakarthikeyan's career, but the director has clarified why the actor will not be headlining the sequel. Ponram initially drafted the script with Sivakarthikeyan in mind, but the actor's stardom and market value have grown exponentially over the last decade. The director noted that a simple rural comedy no longer aligns with Sivakarthikeyan's current massive star status and mass hero image. Rather than heavily overhauling the script to fit a larger-than-life persona, the decision was made to transition the project to a fresh cast. (adsbygoogle = window.adsbygoogle || []).push({}) Current reports and industry buzz strongly suggest that Rio Raj is stepping in as the lead for this sequel. Adding another layer to his involvement, Rio Raj is also expected to bankroll the film under his newly established production banner, River Route Studios. While Ponram has confirmed that the story is completely ready, the final casting and production details are still awaiting a formal announcement from the team. Until then, these reports remain in the realm of unverified speculation. The original 2013 film remains a massive blockbuster in Tamil cinema, having grossed over ₹30 crore at the box office and successfully completing a 50-day theatrical run. Its success was anchored by the comedic chemistry between Sivakarthikeyan, Soori, and Sathyaraj, complemented by a chartbuster soundtrack from D. Imman that included popular tracks like Oodha Kalaru Ribbon. Because the first installment set such a high benchmark for rural entertainers, many fans believe that recreating that same rustic charm and comedic timing without the original lead duo will be a significant challenge for the sequel. (adsbygoogle = window.adsbygoogle || []).push({}) On social media, the announcement has faced some pushback, with a section of the audience expressing that nobody can replace the SK factor. There have even been suggestions from fans to change the title of the film to avoid direct comparisons with the iconic first part. The creative team is reportedly focused on recreating that exact lighthearted audio-visual vibe. The reported shift in the lead role points toward Rio Raj, who has established a presence in the industry with films like Nenjamundu Nermaiyundu Odu Raja and the 2023 hit Joe. His most recent outing, Aan Paavam Polladhadhu, performed well at the box office, solidifying his standing as a viable lead for comedy-centric entertainers. Beyond just acting, Rio Raj is expected to bankroll this project under his own production banner, River Route Studios, while he also prepares for his upcoming release, Ram Leela. This transition marks a significant pivot for the franchise, as the makers look to bring in a fresh energy that aligns with the current market for mid-budget rural comedies. (adsbygoogle = window.adsbygoogle || []).push({}) As the sequel moves into its next phase of development, the original team is focused on their respective individual projects. Sivakarthikeyan is currently busy with a packed lineup that includes the film Seyon, while director Ponram is also developing another full-fledged comedy film alongside this VVS sequel. Whether the sequel can live up to the blockbuster legacy of the original without its founding lead duo is something the industry will be watching closely as official production details emerge.

BY CHRISTA LINCY

With only a few days remaining before the Ramayana trailer release, new details have emerged regarding its official launch at the San Diego Comic-Con. On July 15, the Central Board of Film Certification (CBFC) cleared a 4-minute-15-second-long trailer for the film with a U certificate. This sets the stage for a major international presentation, where director Nitesh Tiwari and the core team are expected to unveil the first look of the epic to a global audience. One of the most significant updates involves the official trailer, which was cleared by the Central Board of Film Certification on July 15 with a U certificate. The makers have reportedly prepared two distinct versions for the launch. One cut, titled Trailer - Ramayana 3D, features a runtime of 4 minutes and 15 seconds, while a second version, intended for theatrical use, runs for exactly 4 minutes. This unusually long duration indicates that the team is ready to offer an extensive and detailed look into the mythological world they have built over the last few years. (adsbygoogle = window.adsbygoogle || []).push({}) The trailer launch is not just a digital release but a grand physical event in San Diego. The panel will be held in Ballroom 20, which is the second-largest venue at the convention center, capable of accommodating nearly 4,800 attendees. It is a prestigious slot, occurring between 3:15 pm and 4:15 pm PDT on July 23, which translates to 3:45 am to 4:45 am IST for viewers in India on Friday, July 24. The official Comic-Con website has listed producer Namit Malhotra and director Nitesh Tiwari alongside lead actors Ranbir Kapoor and Yash, referring to them as international superstars. The panel description promises much more than a simple screening. Attendees can expect never-before-seen footage, exclusive reveals, live performances, and special giveaways. This move puts Ramayana in the same league as global franchises like the Marvel Cinematic Universe, whose president Kevin Feige is scheduled for a major presentation in the larger Hall H on the following day to reveal the future of the MCU and likely the trailer for Avengers: Doomsday. By securing a spot in Ballroom 20, the makers are positioning the film as a global cinematic spectacle, backed by the visual effects expertise of DNEG and Prime Focus Studios. (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the international buzz, the team has also launched a massive ground-level campaign in India titled Hamara Satya, Hamara Itihaas. This school outreach initiative, which began on July 9, aims to connect with over five lakh students across 400 schools in 18 different cities. Through quizzes, drawing competitions, and interactive sessions, the campaign focuses on the core values of the epic, engaging the next generation before the film’s theatrical release. It is a dual strategy that balances local cultural roots with global promotional ambitions. The scale of the production is further highlighted by its cast and crew. While Ranbir Kapoor leads as Rama and Yash takes on the role of Ravana, the film also features Sai Pallavi as Sita, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman. Veterans like Arun Govil and Lara Dutta are also part of the ensemble as Dashrath and Kaikeyi. The musical score is a collaboration between Academy Award winners Hans Zimmer and A.R. Rahman, adding another layer of international appeal. With the first part scheduled for a Diwali 2026 release and the second in Diwali 2027, the San Diego Comic-Con showcase marks the beginning of what the creators call the largest cinematic undertaking in Indian film history.

BY SUNIT JANGIR

Mumbai, July 16 - The promotional campaign for Nitesh Tiwari's massively anticipated Ramayana: Part 1 has officially entered its next phase, with the film's much-awaited trailer receiving clearance from the Central Board of Film Certification (CBFC) ahead of its global launch. The trailer has been awarded a 'U' certificate, making it suitable for audiences of all age groups. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest reports, two versions of the trailer have been certified. The theatrical trailer runs exactly 4 minutes, while the official digital version runs 4 minutes and 15 seconds. Both versions have received a clean U certificate, reflecting the makers' intention to position Ramayana as a grand family entertainer. The trailer is scheduled to make its worldwide debut on July 24, following an exclusive industry and media launch event. The extended runtime suggests that audiences will get a comprehensive look at the film's scale, introducing the principal characters, large-scale action sequences, breathtaking visual effects, and the mythical world envisioned by director Nitesh Tiwari. (adsbygoogle = window.adsbygoogle || []).push({}) Produced by Namit Malhotra's Prime Focus Studios in association with Monster Mind Creations, Ramayana: Part 1 stars Ranbir Kapoor as Lord Ram, Yash as Ravana, Sai Pallavi as Sita, Sunny Deol as Hanuman, and Ravie Dubey as Lakshman. The first instalment is slated to release in theatres on October 30, 2026, with Part 2 scheduled for Diwali 2027. With a four-minute-plus trailer now certified, anticipation is at an all-time high for what is widely expected to be one of the biggest cinematic events in Indian film history.

BY CHRISTA LINCY

Dhamaal 4 arrives as the latest installment in a comedy franchise that has historically relied on loud, slapstick humor to draw crowds. The film reunites the familiar ensemble of Ajay Devgn, Riteish Deshmukh, Arshad Warsi, and Javed Jaffrey, aiming to capitalize on the nostalgia of the earlier hits. However, the pre-release momentum was notably lukewarm; when the trailer first dropped, it failed to ignite the kind of massive social media conversation or high-octane buzz usually expected from a big-budget sequel. Instead of a wave of excitement, the initial reaction was quite measured, leaving the film to rely heavily on its theatrical performance to prove its worth. Now, six days into its run, the film is performing well at the box office, managing to find its footing and draw in consistent numbers. By the end of its sixth day, Dhamaal 4 has reached a worldwide gross of ₹124.66 Cr, a figure that highlights its steady performance across markets. This total is built on a solid domestic foundation, with India gross collections standing at ₹107.41 Cr. In the international circuit, the film has brought in a total gross of ₹17.25 Cr. When focusing on the core domestic earnings, the movie has officially secured a net collection of ₹90 Cr in India so far. (adsbygoogle = window.adsbygoogle || []).push({}) Looking specifically at the Day 6 performance, which fell on a Wednesday, the film collected a net of ₹6.75 Cr. When we compare this to Tuesday's net collection of ₹9.50 Cr, we see a drop of 28.9 percent. This decline is quite standard for a comedy film during the middle of its first week, as the initial weekend rush settles into a steady weekday pace. To achieve this Day 6 figure, the movie played across 11,137 shows, contributing to a massive cumulative total of 65,916 shows since its release. On the international front, early estimates suggest the film added another ₹1.25 Cr (approximately 149 thousand dollars) on its sixth day. According to Venky Box Office, the film earned 139 thousand dollars (roughly ₹1.16 Cr) on Tuesday alone. This brings its total North American gross to 714 thousand dollars (approximately ₹5.98 Cr). These numbers indicate a decent pull among the diaspora, even on working days. (adsbygoogle = window.adsbygoogle || []).push({}) Ticketing trends on BookMyShow further highlight the film's reach. On Tuesday, the platform recorded 133.65K tickets booked, while Wednesday saw 100.96K bookings. In total, the film has seen over 16,12,090 tickets sold through this platform alone. These figures reflect a healthy interest, though there is a visible downward trend as the week progresses. Looking at the performance across major national chains—PVR, INOX, and Cinepolis—we get a clearer picture of how the movie is trending through advance bookings. For its sixth day, these chains collectively sold around 5,300 tickets, resulting in a total gross of approximately ₹14.3 Lakhs. This was achieved across nearly 3,490 shows, reflecting a modest advance occupancy of about 0.9 percent. When we break these numbers down, INOX led the way with roughly 2,900 tickets sold, bringing in nearly ₹7.2 Lakhs from about 1,280 shows, which translates to a 1.0 percent occupancy rate. PVR followed with roughly 2,400 tickets, generating about ₹7.1 Lakhs from a slightly higher show count of around 1,540, resulting in an occupancy of approximately 0.8 percent. Interestingly, Cinepolis, which scheduled around 670 shows across nearly 80 venues, saw no activity in advance ticket sales for this period. These figures highlight that the film is currently relying more on spontaneous spot bookings and walk-in audiences rather than pre-planned ticket purchases, which is quite common for comedy sequels during the work week as they aim to maintain their screen count heading into the second weekend. (adsbygoogle = window.adsbygoogle || []).push({}) When we break down the occupancy for Day 6, the overall average across India stood at 14.12 percent. The interest level grew steadily throughout the day, starting with a 6.92 percent occupancy in the morning shows. This jumped to 13.62 percent in the afternoon and 15.31 percent in the evening with the night shows peaking at 19.00 percent occupancy. Regional performance also tells an interesting story. The National Capital Region (NCR) led with 1,025 shows and an overall occupancy of 14.5 percent. Mumbai followed closely with 856 shows and 14.0 percent occupancy. Ahmedabad showed a strong preference for the film with 623 shows and a 15.5 percent occupancy rate, while Pune and Bengaluru saw 12.3 percent and 13.3 percent occupancy respectively. Surat recorded a lower engagement at 7.3 percent across its 381 shows.

BY SUNIT JANGIR

Mumbai, July 15 - Warner Bros. has delayed director Matt Reeves' The Batman Part II, pushing the highly anticipated DC sequel further down the release calendar. While the news may disappoint fans eagerly awaiting Robert Pattinson's return as the Caped Crusader, the studio softened the blow by unveiling the first official look from the film, offering a glimpse of the next chapter in Reeves' acclaimed Gotham saga. (adsbygoogle = window.adsbygoogle || []).push({}) The sequel, which was previously scheduled to arrive in theatres on October 1, 2027, will now release on February 18, 2028. The move is part of a broader reshuffle of Warner Bros.' theatrical slate, with J.J. Abrams' fantasy film The Great Beyond taking over the October 2027 release slot. According to industry reports, the delay gives Reeves and his team additional time to complete the film's extensive post-production and visual effects work. Alongside the announcement, Warner Bros. released the first official image from The Batman Part II, featuring Robert Pattinson back as Bruce Wayne. While the studio has kept plot details tightly under wraps, the image hints at another gritty and atmospheric outing set in Gotham City. The reveal has quickly sparked excitement across social media, with fans speculating about the sequel's story, new villains, and how it will build on the events of The Batman and HBO's The Penguin series. (adsbygoogle = window.adsbygoogle || []).push({}) First teaser for ‘THE BATMAN: PART 2’.In theaters on February 18, 2028. pic.twitter.com/qEQ8aqNzGR— DiscussingFilm (@DiscussingFilm) July 15, 2026 Matt Reeves returns to direct and co-write the sequel, with Robert Pattinson reprising his role as the Dark Knight. Although the extended wait is frustrating for fans, expectations remain sky-high following the critical and commercial success of 2022's The Batman, which grossed over $772 million worldwide and established a darker, detective-focused take on the iconic superhero. With the first look now out and production progressing, The Batman Part II remains one of the most anticipated superhero films on Warner Bros.' upcoming slate.

BY SUNIT JANGIR

Mumbai, July 13 - Director Christopher Nolan's The Odyssey is gearing up for a spectacular start at the Indian box office. The highly anticipated epic, which arrives in cinemas on July 17, has generated extraordinary excitement among moviegoers and is now firmly on track for a 20 crore-plus India gross opening day. (adsbygoogle = window.adsbygoogle || []).push({}) With Nolan's immense fan following in the country and premium formats witnessing exceptional demand, the film is expected to register one of the biggest Hollywood openings ever in India. The booking numbers further underline the massive anticipation. With less than two days still left before release, The Odyssey has already sold tickets worth approximately 10 crore gross (including block seats) for its opening day. The film is enjoying outstanding demand across IMAX, 4DX, and other premium large-format screens, while bookings in the standard multiplex formats are also gaining momentum. The strong pre-sales have put the film in an excellent position to cross the 20 crore gross mark on its opening day with a realistic chance of 25 crore gross opening. (adsbygoogle = window.adsbygoogle || []).push({}) Premium ticket prices, a wide release in English, Hindi, Tamil, and Telugu, and Christopher Nolan's loyal audience are expected to drive strong occupancy across the country. The final three days of advance sales, along with healthy spot bookings on release day, could push the opening even higher if the current trend continues. Featuring an ensemble cast led by Matt Damon, Tom Holland, Zendaya, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Charlize Theron, and Jon Bernthal, The Odyssey is Nolan's ambitious adaptation of Homer's legendary Greek epic. Shot entirely with IMAX cameras, the film is among the biggest global releases of the year and is expected to dominate the Indian box office during its opening weekend.

BY SUNIT JANGIR

Highest-Grossing $1 Billion Movies Worldwide Rank Movie Release Year Worldwide Gross 1Avatar2009$2.923 Billion 2Avengers: Endgame2019$2.799 Billion 3Avatar: The Way of Water2022$2.334 Billion 4Titanic1997$2.264 Billion 5Ne Zha 22025$2.260 Billion 6Star Wars: Episode VII – The Force Awakens2015$2.071 Billion 7Avengers: Infinity War2018$2.052 Billion 8Spider-Man: No Way Home2021$1.921 Billion 9Zootopia 22025$1.866 Billion 10Inside Out 22024$1.698 Billion 11Jurassic World2015$1.671 Billion 12The Lion King (2019 Remake)2019$1.662 Billion 13The Avengers2012$1.520 Billion 14Furious 72015$1.515 Billion 15Top Gun: Maverick2022$1.503 Billion 16Avatar: Fire and Ash2025$1.480 Billion 17Frozen II2019$1.453 Billion 18Barbie2023$1.445 Billion 19The Super Mario Bros. Movie2023$1.361 Billion 20Black Panther2018$1.349 Billion 21Harry Potter and the Deathly Hallows – Part 22011$1.342 Billion 22Star Wars: Episode VIII – The Last Jedi2017$1.334 Billion 23Jurassic World: Fallen Kingdom2018$1.310 Billion 24Deadpool & Wolverine2024$1.300 Billion 25Frozen2013$1.285 Billion 26Beauty and the Beast (Live Action)2017$1.266 Billion 27Incredibles 22018$1.243 Billion 28The Fate of the Furious2017$1.236 Billion 29Iron Man 32013$1.214 Billion 30Minions2015$1.159 Billion 31Captain America: Civil War2016$1.155 Billion 32Aquaman2018$1.152 Billion 33Moana 22025$1.150+ Billion 34The Lord of the Rings: The Return of the King2003$1.147 Billion 35Spider-Man: Far From Home2019$1.131 Billion 36Captain Marvel2019$1.131 Billion 37Transformers: Dark of the Moon2011$1.123 Billion 38Skyfall2012$1.108 Billion 39Transformers: Age of Extinction2014$1.104 Billion 40Jurassic Park1993$1.104 Billion 41The Dark Knight Rises2012$1.084 Billion 42Star Wars: Episode IX – The Rise of Skywalker2019$1.077 Billion 43Joker2019$1.074 Billion 44Toy Story 42019$1.073 Billion 45Pirates of the Caribbean: Dead Man's Chest2006$1.066 Billion 46Toy Story 32010$1.066 Billion 47Rogue One: A Star Wars Story2016$1.058 Billion 48Aladdin (Live Action)2019$1.054 Billion 49Pirates of the Caribbean: On Stranger Tides2011$1.046 Billion 50Despicable Me 32017$1.034 Billion 51The Lion King: Mufasa2025$1.050+ Billion 52Finding Dory2016$1.028 Billion 53Star Wars: Episode I – The Phantom Menace1999$1.027 Billion 54Alice in Wonderland (Live Action)2010$1.025 Billion 55Zootopia2016$1.025 Billion 56The Hobbit: An Unexpected Journey2012$1.017 Billion 57The Dark Knight2008$1.006 Billion 58Jurassic World Dominion2022$1.001 Billion 59Harry Potter and the Sorcerer's Stone2001$1.001 Billion 60Lilo & Stitch (Live Action)2025$1.001 Billion 61The Super Mario Galaxy Movie2026$1.009 Billion 62Michael2026$1.001 Billion Data as of July 13, 2026 (Data courtesy - Deadline and Box Office Mojo)

BY CHRISTA LINCY

Dhamaal 4 is moving through its first Wednesday with a typical mid-week dip in numbers. As the film hits its sixth day in theaters, the focus is on how it compares to other recent releases in terms of daily engagement. While the initial rush has slowed down, the film is still managing to hold a steady position in the current market. Dhamaal 4 has secured the second spot for ticket sales on BookMyShow during the 8 am to 3 pm window of its first Wednesday. With 33K tickets sold in this period, it stands ahead of other major 2026 releases like Bhooth Bangla, which recorded 31K sales out of its 93K daily total, and Welcome To The Jungle, which also saw 31K sales against an 87K daily total. Border 2 remains the leader in this specific comparison with 61K tickets from a daily total of 171K. Overall, the market is experiencing a quieter day, with the cumulative 24-hour ticket volume for these tracked films expected to stay below 100,000.This specific comparison tracks major releases where the overall 24-hour ticket volume on BookMyShow remained below the 500,000 mark for their first Wednesday (adsbygoogle = window.adsbygoogle || []).push({}) Font style fo Looking at the specific hourly trends on BookMyShow, the film saw 33,110 tickets sold by 3 pm today. This is a noticeable decrease from yesterday's 45,210 tickets during the same period. A similar trend was observed in the 2 pm to 3 pm window, where the film sold 6,930 tickets compared to yesterday's 8,870. This downward trajectory is common for a first Wednesday, indicating a settling period as the film moves toward the end of its first week. The live box office data for Day 6 shows that Dhamaal 4 is currently running across 5,815 shows. So far, the film has collected a net of 1.54 Crore today. This brings the cumulative India net collections to 84.79 Crore. A major milestone has also been crossed on the gross front, as the total India gross collections have now officially surpassed the 100 Crore mark, currently sitting at 101.26 Crore. Final reports for the day are expected to push these figures slightly higher as the evening and night shows conclude. (adsbygoogle = window.adsbygoogle || []).push({}) Font style fo A closer look at the performance within major national cinema chains shows a very specific contribution pattern for today, July 15. PVR recorded approximately 2.4k tickets resulting in a gross of 7.1 Lakhs across 1.54k shows. INOX saw a slightly higher volume with 2.9k tickets sold, bringing in a gross of 7.2 Lakhs from 1.28k shows. Interestingly, Cinepolis recorded no tickets for the period tracked, with zero gross across its 0.67k shows. Collectively, these chains accounted for 5.3k tickets and a total gross of 14.3 Lakhs for the day. This resulted in a modest occupancy of 0.89 percent across the 3.49k scheduled shows in these chains. The overall picture for Dhamaal 4 remains one of steady accumulation. While the daily ticket sales have seen a percentage drop from Tuesday, the film holding the second spot among its peers shows that it is currently the preferred choice for audiences seeking comedy in the current release window. Crossing the 100 Crore gross mark in India is a significant psychological win for the makers as the film heads into its second weekend.