Rajinikanth

BY SACNILK

As Jana Nayagan enters its third week, the box office numbers have finally dipped below the 1 crore mark, signaling that the theatrical run is now moving into its final stretch. On its twentieth day, the film grossed 0.74 crore rupees in India, which is a 13.3 percent drop from the previous day's collection of roughly 0.85 crore rupees. While these daily figures are now relatively modest, the fact that the movie has traveled this far is a direct result of the immense fandom surrounding Vijay. Despite the significant challenge of a digital leak that usually cripples a film's longevity, the sheer star power of the lead actor has pushed the domestic gross to 225.63 crore rupees and the net total to 193.70 crore rupees so far. It is a clear case of fan loyalty sustaining a film's presence in theaters even when the momentum naturally begins to fade. The film performance on a global scale remains equally impressive. By adding a steady overseas gross of 93.20 crore rupees to its domestic earnings, Jana Nayagan has pushed its worldwide total gross to 318.83 crore rupees. This surge has allowed the film to surpass the lifetime collections of Karuppu, officially entering the list of the top ten highest-grossing Tamil movies of all time. This achievement is particularly notable for the lead actor, who now has three films in this prestigious all-time top ten list: Leo, GOAT, and now Jana Nayagan. He now shares this elite record with the legendary Rajinikanth, who also has three films—Coolie, Jailer, and 2.0—in the same bracket. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the ticketing data from BookMyShow, the film has shown incredible volume throughout its run. Starting with massive pre-sales of 1.18 million tickets, the momentum has carried through to its third week. The platform recorded 8,780 tickets on Monday and 6,820 tickets on Tuesday, bringing the total cumulative ticket sales on BookMyShow to a staggering 4,362,460. The performance at national chains including PVR, INOX, and Cinepolis remained stable for a twentieth day. Combined, these major chains sold approximately 3,000 tickets today, resulting in a gross collection of nearly 4 lakh rupees. Specifically, PVR led the group with roughly 1,800 tickets sold and a gross of around 2.3 lakh rupees at 13.34 percent occupancy. INOX followed with about 1,000 tickets and a gross of 1.2 lakh rupees at 14.11 percent occupancy, while Cinepolis contributed approximately 200 tickets. These figures, while small compared to the opening week, demonstrate that the film is still finding an audience in premium urban multiplexes. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of regional performance on Day 20, the Tamil version maintained an overall occupancy of 15.46 percent. The interest was distributed fairly evenly throughout the day, starting with 11.08 percent in the morning and peaking at 15.46 percent in the afternoon, followed by 14.15 percent during the night shows. Chennai remains the strongest fortress for the film, recording 22.3 percent occupancy across 183 shows. Other major regions also contributed steadily, with Bengaluru seeing 19.3 percent occupancy for 42 shows, while Coimbatore and Madurai recorded 12.5 percent and 12 percent occupancy respectively. In Hindi-speaking markets, the film held 748 shows with an occupancy of 9 percent. The state-wise gross reports for Tuesday show that Tamil Nadu remains the primary driver, contributing 0.60 crore rupees to the daily gross. Karnataka followed with 0.03 crore rupees, while Kerala added 0.01 crore rupees and the rest of India accounted for 0.10 crore rupees. When analyzing the language-wise net totals, the Tamil version has amassed 167.78 crore rupees so far, bringing it within striking distance of the Tamil net collection of Amaran, which stands at 167.90 crore rupees. While Jana Nayagan surpassed Tamil net milestone , the story is very different when we look at the overall India gross. Jana Nayagan currently stands at 225.63 crore rupees, leaving a massive gap of roughly 28 crore rupees to reach the 253.67 crore rupees India gross benchmark set by Amaran. Since daily collections have now slid to 0.74 crore rupees on Day 20, the trajectory needed to bridge such a wide margin is simply not there. As the film enters its late theatrical phase, it is set to settle as the tenth highest-grossing Tamil film of all time, a position that remains a monumental feat for a third-week runner.

BY SACNILK

Dhanush has officially unveiled the teaser for Karthik Subbaraj's highly anticipated tenth directorial venture, titled Dorothy. The announcement comes with a significant achievement, as the film has been selected for the prestigious Toronto International Film Festival (TIFF). This international recognition before its theatrical release highlights the global appeal of Subbaraj's unique storytelling style and marks a proud moment for Tamil cinema on the world stage. Scheduled for a worldwide release on September 25, 2026, the film is now moving toward its theatrical window Karthik Subbaraj has built a reputation over the last decade as a filmmaker who consistently subverts genre expectations. Since his breakout debut with the low-budget horror hit Pizza, he has delivered a string of cult classics and commercial successes. His filmography includes the acclaimed gangster-satire Jigarthanda, the high-octane Rajinikanth starrer Petta, and the more recent western-inspired period drama Jigarthanda DoubleX. Dorothy serves as a milestone project for the director, representing ten films of creative experimentation and genre-bending narratives. (adsbygoogle = window.adsbygoogle || []).push({}) The teaser and promotional posters suggest a visually striking and atmospheric experience. The monochromatic design featuring a bold red circle and characters on bicycles hints at a period or rural noir setting. A major highlight of this project is the collaboration between Subbaraj and the legendary composer Ilaiyaraaja. The pairing of the modern auteur’s stylized visuals with the timeless musical sensibilities of Isaignani Ilaiyaraaja has created immense curiosity among cinephiles. The cast is led by National Award winner Keerthy Suresh, who is known for her range in performance-heavy roles. She is joined by Sananth and Rishikanth, both of whom have previously collaborated with the director. On the production side, the film is backed by a powerhouse combination of Jio Studios and Guneet Monga's Sikhya Entertainment. Monga, an Academy Award-winning producer, brings a level of international expertise that aligns with the film’s presence at TIFF, ensuring that the project receives significant global visibility. (adsbygoogle = window.adsbygoogle || []).push({})

BY SACNILK

The trailer for DC, also known as DC: The Bloody Valentine, has finally landed, and the buzz on social media suggests that the audience is ready for something very raw. This project is particularly interesting because it features Lokesh Kanagaraj, the mastermind behind the Lokesh Cinematic Universe, stepping in front of the camera as the lead actor. Directed by Arun Matheswaran and backed by Sun Pictures, the film promises a gritty experience that is quite different from the usual commercial fare. The strategy behind the release date is quite logical. Initially planned for a late-July slot, the makers decided to move the film to August 7, 2026. This was done to ensure that Thalapathy Vijay's massive release, Jana Nayagan, which hit theaters on July 23, had enough breathing room at the box office. Interestingly, Lokesh himself made a cameo appearance in Jana Nayagan, showing the strong camaraderie between the director and the actor-politician before he prepares to lead his own film. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the trailer highlights, the story follows two outcasts, Devadas played by Lokesh and Chandra played by Wamiqa Gabbi. They find themselves on a violent run after a police officer seeks revenge for a fallen colleague. The narrative also introduces a gang of criminals who have stolen a stash of discarded weapons, a theme that feels very familiar to fans of Lokesh's previous works like Vikram. To elevate the intensity, director Arun Matheswaran has opted for high-contrast black-and-white visuals for the action scenes, which has earned the film an A certification from the censors due to the raw action sequencing. The musical score is handled by Anirudh Ravichander, who seems to have delivered a high-energy background that matches the film dark aesthetic. Lokesh is currently in a very busy phase of his career. Having delivered the Rajinikanth starrer Coolie in 2025, he is now balancing his acting debut while preparing for his official Telugu debut with Allu Arjun in a project currently referred to as AA23. Watch the trailer here: Public interest is already visible on digital platforms. Ahead of its August 7 release, over 14,000 users have already marked themselves as interested on BookMyShow India. With the heavy competition from July now starting to settle, DC: The Bloody Valentine is well-positioned to attract the target audience that enjoys intense, stylised action dramas. It remains to be seen if Lokesh the actor can match the massive success of Lokesh the director.

BY SACNILK

The final countdown for Thalapathy Vijay’s Jana Nayagan has officially begun, and the advance booking numbers suggest it is heading toward a massive opening. The film has officially crossed the 1 million ticket milestone in advance bookings on BookMyShow, making it only the fifth Tamil film in history to achieve this feat. For Vijay, this marks a career-defining hat-trick, as he now has three films in this elite club—Leo, The GOAT, and now Jana Nayagan—moving him past Rajinikanth, who holds two spots with Jailer and Coolie. The daily tracking data provides a logical look at how this momentum built over the last week. The bookings started quite modestly, with July 16 and 17 seeing 11,770 and 5,400 tickets respectively. However, once the release formalities were cleared and the marketing intensified, the surge was immediate. By July 19, the daily sales jumped to 236,600 tickets. The momentum has only accelerated in the final hours, with the most recent tracking between 9 pm and 10 pm adding another 32,400 tickets to the tally. This brought the total tickets sold from 6 am to 10 pm today to a significant 301,530. When you combine this with the previous hour's surge of 39,050 tickets between 8 pm and 9 pm, it is clear that the final-day momentum is performing exactly as expected for a high-stakes release. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the timeline, we can see how quickly the film reached its targets in the final 24 hours. The film first hit the 800,000 mark, and within just a few hours of trending, it crossed the 900,000 ticket milestone. The final push into the 1 million club happened shortly after, confirming that the fan base was waiting for the final window to secure their seats. This rapid acceleration in the final hours is a common trend for big-star releases, but the sheer volume here places Jana Nayagan in the top tier of all-time Kollywood pre-sales. The film is not just performing domestically; the international demand is equally high. In the Middle East alone, Jana Nayagan has already sold 33,000 tickets, resulting in a gross of 380,000 dollars. This global interest is a significant contributor to the film's total opening day projections. (adsbygoogle = window.adsbygoogle || []).push({}) The elite list of Tamil films with over 1 million advance tickets on BMS now consists of Coolie, Leo, G.O.A.T, Jailer, and Jana Nayagan. Being part of this group is a clear indicator of a film's commercial potential. What makes Jana Nayagan's entry into this club even more remarkable is the fact that it achieved this despite a massive full-movie leak a month before release. Reports indicated that over 1 crore people had already watched the leaked version across various platforms, a situation that would typically cripple the theatrical prospects of any other film. However, the resilience of the Thalapathy brand managed to overcome this piracy hit, as audiences clearly prioritized the big-screen experience over the leaked footage. It is a solid finish for the advance booking window, ensuring that theaters will be operating at near-full capacity for the opening shows regardless of the digital breach. Ultimately, Jana Nayagan has successfully converted the pre-release buzz into actual ticket sales. With 1 million tickets already secured before the first show even starts, the pressure is now on the content to sustain this momentum over the weekend. As it stands, Thalapathy Vijay is leaving the theatrical space on a historic high, proving once again that his films are the primary engine of the South Indian box office.

BY SACNILK

It is rare to see a superstar walk away from the screen while at the absolute peak of his career, but that is the reality facing the industry as Thalapathy Vijay prepares for his 69th and final film, Jana Nayagan. Over the last thirty years, he has transformed from a newcomer who faced immense early criticism into the most vital commercial force in Tamil cinema. His journey wasn't an overnight success; it was a decades-long evolution into a powerhouse whose releases now single-handedly sustain the entire theatrical ecosystem. The early 90s were far from easy for Vijay. Starting with Naalaiya Theerpu in 1992, he faced significant criticism regarding his looks and acting ability. For the first few years, he was primarily seen as a star-son being pushed by his father, director S.A. Chandrasekhar. The turning point came in 1996 with Poove Unakkaga. It was the first time the audience saw him as a vulnerable, romantic lead rather than an action hero. This film ran for over 250 days in theaters and established his massive female fan base, a demographic that remains his biggest strength even today. (adsbygoogle = window.adsbygoogle || []).push({}) For the generation that grew up in the late 90s, the nostalgia isn't just about the mass action; it is about the emotional vulnerability he brought to films like Love Today and Thulladha Manamum Thullum. Before he was the Thalapathy who could destroy armies, he was the Ilaya Thalapathy who made audiences weep with a single look of heartbreak. Whether it was his chemistry with Simran in Priyamanavale or the comedic timing he shared with Suriya in Friends, this era cemented his image as the lovable, relatable youth who felt like a brother or a friend to the audience. By the late 90s and early 2000s, films like Kadhalukku Mariyadhai and Kushi turned him into a romantic icon. However, the Vijay we see today—the mass hero who can single-handedly pull in 100 crore in a single weekend—was born in 2004 with Ghilli. According to trade archives, Ghilli was the first film to set the record for becoming the highest grossing non-Malayalam film in Kerala at the time, shattering records held by veterans. It was a cultural shift; he transitioned from the boy-next-door to the invincible hero of the masses. This era saw hits like Pokkiri, but it also led to a period of stagnation between 2007 and 2010 where repetitive scripts caused a dip in his market value. (adsbygoogle = window.adsbygoogle || []).push({}) You cannot talk about the Vijay legacy without mentioning the music that defined an entire era of Tamil pop culture. From the infectious energy of Appadi Podu in Ghilli to the viral craze of Vaathi Coming in Master, his films have consistently been the heartbeat of every celebration in the state. His evolution as a dancer—effortless, rhythmic, and charismatic—created a unique 'Vijay style' that fans across generations have tried to imitate. It wasn't just about the choreography; it was about the joy he radiated on screen, often making the theater feel like a giant dance floor. The Evolution of the Thalapathy BenchmarkFILM NAMEBOX OFFICE MILESTONEPoove Unakkaga (1996)250-Day Silver JubileeGhilli (2004)Becomes The Highest-Grossing Re-Release FilmThuppakki (2012)First ₹100 Cr Club entryMersal (2017)First ₹250 Cr GrosserLeo (2023)₹600 Cr+ Worldwide Gross (adsbygoogle = window.adsbygoogle || []).push({}) The modern era of Vijay's filmography began with Thuppakki in 2012. This film didn't just bring him back to the top; it modernized his image. Working with AR Murugadoss, Vijay moved away from the loud, rural mass hero to a sophisticated, urban soldier. Thuppakki was his first entry into the 100 crore club, a benchmark he now hits with almost every release regardless of the film's reviews. From 2017 onwards, starting with Mersal, his box office trajectory went vertical. He began competing with the numbers of Bollywood superstars and Rajinikanth, eventually reaching a career peak with Leo, which currently stands as his highest worldwide grosser at over 600 crore. Logically, the decision to leave cinema at this peak is unprecedented. Usually, stars transition when their market value starts to fade, but Vijay is leaving at a point where his films contribute roughly 26 percent of the industry's annual turnover. Films like Master and Varisu proved that even during a pandemic or alongside major festival clashes, his films have a guaranteed floor of 200-300 crore. As we move toward the release of Jana Nayagan, it isn't just about the numbers anymore; it is the final chapter of an actor who spent three decades perfecting the art of the commercial blockbuster. (adsbygoogle = window.adsbygoogle || []).push({}) Beyond the numbers, it is the small mannerisms and catchphrases that have etched themselves into the collective memory of fans. The iconic Im Waiting from Thuppakki, the playful Oru Kutti Kathai sessions in his later films, or even the subtle silence before a massive action set-piece—these moments became a shorthand for his screen presence. Looking back, his career is a highlight reel of these signature beats that turned simple commercial cinema into a shared cultural experience, proving that his connection with the people went far deeper than just ticket sales. The legacy he leaves behind is one of incredible consistency. While actors like Kamal Haasan or Rajinikanth changed the grammar of cinema, Vijay focused on the business of cinema, ensuring that every time his name appeared on a poster, the theaters would stay full. Whether Jana Nayagan manages to topple the records of Leo or Coolie is a question for the trackers, but for the fans, it represents the end of an era where a single name could guarantee the survival of the theatrical market.

BY SACNILK

Reports circulating online suggest that a grand audio launch for Jailer 2 might be headed to Malaysia. News of preliminary discussions between Superstar Rajinikanth and Dato' Abdul Malik, the head of Malik Streams, has sparked widespread speculation that the team is planning a massive international event. If this move is finalized, it would mirror the highly successful promotional strategy used for the 2010 blockbuster Endhiran, which also held its audio launch in Malaysia. By choosing an overseas venue, production house Sun Pictures appears to be focusing on the film’s global distribution potential, aiming to further expand the massive international footprint established by the first installment. The move follows a prestigious tradition of high-profile Tamil film events in the region. Historically, Superstar Rajinikanth himself initiated this trend with the landmark audio launch of Endhiran in 2010 at the PICC Putrajaya. This was more recently followed by the massive event for Thalapathy Vijay’s Jana Nayagan in 2025, which drew significant crowds to the Stadium Bukit Jalil. If Jailer 2 proceeds with its current plans, it would become the latest major production to utilize Malaysia's grand venues to kickstart its global promotional campaign. (adsbygoogle = window.adsbygoogle || []).push({}) The makers have already locked in a strategic release window to capitalize on a major holiday period. Jailer 2 is officially scheduled to hit theaters worldwide on October 15, 2026. This date aligns perfectly with the Dussehra and Ayudha Pooja festivities, a move designed to drive heavy footfalls during one of the most lucrative box office seasons in India. By securing this slot well in advance, Sun Pictures is positioning the film to dominate the screens, much like the original film did during its record-breaking run. One of the most exciting aspects of the sequel is the expansion of its cast into a true pan-Indian ensemble. Rajinikanth returns as the retired lawman Tiger Muthuvel Pandian, but he is far from alone in this high-stakes narrative. Industry reports confirm that Mohanlal and Shivarajkumar will reprise their popular roles as Mathew and Narasimha, respectively. Adding further gravitas to the lineup are veterans Jackie Shroff and Mithun Chakraborty, who are expected to anchor pivotal supporting threads. The sequel also introduces fresh faces to the franchise, with Vidya Balan, Vijay Sethupathi, and S.J. Suryah officially joining the main roster. In what is being described as a major highlight, Bollywood superstar Hrithik Roshan is reportedly locked in for a high-octane cameo appearance, further cementing the film's pan-Indian appeal. (adsbygoogle = window.adsbygoogle || []).push({}) The core creative team remains unchanged. Nelson Dilipkumar returns as both writer and director, with a plan to lean deeper into his signature style that blends dark comedy with stylized, high-stakes action. Similarly, the musical landscape of the sequel is in familiar hands, with Anirudh Ravichander set to compose the entire soundtrack and background score. Fans can also expect to see returning favorites like Ramya Krishnan as Viji Pandian, along with Yogi Babu and Sunil, ensuring that the personal and comedic elements of the first film transition smoothly into this new chapter. The decision to potentially move the audio launch to Malaysia suggests a calculated effort to treat Jailer 2 as a global cinematic event. By combining a star-studded cast from multiple film industries with an international marketing campaign, the producers are aiming for a performance that transcends regional boundaries. As the project moves through its various production stages, the focus will remain on how Nelson balances this massive ensemble while staying true to the grounded, gritty roots of Muthuvel Pandian’s journey.

BY SACNILK

Mumbai, July 9 - After the massive success of Chhaava and a potential big success of the upcoming film Eetha, director Laxman Utekar is reportedly setting the wheels in motion for his next directorial venture. According to the latest industry reports, the director has approached Hrithik Roshan to headline an ambitious new film, although the project is still in its early stages and no agreement has been finalised yet. As per a Variety India report, Laxman Utekar recently narrated the script to Hrithik Roshan, who is said to have responded positively to the concept. However, the superstar is yet to make a final decision, as he is currently occupied with multiple commitments. If everything falls into place, the project will mark the first-ever collaboration between the actor and the acclaimed filmmaker. (adsbygoogle = window.adsbygoogle || []).push({}) Laxman Utekar has emerged as one of Bollywood's most successful directors in recent years with films such as Luka Chuppi, Mimi, Zara Hatke Zara Bachke, and the blockbuster historical drama Chhaava. He is currently awaiting the release of Eetha, a biographical drama starring Shraddha Kapoor, before moving on to his next feature. Meanwhile, Hrithik Roshan has an exciting slate ahead. The actor is currently focused on the pre-production of his directorial debut, Krrish 4. He will be next seen in Rajinikanth's Jailer 2 as he has already shot his cameo on June 22 and June 23 in Chennai. While reports of his collaboration with Laxman Utekar have generated considerable buzz, the project may take some time to start as Hrithik also has a movie with Hombale Films.

BY SACNILK

Chennai, July 2 - Superstar Rajinikanth's highly anticipated Jailer 2 is gearing up to be one of the biggest theatrical events of 2026. Directed by Nelson Dilipkumar and produced by Sun Pictures, the sequel brings back Rajinikanth as the iconic Tiger Muthuvel Pandian after the massive success of Jailer in 2023. The film has been in production since last year, and the makers have officially announced the film's release date in the evening on July 2. (adsbygoogle = window.adsbygoogle || []).push({}) The film's release strategy is expected to help capitalise on the extended festive weekend and maximise box-office potential across Tamil Nadu and overseas markets. Reports suggest the makers shifted from earlier planned release windows to secure a stronger holiday slot. Apart from Rajinikanth, the film features an ensemble cast including Mohanlal, Shiva Rajkumar, Ramya Krishnan, Yogi Babu, and S. J. Suryah, with Anirudh Ravichander returning as composer. The sequel is also expected to include several high-profile cameo appearances, including Hrithik Roshan, adding further excitement among fans. (adsbygoogle = window.adsbygoogle || []).push({}) One name to rule the game! 💥#Jailer2 storms into theatres worldwide on October 15 🔥 #Jailer2FromOct15 #RajiniTheJailer2FromOct15@rajinikanth @Nelsondilpkumar @anirudhofficial @vijaykartikdop @Nirmalcuts @ChethanDsouza @AlwaysJani @KiranDrk #PallaviSingh @valentino_suren… pic.twitter.com/RJIpMXVekv— Sun Pictures (@sunpictures) July 2, 2026

BY SACNILK

The 2026 Dasara festive window is set to witness a major box office competition as two high-profile films have confirmed their release dates. Rajinikanth's Jailer 2 is scheduled for October 15, while Chiranjeevi's Vishwambhara is locked for October 16. This brings the two veteran stars into a direct head-to-head release schedule once again, following their previous box office encounter in 2023. With both films carrying high production values and significant expectations, the trade is now focused on how screen allocation and audience footfalls will be divided over the holiday weekend. Jailer 2, produced by Kalanithi Maran under the Sun Pictures banner, is officially scheduled to hit screens on Thursday, October 15, 2026. An official release date announcement is expected from the production house this evening, confirming the return of Superstar Rajinikanth as the iconic retired lawman Tiger Muthuvel Pandian. Following the massive global success of the first installment in 2023, director Nelson Dilipkumar is returning to helm this action-comedy sequel. The anticipation for this project is exceptionally high, especially considering how well the character resonated with audiences across domestic and international markets during the first chapter. (adsbygoogle = window.adsbygoogle || []).push({}) Just a day later, on October 16, Chiranjeevi's socio-fantasy epic Vishwambhara will make its grand theatrical debut. Directed by Mallidi Vassishta, this film is being produced on a record-breaking budget of 400 crore. The narrative is rooted in Hindu cosmology and follows a hero's journey across celestial realms, starting from Satya Lokam, to save the protagonist played by Trisha Krishnan. UV Creations has taken a very meticulous approach with this project, even choosing to delay the release to allocate an additional 70 to 75 crore specifically for a massive international VFX overhaul. This decision came after mixed feedback on the initial teaser, showing the production house’s commitment to delivering a world-class visual experience. The timing of these releases is strategically aimed at the Dasara holidays, which historically provide a significant boost to box office collections. However, this head-to-head encounter brings back memories of August 2023, when Chiranjeevi's Bhola Shankar clashed with Rajinikanth's Jailer. That particular weekend saw a massive divide in footfalls, and the trade is curious to see how the screens will be allocated this time around, especially since both films carry immense brand value and high production costs. (adsbygoogle = window.adsbygoogle || []).push({}) Vishwambhara also features Kunal Kapoor in a pivotal role and boasts a technical team led by Oscar-winner M.M. Keeravani for music and Chota K. Naidu for cinematography. With two such heavyweights arriving within 24 hours of each other, the pressure on the distribution networks will be immense. While Jailer 2 will look to capitalize on the momentum of a successful franchise, Vishwambhara is betting big on its socio-fantasy scale and visual spectacle.

BY SACNILK

Chennai, June 25 - The makers of superstar Rajinikanth's much-awaited upcoming film with director Ashwath Marimuthu have officially unveiled the film's first look title on June 24, sending fans into a frenzy across social media. Backed by Kamal Haasan's Raaj Kamal Films International, the film is titled Dharman, and is already shaping up to be one of the biggest upcoming Tamil releases. (adsbygoogle = window.adsbygoogle || []).push({}) The first-look poster presents Rajinikanth in a completely intense and rugged avatar. Dressed in a doctor's outfit with blood stains and a fierce expression, the superstar appears ready for a high-octane action thriller. The visuals hint at a dark and stylish storyline, with fans praising the vintage mass Rajini energy showcased in the poster. Dharman is directed by Ashwath Marimuthu, best known for the hit fantasy-romantic drama Oh My Kadavule. This collaboration with Rajinikanth marks the director's biggest project to date and has generated major curiosity among cinema lovers. The film is produced by Kamal Haasan under the banner of Raaj Kamal Films International, making this collaboration between two legendary icons of Tamil cinema even more special. (adsbygoogle = window.adsbygoogle || []).push({}) THE OG SWAG 🕶️#DharmanThe Making of the First Look#KettaPaiyanSir#SuperstarRajinikanth #KamalHaasan@rajinikanth @ikamalhaasan #Mahendran @Dir_Ashwath @anirudhofficial @anbariv @iYogiBabu @SimranbaggaOffc #RaashiKhanna @nikethbommi #KarthikRajkumar @PradeepERagav… pic.twitter.com/VtJbo7ggTg— Raaj Kamal Films International (@RKFI) June 25, 2026 Apart from Rajinikanth, the film also features Raashi Khanna, Simran, and Yogi Babu. The music for the film is composed by Anirudh Ravichander, whose previous collaborations with Rajinikanth have delivered chartbuster albums and powerful background scores. The action sequences are choreographed by popular stunt duo Anbariv. While the makers have not officially announced the release date yet, industry reports suggest that Dharman is targeting a grand Pongal 2027 theatrical release. Production is expected to begin soon, with shooting schedules likely to commence in the coming weeks. Given the scale of the project and the star power involved, expectations are already sky-high. (adsbygoogle = window.adsbygoogle || []).push({}) The combination of Rajinikanth, Kamal Haasan, Anirudh, and Ashwath Marimuthu has created enormous excitement among fans and trade analysts alike. The first-look poster has only intensified anticipation, with many expecting Dharman to become one of the biggest Tamil blockbusters of 2027.

BY SACNILK

Chennai, June 24 - Tamil cinema fans are in for a double treat as two major Kollywood projects have grabbed headlines with fresh updates. While excitement continues to build around superstar Rajinikanth's upcoming films, actor Karthi's highly anticipated spy thriller sequel Sardar 2 has officially locked its theatrical release date. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest official update, the makers of Sardar 2 have locked September 10, 2026, as the release date for the highly-awaited actioner. The action-packed sequel, directed by P. S. Mithran, is expected to be one of the biggest Tamil releases of 2026. The sequel stars Karthi reprising his dual roles from the 2022 blockbuster Sardar, while S. J. Suryah joins the franchise in a powerful antagonist role. The cast also includes Malavika Mohanan, Ashika Ranganath, and Rajisha Vijayan. The sequel is expected to expand the universe established in the original film and deliver a more ambitious cinematic experience. (adsbygoogle = window.adsbygoogle || []).push({}) #Sardar2 ARRIVES…Worldwide in theatres on September 10! @Psmithran @iam_SJSuryah @lakku76 @venkatavmedia @B4UMotionPics @ivyofficial2023 @MalavikaM_ @AshikaRanganath @rajishavijayan @iYogiBabu @SamCSmusic @george_dop @editorvijay @dhilipaction @PoornimaRamasw1… pic.twitter.com/Ld5uWJFXNw— Karthi (@Karthi_Offl) June 24, 2026 Meanwhile, Rajinikanth's next project after Jailer 2 — tentatively referred to as Thalaivar 173 — has officially entered the spotlight after the makers locked its official title. Titled Dharman, the film features superstar Rajinikanth as a deadly doctor. The movie is directed by Ashwath Marimuthu, best known for Dragon and Oh My Kadavule. The superstar is already gearing up for multiple high-profile releases, including Jailer 2, which is slated to hit theatres later this year. Directed by Nelson Dilipkumar, the sequel marks another major collaboration with Rajinikanth after the blockbuster success of Jailer. The actor also has a multistarrer with Kamal Haasan, which is expected to start rolling soon. (adsbygoogle = window.adsbygoogle || []).push({}) தர்மமே வெல்லும்!#Dharman #Thalaivar173 #SuperstarRajinikanth #KamalHaasan @rajinikanth @ikamalhaasan #Mahendran @Dir_Ashwath @anirudhofficial @anbariv @iYogiBabu @SimranbaggaOffc #RaashiKhanna @nikethbommi #KarthikRajkumar @PradeepERagav @kabilanchelliah @ShruthiManjari… pic.twitter.com/UWjXErKdIE— Raaj Kamal Films International (@RKFI) June 24, 2026

BY SACNILK

Karuppu has wrapped up its fourth week at the box office, hitting the 300 crore worldwide milestone just as it arrives on OTT platforms today, June 12. With this achievement, Suriya joins an exclusive group of Tamil stars, including Rajinikanth, Kamal Haasan, Joseph Vijay, and Sivakarthikeyan, who have scaled this collection height. Analyzing the fourth-week performance, Karuppu showed remarkable resilience for a film that has already been playing for nearly a month. The week began on a steady note on Day 22 and saw a massive surge during the weekend, with Day 23 and Day 24 recording growth of 77.1 percent and 19 percent respectively. Even as it hit the weekdays, the drops were well-managed, finishing the week with a cumulative India gross of 6.68 crore. Globally, the film has now reached a staggering worldwide gross of 306.47 crore, supported by an impressive overseas contribution of 80.90 crore. (adsbygoogle = window.adsbygoogle || []).push({}) One of the most impressive data points comes from the Month 1 Tamil Net rankings. Karuppu has officially moved up the ladder, collecting a net of 166 crore in its first month within the Tamil version. In doing so, it has surpassed the 164 crore record set by Amaran at the same time. This placement puts it among the most successful Tamil films of recent years, trailing only behind heavyweights like Leo, Jailer, and The Greatest of All Time. This level of sustained interest across four weeks is a clear indicator of the strong word-of-mouth the film enjoyed. Karuppu - Week 4 India Gross Collection Report DAY INDIA GROSS COLLECTION Day 22 (Fri) ₹ 0.96 Cr Day 23 (Sat) ₹ 1.69 Cr Day 24 (Sun) ₹ 2.01 Cr Day 25 (Mon) ₹ 0.60 Cr Day 26 (Tue) ₹ 0.51 Cr Day 27 (Wed) ₹ 0.49 Cr Day 28 (Thu) ₹ 0.42 Cr Total Week 4 India Gross ₹ 6.68 Cr (adsbygoogle = window.adsbygoogle || []).push({}) In terms of international performance, the overseas markets added a steady 0.90 crore to the total during the fourth week, bringing the cumulative international gross to 80.90 crore. This consistent contribution from the global audience has been vital in pushing the movie comfortably past the 300 crore worldwide mark. Domestically, the theater occupancy remained quite healthy for a film in its fourth week of running. While the weekend saw peaks of over 35 percent, the average occupancy for the entire week settled at a respectable 22.4 percent. These numbers indicate that even after nearly a month in theaters and the shift toward digital streaming, there is still a dedicated audience opting for the theatrical experience. Karuppu Week 4 State-wise Gross Breakdown: Day 22: APTG 0.07 Cr | TN 0.85 Cr | KA 0.03 Cr | KL 0.01 Cr | Total 0.96 Cr Day 23: APTG 0.10 Cr | TN 1.50 Cr | KA 0.07 Cr | KL 0.02 Cr | Total 1.69 Cr Day 24: APTG 0.12 Cr | TN 1.75 Cr | KA 0.10 Cr | KL 0.04 Cr | Total 2.01 Cr Day 25: APTG 0.07 Cr | TN 0.50 Cr | KA 0.02 Cr | KL 0.01 Cr | Total 0.60 Cr Day 26: APTG 0.07 Cr | TN 0.41 Cr | KA 0.02 Cr | KL 0.01 Cr | Total 0.51 Cr Day 27: APTG 0.06 Cr | TN 0.40 Cr | KA 0.02 Cr | KL 0.01 Cr | Total 0.49 Cr Day 28: APTG 0.10 Cr | TN 0.30 Cr | KA 0.01 Cr | KL 0.01 Cr | Total 0.42 Cr Week 4 Total: APTG 0.59 Cr | TN 5.71 Cr | KA 0.27 Cr | KL 0.11 Cr | Total 6.68 Cr Grand Total India Gross: ₹ 225.57 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The footfalls on digital ticketing platforms further solidify its blockbuster status. Karuppu has recorded 4.48 million tickets sold on BookMyShow, securing the 6th spot on the all-time list of Tamil films with the highest ticket sales. It sits just behind The GOAT and Amaran, showcasing the massive volume of viewers it attracted over its month-long theatrical journey. Additionally, national chains reported sales of over 32,600 tickets in the final week, a commendable figure for a movie entering its 28th day. As the curtains fall on its theatrical run with a worldwide gross of 306.47 crore and a total India net of 195.18 crore, the film enters the digital space with its head held high. For Suriya fans, this is more than just a box office success; it is a long-awaited milestone that places their favorite star alongside the biggest names in South Indian cinema. With the movie now available for streaming, its reach is set to expand even further, capping off what has been a truly phenomenal journey at the ticket windows.