AGR

AGR

🎬
Known For
Indian Cinema
Musician

Career Stats

Total Movies 0
Debut Year N/A
Awards Won N/A
Box Office ₹0 Cr
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Top 10 Net Collection

Muthal Pakkam
Collection: ₹0.05 Cr
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Recent Movies

Muthal Pakkam
Muthal Pakkam
Aug 2025

Related News & Articles

Hrithik Roshan To Play A Massive Cameo In Rajinikanth's Jailer 2 Kollywood
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Hrithik Roshan To Play A Massive Cameo In Rajinikanth's Jailer 2

BY SACNILK

Mumbai, June 11 - One of the biggest crossover moments in Indian cinema is reportedly set to become a reality. According to the latest reports, the much-discussed cameo in Rajinikanth's highly anticipated action entertainer Jailer 2 has now been finalised, and it is not Shah Rukh Khan's or Aamir Khan's, but of Hrithik Roshan, with the actor reportedly agreeing to come on board. (adsbygoogle = window.adsbygoogle || []).push({}) According to Variety India, the development comes after weeks of speculation regarding a major Bollywood superstar making a special appearance in Nelson Dilipkumar's sequel. It is said that Hrithik has agreed to play a powerful character in the film, and the makers have already locked the shooting dates for his portions. The War actor will shoot for his sequence on June 22 and June 23 in Chennai. Unlike a brief guest appearance, the role is said to be a substantial cameo designed to have a significant impact on the narrative. The team is reportedly planning a grand introduction sequence for the Bollywood superstar, making it one of the film's biggest highlights. Reports earlier indicated that Shah Rukh Khan was being considered for the same role. However, scheduling conflicts and commitments to his upcoming projects reportedly prevented the collaboration from materialising. (adsbygoogle = window.adsbygoogle || []).push({}) The makers then turned their attention to Hrithik Roshan, whose presence is expected to add further pan-India appeal to the already star-studded sequel. Jailer 2 has generated massive buzz ever since production began, with Rajinikanth returning as the iconic Muthuvel Pandian. Directed by Nelson Dilipkumar and backed by Sun Pictures, the sequel is expected to feature several surprise appearances and large-scale action sequences. Reports also suggest that additional shooting schedules are being planned to accommodate key cameo portions and elevate the film's scale even further. While the cameo is yet to be confirmed officially, Jailer 2 will mark the first on-screen collaboration between Rajinikanth and Hrithik Roshan in their adult careers. Produced by Sun Pictures, the film is expected to release this September.

Jana Nayagan Faces Fresh Twist as Thalapathy Vijay Reportedly Asks Makers to Rework Distribution Deals Kollywood
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Jana Nayagan Faces Fresh Twist as Thalapathy Vijay Reportedly Asks Makers to Rework Distribution Deals

BY SACNILK

Fresh reports suggest that Thalapathy Vijay has asked the makers of Jana Nayagan to revisit the film's theatrical distribution strategy amid the ongoing uncertainty surrounding its release. According to the latest industry buzz, Vijay has reportedly advised KVN Productions to cancel the theatrical deals that were previously finalized and refund the advances received from distributors. The actor is said to prefer a fresh round of negotiations once the film's release date is officially locked. While there has been no official confirmation regarding these reports, the development has generated significant discussion within trade circles. Industry insiders believe the move, if true, would allow the makers to retain complete control over the film's theatrical business and potentially secure revised terms closer to release. Directed by H. Vinoth and produced by KVN Productions, Jana Nayagan is one of the biggest Tamil releases currently awaiting a theatrical release. The film features Vijay in the lead role alongside Pooja Hegde, Mamitha Baiju, Bobby Deol, Prakash Raj and Gautham Vasudev Menon. Beyond its scale and commercial prospects, the project holds additional significance as it is Vijay's first film release since becoming the Chief Minister of Tamil Nadu, a factor that has amplified interest from audiences, exhibitors and trade circles alike. (adsbygoogle = window.adsbygoogle || []).push({}) Jana Nayagan's journey to release has been further complicated by one of the biggest piracy controversies seen in Indian cinema in recent years. In April, an HD version of the entire film surfaced online and spread rapidly across piracy networks, social media groups and messaging platforms even before its official release. The leak triggered widespread concern across the film industry and prompted swift legal action from the makers. The Tamil Nadu Cyber Crime Wing subsequently launched an extensive investigation, arresting multiple individuals allegedly involved in the theft and circulation of the film. Investigators later claimed that the leak originated from unauthorized access to the movie's digital files during the post-production stage. The controversy resulted in hundreds of piracy links being taken down and even led to court intervention as the producers sought to curb the further circulation of the leaked version. The unprecedented leak is widely believed to have influenced the cautious approach currently being adopted towards the film's release plans and business agreements. Adding to the uncertainty are reports regarding the film's certification process. Trade discussions indicate that the makers are awaiting clarity on CBFC certification before proceeding with several key business decisions. It is being reported that fresh agreements for satellite, digital and other non-theatrical rights may only be finalized after the certification process is completed. (adsbygoogle = window.adsbygoogle || []).push({}) The delay in finalizing a release date has further fueled speculation. Although multiple release windows have been discussed in industry circles over the past few months, the makers have yet to announce a definitive release plan. Sources close to the trade suggest that the production team wants all approvals, clearances and business arrangements in place before committing to a release date. The reported move to restructure theatrical deals has naturally attracted attention from distributors and exhibitors. Given Vijay's massive box-office track record, Jana Nayagan is expected to be one of the biggest Tamil releases whenever it eventually hits theatres. Any change in the film's distribution strategy could therefore have a significant impact on its overall business prospects. For now, the makers have not issued an official statement regarding the reported cancellation of theatrical agreements. Until then, the claims remain part of the ongoing speculation surrounding Jana Nayagan, a film that continues to generate immense interest among fans and the trade alike as it moves closer to release.

Bandar Showcasing Conflict: Zee Studios Puts Multiplex Release on Hold Amid Screen-Sharing Battle Bollywood
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Bandar Showcasing Conflict: Zee Studios Puts Multiplex Release on Hold Amid Screen-Sharing Battle

BY SACNILK

The upcoming weekend at the box office is shaping up to be quite chaotic, with multiple releases fighting for space in theaters. While we recently saw Scary Movie get delayed, other titles like Hai Jawani Toh Ishq Hona Hai and the Hindi version of Peddi are currently locked in a screen-sharing struggle. The latest film to join this conflict is the Bobby Deol-starrer Bandar. According to an exclusive report by Bollywood Hungama, Zee Studios has decided to put the film's showcasing on hold across national multiplex chains until a fair distribution agreement is reached. The root of the problem lies in how shows are being distributed among the new releases. Sources inform that the makers of Bandar had a very specific and modest request for their release. They asked for about 3 to 4 shows in multiplexes with 4 or 5 screens, specifically for timings after 1 pm. This was designed to cater to their target audience while acknowledging the heavy rush of other films. However, because national chains like PVR, Inox, and Cinepolis are directly involved in distributing the competing films, Bandar has reportedly been offered a much smaller and less favorable showcasing than expected. Zee Studios has taken a firm stand on this issue, choosing to halt the programming in these major chains rather than accepting what they consider an unfair deal. Girish Johar, the Distribution and Revenue Head at Zee Studios, spoke with Bollywood Hungama and explained that their strategy was never about a massive, wide release. Instead, they planned for a smart release on roughly 500 to 600 screens. The logic was to build the film's presence through positive word of mouth, allowing it to have a long run at the box office rather than a crowded opening day. (adsbygoogle = window.adsbygoogle || []).push({}) The team behind Bandar also pointed out that the runtime of the film is a manageable 130 minutes, making it easier to fit into a tight schedule. There is also a belief within the team that the advance sales for the competing films are not high enough to justify the lopsided show allotment they are currently seeing. By putting the showcasing on hold, the producers are hoping to negotiate a better window that gives the film a genuine chance to reach its core audience. As the situation develops, it remains to be seen if the national chains will adjust the programming before the Friday release. For now, the strategy for Bandar remains focused on quality over quantity, with the hope that once the shows are sorted, the film can prove its worth through audience feedback. Bandar, which is titled Monkey in a Cage for international markets, is an intense crime thriller directed by Anurag Kashyap and produced by Nikhil Dwivedi. The film features Bobby Deol in a gritty role as a fading television star who finds himself caught in a corrupt legal battle after being accused of rape by his ex-girlfriend. Before its global theatrical release on June 5, 2026, by Zee Studios, the film earned significant critical attention during its world premiere at the Toronto International Film Festival on September 6, 2025. Given the prestige of its festival run and the heavy themes involved, the makers are clearly banking on the quality of the content to sustain it through the upcoming competitive weekend.

Ranveer Singh Sues FWICE Over Non-Cooperation Directive Amid Don 3 Controversy Bollywood
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Ranveer Singh Sues FWICE Over Non-Cooperation Directive Amid Don 3 Controversy

BY SACNILK

Mumbai, June 3 - Bollywood star Ranveer Singh has reportedly taken legal action against the Federation of Western India Cine Employees (FWICE), escalating the ongoing controversy surrounding his exit from Don 3. The move comes just days after the industry body issued a non-cooperation directive against the actor following complaints from the film's producers. According to a report by India Today, Ranveer has served a legal notice to FWICE and approached the Bombay Civil Court, challenging the federation's decision. The actor's legal team is said to have questioned the legitimacy of the directive and its potential impact on his professional commitments. (adsbygoogle = window.adsbygoogle || []).push({}) What Is The Don 3 Dispute About? The controversy began after it was revealed that Ranveer Singh had stepped away from Don 3, the highly anticipated action thriller directed by Farhan Akhtar. Reports claimed that significant pre-production work had already been completed before the actor's withdrawal, leading to substantial financial losses of 45 crores for the producers. Following complaints from producers Farhan Akhtar and Ritesh Sidhwani, FWICE issued a non-cooperation directive on May 25. The federation alleged that Ranveer had failed to respond to multiple notices regarding the matter and urged its affiliated workers and technicians to refrain from collaborating with him until the dispute was resolved. (adsbygoogle = window.adsbygoogle || []).push({}) FWICE Clarifies Position As news of the directive spread, many reports described it as a "ban" on the actor. However, FWICE officials later clarified that the federation does not possess the authority to ban artists from working in the industry. FWICE Chief Advisor Ashoke Pandit stated that the organisation had merely issued a non-cooperation call to its affiliated members and that participation remained voluntary. Industry Reacts The issue has sparked strong reactions from several members of the film fraternity. Producer Nikhil Dwivedi publicly questioned the rationale behind actions that could potentially affect an individual's livelihood, arguing that contractual disagreements should be resolved through legal mechanisms rather than industry directives. (adsbygoogle = window.adsbygoogle || []).push({}) Veteran producer T. P. Aggarwal also expressed support for Ranveer Singh and reportedly challenged FWICE's decision in court. Meanwhile, actress and politician Kangana Ranaut voiced her support for the actor during the controversy. The debate has reignited discussions about the role of film industry associations and the extent of their powers in handling disputes involving actors and production houses.

Zee Secures FIFA Media Rights Until 2034; To Broadcast 2026 World Cup on New Unite8 Sports Channels Sports
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Zee Secures FIFA Media Rights Until 2034; To Broadcast 2026 World Cup on New Unite8 Sports Channels

BY SACNILK

The sports broadcasting sector in India has just witnessed its most significant move in years, and it comes at the very last minute. After months of speculation and a noticeable silence regarding who would broadcast the world's biggest sporting event, Zee Entertainment has officially stepped in. The deal, which covers FIFA media rights for the next eight years from 2026 to 2034, was finalized today, June 1, 2026. It is a massive win for Zee, especially considering that the 2026 FIFA World Cup is scheduled to kick off in just ten days in North America. For context, the negotiations for these rights had been at a standstill for a long time. Initial talks between FIFA and the JioStar combine reportedly stalled over valuation disagreements, leaving the Indian market—one of the largest growing football bases—without a confirmed broadcaster. Zee managed to secure the rights for approximately 60 million dollars, a figure that is significantly lower than the 100 million dollars initially sought by FIFA, but a strategic investment nonetheless. This marks Zee's major re-entry into the sports arena, roughly eight years after they exited the space by selling their previous sports assets to Sony. The deal is not just about the upcoming World Cup in Mexico, Canada, and the USA. It is a long-term partnership that includes 39 major FIFA events, including the 2030 World Cup and the 2027 Women's World Cup. To support this massive acquisition, Zee is launching a new network under the brand name Unite8 Sports. Viewers can expect matches to be broadcast on Unite8 Sports 1 for Hindi and Unite8 Sports 2 for English, with both available in High Definition. For digital viewers, Zee5 will be the primary destination for live streaming, offering a high-quality experience for those who prefer watching on their mobile devices or smart TVs. (adsbygoogle = window.adsbygoogle || []).push({}) The market has reacted very positively to this development, with Zee’s shares seeing a 6.4 percent jump immediately after the announcement. It shows that investors see the value in football's growing footprint in India. While cricket remains the dominant force, the youth demographic has shown a clear shift toward global football, and Zee is now positioned to capture that attention for the next decade. With the opening match in Mexico City set for June 11, the network has a very short window to ramp up its marketing, but the anticipation for the tournament is likely to do much of the heavy lifting. Key FIFA Tournaments Included in the Zee Deal: 1. FIFA World Cup 2026 (USA, Mexico, Canada) 2. FIFA Women's World Cup 2027 (Brazil) 3. FIFA World Cup 2030 (Spain, Portugal, Morocco) 4. FIFA Men's and Women's U-17 and U-20 World Cups 5. FIFA Futsal World Cups and Intercontinental Cups Broadcasting and Streaming Details: Total FIFA Events: 39 Contract Duration: 8 Years (2026–2034) Primary Channels: Unite8 Sports 1 (Hindi) & Unite8 Sports 2 (English) Digital Streaming Platform: Zee5

Suriya's Vishwanath And Sons Reportedly Locks 100+ Crore Non-Theatrical and Theatrical Business Kollywood
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Suriya's Vishwanath And Sons Reportedly Locks 100+ Crore Non-Theatrical and Theatrical Business

BY SACNILK

Chennai, May 31 - Tamil superstar Suriya is on cloud nine after the blockbuster success of Karuppu, and his upcoming film Vishwanath And Sons is already generating strong buzz in the trade circles. The family comedy drama is scheduled to release this August, and the latest reports suggest that the film has secured a massive theatrical and non-theatrical deal. (adsbygoogle = window.adsbygoogle || []).push({}) According to the Tamil media reports, Vishwanath And Sons has reportedly locked over 100 crore in non-theatrical and overseas revenue, significantly strengthening the film's financial position ahead of its arrival in cinemas. The biggest contributor to the film's pre-release business is said to be its digital streaming rights. Reports indicate that the OTT rights have been sold for a whopping 85+ crore. In recent years, OTT deals have become a crucial revenue stream for big-budget Indian films, and Vishwanath And Sons appears to have secured one of the most notable digital agreements for a Suriya starrer. Apart from the digital rights, the film has reportedly fetched 12+ crore through its music rights, while the overseas distribution rights are said to have been sold for 15+ crore, indicating strong interest in international markets. (adsbygoogle = window.adsbygoogle || []).push({}) With the combined value exceeding 112 crore, the film has already recovered a substantial portion of its reported production cost of 120+ crores. With Tamil Nadu and the rest of India theatrical deals are yet to be locked, the makers are already in profit even before its big screen debut on August 14. The development also highlights the continued demand for star-driven Tamil films in the digital and overseas markets, where established actors like Suriya command considerable value. The numbers have already become a major talking point among trade observers, and if the film manages to generate strong theatrical revenues upon release, Vishwanath And Sons could emerge as a back-to-back major success for Suriya.

Ranbir Kapoor, Vicky Kaushal, Or Ranveer Singh? When Harbhajan Singh Revealed Who Should Do His Biopic Bollywood
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Ranbir Kapoor, Vicky Kaushal, Or Ranveer Singh? When Harbhajan Singh Revealed Who Should Do His Biopic

BY SACNILK

Mumbai, May 29 - Over the years, Indian cinema has explored only a handful of sports biopics, especially based on cricketers. Films like MS Dhoni: The Untold Story and 83 managed to leave a strong impact on audiences, making fans curious about which sporting icon could get the next big-screen adaptation. Amid such discussions, former Indian spinner Harbhajan Singh had once revealed which Bollywood actor he would want to portray him in a biopic. (adsbygoogle = window.adsbygoogle || []).push({}) Interestingly, while fans often suggested names like Ranbir Kapoor and Ranveer Singh because of their versatility and screen presence, Harbhajan had a completely different choice in mind. Back in 2024, the former cricketer revealed that Vicky Kaushal would be the ideal actor to play him if his life story was ever adapted for the big screen. He also stated that Ranbir Kapoor and Ranveer Singh could also fit in for her role. Speaking during an interaction, Harbhajan explained that Vicky Kaushal understands the Punjabi spirit and personality very well, making him a natural fit for the role. The former spinner also mentioned that both of them belong to the same region and speak the same language, which would help the actor connect with the character more authentically. (adsbygoogle = window.adsbygoogle || []).push({}) Harbhajan Singh's journey certainly has all the ingredients of a compelling sports drama. From becoming the first Indian bowler to take a Test hat-trick to playing crucial roles in India's 2007 T20 World Cup and 2011 ODI World Cup triumphs, the off-spinner enjoyed a remarkable cricketing career filled with unforgettable moments. The former cricketer had also stated that he was working on his biography, which could eventually pave the way for a film adaptation. According to Harbhajan, stories of sportspersons inspire youngsters by showing how dedication, hard work, and determination can help someone rise from humble beginnings to achieve greatness. Vicky Kaushal has already impressed audiences with his performances in films based on real-life personalities, including Sam Bahadur and Sardar Udham. His ability to portray emotionally intense and layered characters is one of the major reasons why many fans agreed with Harbhajan's casting choice. Meanwhile, the biopic of legandary cricketer Sourav Ganguly is already in the works with Rajkumar Rao in the lead.

Karan Johar Unfollowed Shah Rukh Khan, Alia Bhatt, And Others On Instagram: Here Is Why Bollywood
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Karan Johar Unfollowed Shah Rukh Khan, Alia Bhatt, And Others On Instagram: Here Is Why

BY SACNILK

Mumbai, May 29 - Filmmaker Karan Johar left Bollywood fans stunned after eagle-eyed social media users noticed that he had unfollowed several celebrities on Instagram, including superstar Shah Rukh Khan. The sudden move quickly became a major talking point online, with fans speculating about possible fallout and tension within Bollywood circles. Apart from Shah Rukh Khan, Karan Johar also reportedly unfollowed several major Bollywood names, including Alia Bhatt, Kareena Kapoor Khan, Kajol, Malaika Arora, Ananya Panday, Kartik Aaryan, Varun Dhawan, Sidharth Malhotra, Manish Malhotra and even members of the Khan family such as Gauri Khan, Aryan Khan and Suhana Khan. (adsbygoogle = window.adsbygoogle || []).push({}) The development first gained traction after Reddit users noticed changes in Karan Johar's following list and began sharing screenshots online. Social media platforms were soon flooded with theories ranging from friendship issues to professional differences and PR strategies. What made the situation even more surprising for fans was Karan Johar and Shah Rukh Khan’s long-standing bond. The duo shares one of the most iconic friendships in Bollywood history. Shah Rukh Khan played the lead in several of Karan Johar's biggest films, including Kuch Kuch Hota Hai, Kabhi Khushi Kabhie Gham, Kabhi Alvida Naa Kehna and My Name Is Khan. Over the years, Karan has repeatedly credited Shah Rukh for shaping his filmmaking journey and career. (adsbygoogle = window.adsbygoogle || []).push({}) As speculation intensified, Karan Johar finally addressed the controversy through his Instagram Story and dismissed all rumours of fallout. The filmmaker clarified that the mass unfollowing was simply part of a "digital detox." He wrote, "It's a DIGITAL DETOX!!!! Am unfollowing everyone to reduce my time and energy spent on the gram!!! This can't be national news for god's sake... please clickbait something else! This is irrelevant!" His statement, however, did little to stop online discussions. Many social media users questioned why unfollowing people was necessary for a digital detox, while others believed it was simply a social media strategy or public reset. Reddit discussions were filled with mixed reactions, with some users calling it a "PR move" and others describing it as attention-grabbing behaviour. Another detail that caught attention was that actress Priyanka Chopra reportedly continued to remain on Karan Johar's following list despite several other celebrities being removed. This sparked even more speculation online. According to reports, the move was part of a planned "social media strategy" and had nothing to do with personal disputes or issues with any actor.

Dhurandhar The Revenge OTT Views: Sequel hits 3.1M global views; Part 1 and Raw version double-chart in India OTT
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Dhurandhar The Revenge OTT Views: Sequel hits 3.1M global views; Part 1 and Raw version double-chart in India

BY SACNILK

It is not often that we see a single film dominate the charts in two different versions at the same time, but Ranveer Singh’s Dhurandhar is doing exactly that on Netflix. During the latest tracking window from May 18 to May 24, 2026, the film has pulled off a rare double-charting feat in India. The newly released uncut version, titled Dhurandhar (Raw & Undekha), has grabbed the Number 2 spot, while the original version of the film has climbed back up to occupy the Number 4 position. This simultaneous dominance is a fascinating case of defying viewership cannibalisation. Usually, when a new or extended version of a film is released, it tends to pull the audience away from the older version. However, in this instance, it seems to have triggered a massive rewatch cycle. Fans are actively streaming both versions side-by-side to compare the scenes and catch the differences, which is an exceptionally rare anomaly for Indian cinema on a global streaming platform. If you look at the domestic performance, the original Dhurandhar has managed to stay in the Top 10 for a staggering 17 weeks. Here is the complete Top 10 breakdown for the Indian market: (adsbygoogle = window.adsbygoogle || []).push({}) Top 10 Movies on Netflix India (May 18-24, 2026)RANKINGMOVIE NAMEWEEKS IN TOP 1001Kartavya202Dhurandhar (Raw & Undekha)103Swapped404Dhurandhar1705Bharathanatyam 2 Mohiniyattam306Blue Beetle207Youth608Aquaman and the Lost Kingdom209Raakaasa410Made in Korea5 The success is not just limited to the domestic market. On the global stage, the sequel, Dhurandhar The Revenge (Raw & Undekha), has secured the 5th spot in the Non-English movies category. The numbers are quite impressive, with 1.3 million views recorded just this week and a staggering 49 million hours viewed. The film has a massive runtime of 3 hours and 52 minutes, which makes those high watch hours even more significant. By the end of its second weekend, the total views for this specific uncut version have reached 3.1 million worldwide. 01. Kartavya (4,200,000 Views | 7,700,000 Hours) 02. Bride of the Year (2,500,000 Views | 4,100,000 Hours) 03. Coco Before Chanel (1,700,000 Views | 3,200,000 Hours) 04. The Bus: A French Football Mutiny (1,500,000 Views | 2,000,000 Hours) 05. Dhurandhar The Revenge (Raw & Undekha) (1,300,000 Views | 4,900,000 Hours) 06. Number One (1,100,000 Views | 19,00,000 Hours) 07. My Dearest Assassin (1,100,000 Views | 23,00,000 Hours) 08. Je m’appelle Agneta (9,00,000 Views | 18,00,000 Hours) 09. Village of the Dead (8,00,000 Views | 12,00,000 Hours) 10. Hidden Enemy (7,00,000 Views | 13,00,000 Hours) (adsbygoogle = window.adsbygoogle || []).push({}) A major factor behind this viral momentum is the inclusion of nearly 4 minutes of entirely unseen footage in the international uncut version of the sequel, Dhurandhar The Revenge (Raw & Undekha). This has sparked a significant wave across social media platforms like Instagram, with fans encouraging others to experience the unfiltered narrative. On the global stage, this specific version has secured the Number 1 spot in 7 countries—including Bangladesh, Bahrain, Sri Lanka, and Pakistan—while maintaining a Top 10 presence in 13 countries. With a massive runtime of 3 hours and 52 minutes, the film recorded 1.3 million views and an impressive 49 million viewing hours this week, solidifying its position at Number 5 on the global non-English movie chart. Meanwhile, in India, the film’s popularity has trickled back to the original part, causing both versions of the franchise to trend in the Top 5 simultaneously. Logically, this trend suggests that audiences are increasingly interested in extended director’s cuts that offer a deeper dive into the story. For a film like Dhurandhar, which follows a high-stakes mission into a criminal underworld, those extra minutes of raw footage have clearly added enough value to bring viewers back for a second or even third viewing. Seeing the original version stay in the Top 10 for 17 weeks while the new version climbs the charts is a testament to the enduring popularity of this franchise.

Ram Charan's Slip of Tongue Grabs Eyeballs Amid Successful Peddi Musical Event In Bhopal Tollywood
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Ram Charan's Slip of Tongue Grabs Eyeballs Amid Successful Peddi Musical Event In Bhopal

BY SACNILK

Bhopal, May 24 - The grand musical event of Peddi in Bhopal, Madhya Pradesh, turned into a major talking point online after superstar Ram Charan made a couple of unexpected verbal slip-ups during his live interaction with fans. Despite the minor blunders, the Peddi Ki Aawaz event emerged as a successful promotional celebration for the much-awaited sports action drama, attracting massive crowds and strong social media engagement. (adsbygoogle = window.adsbygoogle || []).push({}) One of the moments that quickly went viral was when Ram Charan mistakenly referred to the Bhopal audience as people from Bihar while addressing the gathering on stage. The host immediately corrected the actor, following which Charan smiled and continued the interaction. The light-hearted mistake drew laughter from the crowd, while clips of the moment rapidly spread across social media platforms. The actor also grabbed attention during a rapid-fire segment involving Indian sports personalities. While speaking about Jasprit Bumrah, Ram Charan accidentally used football-related references, effectively mistaking the Indian pace bowler for a footballer. The incident added further buzz to the event, with fans widely sharing videos and memes online. The actor later clarified the mistake on Instagram while referring to Jasprit Bumrah. (adsbygoogle = window.adsbygoogle || []).push({}) #Sachin - Long Legendary Run #MSD - Calm and Cool#RohitSharma - Everyone Owns Him#ViratKohli - Fire#JaspritBumrah - I am your biggest fan. I love football and you've taking it more forward. Love you sir..🤣🤣#PeddiKiAawaz pic.twitter.com/JMPIXcYYhJ— 𝐁𝐡𝐞𝐞𝐬𝐡𝐦𝐚 𝐓𝐚𝐥𝐤𝐬 (@BheeshmaTalks) May 23, 2026 Despite the viral slip of tongue, the musical event successfully heightened anticipation for Peddi ahead of its theatrical release on June 4. Directed by Buchi Babu Sana, the film features music composed by A. R. Rahman and also stars Janhvi Kapoor, Jagapathi Babu, Shivarajkumar, and Divyenndu. The event featured live performances, promotional reveals, and fan interactions, making it one of the biggest promotional gatherings for the film so far.

Raja Shivaji Box Office: Riteish Deshmukh's Historical Epic Downs Sairat To Become Highest-Grossing Marathi Film Bollywood
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Raja Shivaji Box Office: Riteish Deshmukh's Historical Epic Downs Sairat To Become Highest-Grossing Marathi Film

BY SACNILK

Mumbai, May 22 - The decade-long record of director Nagraj Manjule's social romantic tragedy Sairat has finally been broken as Riteish Deshmukh's historical epic Raja Shivaji has become the highest-grossing Marathi film of all time, taking just 22 days to achieve the historic feat. Produced by Jio Studios and Mumbai Film Company, Raja Shivaji minted around 109.35 crores worldwide in three weeks (21 days), and it has surpassed the total gross of Sairat (110 crores) at the time of writing this piece to become the number 1 Marathi grosser ever. (adsbygoogle = window.adsbygoogle || []).push({}) Raja Shivaji, however, received support from its Hindi dubbed version, unlike Sairat, which was purely a Marathi-language release. Directed by and starring Riteish Deshmukh, the blockbuster has grossed approximately 29 crores from the Hindi version and over 76 crores gross from the original Marathi version in 21 days, while the overseas contribution stands at an estimated 4.20 crores so far. Released on May 1 on the occasion of Maharashtra Day, Raja Shivaji opened to record-breaking numbers with approximately 13.85 crores worldwide on its first day. The film remained exceptionally strong throughout the opening weekend, collecting around 41.65 crores worldwide in its first three days, setting a new benchmark for Marathi cinema. (adsbygoogle = window.adsbygoogle || []).push({}) The historical action drama, based on the life of Chhatrapati Shivaji Maharaj, showed a solid hold during the weekdays of its initial week. However, mixed word of mouth impacted the film's long-term theatrical run, with collections beginning to slow down after the second weekend. The 150 crores worldwide milestone, which looked possible after the huge opening weekend, now appears out of reach. Despite the slowdown, Raja Shivaji is still expected to finish its theatrical run close to the 125 crores mark, which would be a solid result for a regional-language title. The film has performed excellently in Maharashtra, where the subject and emotional connect with audiences helped it emerge as one of the biggest Marathi blockbusters ever produced. (adsbygoogle = window.adsbygoogle || []).push({}) Highest-Grossing Marathi Films S. No. Movie Worldwide Gross 1 Raja Shivaji (2026) ₹ 110+ Cr* (22D) 2 Sairat (2016) ₹ 110 Cr 3 Baipan Bhari Deva (2023) ₹ 90.50 Cr 4 Ved (2022) ₹ 73 Cr 5 Natsamrat (2016) ₹ 46 Cr*

Ramayana Distribution Rights: Makers Aim For Historic Rs. 450 Crore Deal To Shatter All Records Box Office
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Ramayana Distribution Rights: Makers Aim For Historic Rs. 450 Crore Deal To Shatter All Records

BY SACNILK

The anticipation for Nitesh Tiwari's Ramayana is building up as we head toward the Diwali 2026 release. Since it is being called the most expensive Indian film ever made, it is already a massive topic in the trade circles. Variety India has exclusively reported that the discussions for the domestic distribution rights are heating up, with the country's top distribution houses now competing to secure a deal for this epic project. Variety India has revealed that major players like Dharma Productions, AA Films, and Pen Studios are currently in talks with producer Namit Malhotra. However, what has truly sent shockwaves through the industry is the staggering asking price. Reports suggest that the producers are seeking a record-breaking 450 crore rupees for the Hindi theatrical distribution rights alone. To put this into perspective, the current record for a Hindi film distribution deal belongs to Shah Rukh Khan's upcoming film King, which was recently acquired for approximately 250 crore. If Namit Malhotra secures even 300 or 400 crore, it would set a massive new benchmark that the industry has never seen before. While distributors like Anil Thadani and Jayantilal Gada are reportedly urging for a more commercially viable price, the producers seem firm on their valuation. Their confidence stems from the film's unprecedented scale and a star-studded cast featuring Ranbir Kapoor as Lord Ram, Yash as Ravana, Sai Pallavi as Goddess Sita, and Sunny Deol as Lord Hanuman. Trade experts are already projecting a historic box office run, with some estimating a domestic net collection between 1,000 and 1,500 crore, and a potential worldwide gross exceeding 2,500 crore rupees. (adsbygoogle = window.adsbygoogle || []).push({}) Aside from the theatrical side, there are several reports about how the makers plan to handle the digital and satellite rights for this epic. It is being reported that producer Namit Malhotra has already turned down a 700 crore offer from Netflix for the combined rights of both parts. Instead, the goal is said to be a landmark deal touching 1,000 crore for the digital rights alone. There is also talk of following a phased strategy, much like the team behind the recent blockbuster Dhurandhar. This would mean selling the rights for Part 1 first to see how it performs before closing a deal for the second part. The logic here seems to be that digital sales should recover about 25 percent of the massive investment, with the remaining budget being covered through theatrical, satellite, and music rights. The global ambitions for Ramayana are equally massive. Rumors suggest that in a first for an Indian production, Warner Bros. might handle the distribution in the USA and Canada, while the China Film Group could oversee the promotion in China. Allegedly, the makers are targeting a global footprint of over 42,000 screens with dubs in more than 45 languages. With a total production budget for the two-part saga estimated at a mind-boggling 4,000 crore rupees, the scale of this project is unlike anything Indian cinema has ever attempted. As the industry waits for the next promotional asset to be unveiled, the negotiations are expected to resume with even more intensity. Whether the distributors agree to the 450 crore tag remains to be seen, but one thing is certain: Ramayana is being positioned as a global event that aims to rewrite every record in the book. If these reported numbers hold true, we are looking at a high-stakes gamble that could change the economics of Indian filmmaking forever.