BY CHRISTA LINCY

Patriot has made a very strong start at the box office, particularly when you look at the global numbers. On its first day, the film collected a net of 10 crore across India. While the domestic numbers are solid, it is the overseas performance that is truly grabbing attention, pushing the film into the category of the biggest Indian openers of 2026 in international markets. Across 2,636 shows in India, the film managed a gross collection of 11.60 crore. Naturally, Kerala was the primary driver for these numbers, contributing 8.50 crore to the total gross. Interestingly, the film also found decent traction in Karnataka with 1.60 crore and Tamil Nadu with 80 lakh, showing that the appeal is spreading beyond its home territory. The rest of India and the APTG region added another 70 lakh combined to the gross total. With a net collection of 10 crore, Patriot has now secured the position of the second-highest opening day net for a Malayalam film. It has comfortably surpassed the debut numbers of recent major hits like Bha. Bha. Ba. and Aadujeevitham, both of which opened at the 7 crore mark. While it still sits behind the massive 19 crore opening of L2: Empuraan, Patriot has established itself as a top-tier performer in the industry. L2: Empuraan (2025) - ₹ 19 Cr Patriot (2026) - ₹ 10 Cr Bha. Bha. Ba. (2025) - ₹ 7 Cr Aadujeevitham - The Goat Life (2024) - ₹ 7 Cr Marakkar: Lion of the Arabian Sea (2021) - ₹ 6 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Patriot Day 1 State-Wise Gross BreakdownSTATE / REGIONGROSS COLLECTIONKerala₹ 8.50 CrKarnataka₹ 1.60 CrTamil Nadu₹ 0.80 CrRest of India₹ 0.55 CrAPTG₹ 0.15 CrTotal India Gross₹ 11.60 Cr The overall occupancy for the day stood at a very healthy 66 per cent. The film started the day with a high morning occupancy of 73.44 per cent and maintained a steady flow throughout the afternoon and night, with figures hovering between 70 per cent and 75 percent. In the national multiplex chains, including PVR, INOX, and Cinepolis, the film sold about 55,000 tickets, resulting in a gross of 2 crore. These numbers were supported by heavy booking activity on BookMyShow, where a total of 583.92K tickets were sold, including a massive pre-sale of 333.18K tickets. (adsbygoogle = window.adsbygoogle || []).push({}) The real story of the opening day, however, lies in the overseas market. Patriot grossed 16.50 Crore outside India on its first day, which is a significant achievement. In North America specifically, the film grossed 118K dollars by Friday evening. When you combine the domestic and international figures, the worldwide gross collection for day one stands at an impressive 29.37 crore. This global momentum suggests that the film is not just a regional hit but is performing like a major Indian tentpole release. Patriot Day 1 Worldwide Box Office SummaryCATEGORYCOLLECTION DATAIndia Net Collection₹ 9.80 CrIndia Gross Collection₹ 11.37 CrOverseas Gross Collection₹ 18.00 CrWorldwide Gross Total₹ 29.37 CrBookMyShow Total Tickets5.83 Lakh Analysing the data, the heavy weightage of the overseas market indicates a very strong diaspora appeal. The fact that the film has almost doubled its domestic gross through international collections on day one is a trend usually reserved for the biggest stars in the industry. With a 10 crore net start in India and a worldwide gross nearing the 30 crore mark, the film has set a high bar for the rest of its theatrical run.

BY SACNILK TEAM

Here is the Telugu movie Jetlee box office collection which is a Action Comedy film. This film is directed by Ritesh Rana and produced by . ## Jetlee stars , Satya Akkala, Rhea Singha, Vennela Kishore in key roles. ## Jetlee Review ## Jetlee Review: What Public Has To Say About This Movie ## Jetlee Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Jetlee Budget: ₹ 1 Cr * Approx ## Jetlee Verdict: Coming Soon ## Jetlee Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 1st May 2026 ## For more and the latest news about Tollywood Box Office Collection, Stay tuned to us.

BY SACNILK TEAM

Here is the Hindi movie Ek Din box office collection which is a Drama Romantic film. This film is directed by Sunil Pandey and produced by . ## Ek Din stars , Junaid Khan, Sai Pallavi, Kunal Kapoor in key roles. ## Ek Din Review ## Ek Din Review: What Public Has To Say About This Movie ## Ek Din Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Ek Din Budget: ₹ 1 Cr * Approx ## Ek Din Verdict: Coming Soon ## Ek Din Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 1st May 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

BY SUNIT JANGIR

Hyderabad, May 1 - The much-awaited pan-India film Peddi, starring Ram Charan, is now set to hit theatres on June 4, 2026, after undergoing multiple release date changes. The rural sports drama has been creating steady buzz ever since its announcement, and the latest update has only heightened anticipation among fans. Directed by Buchi Babu Sana, the film was initially slated for a March 2026 release but was later pushed to April 30. However, due to pending work and the makers' desire to fine-tune the final product, the release was postponed once again. Industry reports suggested that the makers were looking for a June 26 release, but the recent release change of Yash's Toxic made way for the film to lock June 4 as the official release date. (adsbygoogle = window.adsbygoogle || []).push({}) Peddi is said to be a hard-hitting rural sports drama with a strong emotional core. Ram Charan will be seen in a rugged and physically intense avatar, marking a significant transformation for the actor. The film also stars Janhvi Kapoor as the female lead, alongside seasoned performers like Jagapathi Babu, Shiva Rajkumar, and Divyenndu in key roles. The new release date is seen as a tecticle move as the film is now in a good position to take full advantage of the summer holidays while also having a good window in overseas markets. One of the major highlights of the film is its music, composed by the legendary A. R. Rahman, which is expected to elevate the film's emotional and dramatic moments. The delay in release is primarily attributed to extensive post-production work, including visual effects and editing, along with the completion of a song shoot. The makers are reportedly keen on ensuring that the film meets high technical and cinematic standards before arriving in theatres. (adsbygoogle = window.adsbygoogle || []).push({}) Meet #PEDDI on June 4th ❤️‍🔥See you in Cinemas. pic.twitter.com/axzrkheBIe— Ram Charan (@AlwaysRamCharan) May 1, 2026

BY SUNIT JANGIR

Mumbai, May 1 - Jio Studios and Mumbai Film Company's historical action drama Raja Shivaji has scripted history at the box office even before hitting the big screens. The film has scored the biggest opening ever for a Marathi film based on advance bookings alone, setting the stage for a massive opening. Record Advance Booking Sets the Tone Directed by and starring Riteish Deshmukh, Raja Shivaji closed its advance booking at 5.14 crore gross crores (without block seats), including a historic 4.25 crore gross (3.60 crore net) for the original Marathi version alone. This is a landmark figure for the industry and comfortably places the film at the top in terms of opening day collections among Marathi releases. (adsbygoogle = window.adsbygoogle || []).push({}) What makes this even more significant is that the film has already matched peak opening-day benchmarks through advance sales alone, with spot bookings and walk-ins expected to push the final Day 1 total even higher. With 3.60 crore net in advances, Raja Shivaji has gone past the long-standing opening-day figures of Sairat and Timepass 2, which scored around 3.60 crore net each. Strong Maharashtra Performance Drives Numbers The film's exceptional start is largely driven by its Marathi version, which has recorded strong occupancy across multiplexes and single screens alike in Maharashtra. On the other hand, the Hindi version has seen some momentum in advance sales with opening day figures already nearing 1 crore gross before release. (adsbygoogle = window.adsbygoogle || []).push({}) The scale, subject, and mounting of Raja Shivaji have clearly struck a chord with audiences. With this opening, the film has not only set a new record but also raised the commercial ceiling for Marathi cinema, proving that regional films can deliver blockbuster-level openings with the right mix of content and presentation.

BY CHRISTA LINCY

Dhanush has been on a phenomenal run in the post-pandemic era, with his films consistently hitting double-digit openings. However, his latest release, the Tamil drama Kara, has started its box office journey on a much more modest note. While the film managed to collect a global gross of nearly 10 crores on its first Thursday, it has failed to match the high-octane starts seen by his recent releases. In its home territory, Kara registered a net collection of 6.20 crore across approximately 4,170 shows, reflecting a more cautious reception from the audience. To give you some perspective on where this opening stands, we only need to look at Dhanush's track record over the last few years. Every major release of his since the pandemic has comfortably crossed the 9 crore mark on day one. Kara, by comparison, is currently trailing as his lowest post-COVID opener so far. Here is how the top day one net collections for Dhanush's recent films look in comparison: Raayan: ₹11.85 Cr Karnan: ₹10.40 Cr Idli Kadai: ₹10.35 Cr Vaathi/SIR: ₹9.70 Cr Captain Miller: ₹9.35 Cr Kara: ₹6.20 Cr Despite the overall numbers being lower than expected, the film did show some regional strength. The Tamil version accounted for 4.95 crore of the net total, maintaining an occupancy of around 27 percent. The Telugu version chipped in with 1.25 crore, showing that the actor still holds a decent draw in the neighboring states. To understand the full financial picture of the opening day, here is the breakdown of the gross and net figures across the domestic and international markets: (adsbygoogle = window.adsbygoogle || []).push({}) Kara Day 1 Worldwide Collection SummaryCOLLECTION CATEGORYAMOUNT (INR)India Net Collection₹ 6.20 CrIndia Gross Collection₹ 7.17 CrOverseas Gross Collection₹ 2.50 CrTotal Worldwide Gross₹ 9.67 Cr Looking at the digital engagement, BookMyShow recorded approximately 1.86 lakh total tickets for Kara on day one. The pre-sales were relatively quiet at 67,000 tickets, but the film saw a surge of 119,000 tickets as the day progressed. This suggests that the audience was largely waiting for the initial word of mouth before heading to the theaters. In the national multiplex chains, the trend remained consistent with urban theaters leading the charge. Across PVR, INOX, and Cinepolis, the film sold about 34,700 tickets. PVR was the biggest contributor with 23.7K tickets, followed by INOX with 8.5K and Cinepolis with 2.6K bookings. Ultimately, while Kara has not reached the explosive heights of Raayan or Karnan, it is still early days. The film's worldwide gross of 9.67 crore provides enough of a platform for a potential recovery over the weekend. Since the film relies more on emotional depth than mass action, the trade will be watching closely to see if the family audience turns up in larger numbers on Saturday and Sunday. For now, the film sits at the bottom of Dhanush's post-COVID leaderboard, but a strong hold in the coming days could still change the narrative for this production.

BY CHRISTA LINCY

Raja Shivaji is arriving at a pivotal moment for the historical genre, where the legacy of Chhatrapati Shivaji Maharaj is being told through two very different commercial lenses. If we look at the trajectory of Maratha epics over the last decade, a clear pattern has emerged: while the subject matter remains rooted in the soil of Maharashtra, the peak commercial fame and massive national reach are still heavily dictated by the prime release language, which is Hindi. Whether it is a Bollywood spectacle or a regional-first production, the scale of success often depends on whether the film can tap into the broader Hindi-speaking heartland. To give you some perspective on this, we have to look at the benchmarks set by films like Chhaava and Tanhaji: The Unsung Warrior. Chhaava was released purely as a Hindi-language production, and that choice allowed it to operate on a level that few regional-first films can touch. It delivered a ferocious 33.50 crore opening day net, backed by a massive 4.88 lakh ticket sale in advance. With a total India net collection eventually reaching 601.54 crore, it proved that the Hindi language acts as a shield that amplifies regional history into a national event. Even in its home turf of Maharashtra, the Hindi version of Chhaava dominated the pre-sales, showing that for a certain scale of cinema, the audience often gravitates toward the prime national language. Key Maratha Epics - India Net CollectionMOVIE NAMEINDIA NET COLLECTIONChhaava₹ 601.54 CrTanhaji: The Unsung Warrior₹ 279.59 CrBajirao Mastani₹ 184.30 CrManikarnika: The Queen of Jhansi₹ 98.02 CrPawankhind₹ 37.72 Cr (adsbygoogle = window.adsbygoogle || []).push({}) While the overall collections give us the big picture, the real story of these historical films is often hidden in how different regions and audiences reacted to them. For instance, if we look at a multiplex-heavy success like Bajirao Mastani, it was the Mumbai circuit that acted as its primary engine, accounting for over 40 percent of its total all-India business. This is quite different from a film like Manikarnika, which eventually recorded over 3.8 million tickets on BookMyShow by tapping into a very specific demographic. Trade reports at the time highlighted that its pre-sales were significantly driven by urban female groups and school bookings in major metros like Mumbai and Delhi, showing how a film can find its own unique path to a nearly 100 crore net. Then there is the fascinating case of Pawankhind, which represents the raw power of the regional market. Even though it started with a modest advance booking, it witnessed a massive 80 percent jump on its second day and ran at near-full capacity across rural Maharashtra. In centers like Kolhapur and Nashik, the ground-level demand was so intense that many shows went housefull through spot bookings alone, pushing the film to a historic 37.72 crore net. This is where Raja Shivaji currently finds its biggest strength; while its Hindi version aims for the urban multiplex reach seen by Bajirao Mastani, its Marathi version is already tapping into that deep-rooted regional fervor that makes these historical epics so special at the ticket window. Coming to Raja Shivaji, we see a fascinating clash between regional soul and the business need for Hindi reach. The film is releasing in both Marathi and Hindi, but the pre-sales tell two different stories. The heart of the demand is clearly Marathi, with over 1.67 lakh tickets sold from just 1,786 shows. However, to chase the kind of national fame seen by Chhaava, the film has been pushed with nearly 3,900 shows in Hindi. So far, the Hindi version is finding it difficult to gain the same traction, selling only about 34,000 tickets. It is a stark reminder that even with the most iconic Maratha subject, the regional version provides the occupancy while the Hindi version is meant to provide the scale, but the audience often chooses based on which language feels like the prime experience for that particular production. (adsbygoogle = window.adsbygoogle || []).push({}) The regional occupancy data for Mumbai and Pune further cements this idea. For Raja Shivaji, the Marathi version is seeing real occupancy levels of 44 percent in Mumbai and 55 percent in Pune. When we compare this to Chhaava, the Bollywood actioner had a slightly lower occupancy percentage of 36 percent and 48 percent in those cities but on a much higher show count. This is a crucial detail: the Hindi blockbuster might have lower occupancy per show, but because it has double the shows, its gross collections are vastly superior. This is exactly how the prime language (Hindi) allows a film to reach a massive 17.89 crore advance gross compared to the 6.54 crore of a multi-lingual regional film. Coming to the distribution strategy, Raja Shivaji is clearly aiming to expand its reach through the Hindi version. Backed by Jio Studios, the film has gone aggressive with show allocation, especially in multiplexes. The Hindi version has been given a much higher screen count, but the response so far has been limited compared to the Marathi version. This shows that while the film is widely available in Hindi, the demand is not matching the scale of release. If we look at the overall trend, the Marathi version continues to lead in terms of occupancy and ticket sales, while the Hindi version is adding to the overall numbers through wider reach. This is where the film’s box office dynamic becomes clear. The core demand is coming from the regional audience, and the Hindi version is helping in scaling the collections. Going forward, the opening day will depend on how much the Hindi version can pick up through spot bookings, especially outside Maharashtra.

BY SUNIT JANGIR

Mumbai, May 1 - Superstar Shah Rukh Khan-fronted action thriller King is one of the most-awaited Indian films of the year. The buzz around it has reached a new high after a leaked picture from the film's set surfaced online. Featuring Shah Rukh Khan and Deepika Padukone filming a scene together, the image has quickly gone viral, sending fans into a frenzy. Leaked picture fuels excitement The now-viral image captures Shah Rukh Khan and Deepika Padukone in the middle of a shoot, hinting at a romantic scene. While the makers have kept details of the film tightly under wraps, this unexpected glimpse has only heightened curiosity among audiences. Fans have flooded social media with reactions, celebrating the reunion of the hit on-screen pair. Known for their electrifying chemistry in past films, the duo's return in King is already being touted as one of the film’s biggest highlights. (adsbygoogle = window.adsbygoogle || []).push({}) Makers urge restraint amid leaks Director Siddharth Anand has urged fans not to circulate leaked content from the sets. A recent post from the filmmaker requested audiences to refrain from sharing unauthorised photos and videos, emphasising that the film is designed to be experienced on the big screen. Anand said in the post that the team is working around the clock to deliver the best cinematic experience and requested fans to let the surprises be exclusive for the big screen. King is shaping up to be one of the biggest Bollywood releases in recent times. Headlined by Shah Rukh Khan, the film reportedly features a strong ensemble cast and high-octane action sequences. With its scale, star power, and growing buzz—even through unintended leaks—the film continues to dominate conversations online. While the leaked picture has undeniably boosted excitement, the team remains focused on delivering a grand theatrical experience. For now, fans are eagerly waiting for official glimpses, teasers, and eventually, the big-screen spectacle that King promises to be. (adsbygoogle = window.adsbygoogle || []).push({}) pic.twitter.com/sTvx9IP4w3— Siddharth Anand (@justSidAnand) May 1, 2026

BY SUNIT JANGIR

Mumbai, May 1 - The much-awaited sequel The Devil Wears Prada 2 has kicked off its India run on a promising note, delivering solid numbers from paid previews and signalling strong urban traction. According to estimates, the film has collected around 1.90-2 crore gross from paid previews across India. This puts it right on par with Michael, which had clocked around 2 crore gross in paid previews last week. The collections are heavily driven by metro cities like Mumbai, Delhi-NCR, and Bengaluru, with premium chains such as PVR INOX contributing a significant chunk of the business. (adsbygoogle = window.adsbygoogle || []).push({}) This trend highlights the film's appeal among urban audiences, typical for a stylish, dialogue-heavy comedy-drama rather than a mass-market spectacle. With positive momentum from previews, the film is now eyeing an opening day of 7-8 crore (including previews) in India. Hollywood films have been enjoying a good run in India in 2026, and The Devil Wears Prada 2 is well-positioned to continue that streak. The nostalgic value of the 2006 original, combined with the returning star cast led by Meryl Streep, Anne Hathaway, and Emily Blunt, is clearly working in its favour. If the film shows good growth over the weekend and maintains steady weekday holds, it could comfortably join the list of successful Hollywood releases in India this year.

BY CHRISTA LINCY

Akshay Kumar's latest horror-comedy venture, Bhooth Bangla, has maintained a very impressive momentum throughout its second week. The film managed to collect approximately 43.75 crore net during this period, showing that the genre still holds significant sway over the family audience. If you have been following the box office performance of Akshay’s films in the post-pandemic era, this result is particularly noteworthy as it solidifies the movie as one of his most stable performers in recent years. This steady hold has now pushed the total worldwide gross past the 200 crore milestone, a clear sign of the film's wide acceptance. When we look at the daily trends in national multiplex chains like PVR, INOX, and Cinepolis, the second weekend performance was the clear highlight. On the second Friday, the film sold about 16,000 tickets, which saw a massive jump on Saturday to 45,000 bookings. The momentum peaked on the second Sunday with over 57,000 tickets sold in these chains alone. Even on the weekdays, the film showed surprising resilience, especially on Tuesday where it spiked to 32,000 tickets. In total, Bhooth Bangla sold approximately 185,000 tickets across major national chains during its second week, indicating strong ground-level interest in urban centers. Top 5 Week 2 Collections: Akshay Kumar (Post-COVID)MOVIE NAMEWEEK 2 COLLECTIONSooryavanshi₹ 45.57 CrBhooth Bangla₹ 43.75 CrOMG 2₹ 41.37 CrHousefull 5₹ 40.85 CrJolly LLB 3₹ 29.00 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The digital footprint on BookMyShow has also been quite massive. By the end of its second week, Bhooth Bangla reached a milestone of 2.44 million tickets booked on the platform. To give you some context on where this sits among the biggest releases of the 2025-26 cycle, here is how the leaderboard looks for ticket sales at the end of the second week: Dhurandhar 2: 14.95 Million Chhaava: 8.97 Million Dhurandhar: 8.05 Million Saiyaara: 6.24 Million Border 2: 4.92 Million War 2: 3.35 Million Bhooth Bangla: 2.44 Million To break down the 2.44 million milestone for Bhooth Bangla, the journey started with roughly 170,000 tickets in pre-sales and a strong first week that accounted for 1.45 million bookings. The second week added another 820,000 tickets, with the weekend days—Friday through Sunday—contributing nearly 512,000 of those bookings. The daily performance on the platform remained consistent even on weekdays, ranging between 64,000 and 88,000 tickets daily. Coming to the overall totals, Bhooth Bangla has now achieved a worldwide gross of 204.40 crore, which includes an India gross of 152.15 crore and a solid contribution of 52.25 crore from overseas. While the total India net stands at 128.15 crore across 144,768 shows, the current momentum is what stands out. Even with several new films releasing today, the movie is benefiting from the long weekend and showing a massive 2x jump in its booking trend. For instance, between 11 AM and 12 PM today, the film sold nearly 8,860 tickets on BookMyShow compared to 4,470 during the same period yesterday. Since 8 AM today, the total tickets sold have already touched 21,800, which is more than double yesterday's tally of approximately 10,200. This strong resilience in the face of fresh competition further cements its hit status as it prepares for another big weekend.

BY CHRISTA LINCY

Dhurandhar 2 has officially proven that it is not just a massive opener but a genuine marathon runner at the box office. While most big-budget films struggle to stay relevant after the third week, this sequel has managed to hold its ground even in its sixth week. The film wrapped up the week with a collection of approximately 12.40 crore, which is a testament to its incredible leg-room. If you look at the language breakdown, the Hindi version continues to do the heavy lifting, contributing nearly 11.80 crore of the total, while the South Indian markets added about 60 lakh collectively. One of the most impressive aspects of this journey has been the digital footfall on BookMyShow. The film has reached a staggering milestone of 1.81 crore total tickets booked on the platform since its release. This momentum started with 2.41 million tickets in pre-sales and a massive 8.92 million in its first extended week. The footfall remained high with 3.62 million in the second week and 1.58 million in the third, followed by nearly 1.3 million tickets combined across weeks four and five. Even in its sixth week, the film added another 259,000 tickets to its tally. Week 1 Collection:₹674.17Cr Week 2 Collection: ₹263.65 Cr Week 3 Collection: ₹110.60 Cr Week 4 Collection: ₹54.70 Cr Week 5 Collection: ₹19.52 Cr Week 6 Collection:₹12.40Cr (adsbygoogle = window.adsbygoogle || []).push({}) If we look closely at the daily trends in national multiplex chains like PVR, INOX, and Cinepolis during this sixth week, the film showed a very healthy weekend jump. On Friday, it sold around 7,700 tickets, which nearly tripled on Saturday to 21,700 tickets. The momentum peaked on Sunday with over 27,000 tickets sold in these major chains alone. Even on the weekdays, the film showed surprising resilience, particularly on Tuesday where it saw a spike back up to nearly 20,000 tickets. By the end of its sixth week, Dhurandhar 2 sold a total of approximately 96,000 tickets across the top national chains. This kind of consistency at such a late stage in its theatrical run is what separates a regular hit from an all-time blockbuster. To put these numbers into perspective, we have to look at where Dhurandhar 2 stands in the history of Indian cinema. By collecting 12.40 crore in its sixth week, it has officially entered the top five list of highest-ever week six collections. It has managed to edge past the likes of Uri: The Surgical Strike, while trailing behind only a few legendary performers like its predecessor and the other releases Stree 2 and Chhaava. Here is the elite leaderboard for the best sixth-week performances: (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Highest Week 6 Collections - India NetMOVIE NAMEWEEK 6 COLLECTIONDhurandhar₹ 26.35 CrStree 2₹ 18.60 CrChhaava₹ 16.30 CrDhurandhar 2₹ 12.40 CrUri: The Surgical Strike₹ 11.57 Cr Looking at the current trajectory, the film is set to continue its run for several more weeks. Even in its sixth week, the daily ticket sales on BookMyShow have stayed in a solid range between 20,000 and 65,000 tickets, with a clear peak on Saturday at nearly 65,000 bookings. With a total worldwide collection of 1,783.66 crore—comprising 1,358.51 crore in India gross and 425.15 crore from overseas—Dhurandhar 2 is now on the verge of making history. It currently sits just about 5 crore away from the lifetime worldwide collection of Baahubali 2, which stands at 1,788.06 crore. Given its steady week six hold and a net collection of 1,135.04 crore across over 5 lakh shows, the film is now almost certain to surpass that legendary figure by the end of its seventh weekend.

BY CHRISTA LINCY

The historical genre in Indian cinema has recently seen two major projects based on the Maratha legacy take very different paths at the box office. While Chhaava was released as a purely Hindi production, the upcoming Raja Shivaji is taking a dual-language approach by releasing in both Marathi and Hindi. Although it is clear from the data that Raja Shivaji is playing on a different commercial level, comparing the two provides a fascinating look at how a multi-lingual regional film stands against a massive Bollywood production. To understand the scale of this competition, we have to look at the benchmark set by Chhaava for its opening day. Even as a Hindi-only release, the film managed to generate immense momentum, particularly within Maharashtra. Its final advance booking for day one stood at approximately 4.88 lakh tickets sold across India, translating to a gross of nearly 17.89 crore including block seats. This volume was driven by a heavy presence in national chains, where it sold over 2.14 lakh tickets, setting a high bar for any historical drama aiming for a massive start. On the other hand, Raja Shivaji is leaning into a strategy that combines regional loyalty with a wide national footprint. Backed by Jio Studios, the film is aiming for a massive showing of around 5,700 shows nationwide across its two versions. However, the internal breakdown of these shows tells a very interesting story about where the demand actually lies. Despite having a massive push in Hindi with nearly 3,900 shows, that version has sold only about 34,000 tickets so far. In sharp contrast, the Marathi version is completely dominating the pre-sales, selling over 1.67 lakh tickets from just 1,786 shows. This clear preference for the native language version is what has pushed the total opening day advance to approximately 2.02 lakh tickets, resulting in a gross of 6.54 crore with block seats. (adsbygoogle = window.adsbygoogle || []).push({}) Day 1 Advance Booking: Chhaava vs. Raja ShivajiMETRICCHHAAVA (HINDI ONLY)RAJA SHIVAJI (MAR + HIN)Total Tickets Sold4.88 Lakh2.02 LakhTotal Advance Gross (With Block)₹ 17.89 Cr₹ 6.54 CrBMS Final Pre-Sales776.6K Tickets217.3K TicketsNational Chain Sales2.14 Lakh81,866 Tickets The regional data is where the story gets even more detailed. Even though Chhaava was purely in Hindi, its subject matter ensured that it dominated Maharashtra. It recorded a massive opening with nearly 4.50 crore in advance sales from the state alone, with Pune and Mumbai showing occupancy peaks of 62.5 percent and nearly 80 percent. Coming to Raja Shivaji, the response is heavily concentrated in its native language. The Marathi 2D version has sold over 1.67 lakh tickets, with Mumbai and Pune showing real occupancy levels of 44 percent and 55 percent respectively. However, the Hindi version is seeing a slower start, with territories like NCR currently at a 2 percent occupancy across 433 shows. Regional Comparison: Raja Shivaji vs Chhaava (Day 1)REGION & METRICRAJA SHIVAJI (MAR/HIN)CHHAAVA (HINDI)Mumbai Shows6151,230Mumbai Occupancy44%36%Mumbai Gross (With Block)₹ 2.08 Cr₹ 4.06 CrPune Shows350654Pune Occupancy55%48%Pune Gross (With Block)₹ 1.38 Cr₹ 2.81 CrNCR Shows4331,249NCR Occupancy2%8%NCR Gross (With Block)₹ 19.98 Lac₹ 1.11 Cr Ultimately, Raja Shivaji is operating on a different scale compared to the massive Hindi-only production of Chhaava. While Chhaava set a high benchmark with its 33.50 crore opening day net, Raja Shivaji is testing how far a film can go when it prioritizes its regional roots while still competing for a national footprint. Even if it does not reach the same opening day totals as a major Bollywood actioner, the current pre-sales and the sheer scale of its release are already setting a historic new benchmark for the Marathi film industry.