BY SUNIT JANGIR

Mumbai, April 24 - Superstar Salman Khan has officially locked Eid 2027 as the release window for his upcoming big-budget entertainer directed by Vamshi Paidipally. The yet-untitled film is being positioned as an action spectacle, marking a significant collaboration between Bollywood and the South film industry. A Big-Ticket Collaboration (adsbygoogle = window.adsbygoogle || []).push({}) The film brings together Salman Khan and Telugu filmmaker Vamshi Paidipally for the first time. Known for delivering large-scale commercial family entertainers like Maharshi and Varisu, Paidipally is expected to present Salman in a mass-heavy, stylised action avatar, tailored for a wide audience across multiple languages. Backing the project is noted producer Dil Raju, who has a strong track record in mounting high-budget ventures. With this combination of star power and production scale, the film is already being seen as one of the biggest releases of 2027. Nayanthara has been locked to play the female lead. (adsbygoogle = window.adsbygoogle || []).push({}) Shooting Underway, Massive Scale Planned The film has reportedly gone on floors recently, with initial shooting schedules taking place in Mumbai. The makers are planning an extensive shoot spanning multiple locations, with a focus on high-octane action sequences, grand visuals, and a strong emotional core, a formula that aligns with both Salman Khan's star image and Paidipally's storytelling style. Salman Khan Returns To His Favourite Slot Eid has long been synonymous with Salman Khan's biggest box office successes. Films like Wanted, Bajrangi Bhaijaan, and Sultan turned the festive period into a guaranteed blockbuster window for the superstar. By locking Eid 2027, the makers are clearly aiming to recreate that box office magic, especially after a phase where Salman's recent releases have seen mixed responses. The festive timing, combined with a mass entertainer format, positions the film as a potential comeback vehicle for the actor. This project comes at an important juncture in Salman Khan's career. With evolving audience tastes and increasing competition from pan-India films, the actor is looking to reinvent his box office dominance. (adsbygoogle = window.adsbygoogle || []).push({}) Thoda durr ki sochna chahiye, That’s why announced Eid….. Don’t worry iss wali ka bhi bataenge, when the time is right…… Patience, thoda sa sabar…… Mere Jitna he intezar karna padega,Baherhaal jo apka haal hai wo hi mera bhi haal hai…. haha 🙏#Nayanthara… pic.twitter.com/nMGrfOj3DF— Salman Khan (@BeingSalmanKhan) April 24, 2026

BY SACNILK TEAM

Here is the Hindi movie Ginny Wedss Sunny 2 box office collection which is a romantic comedy family drama film. This film is directed by Prasshant Jha and produced by Zee Studio and Soundrya Productions. ## Ginny Wedss Sunny 2 stars Avinash Tiwary, Medha Shankar, Sudhir Pandey, and Lillete Dubey in key roles. ## Ginny Wedss Sunny 2 Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Ginny Wedss Sunny 2 Budget: ₹ - Cr * Approx ## Ginny Wedss Sunny 2 Verdict: Coming Soon ## Ginny Wedss Sunny 2 Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 24th April 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

BY SUNIT JANGIR

Mumbai, April 23 - Akshay Kumar-fronted horror-comedy Bhooth Bangla has registered a good and steady first week at the Indian box office. The film has managed to maintain consistency after a good opening weekend, keeping itself firmly on track to emerge as a big success story. Bhooth Bangla Clocked 84 Crore Net In First Week Directed by Priyadarshan, Bhooth Bangla collected 79 crore net in its first six days. The film is tracking to earn another 5.50 crore net on Thursday, to close the opening week in the range of 84+ crores net. This is one of the best first-week collections for an Akshay Kumar-starrer in the post-pandemic era. (adsbygoogle = window.adsbygoogle || []).push({}) The film opened at 12.25 crore and saw significant growth over the weekend, reaching over 50 crore within its first three days. Post the weekend, Bhooth Bangla saw the expected weekday drop, but the decline remained controlled. It collected 6.75 crore on Monday, followed by a jump to 8 crore on Tuesday, and then 6.15 crore on Wednesday, showcasing a stable weekday trend rather than a sharp fall. This kind of hold indicates that the film has found acceptance among audiences, particularly in mass and family circuits. By the end of its first week, the film's total is expected to land in the 84+ crore net range, putting it in a comfortable position heading into the second weekend. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Biggest First Week Grossers of Akshay Kumar (Post Pandemic) S. No. Movie First Week Net Collection 1 Housefull 5 ₹ 127.25 Cr 2 Sooryavanshi ₹ 120.66 Cr 3 OMG 2 ₹ 85.05 Cr 4 Bhooth Bangla ₹ 84.40 Cr 5 Jolly LLB 3 ₹ 74.00 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Bhooth Bangla To Enter 100 Crore Club In Second Weekend With this trajectory, Bhooth Bangla is now poised to enter the 100 crore club during its second weekend, most likely on Sunday. The film's performance is noteworthy considering the competition in the market and external factors like the ongoing Indian Premier League season, which often impacts theatre occupancy. Despite the odds, the combination of comedy and horror, along with the popular reunion of Akshay Kumar and Priyadarshan, has worked in its favour. Overall, Bhooth Bangla has delivered a good first week with stable trends, and its box office journey now depends on how strongly it grows over the second weekend.

BY CHRISTA LINCY

The horror-comedy Bhooth Bangla has maintained a steady grip at the box office as it nears the conclusion of its first week. On its sixth day (Wednesday), the film recorded a net collection of ₹ 6.15 Cr in India, showcasing the kind of mid-week resilience essential for a successful theatrical run. While this figure represents a 23.1 percent drop from the Tuesday collection of ₹ 8.00 Cr, the hold remains firm considering the high volume of 11,584 shows being screened across the country. Bhooth Bangla's mid-week performance remains solid when compared to the track record of Akshay Kumar's post-pandemic theatrical runs. On its first Wednesday, the film managed to edge past the collections of Sky Force (₹ 6.00 Cr), Jolly LLB 3 (₹ 4.50 Cr), and Kesari Chapter 2 (₹ 3.60 Cr), while significantly outperforming the Day 7 figures of Bade Miyan Chote Miyan (₹ 2.55 Cr). Although it trailed the high benchmarks set by Sooryavanshi (₹ 9.55 Cr), Housefull 5 (₹ 8.50 Cr), and OMG 2 (₹ 7.20 Cr), the current trend reflects a healthy word-of-mouth that is sustaining the film's momentum. Akshay Kumar Post-COVID Films: 1st Wednesday India Net ComparisonMOVIE NAMEDAY 6 NET COLLECTIONSooryavanshi₹ 9.55 CrHousefull 5₹ 8.50 CrOMG 2₹ 7.20 CrBhooth Bangla₹ 6.15 CrSky Force₹ 6.00 CrJolly LLB 3₹ 4.50 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The theatrical occupancy for Day 6 followed a classic growth pattern, starting with 7.24 percent in the morning and gaining momentum as the day progressed. The afternoon and evening shows recorded 13.41 percent and 14.29 percent respectively, but it was the night screenings that saw the highest turnout at 17.14 percent. This trend suggests that the film is effectively drawing in the youth and office-going crowds, resulting in an overall Hindi occupancy of 13.02 percent for the day. The film's performance is further supported by strong digital engagement on ticketing platforms like BookMyShow. On its sixth day, Bhooth Bangla sold approximately 92,820 tickets in a 24-hour window, taking its total cumulative ticket sales on the platform to over 15.28 lakhs. While the daily total from 8 AM to 11 PM stood at 71,950 tickets—a dip from the 1.17 lakh tickets sold during the same period on Tuesday—the hourly trends remained encouraging. Even in the late 10-11 PM slot, the horror-comedy managed to move over 3,500 tickets, indicating that the interest level remains healthy as the film transitions into its second week. (adsbygoogle = window.adsbygoogle || []).push({}) On the global front, Bhooth Bangla has officially crossed a major milestone. With an overseas contribution of ₹ 2.00 Cr on Wednesday, the total international gross has reached ₹ 33.50 Cr. Combined with the domestic gross collection of ₹ 93.87 Cr, the worldwide total now stands at ₹ 127.37 Cr. This pushes the film well past the ₹ 100 Cr mark globally in less than a week, setting a solid foundation for its second weekend. As the film wraps up its first seven days, the focus will shift to how it sustains during the upcoming weekend. The total India net collection currently stands at ₹ 78.90 Cr, and with no major competition in the immediate horizon, the film is well-positioned to cross the ₹ 100 Cr net mark domestically in the coming days. The consistent occupancy levels and steady worldwide growth indicate that Bhooth Bangla has successfully carved out its space in the horror-comedy genre. India Net Collection (Total): ₹ 78.90 Cr India Gross Collection (Total): ₹ 93.87 Cr Overseas Gross (Total): ₹ 33.50 Cr Worldwide Gross (Total): ₹ 127.37 Cr

BY CHRISTA LINCY

Anticipation is building across the global film market as the musical biopic Michael prepares for what is expected to be a historic opening weekend. In India, the film has already established an incredible lead, securing over 1.10 lakh ticket sales across national cinema chains for its opening weekend alone. This surge has pushed total advance collections in the country beyond the ₹3 crore mark, signaling that the King of Pop's legacy remains a massive draw for Indian moviegoers across all major urban centers. The film's performance in the Indian market is placing it among the most elite Hollywood releases in history. Michael currently ranks as the fourth-highest Hollywood film in terms of all-time advance ticket sales in India, trailing only the massive blockbuster trio of Avengers: Endgame, Oppenheimer, and Barbie. In doing so, it has shattered the record for the highest advance sales for a musical biopic in the country, comfortably overtaking previous genre leaders like Bohemian Rhapsody and Elvis. For its opening day specifically, the film has already locked in nearly 39,000 tickets, ensuring a powerhouse start on Friday. The momentum is equally staggering on the global stage, where the film is eyeing a massive $150 million opening across 82 international markets. Tracking for the North American box office suggests an opening weekend ranging between $65 million and $80 million. Should it reach the higher end of these estimates, Michael will officially become the biggest domestic debut ever for a musical biopic, surpassing the $60.2 million record held by Straight Outta Compton. This global wave is already visible in markets like Brazil, where early previews have raked in $1.2 million—a figure that outpaces all other major 2026 releases in the territory. (adsbygoogle = window.adsbygoogle || []).push({}) A significant portion of this pre-release buzz is centered on the central performance of Jaafar Jackson, the real-life nephew of Michael Jackson. While early critical discourse has touched on the narrative's scope, Jaafar's portrayal has received near-universal acclaim for being transformative and uncanny. Industry insiders have noted that Jaafar brings a natural stage presence that feels deeply rooted in his uncle's DNA, creating a level of authenticity that few other biopics have managed to capture. Directed by Antoine Fuqua and produced by Graham King—the man behind the success of Bohemian Rhapsody—the film is being viewed as a meticulously crafted tribute designed for the biggest possible screen experience. With high-profile venues like Hyderabad's Prasads and ALLU Cinemas reporting shows in overdrive, the film is set to dominate the weekend discussion. As it bridges the gap between a high-stakes Hollywood production and a deeply personal family legacy, Michael is not just looking to break records, but to redefine how musical icons are celebrated in modern cinema. All eyes are now on the official opening figures to see if the King of Pop can once again reclaim his throne at the top of the global charts.

BY SUNIT JANGIR

Mumbai, April 23 - In a remarkable turnaround story, Indian comedian Samay Raina has made a thunderous comeback with his latest stand-up special Still Alive, which has now emerged as the most-watched full-length comedy special on YouTube globally. A Record-Breaking Digital Phenomenon (adsbygoogle = window.adsbygoogle || []).push({}) Released directly on YouTube, Still Alive quickly turned into a viral sensation. Within a short span, the special amassed tens of millions of views, with an explosive opening that saw it garner millions within the first 24 hours. The viewership surge has since propelled it past every other stand-up special available on the platform. As of now, the video has 54 million views. What sets Still Alive apart is its deeply personal and unfiltered narrative. Instead of relying solely on punchlines, Samay Raina uses the stage to chronicle one of the most challenging phases of his life, while also reflecting on the struggle of his parents' roots for a brief moment. (adsbygoogle = window.adsbygoogle || []).push({}) Controversy and Conversation In 2025, Samay found himself trapped in controversy after YouTuber Ranveer Allahbadia's remarks on his show, India's Got Latent, sparked nationwide backlash. Following the controversy, Samay removed all episodes of India's Got Latent from YouTube. In the special, Samay spoke about India's Got Latent controversy, where he claimed that Ranveer had cracked the controversial joke eight times during the episode, but only one instance was retained, which eventually sparked the outrage. One of the lines or segments in the Still Alive video which deeply connected with the audience was when Raina reflected on his legal battle, giving the example of the Kashmiri Pandits. Overall, the comedy special deeply resonated with audiences who praised the YouTuber for his unfiltered take on the challenges he faced during the Got Latent controversy.

BY CHRISTA LINCY

Aamir Khan's Dangal and Secret Superstar remain the primary benchmarks for Indian cinema's performance in the international market, specifically in China. These films achieved unprecedented financial milestones by tapping into a massive audience base with social dramas that resonated with local cultural values. As current blockbusters like Dhurandhar 2: The Revenge climb the global charts, the records held by these Aamir Khan-starrers highlight the impact of the Chinese market on worldwide totals. Dangal released in China in May 2017, collected a staggering ₹ 1305.29 Cr ($203 million) in that territory alone. This propelled its worldwide collection to ₹ 2070.3 Cr, making it the highest-grossing Indian film of all time. The film's success was driven by its themes of gender equality and parental pressure, which struck a chord with Chinese audiences. It maintained a high 9.8 rating on the Maoyan platform and set a record for the highest single-day collection in China for an Indian film at ₹ 113.81 Cr. Building on this momentum, Secret Superstar was released in China in January 2018. It opened with $7.02 million, surpassing the first-day record of Dangal. The film eventually earned ₹ 831.47 Cr overseas, contributing to a worldwide gross of ₹ 912.75 Cr. Remarkably, Secret Superstar earned more in China within its first two days than its entire lifetime collection in India. It finished 2017 as the highest overseas-grossing Bollywood film, outperforming major commercial releases like Tiger Zinda Hai. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of specific benchmarks, Secret Superstar dominated the 2017 charts by becoming the highest overseas grosser of the year, collecting $ 190 million in China alone. Its overseas performance of $ 43.16 million (excluding China) allowed it to surpass Baahubali 2: The Conclusion in several international markets during that calendar year. Globally, it ended 2017 as the highest-grossing Bollywood film, with its worldwide total far exceeding the ₹ 558 Cr net of Tiger Zinda Hai. Additionally, the film holds the record for the highest opening weekend and highest first-week collection for an Indian film in China, cementing its place as the second-highest Indian movie in the territory after Dangal. To highlight the scale of these two films, here is a comparison of their record-breaking runs in the Chinese and global markets: Box Office Comparison: Dangal vs Secret SuperstarMETRICDANGAL (2017)SECRET SUPERSTAR (2018)India Net Collection₹ 387.38 Cr₹ 63.40 CrChina Collection₹ 1,305.29 Cr₹ 762.19 CrOverseas (Excluding China)₹ 230.01 Cr₹ 69.28 CrTotal Worldwide Gross₹ 2,070.30 Cr₹ 912.75 CrOverseas Share (%)74.16 %91.10 % The primary factor behind these numbers was the established trust in Aamir Khan, often referred to as Uncle Aamir in China. This following began with the success of 3 Idiots, which became a cultural phenomenon through digital platforms before its official release. Chinese audiences began to associate Khan with high-quality cinema that addresses social issues such as education and family dynamics. Additionally, Dangal's wide release across 9,000 screens and strong word-of-mouth on platforms like Weibo and Douban ensured sustained footfalls throughout its run. (adsbygoogle = window.adsbygoogle || []).push({}) Currently, Dhurandhar 2: The Revenge is performing exceptionally well, with a worldwide gross of ₹ 1,764.15 Cr. While the film is on track to surpass Baahubali 2: The Conclusion (approximately ₹ 1,810 Cr) to become the second-highest-grossing Indian film of all time, it is unlikely to reach Dangal's top spot. The wrestling drama's ₹ 2,000 Cr-plus milestone was heavily dependent on its massive China collection, a market that Dhurandhar 2 has yet to penetrate on the same scale. With a current worldwide gross of ₹ 1,764.15 Cr, Dhurandhar 2: The Revenge is now within reach of the lifetime collection of Baahubali 2: The Conclusion, which stands at ₹ 1,788.06 Cr. While Baahubali 2 earned ₹ 80.56 Cr ($ 11.79 M) from its China release, Dhurandhar 2 is projected to surpass its total global tally in the coming days to claim the second spot on the all-time charts. However, despite this momentum, the top position held by Aamir Khan's Dangal (₹ 2,070.3 Cr) remains out of reach. The significant difference lies in the China market contribution; while Baahubali 2 was the fifth-highest Indian grosser in China, Dangal's record was built on a massive ₹ 1,305.29 Cr share from that territory. Without a comparable release in China to bridge this gap, Dhurandhar 2 will likely conclude its run as the second most successful Indian film of all time, behind Dangal. As of April 23, 2026, the all-time worldwide rankings for Indian cinema see Dangal at the top spot with ₹ 2,070.3 Cr, followed by Baahubali 2: The Conclusion at approximately ₹ 1,810 Cr. Dhurandhar 2: The Revenge currently holds the third position with a worldwide gross of ₹ 1,764.15 Cr. While Dhurandhar 2 has the momentum to overtake Baahubali 2 in the coming days, surpassing Dangal remains unlikely. The lack of a major China release for the sequel means it cannot replicate the ₹ 1,300 Cr+ cushion that Aamir Khan’s wrestling drama secured, leaving Dangal’s record as the highest worldwide grosser for India intact.

BY SACNILK TEAM

Here is the English movie Michael box office collection, which is a musical biographical drama film. This film is directed by Antoine Fuqua and produced by Lionsgate Films and GK Films. ## Michael stars Jaafar Jackson, Nia Long, Laura Harrier, and Miles Teller in key roles. ## Michael Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 0 [ Thursday] ₹ 1.7 Cr - Total ₹ 1.7 Cr (estimated) - ## Take Subscription To See Footfalls ## India Net Collection ₹ 1.7 Cr ## Worldwide Collection ₹ 2.05 Cr ## Overseas Collection ₹ 0 Cr ## India Gross Collection ₹ 2.05 Cr ## Michael Budget: ₹ 1875 Cr [$200M] * Approx ## Michael Verdict: Coming Soon ## Michael Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 24th April 2026 ## For more and the latest news about Hollywood Box Office Collection, Stay tuned to us.

BY CHRISTA LINCY

Following the massive global impact of RRR, visionary filmmaker S.S. Rajamouli is preparing to introduce his next ambitious project, Varanasi, to the international stage. The official handles for the film have confirmed that Varanasi will make its first major global appearance at CCXP Mexico 2026 (CCXPMX26). This move highlights a clear strategy to build on Rajamouli's growing international reputation, positioning the film as a global cinematic event right from its early promotional stages. The film is set to take over the Thunder Stage on April 24 for an exclusive panel. During this session, the team will showcase a special glimpse titled Varanasi to the World, designed to give international audiences a first look at the film's scale. The presentation is expected to include a personal video message from Rajamouli and exclusive behind-the-scenes footage created specifically for the fans in Mexico, followed by a live interaction with the audience. The panel, scheduled for Friday, April 24, at the Thunder Stage by Cinemex, will be led by producer Karthikeya. This session aims to offer fans a deep dive into the production, featuring an interactive Q&A session where the secrets of this new cinematic universe will be shared. By bringing a core member of the production team to the Centro Banamex event, the makers are ensuring that the global debut of Varanasi is as personal as it is grand, building a direct connection with the international fan base through specifically curated material and live engagement. Early promotional images have already sparked significant conversation, hinting at a visually striking blend of ancient Indian tradition and high-concept modern elements. The glimpses feature a contrast of imagery—from charging bulls in traditional settings to futuristic, high-tech machinery—suggesting that Rajamouli is exploring a unique genre that bridges cultural heritage with cutting-edge action. This aesthetic has led to intense speculation about the film's narrative scope and its potential to transcend traditional cinematic boundaries. (adsbygoogle = window.adsbygoogle || []).push({}) While specific plot details remain a closely guarded secret, the long-anticipated collaboration between Rajamouli and superstar Mahesh Babu is the primary driver of the current industry buzz. The project is widely reported to be a globe-trotting action adventure, backed by the same powerhouse creative team behind the Baahubali and RRR franchises. With veteran writer V. Vijayendra Prasad penning the script and Academy Award winner M.M. Keeravani composing the score, the film carries immense expectations of being a visual and auditory spectacle. Hola Mexico… 🇲🇽#VARANASI makes its first global appearance at #CCXPMX26 with an exclusive panel on April 24 at the Thunder Stage.We will be showcasing our “Varanasi to the World” glimpse on the big stage…An exclusive video message from @ssrajamouli and never seen before… pic.twitter.com/AUPyzcjNB0— Varanasi (@VaranasiMovie) April 23, 2026 The decision to debut the first look in Mexico is a strategic move to engage the Latin American market, where Rajamouli's storytelling has already built a significant following. While the Baahubali franchise introduced his scale to international audiences, it was the global success of RRR—particularly its massive viewership in Spanish-speaking territories via streaming platforms—that solidified his brand in the region. By selecting a high-profile international convention like CCXP for the reveal, the makers are signaling their intent for a broad, synchronized global rollout. The upcoming April 24 presentation serves as the first major step in determining how this new project will build upon the international momentum established by his previous works. This strategic move toward Mexico is backed by the massive digital footprint Rajamouli established with his previous blockbuster. RRR (Hindi version) set a record by remaining on the Global Top 10 list for non-English films for 15 consecutive weeks, trending in 62 countries. The film saw exceptional engagement in Latin American markets like Mexico, Brazil, Argentina, and Colombia, largely due to localized Spanish and Portuguese dubs that removed the language barrier for mass audiences. With RRR amassing over 73 million viewing hours on Netflix globally, the debut at CCXP Mexico is a calculated effort to engage an already established and massive international fanbase.

BY SUNIT JANGIR

Mumbai, April 23 - The box office journey of Dhurandhar 2: The Revenge has been nothing short of historic, but the bigger picture now reveals a fascinating reality. While the film is within touching distance of Baahubali 2, surpassing Dangal is now a pipe dream. It is not that Dhurandhar 2 was always going to surpass Dangal's lifetime worldwide collection of 2070 crores, as the latter had the rare advantage that most Indian films never had and still don't have - China. However, China was not the only thing that stopped the Ranveer Singh starrer from achieving ultimate glory. Here are some of the reasons that prevented Dhurandhar 2 from beating Dangal. (adsbygoogle = window.adsbygoogle || []).push({}) No China and Gulf Effect A major pillar behind Dangal's historic success was its extraordinary performance in China, where it minted a staggering 1300+ crores. The film witnessed an unprecedented reception there, contributing a massive portion to its worldwide total. It was the luxury Dhurandhar 2 didn't have (yet). On top of China, Dhurandhar 2 also had a setback when it comes to the Gulf markets, one of the biggest revenue sources for Indian films. Due to its anti-Pakistan content, the film faces a ban in the region, preventing it from adding another 100 crores or so to its massive global tally. In terms of regular markets, Dhurandhar 2's overseas performence has been historic. Without China, Dangal grossed 230 crores in international markets. On the other hand, the spy action thriller has already scored 422+ crores without any support from China as well as the Gulf. This shows how decisive China market proved in favour of Aamir Khan's sports biopic. (adsbygoogle = window.adsbygoogle || []).push({}) No Strong Regional Languages Turnout It is not something comparable with Dangal, but to make it up for China advantange and beat it, Dhurandhar 2 needed more from other Indian languages, especially in Telugu, than what it got. In the era of Pan India dominance, multi lingual statergy has played a pivotal roles. The biggest Telugu blockbusters has one thing common - Hindi. A large share of total domestic, or take worldwide collection for Telugu origin movies have come from Hindi languages, be it Pushpa 2, Baahubali 2, RRR, and others. The trade was betting big on other languages, especially after the first film got incredibaly positive reception from Southern Indian audiences. Dhurandhar 2 too got super positive word of mouth, but it didn't entirely translated into ticket sales. (adsbygoogle = window.adsbygoogle || []).push({}) While the movie performence well in Telugu states and Karnataka, it couldn't find a breakout success in regional languages, grossing around 80 crores in South Indian languages, an incredibaly low number as compared to what a Telugu film of this level could have make in Hindi. As a result, Dhurandhar 2 will end up as the third biggest grosser at the Indian box office, behind Baahubali 2 and Pushpa 2. Adult Certification Barrier (adsbygoogle = window.adsbygoogle || []).push({}) One of the biggest structural disadvantages for Dhurandhar 2 was its adult (A) certification. This significantly restricted its audience base, keeping younger viewers and a large section of family audiences away from theatres. While the target audience flocked to theatres, the adult rating still kept a large number of people away from it, which ultimately reduced total potential of footfalls, even though Dhurandhar 2 is still the greatest adult rated Indian blockbuster. Impact of Long Runtime Runtime is an often overlooked but crucial factor in box office performance, and when mixed with high ticket prices, it becomes a deadly combo against the film's overall potential. Dhurandhar 2's lengthy duration (nearly 4 hours) reduced the number of shows theatres could screen in a day. Over time, this limits overall ticket sales, especially when compared to films with tighter runtimes. Exibitors did try to make it up by scheduling round the clock showcasing but the capacity issue was still there.

BY CHRISTA LINCY

Dhurandhar 2: The Revenge continues its historic run at the global box office, officially claiming the title of the highest-grossing Indian film of all time in the United Kingdom. Based on the latest reports from ComScore, the action sequel has surpassed the previous record held by Pathaan, reaching a massive total of £ 4.388 million as of Wednesday. This milestone cements the film as a dominant force in key international markets, where it continues to attract audiences well into its fifth week. The record-breaking spree extends to the Oceania region, where the film has redefined the benchmarks for Indian cinema in both Australia and New Zealand. According to ComScore data, the sequel has now emerged as the highest-grossing Indian film in Australia with a collection of A$ 8.255 million, comfortably overtaking its predecessor. In New Zealand, the momentum remains equally strong as the film surpassed Pathaan to claim the top spot with NZ$ 1.295 million, establishing an unprecedented lead in these critical overseas circuits. Dhurandhar 2: The Revenge International RecordsTERRITORYCOLLECTIONUnited Kingdom£ 4.388 MillionAustraliaA$ 8.255 MillionNew ZealandNZ$ 1.295 Million (adsbygoogle = window.adsbygoogle || []).push({}) Back home in India, the film continues to display immense resilience even as it deepens its theatrical run. On its 35th day, the sequel recorded a net collection of ₹ 1.70 Cr across 3,910 shows. While this figure represents a 19 percent dip from the previous day’s ₹ 2.10 Cr, the drop is largely attributed to a change in ticket pricing. Tuesday benefited from a special discounted day where ticket prices were slashed to ₹ 150 in multiplexes and kept low in single screens, driving a spike in footfalls. As prices returned to regular levels on Wednesday, the slight revenue adjustment was expected, yet the film's ability to maintain such a strong mid-week hold in its fifth week remains exceptional. The occupancy levels for the 35th day showcase a resilient trend, with Hindi screenings maintaining an overall occupancy of 11.55 percent. The day started with a steady 7.39 percent in morning shows, but gained significant momentum as the day progressed, peaking at 13.70 percent during the afternoon and holding strong at 13.15 percent in the evening. The steady weekday performance highlights the film's strong staying power and sustained word-of-mouth appeal. A closer look at the national multiplex chains (PVR, INOX, and Cinepolis) reveals that the film is still pulling in consistent crowds in major urban centers. Across these three chains, Dhurandhar 2: The Revenge sold over 11,600 tickets for its 35th day, generating a gross of ₹ 32.81 Lakhs. PVR spearheaded this performance with nearly 6,000 tickets sold, while INOX and Cinepolis followed with steady contributions. The film recorded these sales across 1,700+ shows in national chains, contributing to its daily total as it enters the sixth weekend This fifth Wednesday performance further cements the film's place among the all-time greats in terms of theatrical endurance. Collecting ₹ 1.62 Cr (Hindi Net) on Day 35, Dhurandhar 2: The Revenge has entered the top five list of highest-grossing fifth Wednesdays for Hindi cinema. Although it sits at the fifth spot for daily earnings on this specific milestone, the sequel has successfully overtaken the cumulative lifetime collections of every other film on this list. (adsbygoogle = window.adsbygoogle || []).push({}) Highest Day 35/5th Wednesday Hindi CollectionsMOVIE NAMEHINDI NET (DAY 35)TOTAL HINDI NETDhurandhar₹ 4.25 Cr₹ 840.20 CrChhaava₹ 2.00 Cr₹ 585.70 CrStree 2₹ 2.00 Cr₹ 597.99 CrPushpa 2: The Rule₹ 1.65 Cr₹ 812.14 CrDhurandhar 2: The Revenge₹ 1.62 Cr₹ 1,053.71 Cr With the addition of Day 35 numbers, the cumulative domestic performance has reached astronomical heights. The total India net collection now stands at a massive ₹ 1,121.09 Cr, while the gross domestic figure has touched ₹ 1,341.90 Cr. On the international front, the film added another ₹ 0.25 Cr on its 35th day, pushing the total overseas gross to ₹ 422.25 Cr. Consequently, the worldwide gross collection has now soared to an incredible ₹ 1,764.15 Cr, placing it among the highest-earning Indian films of all time. India Net Collection: ₹ 1,121.09 Cr India Gross Collection: ₹ 1,341.90 Cr Overseas Gross Collection: ₹ 422.25 Cr Worldwide Gross Collection: ₹ 1,764.15 Cr

BY SUNIT JANGIR

New Delhi, April 23 - Superstar Mohanlal's highly anticipated Drishyam 3 has run into a major hurdle even before its release. The film's OTT rights, expected to be one of the most lucrative deals in Malayalam cinema, are currently on hold due to a legal dispute, creating uncertainty around its digital premiere. A Clash Over Digital Rights (adsbygoogle = window.adsbygoogle || []).push({}) The controversy centres on streaming giant Amazon Prime Video and the film's producer, Aashirvad Cinemas. Amazon has asserted that it holds exclusive streaming rights to Drishyam 3, citing an earlier agreement signed with the production banner. According to the platform, the deal includes clauses that either grant it first preference or outright exclusivity for future instalments in the Drishyam franchise. This claim has effectively prevented the producers from exploring fresh OTT offers in the open market. Delhi High Court Grants Interim Relief (adsbygoogle = window.adsbygoogle || []).push({}) The dispute reached the Delhi High Court, which has granted interim relief in favour of Amazon Prime Video. The court's order temporarily restrains the makers from negotiating or finalising any OTT deal with third parties until the matter is resolved. This development has put the digital rights deal in limbo, halting what could have been (still possible) a record-breaking streaming acquisition. In today's market, where post-theatrical streaming deals are crucial to a film's overall revenue model, this uncertainty can influence both valuation and release timing. Impact on Theatrical Release? (adsbygoogle = window.adsbygoogle || []).push({}) While the legal battle does not directly affect the film's theatrical release plans, it has significantly delayed clarity on its OTT debut. The Drishyam franchise, helmed by Jeethu Joseph, has historically performed exceptionally well on OTT platforms, making its third instalment a highly sought-after property among streaming services. Drishyam 3 is scheduled to release on May 21, after being postponed from April 2nd. It is the third instalment in the blockbuster crime suspense thriller franchise, which kicked off in 2013. The second film in the series, Drishyam 2, was a direct digital release via Prime Video in 2021. Meanwhile, the Hindi remake of Drishyam 3, starring Ajay Devgn, is slated for October 2, 2026, release.