BY CHRISTA LINCY

As we wrap up the second weekend, Jana Nayagan has achieved a major milestone by crossing the ₹200 Crore gross mark in India. The film has officially achieved worldwide gross collections of approximately ₹295.92 Cr, with the India gross contributing ₹204.92 Cr and overseas markets bringing in ₹91.00 Cr. The total India net collection now stands at about ₹175.60 Cr, achieved across a massive 99,055 shows so far. This consistent performance indicates a strong hold even after the initial opening frenzy. Looking at the second weekend performance, the film showed a classic trend of consolidation followed by a significant surge. On the second Friday (Day 9), the film collected a net of approximately ₹3.55 Cr across 4,165 shows. This represented a 12.3% drop from the previous day, which is expected as the film enters its second week. However, the momentum shifted dramatically on Saturday (Day 10), with the net collection jumping to ₹7.80 Cr, a staggering 119.7% growth. Sunday (Day 11) saw further improvement with a 37.2% growth, collecting about ₹10.70 Cr net across 4,321 shows. (adsbygoogle = window.adsbygoogle || []).push({}) State-wise gross numbers tell a story of regional dominance. Tamil Nadu remains the primary fortress for the film, contributing the lion's share of the collections. On Sunday alone, Tamil Nadu grossed ₹10.00 Cr, while other regions like Karnataka and the Rest of India also showed healthy participation. The cumulative state-wise performance for the second weekend is captured in the detailed table below. Jana Nayagan - State-wise Gross Collection (2nd Weekend)DayAPTGTamil NaduKarnatakaKeralaRest of IndiaTotalDay 9₹ 0.05 Cr₹ 3.25 Cr₹ 0.27 Cr₹ 0.20 Cr₹ 0.35 Cr₹ 4.12 CrDay 10₹ 0.10 Cr₹ 7.50 Cr₹ 0.50 Cr₹ 0.35 Cr₹ 0.60 Cr₹ 9.05 CrDay 11₹ 0.15 Cr₹ 10.00 Cr₹ 0.75 Cr₹ 0.50 Cr₹ 1.00 Cr₹ 12.40 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Occupancy rates during the weekend were particularly impressive in major cities. Chennai remains a top performer, with Sunday occupancy hitting a high of 77.8% across 458 shows. Coimbatore was even stronger, recording an 81.0% occupancy rate. Even in Bengaluru, despite more competition, the film managed a solid 49.3% occupancy. The overall Tamil (2D) occupancy on Sunday was approximately 61.38%, showing that the core audience is still very much engaged with the film. The ticket sales data from BookMyShow further cements the film's success. By the end of the second weekend, Jana Nayagan sold approximately 4.06 million tickets on the platform, ranking it among the top performers like Jailer and Leo. During the second weekend specifically, Friday saw about 124K bookings, Saturday rose to 181K, and Sunday recorded 142K bookings. In national cinema chains, the film moved over 60,000 tickets during the week. Total footfalls for the second weekend reached approximately 1.24 million, with tracked footfalls excluding block seats standing at 914,920. (adsbygoogle = window.adsbygoogle || []).push({}) On the international front, the overseas performance has been steady. According to Venky Box Office the film grossed about $17K in North America on Saturday, bringing its total there to $1.52M (approximately ₹12.75 Cr). Globally, the overseas market contributed ₹8.00 Cr over the second weekend, pushing the total overseas gross to ₹91.00 Cr. From a linguistic perspective, while Tamil is the main driver, the Hindi and Telugu dubbed versions have also contributed to the cumulative totals. The Hindi net collection stands at approximately ₹15.25 Cr, while the Telugu net has reached about ₹8.90 Cr. The language-wise cumulative net performance is detailed in the list below. Tamil Net: ₹ 151.45 Cr Hindi Net: ₹ 15.25 Cr Telugu Net: ₹ 8.90 Cr Jana Nayagan - India Net Collection (2nd Weekend Breakdown)DayIndia Net Collection (Approx)ShowsDay 9 (Friday)₹ 3.55 Cr4,165Day 10 (Saturday)₹ 7.80 Cr4,202Day 11 (Sunday)₹ 10.70 Cr4,321Total India Net₹ 175.60 Cr12651

BY SUNIT JANGIR

Mumbai, August 2 - Tom Holland's Spider-Man: Brand New Day has delivered an unprecedented performance at the Indian box office, becoming the first Hollywood film to storm past the 300 crore gross mark in its opening weekend. After creating history with the biggest opening day ever for a non-Indian film, the Marvel blockbuster witnessed phenomenal growth over the weekend, cementing its status as one of the biggest theatrical events ever seen in the country. (adsbygoogle = window.adsbygoogle || []).push({}) The film's extraordinary run has also mirrored its global success, where it has emerged as one of the biggest opening weekends in box office history with $927 million, the second biggest opening weekend in history. After grossing around 72.50 crore on Thursday and crossing 130 crore in just two days, the film exploded on Saturday with an 84 crore gross, the biggest single day ever for a Hollywood release in India, battering its own record. On Sunday, the superhero movie witnessed another marvellous hold, grossing around 85-90 crores, which has pushed the four-day opening weekend beyond the 300 crore gross milestone, an achievement that was unimaginable for an international release just a few years ago. The spectacle has dominated every major market, with exceptional business in English and Hindi versions. The release has also outperformed several major Bollywood blockbusters in terms of opening weekend collections, highlighting the undisputed popularity of Marvel films in India. (adsbygoogle = window.adsbygoogle || []).push({}) Globally, Spider-Man: Brand New Day has rewritten record books with the second-biggest worldwide debuts ever. The film has registered the second-largest North American opening weekend in history with $355 million, trailing only Avengers: Endgame, while delivering massive numbers across international markets. With exceptional word of mouth and no signs of slowing down, the Marvel blockbuster is now expected to continue its sensational run in India and could soon challenge the highest lifetime collections ever achieved by a Hollywood release in the country.

BY SUNIT JANGIR

Mumbai, August 2 - The North American box office has achieved a historic milestone, delivering the biggest weekend of all time as Spider-Man: Brand New Day, The Odyssey, and a strong lineup of holdover releases combined to generate an extraordinary $434 million across all films during the July 31-August 2 weekend. (adsbygoogle = window.adsbygoogle || []).push({}) It marks only the second time in history that the domestic (North America) market has crossed the $400 million mark in a single weekend, signalling a remarkable resurgence for theatrical exhibition. Leading the charge was Spider-Man: Brand New Day, which debuted with a sensational $355 million opening weekend, the second-biggest opening weekend ever behind only Avengers: Endgame, as per estimates. The Marvel blockbuster also set a new all-time opening day record with $168 million on Friday, while Christopher Nolan's The Odyssey continued its phenomenal run by adding $51 million in its third weekend, becoming one of the strongest-holding event films in recent years. The historic $434 million frame comfortably surpassed the previous record of $402.1 million, established during the opening weekend of Avengers: Endgame in April 2019. (adsbygoogle = window.adsbygoogle || []).push({}) It also eclipsed the weekends led by Avengers: Infinity War ($314.8 million), Star Wars: The Force Awakens ($313.2 million), and the iconic "Barbenheimer" phenomenon of July 2023, which generated $311.3 million. The record-breaking weekend underscores the continued power of premium theatrical experiences when major event films arrive together. With Spider-Man: Brand New Day expected to dominate for weeks and The Odyssey displaying exceptional staying power, Hollywood has delivered one of the most memorable weekends in box office history. The final numbers may be higher than $434 million, as Spider-Man: Brand New Day is expected to lend around $360 million, which will be known by tomorrow.

BY SUNIT JANGIR

Mumbai, August 2 - The trailer of Ramayana Part 1 has emerged as a massive global success, generating unprecedented buzz ahead of the film's theatrical release. Directed by Nitesh Tiwari, the epic has captivated audiences with its breathtaking visuals, grand scale, emotional storytelling, and stellar cast. Featuring Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, and Yash as Ravana, the film has quickly established itself as one of the most anticipated Indian releases of 2026. (adsbygoogle = window.adsbygoogle || []).push({}) The overwhelming excitement is clearly reflected in the trailer's digital performance. Within just 48 hours of its release, the Ramayana Part 1 trailer has crossed 350 million views across all platforms, making it one of the biggest trailer launches ever for an Indian film. The trailer has also generated millions of likes, comments, and shares, with audiences praising its world-class visual effects, production design, and Hans Zimmer's powerful musical score. Released on July 30, the trailer introduced audiences to the film's spectacular world while showcasing the lead characters for the first time. Ranbir Kapoor's calm and divine portrayal of Lord Rama has received widespread appreciation, while Yash's intense transformation as Ravana has become one of the biggest talking points. Sai Pallavi has also earned praise for her graceful performance as Sita. (adsbygoogle = window.adsbygoogle || []).push({}) Although the response has been positive, many fans were disappointed that Sunny Deol's Hanuman was not featured, with reports suggesting the makers are intentionally keeping the character under wraps. Backed by a massive vision and one of Indian cinema's strongest ensembles, Ramayana Part 1 is scheduled to release worldwide during the Diwali 2026 festive season, with Ramayana Part 2 already slated for Diwali 2027. After the trailer's extraordinary response, expectations for the film have reached new heights, with many trade observers predicting the epic could emerge as one of the biggest box-office blockbusters in Indian cinema history. Also starring Ravie Dubey as Laxman, Arun Govil as Dasharatha, Rakul Preet Singh as Surpankha, and Lara Dutta as Kaikeyi, among others, the film is produced by Prime Focus Studios in association with Monster Mind Creations. It will be released by Sony Pictures internationally and Dharma Productions in India. (adsbygoogle = window.adsbygoogle || []).push({})

BY SUNIT JANGIR

Mumbai, August 2 - Marvel and Sony's Spider-Man: Brand New Day continues its historic run at the Indian box office. After delivering the biggest opening ever for a Hollywood film and maintaining a sensational hold on Friday, the Tom Holland starrer exploded yet again on Saturday. The film grossed an extraordinary 82–84 crore, registering the biggest single-day collection ever for a non-Indian film at the Indian box office. (adsbygoogle = window.adsbygoogle || []).push({}) With Saturday's phenomenal performance, Spider-Man: Brand New Day has grossed around 215 crore in just three days across India. The superhero blockbuster is now on track to challenge the 300 crore gross mark over its extended four-day opening weekend, a feat that would have been unimaginable for a Hollywood release just a few years ago. The film's exceptional occupancy across premium formats and strong family audience turnout continue to fuel its record-breaking run. Meanwhile, Christopher Nolan's The Odyssey has achieved a major milestone of its own. The epic drama has now become the maverick filmmaker's highest-grossing film ever in India, surpassing the lifetime collections of Oppenheimer (157 crores gross). Despite facing unprecedented competition from Spider-Man: Brand New Day, the film has continued to attract audiences, underlining Nolan's immense popularity among Indian moviegoers. (adsbygoogle = window.adsbygoogle || []).push({}) In 16 days so far, the Matt Damon-fronted epic has grossed around 172 crores, and is now heading towards the 200 crores milestone. The Indian box office is witnessing its biggest weekend ever for Hollywood cinema. While Spider-Man: Brand New Day is rewriting every imaginable opening record with its unprecedented collections, The Odyssey has cemented its place in history as Christopher Nolan's biggest Indian blockbuster. Together, the two films have demonstrated the growing strength of Hollywood event cinema in India, with Spider-Man: Brand New Day now poised to set yet another benchmark by targeting a staggering 300 crore four-day opening weekend, which will not only be a record for a Hollywood title, but will also be among the biggest at the Indian box office.

BY CHRISTA LINCY

Spider-Man: Brand New Day has reached a staggering milestone in its theatrical run, crossing the 4 million ticket mark on BookMyShow. This achievement reflects the immense pull the film has across the Indian audience, especially as it heads into its first full weekend. The data suggests that the momentum is not just holding but actually accelerating significantly compared to its opening Friday. Looking at the hourly trends from Saturday, it is clear that the movie is witnessing a major weekend surge. Every single hour from early morning has seen a substantial jump in bookings compared to the previous day. For instance, between 1 pm and 2 pm, the platform recorded 60,800 tickets sold, which is a sharp increase over the 43,130 tickets sold during the same window on Friday. This pattern continued throughout the afternoon and evening, with the 7 pm to 8 pm slot peaking at over 63,000 tickets. (adsbygoogle = window.adsbygoogle || []).push({}) The total volume of tickets booked from 6 am to 8 pm today stands at approximately 6.44 lakh. When compared to the 5.12 lakh tickets sold during the same period yesterday, there is a clear growth of about 25 percent. This jump is particularly impressive given that the opening day itself was historic. It indicates that the film has moved beyond the initial fan-driven rush and is now attracting a broad range of moviegoers through positive word of mouth. Perhaps the most significant record on the horizon is the 1 million ticket mark within a 24-hour window. Spider-Man: Brand New Day is currently on track to become the first Hollywood film since August 2023 to achieve this feat on BookMyShow in India. Selling over a million tickets in a single day is a rare benchmark that only a few major blockbusters manage to touch, further cementing its status as a top-tier cinematic event. (adsbygoogle = window.adsbygoogle || []).push({}) The hourly bookings reached their highest peak today between 7 pm and 8 pm, with 63,410 tickets sold on the platform. This consistent volume throughout the afternoon and evening has kept the cumulative total well ahead of yesterday's pace. Given this steady performance, the Saturday collections are expected to closely match the opening day figures. With the Sunday surge still to follow, the film remains on track to set a notable benchmark for Hollywood releases in India.

BY CHRISTA LINCY

Yash is officially making his highly anticipated return to the big screen with his next project titled Toxic. After the unprecedented success of KGF: Chapter 2, there has been immense curiosity about what the actor would choose next. The wait for a major look at the film is nearly over, as the makers have just confirmed that the official trailer will be launched on August 8, 2026, in Bengaluru. The choice of August 8 for the trailer release is not accidental. This date holds significant sentimental value for the team as it marks exactly two years since the project first went on floors. Along with the trailer announcement, a striking new poster has been unveiled, further setting the dark and intense tone that fans have been expecting. (adsbygoogle = window.adsbygoogle || []).push({}) Toxic is officially described as A Fairy Tale for Grown-ups, which immediately differentiates it from a typical action blockbuster. The film is written and directed by Geetu Mohandas, a filmmaker renowned for her critically acclaimed and gritty works like Moothon and Liar's Dice. This collaboration between a mass superstar like Yash and an auteur director like Geetu has piqued the interest of global cinema enthusiasts. Interestingly, Yash is also credited as a co-writer, indicating his deep creative involvement in shaping the storytelling process for this outing. The casting strategy for the film points toward a massive pan-India and international appeal. The ensemble features prominent names from different industries, including Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth, and Huma Qureshi. By bringing together talent from across the South and Hindi film industries, the production ensures that the movie resonates across diverse demographics. The film has been shot simultaneously in English and Kannada, and will be released with dubbed versions in Hindi, Telugu, Tamil, and Malayalam. (adsbygoogle = window.adsbygoogle || []).push({}) Strategically, the release date has been set for Wednesday, August 26, 2026. A mid-week release is a bold move that allows the film to capitalize on a massive festive window. The opening week will coincide with major celebrations including Onam, Varamahalakshmi, and Raksha Bandhan. This extended holiday period provides the perfect platform for the movie to maximize its box office potential during its initial run, especially with the high level of anticipation surrounding Yash's first appearance in over four years. Jointly produced by Venkat K Narayana under KVN Productions and Yash himself through Monster Mind Creations, the film represents a high-stakes investment for the Kannada film industry. Production has been expansive, with major portions reportedly filmed on elaborate sets in London and Bengaluru. The narrative is expected to explore a dark underworld setting with the kind of grounded storytelling Geetu Mohandas is known for, combined with the larger-than-life presence that Yash consistently brings to the screen. The countdown has begun...#ToxicTrailer on 08-08-2026.#Toxic: A Fairy Tale for Grown-Ups In Cinemas Worldwide from 26-08-2026. #ToxicTheMovie#ToxicOn26thAug#Nayanthara @advani_kiara #TaraSutaria @rukminitweets @humasqureshi @GeetuMohandas @TheKVNofficial @RaviBasrur… pic.twitter.com/F7NXyue1Bf— Yash (@TheNameIsYash) August 1, 2026

BY CHRISTA LINCY

The transition from the digital screen to the silver screen is a rare move for Indian franchises, but Mirzapur: The Movie appears ready to make that leap with significant scale. After years of ruling the streaming charts, the announcement of a theatrical feature has created a unique buzz in the industry. The teaser for the film, which is slated for a September 4, 2026 release, has already transformed the cult crime drama into a grand cinematic spectacle, signaling a shift in how the makers intend to present this gritty world to the audience. Following the massive reception of the teaser, which quickly claimed the number one spot on YouTube trending lists, the makers have confirmed that the official full-length trailer will drop on August 11, 2026. The initial footage has already racked up millions of views, suggesting that the transition to theaters has not dampened the enthusiasm of the core fanbase. If anything, the prospect of seeing Kaleen Bhaiya and Guddu Pandit on a giant screen has only intensified the anticipation. (adsbygoogle = window.adsbygoogle || []).push({}) While the original series was deeply rooted in the narrow, gritty lanes of Purvanchal, the movie version is reportedly expanding its geographical and visual scope. Production insiders indicate that the film, produced by Excel Entertainment in collaboration with Amazon MGM Studios, has moved a portion of its action to the expansive desert landscapes of Rajasthan. This change in setting is intended to facilitate grander action set-pieces that justify a theatrical outing, moving beyond the claustrophobic tension of the OTT format into something more visually expansive. The teaser suggests that the narrative will return to the complex emotional core of the franchise: the strained father-son relationships. The focus appears to be on the disappointment Kaleen Bhaiya feels toward Munna, contrasted with the moral disapproval Ramakant Pandit has for Guddu criminal life. The inclusion of Divyenndu as Munna Bhaiya is perhaps the biggest talking point, as his presence on the big screen remains a major draw for the audience. The story seems to be leaning into these personal conflicts while heightening the stakes for a theatrical climax. (adsbygoogle = window.adsbygoogle || []).push({}) To mark the upcoming trailer launch, Excel Entertainment is reportedly planning a high-profile media event in Mumbai. This will be a significant moment for the production as the principal cast—Pankaj Tripathi, Ali Fazal, and Divyenndu—are expected to share a public stage together for the first time since the film was officially announced. This reunion is likely to provide more insights into how the movie fits into the broader Mirzapur timeline and whether it serves as a standalone epic or a bridge to future stories.

BY CHRISTA LINCY

The cinematic landscape in India is currently dominated by one name, and that is Peter Parker. After a historic opening and quickly crossing the 100 Crore net mark, the buzz around Spider-Man: Brand New Day has reached a fever pitch. Fans are flocking to premium screens to witness the latest chapter in the wall-crawler journey, which is rumored to bring a more grounded and gritty tone to the Marvel Cinematic Universe. As the first major weekend continues, the advance booking numbers from national chains indicate that the momentum is only growing stronger. For Saturday, August 1st, the national chains including PVR, INOX, and Cinepolis have recorded phenomenal advance sales. As of Saturday morning, the movie has already sold approximately 5.17 lakh tickets for the day across these major chains. This massive volume has translated into a gross collection of 25.5 Crore from national chains alone. To break this down by chain: PVR is leading with a gross of 13.4 Crore from roughly 3,470 shows, showing a high occupancy of 38 percent. INOX follows with 7.6 Crore from 2,720 shows at 28 percent occupancy, while Cinepolis has added 4.5 Crore from 1,640 shows. In total, the film is playing across more than 7,800 shows in these three chains today with an overall occupancy of 32.5 percent, which is expected to rise significantly as the evening approaches. (adsbygoogle = window.adsbygoogle || []).push({}) Looking ahead to Sunday, August 2nd, the advance booking trends remain exceptionally healthy. Even with a full day of sales yet to go, the national chains have already moved around 4.33 lakh tickets. The current gross for Sunday stands at approximately 20.7 Crore. PVR has secured 11.0 Crore from 3,460 shows with an occupancy of 32 percent. INOX is currently at 6.2 Crore from 2,680 shows, and Cinepolis has contributed 3.5 Crore from 1,620 shows. While the current total shows for Sunday are around 7,750 with an occupancy of 27.6 percent, these numbers are expected to jump drastically. Typically, Sunday sees the highest volume of walk-in audiences and spot bookings, meaning the final figures could easily surpass Saturday performance. The real-time momentum on BookMyShow today suggests that a massive Saturday is indeed loading for Spider-Man: Brand New Day. Starting early, the 6 am to 7 am window saw 4,340 tickets sold, which was already higher than yesterday's 3,500. This gap continued to widen throughout the morning. Between 7 am and 8 am, the platform moved 11,880 tickets compared to yesterday's 9,930. The pace truly picked up between 8 am and 9 am with 23,660 tickets sold, and peaked in the 9 am to 10 am hour with a massive 36,680 tickets booked. With this the total tickets sold from 6 am to 10 am today stands at 76,560, marking a significant increase over the 58,870 tickets sold during the same time frame on Friday.With this accelerating pace, the hourly bookings are likely to push the total sales past the 1 lakh ticket mark on the platform well before noon.

BY SUNIT JANGIR

Mumbai, August 1 - Superstar Shah Rukh Khan's upcoming action spectacle King continues to dominate headlines well ahead of its theatrical release. After generating huge buzz with its stellar cast and grand production scale, the Siddharth Anand directorial is now reportedly on the verge of securing a 50 crore music rights deal, making it one of the biggest music acquisitions for a Hindi film in recent years. (adsbygoogle = window.adsbygoogle || []).push({}) According to a report by Bollywood Hungama, Sony Music India, Saregama, and T-Series are currently in the race to acquire the film's music rights. One of the leading music labels is said to have offered around 50 crore, with negotiations in the final stages. While the agreement has not yet been officially signed, the deal is expected to rank among the biggest music rights acquisitions in recent times once it is finalised. The report further states that King features music composed by the acclaimed duo Sachin–Jigar, whose soundtrack is already generating strong interest among leading music companies. Despite being mounted as a high-octane action entertainer, the film is expected to boast a commercially appealing album that could become a major asset during its promotional campaign. (adsbygoogle = window.adsbygoogle || []).push({}) King boasts one of the most impressive ensemble casts in recent years, featuring Shah Rukh Khan alongside Suhana Khan, Deepika Padukone, Abhishek Bachchan, Anil Kapoor, Jackie Shroff, Arshad Warsi, and Jaideep Ahlawat. Produced by Red Chillies Entertainment in association with Marflix Pictures, the film has already made headlines for its strong pre-release business, including reports of a lucrative all-India theatrical rights deal. Scheduled to arrive in cinemas during the Christmas 2026 holiday season, King is shaping up to be one of the biggest Indian releases of the year. With massive interest from distributors, strong non-theatrical business, and now a reported 50 crore music rights deal nearing completion, the film continues to strengthen its position as one of the most anticipated Bollywood blockbusters on the horizon.

BY CHRISTA LINCY

Spider-Man: Brand New Day has reached its first major milestone in India by officially crossing the 100 Crore net mark within just two days. This performance confirms the massive anticipation surrounding the film and suggests it is currently the primary choice for moviegoers across the country. After a historic start on Thursday, the movie maintained strong momentum on Friday, despite the usual working-day dip. On its second day, the film maintained strong momentum by collecting a net of approximately 50 Crore and a gross of around 60 Crore across 16,902 shows. This pushes the total India net collection to 109.95 Crore and the total India gross collection to 131.47 Crore within just forty-eight hours. When comparing this to the opening day performance, the 50 Crore net shows a stable trend following Thursday net of 60.60 Crore. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the language and format breakdown, the English version remains the primary driver of revenue, contributing 60.25 Crore to the net total so far. The Hindi version is also performing strongly with a net of 39 Crore. Regional markets have added their share as well, with Tamil at 5.25 Crore and Telugu at 5.25 Crore. Interestingly, the English 3D version saw an overall occupancy of 49.31 percent on Friday, with night shows peaking at a solid 66.78 percent. In the major national chains, including PVR, INOX, and Cinepolis, the movie saw a collective gross of approximately 21.9 Crore on Friday. Looking at the breakdown, PVR led the way with 11.8 Crore from roughly 3,500 shows. INOX also maintained a strong presence, contributing 6.6 Crore across 2,700 shows, while Cinepolis added another 3.5 Crore from 1,600 shows. This totals to around 7,800 shows across these three major exhibitors, illustrating that premium formats in urban centers are currently the primary engine for the film box office momentum. (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales volume on BookMyShow provides an interesting look at the trend. Thursday saw roughly 900,000 tickets sold, while Friday actually saw a slight increase to 920,000 tickets. Even though the net revenue is lower than day one, the higher ticket volume on Friday suggests that walk-in audiences and single-screen viewers are turning up in large numbers, likely taking advantage of slightly lower weekday pricing. The total tickets sold on the platform have now reached approximately 3.8 million. Regionally, the performance is quite balanced. For the English 3D version, Bengaluru led the way with 55.5 percent occupancy across 623 shows, followed by Hyderabad at 53 percent. In the Hindi belt, the National Capital Region saw 42 percent occupancy for the 3D version across 484 shows. Mumbai remains a massive volume contributor, hosting 745 shows for the English 3D version with a 38 percent occupancy rate. (adsbygoogle = window.adsbygoogle || []).push({}) On the global front, the numbers are truly historic. According to early data from Venky Box Office, the film has shattered records in the United States. Domestic previews landed at 72 million dollars, marking an all-time record. Currently, the film is heading toward a domestic opening day of 170 million dollars or more, including those previews. This puts the global performance on a trajectory that could challenge some of the biggest cinematic records of all time. Spider-Man: Brand New Day is behaving like a true blockbuster. The logical drop on day two was expected, but the sheer volume of tickets being booked suggests a massive surge is coming over the weekend. With the 100 Crore milestone already passed, the film is now looking to set a new benchmark for the highest opening weekend for a Hollywood release in India.

BY SUNIT JANGIR

Mumbai, July 31 - Spider-Man: Brand New Day has taken the Indian box office by storm, crossing the 130 crore gross mark in just two days. The Marvel blockbuster opened to record-breaking numbers on Thursday and has followed it up with an extraordinary hold on Friday, cementing its position as the biggest Hollywood release ever in India. With the weekend still to come, the film is already rewriting the record books. (adsbygoogle = window.adsbygoogle || []).push({}) On its opening day, Brand New Day grossed around 72.50 crore (60.50 crore net), registering the biggest opening day ever for a Hollywood film at the Indian box office. The achievement becomes even more remarkable considering the film debuted on a mid-week Thursday rather than a traditional Friday, yet still managed to surpass every previous benchmark for an international release. The film is holding exceptionally well on its second day, with collections heading towards 60 crore gross (50 crore net). This will take its two-day total to over 130 crore gross (110 crore net), an unprecedented feat for a Hollywood title in India. Strong occupancy across premium formats, coupled with excellent word-of-mouth and impressive turnout for the Hindi, English, Tamil, and Telugu versions, has kept the momentum intact. (adsbygoogle = window.adsbygoogle || []).push({}) Based on current trends, Spider-Man 4 is now expected to collect around 275 crore gross during its four-day opening weekend. If achieved, it will comfortably become the biggest opening weekend ever for a non-Indian film in the country, setting a new benchmark. Bookings for Saturday and Sunday continue to indicate another massive surge in collections. With no signs of slowing down, the Tom Holland-led superhero movie is on course for a historic theatrical run in India. The film has already delivered the biggest Hollywood opening in the market's history, and its phenomenal weekend trajectory suggests that several more box office milestones are set to fall in the coming days.