BY CHRISTA LINCY

The box office journey of Dhurandhar 2: The Revenge has reached its twenty-eighth day, providing a stark look at the contrast between holiday momentum and mid-week working day realities. After a phenomenal performance on Tuesday, which was bolstered by the national holiday of Ambedkar Jayanti, the film is now navigating the typical post-holiday Wednesday blues. While the film remains a dominant force in its fourth week, the latest ticket sales data suggests a significant cooling off as audiences return to their regular schedules. Analyzing the critical windows of ticket sales on BookMyShow over the last three days reveals the shifting momentum of the film as it navigates its fourth week: • 4th Monday (April 13): The film registered a robust full-day total of 103.97K tickets on BMS. During the 8 PM to 9 PM window, it recorded 6,670 ticket sales, with the cumulative total from 8 AM reaching 67,400 tickets by that hour. • 4th Tuesday (April 14 - Holiday): Driven by the Ambedkar Jayanti holiday, the film hit a weekly peak of 107.92K tickets for the day. Even in the late night 10 PM to 11 PM window, it sold 2,700 tickets, with the cumulative sales from 8 AM to 11 PM totaling a massive 84,550 tickets. • 4th Wednesday (April 15 - Today): As of the 3 PM to 4 PM afternoon slot, the film recorded 3,450 ticket sales. The current total from 8 AM to 4 PM stands at 27,710 tickets, reflecting a standard mid-week stabilization after the holiday surge. In terms of live collections, the film is currently running across 6,145 shows nationwide. As of the latest reports for Day 28 (up to 4 PM), Dhurandhar 2: The Revenge has collected a live net of ₹1.72 Cr. This brings the total India net collection to approximately ₹1,097.39 Cr, while the total India gross has climbed to ₹1,313.71 Cr. Despite the mid-week drop, these cumulative figures remain in the stratosphere of Indian cinema as the film is now just ₹2.61 Cr away from the monumental ₹1,100 Cr net milestone. Given the current velocity, the film is poised to officially breach this historic finish line either in the late-night shows tonight or within the first few hours of tomorrow morning. (adsbygoogle = window.adsbygoogle || []).push({}) The impending milestone carries immense historical weight, as it marks the first time a Bollywood production has ever breached the ₹1,100 Cr net threshold in the Indian market. This staggering total is anchored by an extraordinary performance in the primary Hindi market, which alone has contributed a massive ₹1,031.01 Cr toward the total. Such an overwhelming contribution from a single language market underscores the incredible power and scale of the Hindi-speaking audience. By crossing this mark within the next few hours, the film will officially stand alone as the first-ever Bollywood production to reach this echelon of success, proving that the domestic potential for Hindi cinema has reached an unprecedented new gold standard. Looking ahead to the conclusion of Day 28, the film is projected to end the day with a net collection in the range of ₹2.50 Cr to ₹2.80 Cr. While this is a sharp decline from the holiday-boosted Tuesday, it is a standard stabilization for a film in its fourth week. The franchise's unprecedented reach has ensured that even on a slow Wednesday, the film is outperforming the lifetime daily collections of most major releases at this stage of their theatrical run. All eyes now remain on the upcoming weekend to see if the film can find one last major surge before the end of its month-long historic run.

BY SUNIT JANGIR

Mumbai, April 15 - Kartik Aaryan's much-awaited fantasy entertainer Naagzilla has officially been postponed from its August 2026 release. The makers have locked a new release date, with the film now set to arrive during the Valentine's Day 2027 week. Directed by Mrighdeep Singh Lamba, the film will be released on February 12, 2027. It is produced by Dharma Productions and Mahaveer Jain Films. Backed by Karan Johar, Apoorva Mehta, and Mahaveer Jain, Naagzilla is being mounted on a grand scale. (adsbygoogle = window.adsbygoogle || []).push({}) The shift from an Independence Day 2026 window to February 2027 suggests a strategic move by the makers, possibly to allow more time for post-production or to position the film better at the box office. The film explores a unique fantasy-comedy concept revolving around a shape-shifting serpent With a fresh release timeline and a visually intriguing concept, Naagzilla continues to build curiosity among fans. All eyes are now on the makers for further announcements, including teasers, cast details, and more insights into this ambitious fantasy venture. Stay tuned...

BY SUNIT JANGIR

Mumbai, April 15 - Director Aditya Dhar's spy action thriller Dhurandhar 2: The Revenge continues to win over audiences and filmmakers alike, with acclaimed filmmaker Sooraj Barjatya now joining the growing list of people who have showered high praise for the mega blockbuster. Headlined by Ranveer Singh, Dhurandhar 2 released on March 19, and since then, it has not only scored critical acclaim, but also emerged as one of the highest-grossing Indian films worldwide with over a staggering 1700+ crores. The first film, released in December last year, is also among the biggest grossers with 1300+ crores. (adsbygoogle = window.adsbygoogle || []).push({}) Sooraj Barjatya Compares Dhurandhar With Legendary Sholay Speaking about the film to SCREEN, Barjatya described Aditya Dhar's directorial venture as a "perfect film after Sholay," a statement that instantly grabbed attention across the industry. Given the iconic status of Sholay, often hailed as a benchmark in Indian filmmaking, such recognition places Dhurandhar 2 in an exceptionally prestigious league. Barjatya went on to commend the film's narrative strength and character depth, noting that every role leaves a lasting impression. "As a filmmaker, whatever's good is good. I think Dhurandhar is a perfect picture after Sholay. Every character is so well done. Hats off to Aditya (Dhar)", said the filmmaker, whose filmography includes some of the cult romantic family drama films, like Hum Aapke Hain Koun..!, Hum Saath-Saath Hain, Vivah, and Maine Pyar Kiya, among others. (adsbygoogle = window.adsbygoogle || []).push({}) Why The Comparison Matters Sholay has had a lasting impact, not just on the audience but also on the Indian filmmakers, which has shaped the style of filmmaking over the years and continues to inspire filmmakers to make films of that scale. The comparison to Sholay is not just symbolic; it reflects the cultural and cinematic impact Dhurandhar 2 is beginning to achieve. With strong word-of-mouth and continued industry backing, the film appears set to leave a lasting legacy, much like the classics it is now being compared to.

BY CHRISTA LINCY

The much-anticipated mythological epic Ramayana has made a powerful impact at CinemaCon, signaling a major shift in how Indian films are being positioned on the global stage. A widely circulated invite by exhibition industry veteran John Fithian called attendees to experience the world of Ramayana at the Milano III Ballroom, where exclusive footage and presentations were showcased. The tone of the message was clear and confident, suggesting that the film is not just another large-scale Indian production but a serious attempt at creating a truly global blockbuster that can stand alongside the biggest Hollywood franchises. This presence at CinemaCon was not symbolic but strategic, as the makers organized private screenings, industry interactions, and large-scale presentations aimed at key distributors and exhibitors from across North America, Europe, Latin America, and Australia. Such a focused international outreach is rarely seen for an Indian film at this level and highlights the intent to secure a wide and impactful global release. The film's positioning among major Hollywood titles at the event further reinforced its ambition to compete on a worldwide scale rather than being confined to regional success. Producer Namit Malhotra played a central role in communicating this vision, emphasizing that global audiences are now actively seeking fresh stories and new cultural perspectives. He described Ramayana as a project that blends universal emotions with cutting-edge technology, aiming to deliver an experience that resonates across borders. His statements reflected a strong belief that Indian storytelling, when presented with the right scale and technical finesse, has the potential to achieve global dominance and redefine industry benchmarks. Adding to the excitement, actor Yash, who portrays Ravana in the film, also contributed to the growing buzz with insights into the narrative structure and character treatment. It was revealed that the first part of the film may explore parallel arcs, with limited direct interaction between key characters early on, suggesting a layered storytelling approach that builds towards a larger conflict. Early glimpses and visual material showcased at the event reportedly impressed attendees, particularly in terms of costume design, world-building, and visual effects quality. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Nitesh Tiwari, Ramayana is being developed as a two-part cinematic epic with a scale that is unprecedented in Indian cinema. The film features Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, and Yash as Ravana, forming a powerful ensemble cast that combines star power with strong acting credibility. The project is backed by major production houses and international collaborators, ensuring that both creative and technical aspects meet global standards. One of the most talked-about aspects of the film is its massive budget, which is reported to be among the highest ever for an Indian production. This financial scale is being utilized to create world-class visual effects, detailed set designs, and immersive storytelling techniques that aim to rival top-tier global films. The makers are also investing heavily in advanced technology, including high-end VFX pipelines and innovative cinematic tools, to ensure that the film delivers a visually spectacular experience. The musical dimension of Ramayana further elevates its global appeal, with legendary composer AR Rahman collaborating with internationally acclaimed composer Hans Zimmer. This rare partnership is expected to produce a powerful and emotionally resonant soundtrack that complements the film's grand narrative while also appealing to international audiences. The release strategy is equally ambitious, with the first part scheduled for a Diwali 2026 release followed by the second instalment in 2027. The makers are planning a wide multi-language release along with advanced dubbing and localization techniques to ensure accessibility across global markets. This approach reflects a clear intention to position Ramayana not just as an Indian film but as a worldwide cinematic event.

BY SUNIT JANGIR

Mumbai, April 15 - In a significant boost for Indian animation on the global stage, Baahubali: The Eternal War – Part 1 has been selected for the "Work in Progress" showcase at the prestigious Annecy International Animation Film Festival 2026. Widely regarded as the world's most important animation festival, Annecy serves as a global launchpad for some of the most celebrated animated films. The film's inclusion in the Work in Progress lineup places it among a curated selection of international projects currently in production, offering a rare behind-the-scenes look at evolving animated features. The 2026 edition will feature 16 standout projects from across the globe, reflecting diverse storytelling styles and cutting-edge animation techniques. (adsbygoogle = window.adsbygoogle || []).push({}) This milestone marks a major moment not just for the Baahubali franchise, but for Indian mainstream cinema, which is increasingly gaining recognition in the global animation space. The project, backed by Arka Media Works and spearheaded by franchise creator S. S. Rajamouli, has been in development for several years and represents an ambitious expansion of the beloved universe. Directed by Ishan Shukla, the film is a large-scale international collaboration involving studios from India, the UK, and France. With a reported budget of around 120 crore and a planned 2027 release, the animated epic aims to push the boundaries of Indian storytelling with a global visual language. Set after the events of Baahubali: The Beginning, the story explores Amarendra Baahubali's journey through mythical realms and cosmic battles, expanding the saga into a grand, mythological fantasy. (adsbygoogle = window.adsbygoogle || []).push({}) We are happy to announce that the next chapter of the #Baahubali legacy, #BaahubaliTheEternalWar, has been officially selected for the Work in Progress lineup at the prestigious Annecy International Animation Film Festival 2026!Annecy, see you soon! Jai Maahishmathi! ✊… pic.twitter.com/hcPnAw9giT— Baahubali (@BaahubaliMovie) April 14, 2026 The teaser has already generated strong buzz for its visually striking style, often compared to globally acclaimed animated productions. Being showcased at Annecy not only elevates the film's international profile but also signals a growing acceptance of Indian IPs in the global animation ecosystem. If early momentum is any indication, Baahubali: The Eternal War could become a landmark project for Indian animation worldwide.

BY SUNIT JANGIR

Mumbai, April 15 - Superstar Yash has offered exciting new insights into his much-anticipated film Toxic: A Fairy Tale for Grown-Ups, hinting at a layered narrative that goes beyond conventional gangster dramas. While the film has already generated massive buzz for its scale and style, the actor has now confirmed that it will also explore deeper psychological themes. Speaking about the project, Yash described Toxic as a "layered gangster drama" that aims to leave a lasting impact on the audience's mind. He revealed that the film is designed not just as a visual spectacle but as an experience that engages viewers on a psychological level, suggesting a story rich in emotion, intensity, and inner conflict. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Geetu Mohandas, the film is expected to blend stylish action with nuanced storytelling. Known for her distinctive narrative approach, Geetu's involvement has further elevated expectations, with many anticipating a fresh take on the gangster genre. Yash also emphasised that Toxic will be a "visual treat" while simultaneously making a strong impact on the audience's psyche, reinforcing the idea that the film will balance scale with substance. This combination could set it apart from typical mass entertainers and position it as a more immersive cinematic experience. (adsbygoogle = window.adsbygoogle || []).push({}) #Ramayana star Yash gives us a sneak peek at his other film releasing this year #Toxic. Catch the full interview at the link below!https://t.co/ZQAqix35Op pic.twitter.com/EBkSMkukMJ— Fandango (@Fandango) April 14, 2026 Produced by KVN Productions and Monster Mind Creations, Toxic is shaping up to be one of the most intriguing upcoming projects in Indian cinema. While details about the plot remain under wraps, the promise of psychological depth and layered storytelling has only heightened curiosity among fans eagerly awaiting its release.

BY CHRISTA LINCY

The much-awaited third instalment of the Force franchise Force 3 is officially underway with John Abraham Harshvardhan Rane and Tanya Maniktala leading the film. The shoot has commenced and the project is already deep into its first schedule indicating a well-planned production timeline. The makers have locked 19 March 2027 as the theatrical release date positioning the film as a major action event on the calendar and raising expectations among fans of the franchise. Directed by Bhav Dhulia the film marks a new phase for the Force universe as it attempts to reinvent itself while staying rooted in its core identity of gritty action and intense storytelling. The project is backed by a strong production team including John Abraham Sheel Kumar Shahbaz Alam Sandeep Leyzell and Minnakshi Das. With Ravi Basrur handling the music the film is expected to carry a powerful background score that complements its action-heavy narrative and enhances the theatrical experience. The initial shooting schedule has taken place in Gujarat with a major portion focusing on Harshvardhan Rane and Tanya Maniktala. This approach suggests that the film may open with new character arcs before bringing John Abraham into the central conflict. John who joined during the mahurat ceremony is expected to feature prominently in the upcoming schedules where the narrative is likely to shift into a larger action-driven space. The Force franchise has had a mixed but interesting journey at the box office which makes the third instalment even more crucial. The first film Force introduced audiences to ACP Yashvardhan Singh and went on to collect around 36.66 crore India gross with a worldwide total of 40.28 crore while the India net stood at 27.16 crore. Despite its strong action appeal and eventual cult following the film was declared a flop during its theatrical run although it gained popularity later through television and digital platforms. (adsbygoogle = window.adsbygoogle || []).push({}) The sequel Force 2 attempted to expand the scale by introducing an international espionage angle and a more stylized treatment. The film recorded an India gross of 48.20 crore and a worldwide total of 58.70 crore with 10.50 crore coming from overseas markets while the India net closed at 35.70 crore. However despite the improved numbers the film was again declared a flop which highlighted the challenges the franchise faced in converting scale into commercial success. With Force 3 the makers are aiming to change that narrative by combining the raw intensity of the first film with the scale and ambition of the second. The addition of new cast members and a fresh director indicates a conscious effort to evolve the storytelling while retaining the core character of ACP Yashvardhan Singh who remains central to the franchise. John Abraham returns to reprise his role as ACP Yashvardhan Singh a character that has become synonymous with his action image. Over the years John has established himself as one of the most reliable action stars in Bollywood with films like Pathaan further strengthening his box office pull and screen presence. His return ensures continuity while also providing a solid foundation for the new narrative. Harshvardhan Rane enters the franchise at a crucial point in his career as he rides strong momentum. His film Sanam Teri Kasam found renewed success over time and built a loyal fan base while Ek Deewane Ki Deewaniyat delivered a successful theatrical run crossing the 100 crore mark worldwide. Known for his intense performances and emotional depth Harshvardhan is expected to bring a different energy to the franchise possibly as a parallel lead or a character with shades of grey. Reports also suggest that he is undergoing a significant physical transformation to match the action demands of the film. (adsbygoogle = window.adsbygoogle || []).push({}) Tanya Maniktala adds freshness to the cast with her growing popularity across films and streaming platforms. After gaining attention for her performances in projects like A Suitable Boy and Kill she has proven her ability to handle both emotional and intense roles. In Force 3 she is expected to play a significant part in the storyline potentially adding emotional weight or being directly involved in the central conflict. Director Bhav Dhulia is known for his grounded and realistic storytelling especially in the crime drama space. His work in Khakee The Bihar Chapter was appreciated for its gripping narrative and character depth which suggests that Force 3 may focus more on story-driven action rather than just spectacle. This could be a key factor in helping the franchise connect better with audiences this time. The music and background score by Ravi Basrur is expected to play a crucial role in defining the film's tone. Known for creating high-impact soundtracks that elevate action sequences he could add a distinct identity to Force 3 making it stand out in a crowded action genre. With the shoot progressing steadily and the release date locked Force 3 is shaping up to be a crucial film not just for the franchise but also for its lead actors. After two films that underperformed commercially the third instalment carries the responsibility of delivering both critical and box office success. If executed well it has the potential to revive the franchise and establish it as a consistent action brand in Bollywood.

BY SUNIT JANGIR

Kochi, April 15 - Hashir-fronted coming-of-age comedy drama Vaazha 2: Biopic of a Billion Bros has emerged as a sensational blockbuster, continuing its dream run at the box office. The film has now crossed the 100 crore mark at the Indian box office, cementing its place among the biggest Mollywood hits of all time. Vaazha 2 has collected approximately 101.30 crore gross in India in 13 days so far, with a net total of 87.50 crore, reflecting its strong hold even in the second week. What makes this achievement even more remarkable is the consistency of its daily collections, driven by exceptional word-of-mouth and repeat audience footfall. (adsbygoogle = window.adsbygoogle || []).push({}) Seventh Malayalam Film To Cross 100 Crore Domestically With this milestone, Vaazha 2 has become only the 7th Malayalam film of all-time to breach the 100 crore mark domestically, joining an elite league of top-performing Mollywood blockbusters. Mohanlal's Pulimurugan was the first film to achieve this historic feat in 2016. Vaazha 2's dominance has been particularly evident in Kerala, where it has already amassed over 90 crore and is set to cross the 100 crore mark in a couple of days. Highest Grossing Malayalam Films in India (Gross) S. No. Movie India Gross 1 Lokah Chapter 1 ₹ 184 Cr 2 Manjummel Boys ₹ 167.65 Cr 3 Thudarum ₹ 141.60 Cr 4 Empuraan ₹ 124.50 Cr 5 2018 Movie ₹ 110.50 Cr 6 Vaazha 2 ₹ 101.30 Cr 7 Pulimurugan ₹ 100 Cr As of April 14, 2026. (adsbygoogle = window.adsbygoogle || []).push({}) A Box Office Juggernaut Worldwide Globally, the blockbuster sequel has been equally phenomenal. The worldwide gross has already hit the 176 crore range, including nearly 75 crores at the overseas box office in 13 days, making it one of the highest-grossing Malayalam films ever and putting it on track to challenge even bigger records in the coming days. Vaazha 2 had earlier crossed 100 crore worldwide in just 7 days, and became one of the fastest Malayalam films to achieve the milestone. Its rapid rise, combined with sustained collections in week two, highlights its massive popularity among youth and family audiences alike. (adsbygoogle = window.adsbygoogle || []).push({}) Top Malayalam Grossers Worldwide S. No. Movie Worldwide Gross 1 Lokah Chapter 1 ₹ 303.85 Cr 2 L2: Empuraan ₹ 266.80 Cr 3 Manjummel Boys ₹ 241.00 Cr 4 Thudarum ₹ 235.40 Cr 5 2018 ₹ 180.00 Cr 6 Vaazha 2 ₹ 176.00 Cr 7 Aadujeevitham ₹ 157.60 Cr 8 Aavesham ₹ 154.80 Cr 9 Sarvam Maya ₹ 151.25 Cr 10 Pulimurugan ₹ 139.50 Cr As of April 14, 2026. (adsbygoogle = window.adsbygoogle || []).push({}) What's Next? With minimal competition and strong occupancy trends, Vaazha 2 is set to enter the 200 crore worldwide club this coming weekend, which would further solidify its blockbuster status and franchise value. With the worldwide trend remaining strong, the film will aim to finish its global run at around 250 crores.

BY CHRISTA LINCY

The anticipation for Akshay Kumar's return to the horror-comedy genre is beginning to reflect at the box office as the advance booking for Bhooth Bangla officially opens. Slated for a grand release, the film is set to kickstart its journey with special paid previews starting from 9 PM onwards on April 16, 2026. Early trends suggest that the audience is particularly keen on these late-night screenings, with the national chains showing a consistent upward trajectory in ticket sales throughout the day. For the opening day, Bhooth Bangla has recorded an initial all-India advance booking gross of ₹14.3 Lac (excluding block seats). When including block seats, the figure significantly jumps to approximately ₹40 Lac, indicating that exhibitors are optimistic about a strong turnout. The film has currently sold over 8,214 tickets for Day 1 across 3,005 shows with an average ticket price of ₹226. While the numbers are in the early stages, the momentum gathered in the final hours of Tuesday suggests a healthy opening is on the cards. The performance in National Chains (PVR, INOX, and Cinepolis) has been the highlight of the day. The Paid Previews, in particular, saw a massive jump in interest. Starting with nearly 2,000 tickets sold by Tuesday morning, the count surged to over 4,300 by the evening and finally settled at approximately 6,200 tickets by late night. This evening surge for paid previews showcases a clear preference for the night-owl audience. Similarly, Day 1 advance bookings in these chains showed strong momentum, growing from around 2,800 tickets in the afternoon to over 5,600 by the close of the day. (adsbygoogle = window.adsbygoogle || []).push({}) Bhooth Bangla Day 1: Top Performing States (Advance Booking)STATEGROSS (WITH BLOCK SEATS)SHOWSGujarat₹ 9.74 Lac489Delhi₹ 6.26 Lac510Madhya Pradesh₹ 5.74 Lac175Maharashtra₹ 5.35 Lac524Rajasthan₹ 3.97 Lac185West Bengal₹ 3.04 Lac177 On a regional level, West Bengal is currently leading the pack with an impressive 26 percent occupancy for its initial show count. Other major markets like Madhya Pradesh, Maharashtra, and Delhi are also showing steady movement, primarily in premium properties. Combined with the paid previews, the total ticket sales in national chains have crossed the 12,000 mark within the first 24 hours of full-scale booking. With BookMyShow recording nearly 7,000 new interests in just a single day, the buzz around Bhooth Bangla is expected to intensify as the film approaches its Thursday night previews and the big Friday release.

BY CHRISTA LINCY

The box office juggernaut Dhurandhar 2: The Revenge has once again defied the usual weekday trend by witnessing a significant surge on its twenty-seventh day. Benefiting from the national holiday of Ambedkar Jayanti on April 14, the film saw a sharp spike in footfalls across major territories in India. After a standard Monday dip, the fourth Tuesday performance has reignited the momentum for this cinematic spectacle as it marches toward unprecedented global milestones. On Day 27, Dhurandhar 2: The Revenge recorded a net collection of ₹7.05 Cr in India across 10,143 shows. This represents a healthy growth of approximately 35 percent compared to its previous day net collection of ₹5.20 Cr. The Hindi version remains the primary driver of this success, contributing ₹6.75 Cr to the daily total. The holiday factor was clearly visible in the ticket sales momentum, with BookMyShow registering 107.92K tickets on Tuesday, surpassing the Monday figure of 103.97K. Furthermore, the advance booking in national chains saw a substantial jump to 36.4K tickets, signaling a strong recovery and keeping the momentum back on track. Dhurandhar 2 Day 27 Language-wise BreakdownLANGUAGEINDIA NET (DAY 27)Hindi₹ 6.75 CrTelugu₹ 0.15 CrTamil₹ 0.10 CrKannada₹ 0.05 CrTotal₹ 7.05 Cr The cumulative totals for the film have reached staggering heights as it nears the end of its fourth week. The total India net collection now stands at ₹1,095.67 Cr, while the India gross has hit ₹1,311.68 Cr. On the global front, the film found stable ground in international markets even without the benefit of a weekday holiday. After Monday saw the overseas collection dip into the lakhs at 0.75 Cr, it managed a slight recovery to reach the 1.00 Cr mark on Tuesday. This takes the total overseas gross to ₹416.25 Cr, pushing the massive worldwide gross collection to ₹1,727.93 Cr. With this performance, Dhurandhar 2: The Revenge has firmly established itself as the 4th highest-grossing Indian film of all time globally. It is now closing in rapidly on the lifetime collection of Pushpa 2: The Rule, which holds the 3rd position with ₹1,742.10 Cr. Based on the current trend and the renewed momentum, the film is projected to surpass the Pushpa 2 record by the conclusion of its fourth week this Thursday or by Friday to claim its spot on the all-time podium. (adsbygoogle = window.adsbygoogle || []).push({}) Milestone Tracker: The Road to Worldwide Top 3 DHURANDHAR 2 (₹ 1,727.93 Cr) - 99.18% OF TARGET REACHED RANKMOVIE NAMEWORLDWIDE GROSS 1Dangal₹ 2,070.30 Cr 2Baahubali 2₹ 1,788.06 Cr 3Pushpa 2: The Rule₹ 1,742.10 Cr 4Dhurandhar 2: The Revenge₹ 1,727.93 Cr REMAINING GAP: ₹ 14.17 Cr Given the current trajectory and the significant Tuesday spike, the film is moving with high velocity toward this milestone. Even with a natural stabilization expected after the holiday, a remaining gap of 14.17 Cr is likely to be bridged by the conclusion of its fourth week this Thursday or by Friday morning to claim its spot on the all-time podium. This would make Dhurandhar 2: The Revenge only the third Indian film in history to cross the 1,745 Cr mark, further cementing the legacy of this franchise on the global stage. Fans are keeping a close watch on the daily numbers as the film prepares to rewrite the all-time record books. When looking at the historical context of Day 27 Hindi net collections, Dhurandhar 2: The Revenge maintains a dominant position among the highest earners of all time. While it trails behind the first installment which earned 11.00 Cr on its twenty-seventh day, it has successfully outperformed other recent heavyweights like Pushpa 2: The Rule and Chhaava. With a total of 17.32 million tickets sold on BookMyShow so far, the film continues its historic run as an All Time Blockbuster, consistently drawing crowds even after nearly a month in theaters. Top 5 Movies - Day 27 Hindi Net ComparisonMOVIE NAMEDAY 27 HINDI NETDhurandhar₹ 11.00 CrDhurandhar 2: The Revenge₹ 6.75 CrPushpa: The Rule - Part 2₹ 6.25 CrChhaava₹ 4.00 CrStree 2₹ 3.10 Cr

BY CHRISTA LINCY

Dhurandhar 2: The Revenge collected ₹5.20 crore nett on its fourth Monday, showing a very solid hold as it continues its historic run. This represents a drop of exactly 48 percent from the previous Monday (Day 19), where the film had collected ₹10.00 crore. Across India, the movie is still running on a massive scale with 10,286 shows. This steady performance on Day 26 brings the total India net collection to a staggering ₹1,088.62 crore. If the film continues this pace through the rest of the week, it is well on its way to closing its fourth week with a total around the ₹50 crore mark. If we look at the language breakdown, the Hindi version remains the undisputed king of the collections, contributing ₹5.00 crore on Monday with an occupancy of 12 percent. The South-dubbed versions are now nearing exhaustion, with the Telugu version bringing in ₹0.12 crore and the Tamil and Kannada versions contributing smaller amounts. Currently, the total India gross stands at ₹1,303.37 crore. While the Aditya Dhar directorial is comfortably sitting in the ₹1,000 crore club in India, the Hindi version alone is still marching toward its own individual milestones, even as newer releases begin to take up screen space. However, the international market is finally starting to show signs of fatigue. For the first time in its 26-day journey, the overseas collection dropped into the lakhs, earning ₹0.75 crore on Monday. This drastic dip from previous days suggests that the film has almost exhausted its run in major foreign territories. Despite this slowdown, the overseas total gross has reached a massive ₹415.25 crore, pushing the worldwide gross collection to an incredible ₹1,718.62 crore. While the international run might be nearing its end, the global total has already surpassed most industry expectations. (adsbygoogle = window.adsbygoogle || []).push({}) Audience interest remains high on digital platforms as well, with the film ranking 4th in daily ticket sales on BookMyShow. Dhurandhar 2: The Revenge sold 104K tickets on its fourth Monday, staying ahead of several other trending titles like Chhaava and Kantara Chapter 1. While it trails behind the likes of Pushpa 2 and Jawan in daily trends, maintaining such high ticket sales this late in its run is a testament to the film's strong word-of-mouth. However, with the upcoming release of Dacoit, the film is likely to see another drop in show counts and occupancy as screen sharing becomes more competitive. Looking toward the future, the industry is also preparing for the arrival of Bhooth Bangla. The makers have confirmed that bookings for that film will open on April 14, just three days before its full release. This is a very strategic move designed to create a sense of urgency and a massive rush for tickets in a short window. As Bhooth Bangla takes over the spotlight, Dhurandhar 2: The Revenge will likely face its toughest challenge yet. Nevertheless, the performance of this spy actioner has been nothing short of monstrous, and even though the daily numbers are finally starting to normalize, the run is far from over as it heads toward its final lifetime target.

BY CHRISTA LINCY

There is a fascinating new trend taking over the Hindi film circuit as the industry moves toward a high-stakes release strategy for the upcoming film Ek Din. Starring Junaid Khan and Sai Pallavi, the project has officially made headlines by opening its advance bookings a staggering 39 days before its theatrical debut. According to reports from Bollywood Hungama, this rollout began on April 11, marking a complete shift from the traditional Hindi film playbook where ticket sales usually only kick off a few days before the first show. This move is being viewed as a bold psychological operation intended to create a sense of importance before the audience even steps into the theater. The early numbers, while modest in volume, are providing a fascinating look at the film's regional pull during this experimental phase. By April 11, the movie had already moved over 520 tickets across India, with specific centers showing surprising early interest. For instance, PVR City Center in Raipur led the way with 46 tickets sold, followed by 37 at PVR Palladium Mall in Ahmedabad and 18 at Inox Orion Mall in Gorakhpur. This initial wave is currently limited to approximately 20 cities, including major hubs like Delhi-NCR and Mumbai, all serving as a strategic build-up to the official worldwide release on May 1, 2026. By tracking these early-wave screenings, the makers are able to gauge city-wise chatter long before the traditional marketing blitz begins. The scale of this early launch is highly calculated and specific. Data shared by Bollywood Hungama reveals that the bookings have gone live across nearly 20 major cities, but with a deliberate restraint: most participating cinemas have opened just one show per screen. This strategy is less about flooding the market with tickets and more about engineering a signal of high demand. In an era where attention is the most unstable currency in Bollywood, the makers are essentially trying to build an aura around the film, treating the booking window as a media device to spark city-wise chatter well in advance. (adsbygoogle = window.adsbygoogle || []).push({}) This long-lead approach highlights a growing nervousness within the theatrical ecosystem, where perception often determines a film's fate before Friday morning. By front-loading the importance of Ek Din, the industry is attempting to manufacture inevitability. The logic here is to plant curiosity early and test market responsiveness rather than relying on a last-minute marketing burst. In today’s Bollywood, where social media narratives are assembled with alarming speed, having early booking numbers to showcase can become a powerful weapon in the ongoing war for public interest. The ultimate takeaway from this 39-day gamble is how crucial it has become for a film to be framed as an event long before it has proved itself to be one. While a release used to be enough, 2026 demands that a film carries a pre-sold significance. Whether this slow-burn conversation translates into actual sustained footfalls remains to be seen, but for now, Ek Din is successfully rewriting the rules. It shows that Bollywood is no longer content to let a movie breathe naturally; instead, it wants to reduce uncertainty by capturing the audience's attention the moment the first ticket becomes available.