BY SACNILK TEAM

Dhurandhar has claimed the top position on Netflix India’s movie charts for the week ending February 15, 2026. The latest rankings see the action blockbuster leading a list that combines recent theatrical premieres like Anaganaga Oka Raju and Tere Ishk Mein with a seasonal resurgence of romantic library titles for Valentine's Week. Ajay Devgn's De De Pyaar De 2 maintains its momentum, marking over 39 days on the Top 10 list since its streaming debut. Interestingly, the charts witnessed a resurgence of evergreen titles, with Rani Mukerji's Mardaani 2 and Ayushmann Khurrana's Dum Laga Ke Haisha re-entering the Top 10, likely triggered by recent franchise announcements and social media nostalgia. The current trending list underscores a clear trend: films with strong theatrical legs tend to dominate the Netflix rankings within their first month of digital premiere. Dhurandhar, which shattered several records during its opening weeks, has maintained a high conversion rate on OTT. Similarly, Tere Ishk Mein, marking Dhanush's return to the Hindi-speaking market under Aanand L Rai's direction, continues to draw massive viewership in the North Indian circuits. Below is a breakdown of the theatrical performance and digital standing of the current top-performing titles: Top 10 Films on Netflix India (As of Now) RANK MOVIE NAME #1 Dhurandhar #2 Anaganaga Oka Raju #3 Thalaivar Thambi Thalaimaiyil #4 Tere Ishk Mein #5 Mardaani 2 #6 Haq #7 De De Pyaar De 2 #8 Vadh #9 Dum Laga Ke Haisha #10 Bachna Ae Haseeno (adsbygoogle = window.adsbygoogle || []).push({})   While new releases hold the top rungs, the bottom half of the Top 10 reveals an interesting shift in consumer behavior. The presence of Bachna Ae Haseeno and Dum Laga Ke Haisha suggests that Netflix’s algorithm is successfully pushing high-rated library content to newer audiences. For producers, this digital second life provides a steady stream of secondary revenue, often surpassing the original satellite rights valuation. Netflix India Top 10: Latest Streaming Stats and Viewership Records 1. Tere Ishk Mein: A global breakout for Dhanush and Kriti Sanon. In its second week, it garnered 12.1 million viewing hours globally, ranking in the Top 10 across 18 countries including the UK and Malaysia. 2. De De Pyaar De 2: Demonstrating exceptional stamina, the film has maintained a Top 10 spot in India for over 39 consecutive days. It also peaked at #6 on the Global Non-English film charts. 3. Haq: The Yami Gautam and Emraan Hashmi starrer dominated the charts throughout January, maintaining a Top 5 position globally for non-English films for four consecutive weeks. 4. Mardaani 2: The 2019 thriller saw a massive resurgence, re-entering the Top 10 following the theatrical buzz and release of Mardaani 3 on January 30, 2026. 5. YRF Classics (Bachna Ae Haseeno & Dum Laga Ke Haisha): Both titles re-entered the Top 10 mid-month as part of a Valentine's Week special, peaking in popularity on February 14.

BY SACNILK TEAM

The Indian streaming landscape, which witnessed an unprecedented boom during the pandemic, is now facing a significant structural reset. According to the latest data from Ormax Media, the supply of Indian streaming originals has continued its downward trajectory in 2025. Following an 18% drop in 2024, the number of original shows across major platforms has declined by another 13%, falling below the 300-mark for the first time since 2020. In an exclusive report by Variety, prominent creators Sudip Sharma, Prosit Roy, and Tanuj Chopra shared insights into this shifting ecosystem where risk aversion is the new norm. The current contraction is largely viewed as a necessary correction after a period of overheating. Sudip Sharma, the acclaimed creator behind Paatal Lok and Kohrra, noted that the rapid commissioning seen during the COVID-19 lockdown led to a saturation point where output exceeded the industry's actual capacity. Sharma explained that the ecosystem lacked enough seasoned filmmakers and writers to sustain such high volumes, which ultimately compromised content quality. As growth slows, streamers have pivoted from experimentation to a play safe strategy, making it increasingly difficult for unconventional or left of center narratives to find backing. The business logic governing Indian OTT platforms has undergone a fundamental transformation. Tanuj Chopra, who helmed the recent seasons of Delhi Crime, suggested that the shift is driven by subscriber economics rather than a lack of creative ambition. While the initial strategy focused on producing a wide variety of shows to acquire new users, platforms are now prioritizing stickiness among existing subscribers. Streamers are currently concentrating their resources into fewer, high-impact, commercial titles rather than spreading budgets across numerous smaller projects. This math-over-emotion approach aims for scale, targeting the remaining untapped market with big-ticket productions. (adsbygoogle = window.adsbygoogle || []).push({})   Beyond financial metrics, the sheer time required to develop long-form content is impacting industry trends. Prosit Roy, creator of the upcoming Amazon Prime series Rakh, highlighted that the development cycle for a premium show—from multiple script drafts to pre-production—often exceeds a year. This extended commitment has led many creators to migrate back toward feature films, which offer a shorter turnaround time. Roy emphasized that while streaming provides unique depth for character development, the rigorous demands of the medium naturally limit the volume of high-quality shows that can be produced annually. Perhaps the most concerning aspect of this reset is the rising entry barrier for emerging talent. The collective sentiment among industry insiders is that the current environment is particularly hostile toward new voices. With platforms becoming more cautious, the appetite for backing unproven creators has diminished. Chopra warned that while creators are resilient, the audience suffers the most in this scenario as the breadth of available storytelling options shrinks. Despite the visible decline in commissions, creators remain optimistic about the power of quality storytelling. The consensus remains that while the era of mindless abundance has ended, well-executed and rooted stories will continue to find an audience, even within a leaner and more disciplined market.

BY SACNILK TEAM

The upcoming espionage sequel Dhurandhar 2: The Revenge has finalized its theatrical duration, officially locking in at 3 hours and 28 minutes (208 minutes). While the runtime confirms the film as one of the most expansive releases in recent Indian cinema history, it sits slightly behind the massive footprint of its predecessor. The first installment, Dhurandhar, carried a colossal runtime of 3 hours and 35 minutes (215 minutes), a figure that was notably bolstered by a critical 4-minute post-credit sequence. This segment served as a narrative bridge between the two chapters, setting a franchise trend for long-form, immersive storytelling that prioritizes character depth over traditional condensed action formats. The decision to maintain a runtime exceeding the three-hour mark follows the immense commercial success of the first film, which redefined box office benchmarks for the spy-thriller genre. The original Dhurandhar amassed a historic ₹838.32 Cr Net in India, with its domestic gross crossing the ₹1005.65 Cr mark. Globally, the film reached a staggering ₹1305 Cr, supported by a strong overseas performance of ₹299.35 Cr. The prequel's ability to sustain high theater occupancy despite its 215-minute length proved the audience's appetite for director Aditya Dhar's detailed geopolitical world-building, which was further intensified by an A certificate—a first for lead actor Ranveer Singh. (adsbygoogle = window.adsbygoogle || []).push({})   The franchise's narrative began by exploring the Indian intelligence response to the 1999 IC-814 hijacking and the 2001 Parliament attack. The plot centered on Intelligence Bureau chief Ajay Sanyal's activation of a covert program utilizing death row inmates as operational assets. The first chapter concluded with lead asset Jaskirat Singh Rangi uncovering a deep-seated link between the ISI and the Karachi underworld. After seizing control of the syndicate, Rangi was left positioned to execute a high-stakes kill list, a plot point that was explicitly teased in the first film's extended post-credits scene. Dhurandhar 2: The Revenge picks up directly from this transition, shifting the narrative gears into a relentless pursuit across borders. The sequel focuses on the protagonist operating under the identity of Hamza Ali Mazari as he targets the elusive Major Iqbal to dismantle the criminal-intelligence network established in the first film. By opting for a 208-minute duration, the production seeks to provide a comprehensive resolution to the cliffhangers introduced in the prequel. The film's substantial runtime reflects a commitment to maintaining the gritty, unhurried pace that turned the original into a runaway hit.

BY SUNIT JANGIR

Mumbai, February 19 - Shahid Kapoor-led O Romeo, has delivered a decent first-week performance at the box office. After seven days of theatrical run, the romantic-crime drama has collected around 47 crore net in India, indicating steady audience interest despite mixed word of mouth. O Romeo opened decently over its first weekend, earning 30+ crore net, benefiting from the Valentine's Day period. The movie showed better-than-expected hold on weekdays despite the usual drop. The BOGO offer and discounted prices helped the collection to remain steady. (adsbygoogle = window.adsbygoogle || []).push({}) At the overseas box office, the Vishal Bhardwaj-directed flick collected around 18 crores in the first week, pushing the worldwide total to over 70 crores gross. While the numbers are respectable, the overall performance is underwhelming given the massive cost and talent involved. The second weekend will be crucial for the movie. There are a couple of new releases this week, which will take away some theatres, but O Romeo is expected to be the number 1 movie, as buzz is low for the upcoming films. It will be crucial for the film to hold well on Friday and then scorea significant jump over the weekend. Stay tuned...

BY SACNILK TEAM

Here is the Tamil movie Couple Friendly box office collection, which is a romantic drama film. This film is directed by Ashwin Chandrasekar and produced by VR Global Media and UV Concepts. ## Couple Friendly stars Santosh Sobhan, Manasa Varanasi, Yogi Babu, Rajeev Kanakala, and Livingston in key roles. ## Couple Friendly Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 1 [1st Saturday] ₹ 1.1 CrTamil: 0.1 Cr Telugu: 1 Cr - Day 2 [1st Sunday] ₹ 1.05 CrTamil: 0.1 Cr Telugu: 0.95 Cr -4.55% Day 3 [1st Monday] ₹ 0.8 CrTamil: 0.05 Cr Telugu: 0.75 Cr -23.81% Day 4 [1st Tuesday] ₹ 0.67 CrTamil: 0.07 Cr Telugu: 0.6 Cr -16.25% Day 5 [1st Wednesday] ₹ 0.63 CrTamil: 0.08 Cr Telugu: 0.55 Cr -5.97% Day 6 [1st Thursday] ₹ 0.6 CrTamil: 0.08 Cr Telugu: 0.52 Cr -4.76% Week 1 Collection ₹ 4.85 CrTamil: 0.48 Cr Telugu: 4.37 Cr - Day 7 [1st Friday] ₹ 0.5 CrTamil: 0.05 Cr Telugu: 0.45 Cr -16.67% Day 8 [2nd Saturday] ₹ 1.05 CrTamil: 0.12 Cr Telugu: 0.93 Cr 110.00% Day 9 [2nd Sunday] ₹ 0.95 CrTamil: 0.13 Cr Telugu: 0.82 Cr -9.52% Day 10 [2nd Monday] ₹ 0.45 CrTamil: 0.09 Cr Telugu: 0.36 Cr -52.63% Day 11 [2nd Tuesday] ₹ 0.37 CrTamil: 0.05 Cr Telugu: 0.32 Cr -17.78% Day 12 [2nd Wednesday] ₹ 0.38 CrTamil: 0.08 Cr Telugu: 0.3 Cr 2.70% Total ₹ 8.55 CrTamil: 1 Cr Telugu: 7.55 Cr (estimated) - ## Take Subscription To See Footfalls ## India Net Collection ₹ 8.55 Cr ## Worldwide Collection ₹ 11.6 Cr ## Overseas Collection ₹ 1.6 Cr ## India Gross Collection ₹ 10 Cr ## Couple Friendly Budget: ₹ - Cr * Approx ## Couple Friendly Verdict: Coming Soon ## Couple Friendly Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 14th February 2026 ## For more and the latest news about Tollywood Box Office Collection, Stay tuned to us.

BY SACNILK TEAM

Mumbai, February 19 - Netflix's popular Korean zombie thriller All of Us Are Dead is finally inching closer to its return. After a long gap since the first season's success, Season 2 has reached a key stage in its journey. According to reports, filming for Season 2 is nearing completion in February 2026. The new season went on floors in mid-2025 after several delays, and most of the principal cast have already wrapped their portions. An official wrap announcement from Netflix is still awaited. (adsbygoogle = window.adsbygoogle || []).push({}) Fan-favourite actors, including Park Ji-hu, Yoon Chan-young, Cho Yi-hyun, and Park Solomon, are expected to return, alongside new cast members. Season 2 will reportedly expand the story beyond Hyosan High School, exploring the wider impact of the outbreak. As for the release, Netflix has not announced an official date yet. While a late-2026 premiere was initially expected, the scale of post-production and its absence from Netflix's 2026 slate suggest Season 2 may now arrive sometime in 2027. Fans can expect the first teaser once post-production progresses further. Stay tuned...

BY CHRISTA LINCY

Rani Mukerji's crime thriller Mardaani 3 has successfully completed its third week at the box office, establishing a new global benchmark for the franchise. Live tracking for Day 21 (Thursday) shows the film adding ₹0.24 crore to its domestic total, bringing the cumulative India net collection to ₹46.09 crore. Despite the influx of new releases, the film has maintained a steady trajectory, leveraging the brand loyalty established by its predecessors to secure consistent footfalls in urban centers. The third installment has officially emerged as the highest worldwide grosser in the Mardaani series. With a current global total of ₹68 crore, the film has surpassed the lifetime worldwide collections of the original Mardaani (₹59.30 crore) and its 2019 sequel, Mardaani 2 (₹67 crore). This milestone reflects a significant expansion in the franchise's international footprint, as evidenced by its overseas collection currently standing at ₹13.85 crore. On the domestic front, Mardaani 3 is now within striking distance of the lifetime India net total of Mardaani 2, which concluded its run at ₹47.35 crore. Having reached ₹46.09 crore by the end of its third week, the film requires less than ₹1.30 crore to become the top-performing domestic entry in the series as well. The India gross collection currently stands at ₹54.15 crore, mirroring the profitable trend seen in previous chapters. (adsbygoogle = window.adsbygoogle || []).push({})   As the film enters its fourth week, the focus shifts to whether it can maintain enough momentum to clear the ₹50 crore net mark domestically. Given the moderate production costs associated with the franchise and its established status as a consistent performer, the current numbers indicate another commercially successful outing for the series. The film's ability to outperform the global totals of both previous installments underscores the enduring relevance of the Shivani Shivaji Roy character in the competitive police-procedural genre. Mardaani Franchise - Box Office Comparison MOVIE NAME INDIA NET COLLECTION WORLDWIDE COLLECTION Mardaani 3 ₹ 46.09 Cr* ₹ 68.00 Cr Mardaani 2 ₹ 47.35 Cr ₹ 67.00 Cr Mardaani ₹ 35.65 Cr ₹ 59.30 Cr *Current collection at the end of Week 3. Mardaani 3 India Net is expected to surpass Mardaani 2 during Week 4.

BY CHRISTA LINCY

The war drama Border 2 concluded its fourth week at the box office with steady footfalls, maintaining a consistent presence despite the natural downward trend in its late-run cycle. Live tracking for Day 28 (Thursday) shows the film earning ₹0.31 crore as of the current update, bringing the fourth-week total to approximately ₹6.36 crore. The film witnessed its most significant activity of the week during the fourth weekend, where it collected ₹1.9 crore on Saturday and ₹1.4 crore on Sunday, before settling into a controlled trajectory over the following weekdays. With a current cumulative total of ₹324.11 crore, Border 2 continues to cement its status as a major commercial success. The film notably crossed the ₹300 crore net milestone in just 16 days, joining an elite list of high-grossing Indian blockbusters. While the daily numbers have stabilized into the lower ranges as the film completes its first month in theaters, the steady occupancy on weekdays indicates a sustained interest from the core audience. (adsbygoogle = window.adsbygoogle || []).push({})   A deeper analysis of the film's late-run momentum reveals a stark contrast when compared to previous blockbusters in the same category. While Border 2 cleared the ₹300 crore milestone in an impressive 16 days, it remains well behind the pace of Sunny Deol's Gadar 2, which reached the same mark in just 8 days. Furthermore, the fourth-week hold of Border 2 trails far behind historic benchmarks; while Gadar 2 raked in ₹27.55 crore during its fourth week, Border 2's ₹6.36 crore finish for the same period highlights a much faster exhaustion of theatrical demand despite its strong initial start. As the film enters its fifth week, its theatrical footprint is expected to shrink further with the arrival of new releases. The current data confirms that while Border 2 has successfully leveraged franchise nostalgia and a strong 16-day sprint to cross major milestones, its lifetime trajectory will likely settle well below the all-time records of the industry's highest-grossing titles. The focus now shifts to how much more the film can extract from single-screen markets before concluding its commercial run.

BY SACNILK TEAM

Mumbai, February 18 - The controversy surrounding The Kerala Story 2 continues to escalate after director Kamakhya Narayan Singh strongly responded to remarks made by Kerala Chief Minister Pinarayi Vijayan, who had criticised the film for allegedly spreading misinformation and communal hatred. Reacting to the CM's statement, Kamakhya Narayan Singh defended his film, asserting that The Kerala Story 2 is not propaganda but a cinematic portrayal based on real incidents. The director said that dismissing the film outright amounts to "closing one's eyes to reality" and claimed that the issues highlighted in the movie are drawn from documented cases and news reports. (adsbygoogle = window.adsbygoogle || []).push({}) "It's a fact-based film. There is this kind of thing happening all over the country where love is used to trap girls, to change the demography of the country. It's important that the country knows the facts, about the situation in the country, how the girls are being trapped, and that is why we've made this film", the director said to India Today. Singh further stated that every scene and narrative thread in the film is grounded in facts, adding that storytelling should not be silenced simply because it addresses uncomfortable subjects. According to him, the film attempts to raise awareness about social issues that are often ignored or brushed aside, and questioning its intent without engaging with the facts is unfair. (adsbygoogle = window.adsbygoogle || []).push({}) The Kerala Chief Minister, however, has maintained his stance, accusing the makers of spreading false narratives that could harm the state's secular fabric. Despite the political pushback, the director has stood firm, reiterating that The Kerala Story 2 aims to spark discussion rather than division. With strong reactions pouring in from political circles and social media alike, the film has once again found itself at the centre of a heated national debate — one that mirrors the controversy faced by the first installment. Whether the discourse will shift public perception or further polarise opinions remains to be seen. Stay tuned...

BY CHRISTA LINCY

The Tamil adult comedy genre, which remained largely dormant for nearly eight years since the release of Iruttu Arayil Murattu Kuthu, finds a fresh spark in the recently released Sweety Naughty Crazy. Directed by debutant Rajasekhar and produced by Arun, the film is defying conventional marketing wisdom by securing a foothold at the box office through organic word-of-mouth rather than high-budget influencer campaigns. Despite receiving mixed reviews from critics, the film has struck a chord with its target demographic, particularly young men and college-goers looking for unapologetic, let-loose entertainment. The theatrical experience for Sweety Naughty Crazy is reportedly mirroring the high-energy atmosphere of a college hostel. Observations from cinema halls indicate that even on weekdays, shows are consistently filling 35 to 40 seats with groups of friends engaging in banter and collective laughter. This boys' night trend has become the primary driver for the film's longevity, as audiences gravitate toward the theater to escape daily responsibilities and enjoy a stress-free environment. Interestingly, the appeal has extended beyond the youth, with reports from the press premiere indicating that nearly 90% of the attendees, including older men, responded positively to the film's brand of humor. (adsbygoogle = window.adsbygoogle || []).push({})   Without a massive promotional budget, the film relies on its own social media channels and direct viewer feedback to sustain momentum.Reports indicate a strong response from both younger and older male audiences, citing that nearly 90% of the attendees at the press premiere reacted positively to the humor. As the film continues its theatrical run, the gradual increase in daily bookings suggests a clear demand for the adult entertainer sub-genre within the Tamil market, successfully filling a long-standing gap in the industry. For debutants Rajasekhar and Arun, the overwhelming response serves as a validation of their gamble on a niche genre. While the industry often leans toward safe, family-centric narratives, Sweety Naughty Crazy proves that there is a robust, dedicated audience for bold comedies when they are delivered with the right intent. As the film enters its second week, the steady occupancy rates across various centers signal that the era of the adult comedy in South Indian cinema might be witnessing a significant and profitable revival.

BY SACNILK TEAM

Mumbai, February 19 - Pooja Meri Jaan, starring Mrunal Thakur and Huma Qureshi, continues to remain unreleased despite being completed years ago. The film, produced by Maddock Films, has once again come into the spotlight after director Navjot Gulati publicly expressed his anguish over the prolonged delay and urged the producers to finally release the project. (adsbygoogle = window.adsbygoogle || []).push({}) According to the director, Pooja Meri Jaan was completed as early as August 2022 and has been ready for release since then. However, despite the passage of more than three years, the film has neither seen a theatrical release nor arrived on any OTT platform. The lack of clarity around its distribution has left the director in a state of uncertainty, with no official communication on when, or if, the film will be released. Breaking his silence, Navjot Gulati (via Variety India) made an emotional public appeal to Maddock Films and its head Dinesh Vijan, stating that repeated attempts to get updates have gone unanswered. Gulati expressed deep frustration, claiming he feels helpless after years of waiting and follow-ups. What makes the situation more painful for him is that releasing the film was his late father's last wish, a promise he has been unable to fulfil so far. (adsbygoogle = window.adsbygoogle || []).push({}) The film was originally planned for a direct-to-digital release, with discussions reportedly held for an OTT premiere. However, changes in the streaming landscape and prolonged negotiations over valuation stalled the process. Since then, the project has remained stuck, with no confirmed OTT partner or alternative theatrical plan in place. Gulati also alleged that Maddock Films doesn't care about small films since it is doing well with bigger titles. Not just Pooja Meri Jaan, there are a couple of other small films that remain unreleased, produced by Maddock. As of now, there is no official statement from the studio regarding the current development. Stay tuned...

BY CHRISTA LINCY

The Kollywood box office is witnessing an unprecedented phenomenon as digitally remastered classics continue to outperform several new releases. Leading this charge is Thalapathy Vijay's 2004 blockbuster Ghilli, which has officially become the highest-grossing re-released Tamil film in history. The trend, fueled by high-quality 4K restorations and massive fan-base mobilization, has seen iconic titles from Rajinikanth and Ajith Kumar also securing multi-crore grosses years after their original theatrical runs. These re-releases are no longer limited to single-screen celebrations but are commanding widespread multiplex presence across international territories, including North America, France, and Malaysia. Top 4 Highest Grossing Kollywood Re-releases (Worldwide Gross) RANK MOVIE NAME RE-RELEASE GROSS KEY MILESTONE #1 Ghilli (4K) ₹32.00 Cr Highest ever Indian Re-release Day 1 (₹8 Cr) #2 Padayappa (4K) ₹19.00 Cr Biggest re-release for Superstar Rajinikanth #3 Mankatha (4K) ₹16.00 Cr Highest pre-sales for an Ajith Kumar re-run #4 Sachein (4K) ₹13.00 Cr Record 59,000+ tickets sold on BMS (Chennai) (adsbygoogle = window.adsbygoogle || []).push({})   Celebrating two decades since its original release, the 4K version of Ghilli returned to theaters on April 20, 2024, to a reception that rivaled a new tentpole release. Opening across 1,000 screens globally, the film recorded a massive ₹8 crore gross on its first day. By the end of its run, it amassed approximately ₹32 crore worldwide. The film's success was so significant that it surpassed the domestic re-release earnings of international titles like Avatar and Bollywood classics like Sholay 3D. Superstar Rajinikanth's Padayappa saw a major resurgence in 2025. Released to commemorate his 75th birthday, the digitally remastered drama earned ₹11.5 crore in Tamil Nadu alone within its first week, eventually settling at a worldwide gross of ₹19 crore. In early 2026, Ajith Kumar's Mankatha joined the elite club. Celebrating its 15th anniversary, the Venkat Prabhu directorial grossed ₹16 crore globally. Despite being the third highest-grosser, it made headlines for recording a massive ₹4 crore opening day in India, briefly surpassing the pre-sales velocity of Ghilli in specific urban centers. Proving that the re-release craze isn't limited to action films, Thalapathy Vijay's Sachein made a grand return in April 2025. Distributed across 300+ screens internationally, the film grossed ₹13 crore. Trade reports highlighted a strong performance in France and Malaysia, while BookMyShow recorded over 59,000 ticket sales in Chennai alone, showcasing the enduring appeal of the film's music and comedy tracks.