BY CHRISTA LINCY

Dhurandhar 2: The Revenge has completed its 28th day at the box office, maintaining a steady pace as it concludes its fourth week. On its fourth Wednesday, the film recorded an India net collection of ₹4.05 Cr across 10,192 shows. This brings the total India net collection to a massive ₹1,099.72 Cr, with the total India gross standing at ₹1,316.45 Cr. The Hindi version remains the primary driver of the domestic business, contributing ₹3.90 Cr net on Day 28. In terms of regional milestones, the film has achieved a significant feat in Karnataka. It has officially surpassed the nine-year-old record held by Baahubali 2: The Conclusion to become the highest-grossing non-Kannada film in the state. Reports suggest the film has comfortably crossed the ₹130 Cr gross mark in the region. Furthermore, in the Telugu states, it currently ranks as the fourth highest-grossing non-Telugu film with a net collection nearing ₹97 Cr, trailing only behind KGF Chapter 2, Avatar 2, and Kantara Chapter 1. Dhurandhar 2: The Revenge Day 28 Box Office CollectionsCATEGORYCOLLECTION DETAILSTOTAL (TILL DATE)India Net (Day 28)₹ 4.05 Cr₹ 1,099.72 CrIndia Gross (Day 28)₹ 4.85 Cr₹ 1,316.45 CrOverseas Gross (Day 28)₹ 0.50 Cr₹ 416.75 CrWorldwide Gross₹ 5.35 Cr₹ 1,733.20 Cr (adsbygoogle = window.adsbygoogle || []).push({}) In terms of historical benchmarks, the Hindi version of Dhurandhar 2: The Revenge has secured a significant position among the all-time highest-grossing Hindi films on their 28th day. With a Hindi net collection of ₹3.90 Cr, the film has officially entered the top five list, claiming the third spot. It currently follows its predecessor, Dhurandhar, which holds the record with ₹15.75 Cr, and Pushpa: The Rule - Part 2 at ₹9.50 Cr. This placement highlights the film's exceptional longevity in the Hindi market, as it managed to outperform other major blockbusters like Chhaava and Stree 2 in fourth-week daily earnings. Bollywood Day 28 Highest Collection Movie (Hindi Net)#MOVIE NAMEDAY 28 NET (HINDI)1Dhurandhar₹ 15.75 Cr2Pushpa: The Rule - Part 2₹ 9.50 Cr3Dhurandhar 2: The Revenge₹ 3.90 Cr4Chhaava₹ 3.75 Cr5Stree 2₹ 3.00 Cr While the domestic market remains strong, the international performance has seen a significant slowdown. For the second time during its run, the daily overseas collection fell into the lakhs, recording ₹0.50 Cr on its 28th day. This decline suggests that the film has reached a saturation point in major international circuits, with the majority of the target audience having already watched it over the past month. Additionally, the arrival of competitors like Dacoit and LIK has further fragmented the audience share. Despite this dip, the total overseas gross has reached a massive ₹416.75 Cr. This achievement is considered astonishing given that the film did not have a release in the Gulf region. By surpassing the non-Gulf international collections of previous blockbusters like Jawan and Pathaan, Dhurandhar 2 has officially claimed the number 1 spot in this specific category, pushing its cumulative worldwide total to ₹1,733.20 Cr. As the film enters Day 29, early morning trends on BookMyShow suggest a positive trajectory compared to yesterday. Between 8 am and 9 am, the film sold 1,590 tickets (compared to 1,430 yesterday), and between 9 am and 10 am, it sold 2,500 tickets (compared to 2,340 yesterday). By 10 am today, total ticket sales stood at 4,090, surpassing the 3,770 recorded at the same time yesterday. With approximately 62,000 tickets sold for the day so far, the film is expected to have another strong hold on its final day of the solo window. Today, April 16, marks the last day Dhurandhar 2 will enjoy an undisputed theatrical window. The upcoming horror-comedy Bhooth Bangla is set for premieres starting tonight at 9 pm, with a wide release scheduled for tomorrow. Anticipation for the new release is exceptionally high, particularly overseas, where fans were recently seen at Times Square dressed in spooky attire and holding placards. This impending competition is expected to impact show counts and screens for Dhurandhar 2 both domestically and internationally starting this weekend.

BY CHRISTA LINCY

The 2026 coming-of-age drama Youth has officially wrapped up its theatrical journey, cementing its place as one of the most profitable films of the year. Starring Ken Karunas in a breakout role, the film transitioned to digital screens today, April 16, following a historic run at the ticket windows that far exceeded all initial industry expectations. According to the final tracking data, Youth has amassed a staggering ₹52.01 Cr India Net collection. When accounting for taxes, the India Gross stands at a robust ₹59.65 Cr. The film also found significant resonance with the diaspora, pulling in ₹11.40 Cr from overseas markets. This brings the Total Worldwide Collection to ₹71.05 Cr, a monumental figure for a film of this scale. Youth Final Box Office Collection BreakdownCATEGORYCOLLECTION / DETAILSIndia Net Collection₹ 52.01 CrIndia Gross Collection₹ 59.65 CrOverseas Collection₹ 11.40 CrWorldwide Total₹ 71.05 CrTamil Net Collection₹ 48.13 CrTelugu Net Collection₹ 3.88 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The films primary engine was the Tamil market, where it struck a deep chord with both teenagers and family audiences. The Tamil Net collection reached ₹48.13 Cr. Interestingly, the film also managed to find a strong foothold in the neighboring state, with the Telugu version contributing ₹3.88 Cr to the net total. With an India Share of 83.95 percent and an Overseas Share of 16.05 percent, the film showed incredibly balanced legs throughout its run. From a financial perspective, Youth has emerged as a major success, delivering a high return on investment against its reported budget of approximately ₹6 crores. With an India net collection of ₹52.01 crores, the film has recovered nearly nine times its production cost, resulting in a Blockbuster verdict. Additionally, with a worldwide gross of ₹71.05 crores, the Ken Karunas starrer currently ranks as the third-highest-grossing Tamil film of 2026 on the global stage. The story follows the journey of Praveen, played by Ken Karunas, a carefree 10th-grade student caught in the whirlwind of adolescence. While his primary mission is the quest for true love, navigating humorous interactions with three girls named Preshika, Sonal, and Kanaga, the emotional core of the film lies in his home. The plot explores the friction between Praveen and his father, Unnikrishnan, played by Suraj Venjaramoodu, contrasted by the unwavering support of his mother, Saroja, played by Devadarshini. Following its blockbuster theatrical performance, the digital rights for Youth were acquired by Netflix for a substantial premium amount. Starting today, April 16, 2026, the movie is available for streaming in five languages including Tamil, Telugu, Hindi, Kannada, and Malayalam. For the television audience, the satellite rights have been locked by Star Vijay, ensuring the film reaches every household after its successful theatrical innings.

BY SUNIT JANGIR

Mumbai, April 16 - The much-anticipated sequel to the Oscar-winning Japanese film Godzilla Minus One has received a major update. Godzilla Minus Zero has now been confirmed for a worldwide IMAX release, giving fans around the globe the chance to witness the legendary monster on the biggest screens possible. (adsbygoogle = window.adsbygoogle || []).push({}) The announcement was revealed last month through comments from IMAX CEO Rich Gelfond, who confirmed that the upcoming Toho film will be screened globally in the premium format when it hits theatres later this year. The move signals a much wider theatrical rollout compared to the previous film, which became a phenomenon at the box office, and highlights the growing international demand for the franchise. (adsbygoogle = window.adsbygoogle || []).push({}) The announcement has sparked particular excitement among Indian fans, many of whom were disappointed when Godzilla Minus One did not receive a theatrical release in India despite its massive global acclaim. The film eventually became available to Indian audiences via streaming platforms after its theatrical run elsewhere. (adsbygoogle = window.adsbygoogle || []).push({}) Directed once again by Takashi Yamazaki, the film is scheduled to release in Japan on November 3, 2026, followed by North America on November 6, 2026, marking a rare near-simultaneous global rollout for a Japanese Godzilla movie. It will clash with the highly-awaited Indian epic, Ramayana: Part 1, which will also be released in IMAX. With Godzilla Minus Zero now confirmed for a worldwide IMAX launch, the chances of a broader international distribution, including India, appear much stronger this time. The premium format is expected to enhance the scale and destruction of the iconic kaiju, delivering a far more immersive cinematic experience. Stay tuned...

BY SACNILK TEAM

Mumbai, April 16 - Bollywood superstar Akshay Kumar-fronted much-awaited horror-comedy Bhooth Bangla is all set to begin its theatrical rollout through paid previews from 9 PM on April 16. Ahead of the release, the film had a screening for the critics and media people, and the initial reaction seems to be very positive. Directed by Priyadarshan, Bhooth Bangla marks the director's reunion with Akshay Kumar after many years, and the combo seems to have struck a chord again with the critics as far as reactions are concerned. The full-fledged release of the movie is scheduled for April 17. (adsbygoogle = window.adsbygoogle || []).push({}) Produced by Balaji Motion Pictures and Cape of Good Films, Bhooth Bangla also stars Wamiqa Gabbi alongside Tabu, Paresh Rawal, Rajpal Yadav, Asrani, and Mithila Palkar, among others, in key roles. Here is what critics are saying about the horror-comedy. #OneWordReview...#BhoothBangla: ENTERTAINER.Rating: ⭐️⭐⭐️½An entertainer that works for most parts... The #AkshayKumar - #Priyadarshan combo doesn't disappoint – the chills and chuckles are in equal measure. #BhoothBanglaReviewThe initial sequences may give an impression… pic.twitter.com/oCGAGEaP3P— taran adarsh (@taran_adarsh) April 16, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) #BhoothBangla : ⭐️⭐️⭐️⭐️ It unfolds as a layered supernatural tale rooted in the eerie legend of Vadhusur and a village long possessed by his dark presence, including the haunted bungalow itself. Beneath the horror lies an intriguing backstory that slowly reveals itself, adding… pic.twitter.com/LcqcfRGM62— Ramesh Bala (@rameshlaus) April 15, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) Just finished watching #BhoothBangla...huge fun,couldnt stop chuckling at #AkshayKumar's antics.This is Priyadarshan doing the hera pheri only he knows how to do best— Subhashk Jha (@SubhashK_Jha) April 15, 2026 Watched #BhoothBangla last night, and must admit - Priyadarshan has put his soul to this one: it not only captured comedy & confusion but also the ghostly world well, be it black magic or demons leading the pack, a good research makes the work easy! @akshaykumar has experiment… pic.twitter.com/GurIVRitvo— Samina Shaikh 🇮🇳 (@saminaUFshaikh) April 15, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) Akshay Kumar is back in the genre he is superb at! He and Ekta Kapoor's Bhooth Bangla bring back the fever of horror comedy in real sense! Priyadarshan has used all the actors really very well and the situational comedy in the film is over the top, non-stop entertainment from… pic.twitter.com/n7l9JU5E7j— Upala KBR ❤ (@upalakbr999) April 15, 2026 Akshay Kumar and Priyadarshan recreate their legendary magic in Bhooth Bangla, delivering a perfect blend of nostalgic comedy and spine-chilling thrills that keeps you hooked until the very end!Rating : 4 starsFull Review coming soon @TV9Bharatvarsh #BhoothBangla… pic.twitter.com/ScWOn65zgi— Sonali Naik (@oneanonlysonali) April 15, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) #BhootBangla Review‘A Laughter Riot by the Akshay, Paresh, Rajpal Trio...’RJ #DivyaSolgama (4/5) | Full Review Coming Soon...@priyadarshandir @akshaykumar@SirPareshRawal @EktaaRKapoor@rajpalofficial @WamiqaG@Jisshusengupta @actormanojjoshi@mipalkar @ZeeMusicCompany… pic.twitter.com/F2dqEvtolk— RJ🇬️9⃣ Divya (दिव्य) Solgama (@DIVYASOLGAMA) April 15, 2026

BY SACNILK TEAM

Here is the Tamil movie TN 2026 box office collection which is a political satire film. This film is directed by Umapathi Ramaiah and produced by Kannan Ravi Group. ## TN 2026 stars Natty Subramaniam, Thambi Ramaiah, Shrita Rao, Yashika Anand, M. S. Bhaskar, Ilavarasu, Redin Kingsley, and Sandy Master in key roles. ## TN 2026 Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## TN 2026 Budget: ₹ - Cr * Approx ## TN 2026 Verdict: Coming Soon ## TN 2026 Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 10th April 2026 ## For more and the latest news about Kollywood Box Office Collection, Stay tuned to us.

BY SUNIT JANGIR

Mumbai, April 15 - The hit team behind blockbuster Saiyaara is officially reuniting, with Ahaan Panday, Aneet Padda, and director Mohit Suri coming together once again for a new romantic venture, with Akshaye Widhani of Yash Raj Films once again backing this exciting project. After the massive success of Saiyaara, the trio is set to headline another intense romantic film backed by Yash Raj Films. The project, which is currently untitled, is expected to bring back the emotional storytelling and soulful music that made their previous collaboration a blockbuster. (adsbygoogle = window.adsbygoogle || []).push({}) The film will once again feature Ahaan Panday and Aneet Padda as the lead pair, whose on-screen chemistry was widely appreciated by audiences, especially among younger viewers. Their pairing became one of the biggest highlights of Saiyaara, contributing significantly to its 570 crores worldwide success. According to reports, the film is slated to go on floors later this year, with a worldwide theatrical release planned for 2027. The makers are aiming to recreate the magic of their previous collaboration while exploring a fresh and emotionally engaging narrative. (adsbygoogle = window.adsbygoogle || []).push({}) 'SAIYAARA' TEAM REUNITES – THE OFFICIAL ANNOUNCEMENT IS HERE... The #Saiyaara team is back... Director #MohitSuri, producer #AkshayeWidhani, and lead stars #AhaanPanday and #AneetPadda join forces once again for a brand-new project – an intense romantic drama, enriched with… pic.twitter.com/AIXv69Osjr— taran adarsh (@taran_adarsh) April 15, 2026

BY CHRISTA LINCY

Dhurandhar 2 has redefined Bollywood's ticket sales benchmarks on BookMyShow, emerging as the biggest Hindi film ever on the platform and setting a new high for audience turnout in the digital booking era. With a massive 17.32 million tickets sold, the film has secured the second position in the all-time Indian rankings while establishing a significant gap over previous Bollywood leaders, underlining a clear shift towards franchise-driven box office dominance. The film is produced by Jyoti Deshpande, Aditya Dhar and Lokesh Dhar under the banners of Jio Studio and B62 Studios The magnitude of this achievement becomes even clearer in the broader all-time context of Indian cinema, where Dhurandhar 2 now stands just behind Pushpa 2 The Rule and ahead of major pan-India blockbusters like KGF Chapter 2 and Baahubali 2. At the same time, the original Dhurandhar continues to hold a place within the top five, making the franchise one of the most consistent performers on the platform and reinforcing its sustained pull among audiences. All-Time Top 5 Movies on BookMyShow Ticket Sales RANKMOVIE NAMETICKETS SOLD 1Pushpa 2 The Rule20.41 Million 2Dhurandhar 217.32 Million 3KGF Chapter 217.10 Million 4Baahubali 216.00 Million 5Dhurandhar14.20 Million This places the Dhurandhar franchise in a unique position in Indian cinema, as it is currently the only franchise to have both its films featured in the all-time top five ticket sales on BookMyShow. With Dhurandhar recording 14.20 million tickets and Dhurandhar 2 climbing to 17.32 million, the franchise has demonstrated rare consistency and sustained audience pull across multiple releases, something that very few films or franchises have managed to achieve. (adsbygoogle = window.adsbygoogle || []).push({}) In a historic milestone for Bollywood, Ranveer Singh now stands as the only actor in the present rankings to have two films in the all-time top five on BookMyShow. While Shah Rukh Khan had previously achieved this during the peak run of Jawan and Pathaan, the rankings have since evolved with the arrival of multiple large-scale releases. Before this shift in rankings, the BookMyShow landscape was dominated by Shah Rukh Khan's Jawan and Pathaan, both of which featured in the all-time top five during their peak theatrical runs. Notably, this phase coincided with the period when BookMyShow began providing detailed hourly ticket tracking, making these milestones more transparent and measurable. Jawan recorded 12.40 million ticket sales, while Pathaan sold 10.90 million tickets, establishing a strong benchmark for Bollywood films on the platform at the time and marking a historic phase where Shah Rukh Khan became the first actor to deliver back-to-back 1000 crore worldwide grossers.With Dhurandhar 2 at number two and Dhurandhar at number five, Ranveer Singh currently holds a rare double presence in the top tier, underlining his strong theatrical pull in the franchise space. Jawan, in particular, showcased exceptional booking momentum, peaking at 86 thousand tickets sold in a single hour and registering over 1.14 million tickets on its opening day, one of the highest for any Hindi film. Both Jawan and Pathaan crossed the 1 million mark on their respective opening days, reflecting the peak of star-driven box office performance during that period.However, Dhurandhar 2 has taken this momentum to an entirely different level with its sustained run across weeks. The film recorded 2.41 million ticket sales in pre-sales alone, followed by a massive 8.92 million during its extended first week. Even as the weeks progressed, the film continued to deliver strong numbers with 3.62 million in the second week and 1.58 million in the third week, indicating consistent audience interest beyond the initial hype. The fourth week performance further highlights its staying power, with steady daily ticket sales continuing to add to its total. Despite the natural slowdown in collections, the film maintained a solid run, ultimately pushing its cumulative BookMyShow ticket sales to 17.32 million, making it the first Bollywood film to enter the 15 million club and setting a new benchmark for Hindi cinema.The original Dhurandhar also played a key role in establishing this franchise dominance, as it remained one of the longest-trending films on the platform, staying in the charts for 59 consecutive days. This consistency helped build a strong foundation for the sequel, which capitalized on the existing audience base and expanded it significantly.

BY CHRISTA LINCY

The box office journey of Dhurandhar 2: The Revenge has reached its twenty-eighth day, providing a stark look at the contrast between holiday momentum and mid-week working day realities. After a phenomenal performance on Tuesday, which was bolstered by the national holiday of Ambedkar Jayanti, the film is now navigating the typical post-holiday Wednesday blues. While the film remains a dominant force in its fourth week, the latest ticket sales data suggests a significant cooling off as audiences return to their regular schedules. Analyzing the critical windows of ticket sales on BookMyShow over the last three days reveals the shifting momentum of the film as it navigates its fourth week: • 4th Monday (April 13): The film registered a robust full-day total of 103.97K tickets on BMS. During the 8 PM to 9 PM window, it recorded 6,670 ticket sales, with the cumulative total from 8 AM reaching 67,400 tickets by that hour. • 4th Tuesday (April 14 - Holiday): Driven by the Ambedkar Jayanti holiday, the film hit a weekly peak of 107.92K tickets for the day. Even in the late night 10 PM to 11 PM window, it sold 2,700 tickets, with the cumulative sales from 8 AM to 11 PM totaling a massive 84,550 tickets. • 4th Wednesday (April 15 - Today): As of the 3 PM to 4 PM afternoon slot, the film recorded 3,450 ticket sales. The current total from 8 AM to 4 PM stands at 27,710 tickets, reflecting a standard mid-week stabilization after the holiday surge. In terms of live collections, the film is currently running across 6,145 shows nationwide. As of the latest reports for Day 28 (up to 4 PM), Dhurandhar 2: The Revenge has collected a live net of ₹1.72 Cr. This brings the total India net collection to approximately ₹1,097.39 Cr, while the total India gross has climbed to ₹1,313.71 Cr. Despite the mid-week drop, these cumulative figures remain in the stratosphere of Indian cinema as the film is now just ₹2.61 Cr away from the monumental ₹1,100 Cr net milestone. Given the current velocity, the film is poised to officially breach this historic finish line either in the late-night shows tonight or within the first few hours of tomorrow morning. (adsbygoogle = window.adsbygoogle || []).push({}) The impending milestone carries immense historical weight, as it marks the first time a Bollywood production has ever breached the ₹1,100 Cr net threshold in the Indian market. This staggering total is anchored by an extraordinary performance in the primary Hindi market, which alone has contributed a massive ₹1,031.01 Cr toward the total. Such an overwhelming contribution from a single language market underscores the incredible power and scale of the Hindi-speaking audience. By crossing this mark within the next few hours, the film will officially stand alone as the first-ever Bollywood production to reach this echelon of success, proving that the domestic potential for Hindi cinema has reached an unprecedented new gold standard. Looking ahead to the conclusion of Day 28, the film is projected to end the day with a net collection in the range of ₹2.50 Cr to ₹2.80 Cr. While this is a sharp decline from the holiday-boosted Tuesday, it is a standard stabilization for a film in its fourth week. The franchise's unprecedented reach has ensured that even on a slow Wednesday, the film is outperforming the lifetime daily collections of most major releases at this stage of their theatrical run. All eyes now remain on the upcoming weekend to see if the film can find one last major surge before the end of its month-long historic run.

BY SUNIT JANGIR

Mumbai, April 15 - Kartik Aaryan's much-awaited fantasy entertainer Naagzilla has officially been postponed from its August 2026 release. The makers have locked a new release date, with the film now set to arrive during the Valentine's Day 2027 week. Directed by Mrighdeep Singh Lamba, the film will be released on February 12, 2027. It is produced by Dharma Productions and Mahaveer Jain Films. Backed by Karan Johar, Apoorva Mehta, and Mahaveer Jain, Naagzilla is being mounted on a grand scale. (adsbygoogle = window.adsbygoogle || []).push({}) The shift from an Independence Day 2026 window to February 2027 suggests a strategic move by the makers, possibly to allow more time for post-production or to position the film better at the box office. The film explores a unique fantasy-comedy concept revolving around a shape-shifting serpent With a fresh release timeline and a visually intriguing concept, Naagzilla continues to build curiosity among fans. All eyes are now on the makers for further announcements, including teasers, cast details, and more insights into this ambitious fantasy venture. Stay tuned...

BY SUNIT JANGIR

Mumbai, April 15 - Director Aditya Dhar's spy action thriller Dhurandhar 2: The Revenge continues to win over audiences and filmmakers alike, with acclaimed filmmaker Sooraj Barjatya now joining the growing list of people who have showered high praise for the mega blockbuster. Headlined by Ranveer Singh, Dhurandhar 2 released on March 19, and since then, it has not only scored critical acclaim, but also emerged as one of the highest-grossing Indian films worldwide with over a staggering 1700+ crores. The first film, released in December last year, is also among the biggest grossers with 1300+ crores. (adsbygoogle = window.adsbygoogle || []).push({}) Sooraj Barjatya Compares Dhurandhar With Legendary Sholay Speaking about the film to SCREEN, Barjatya described Aditya Dhar's directorial venture as a "perfect film after Sholay," a statement that instantly grabbed attention across the industry. Given the iconic status of Sholay, often hailed as a benchmark in Indian filmmaking, such recognition places Dhurandhar 2 in an exceptionally prestigious league. Barjatya went on to commend the film's narrative strength and character depth, noting that every role leaves a lasting impression. "As a filmmaker, whatever's good is good. I think Dhurandhar is a perfect picture after Sholay. Every character is so well done. Hats off to Aditya (Dhar)", said the filmmaker, whose filmography includes some of the cult romantic family drama films, like Hum Aapke Hain Koun..!, Hum Saath-Saath Hain, Vivah, and Maine Pyar Kiya, among others. (adsbygoogle = window.adsbygoogle || []).push({}) Why The Comparison Matters Sholay has had a lasting impact, not just on the audience but also on the Indian filmmakers, which has shaped the style of filmmaking over the years and continues to inspire filmmakers to make films of that scale. The comparison to Sholay is not just symbolic; it reflects the cultural and cinematic impact Dhurandhar 2 is beginning to achieve. With strong word-of-mouth and continued industry backing, the film appears set to leave a lasting legacy, much like the classics it is now being compared to.

BY CHRISTA LINCY

The much-anticipated mythological epic Ramayana has made a powerful impact at CinemaCon, signaling a major shift in how Indian films are being positioned on the global stage. A widely circulated invite by exhibition industry veteran John Fithian called attendees to experience the world of Ramayana at the Milano III Ballroom, where exclusive footage and presentations were showcased. The tone of the message was clear and confident, suggesting that the film is not just another large-scale Indian production but a serious attempt at creating a truly global blockbuster that can stand alongside the biggest Hollywood franchises. This presence at CinemaCon was not symbolic but strategic, as the makers organized private screenings, industry interactions, and large-scale presentations aimed at key distributors and exhibitors from across North America, Europe, Latin America, and Australia. Such a focused international outreach is rarely seen for an Indian film at this level and highlights the intent to secure a wide and impactful global release. The film's positioning among major Hollywood titles at the event further reinforced its ambition to compete on a worldwide scale rather than being confined to regional success. Producer Namit Malhotra played a central role in communicating this vision, emphasizing that global audiences are now actively seeking fresh stories and new cultural perspectives. He described Ramayana as a project that blends universal emotions with cutting-edge technology, aiming to deliver an experience that resonates across borders. His statements reflected a strong belief that Indian storytelling, when presented with the right scale and technical finesse, has the potential to achieve global dominance and redefine industry benchmarks. Adding to the excitement, actor Yash, who portrays Ravana in the film, also contributed to the growing buzz with insights into the narrative structure and character treatment. It was revealed that the first part of the film may explore parallel arcs, with limited direct interaction between key characters early on, suggesting a layered storytelling approach that builds towards a larger conflict. Early glimpses and visual material showcased at the event reportedly impressed attendees, particularly in terms of costume design, world-building, and visual effects quality. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Nitesh Tiwari, Ramayana is being developed as a two-part cinematic epic with a scale that is unprecedented in Indian cinema. The film features Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, and Yash as Ravana, forming a powerful ensemble cast that combines star power with strong acting credibility. The project is backed by major production houses and international collaborators, ensuring that both creative and technical aspects meet global standards. One of the most talked-about aspects of the film is its massive budget, which is reported to be among the highest ever for an Indian production. This financial scale is being utilized to create world-class visual effects, detailed set designs, and immersive storytelling techniques that aim to rival top-tier global films. The makers are also investing heavily in advanced technology, including high-end VFX pipelines and innovative cinematic tools, to ensure that the film delivers a visually spectacular experience. The musical dimension of Ramayana further elevates its global appeal, with legendary composer AR Rahman collaborating with internationally acclaimed composer Hans Zimmer. This rare partnership is expected to produce a powerful and emotionally resonant soundtrack that complements the film's grand narrative while also appealing to international audiences. The release strategy is equally ambitious, with the first part scheduled for a Diwali 2026 release followed by the second instalment in 2027. The makers are planning a wide multi-language release along with advanced dubbing and localization techniques to ensure accessibility across global markets. This approach reflects a clear intention to position Ramayana not just as an Indian film but as a worldwide cinematic event.

BY SUNIT JANGIR

Mumbai, April 15 - In a significant boost for Indian animation on the global stage, Baahubali: The Eternal War – Part 1 has been selected for the "Work in Progress" showcase at the prestigious Annecy International Animation Film Festival 2026. Widely regarded as the world's most important animation festival, Annecy serves as a global launchpad for some of the most celebrated animated films. The film's inclusion in the Work in Progress lineup places it among a curated selection of international projects currently in production, offering a rare behind-the-scenes look at evolving animated features. The 2026 edition will feature 16 standout projects from across the globe, reflecting diverse storytelling styles and cutting-edge animation techniques. (adsbygoogle = window.adsbygoogle || []).push({}) This milestone marks a major moment not just for the Baahubali franchise, but for Indian mainstream cinema, which is increasingly gaining recognition in the global animation space. The project, backed by Arka Media Works and spearheaded by franchise creator S. S. Rajamouli, has been in development for several years and represents an ambitious expansion of the beloved universe. Directed by Ishan Shukla, the film is a large-scale international collaboration involving studios from India, the UK, and France. With a reported budget of around 120 crore and a planned 2027 release, the animated epic aims to push the boundaries of Indian storytelling with a global visual language. Set after the events of Baahubali: The Beginning, the story explores Amarendra Baahubali's journey through mythical realms and cosmic battles, expanding the saga into a grand, mythological fantasy. (adsbygoogle = window.adsbygoogle || []).push({}) We are happy to announce that the next chapter of the #Baahubali legacy, #BaahubaliTheEternalWar, has been officially selected for the Work in Progress lineup at the prestigious Annecy International Animation Film Festival 2026!Annecy, see you soon! Jai Maahishmathi! ✊… pic.twitter.com/hcPnAw9giT— Baahubali (@BaahubaliMovie) April 14, 2026 The teaser has already generated strong buzz for its visually striking style, often compared to globally acclaimed animated productions. Being showcased at Annecy not only elevates the film's international profile but also signals a growing acceptance of Indian IPs in the global animation ecosystem. If early momentum is any indication, Baahubali: The Eternal War could become a landmark project for Indian animation worldwide.