BY SUNIT JANGIR

Mumbai, April 10 - Sunny Deol has been on a roll since the blockbuster hit Gadar 2 in 2023. After back-to-back successes, the actor is set to roar back with an action thriller film with Kill director Nikhil Nagesh Bhatt. The duo has been in talks for quite some time now, and have locked their maiden collaboration together. Sunny Deol and Nikhil Bhatt's Film Titled Lakhan While the official announcement of the project is yet to be made, according to the report by Pinkvilla, the film has been titled Lakhan. The film is reportedly being designed as a larger-than-life action entertainer packed with adrenaline-pumping sequences, powerful dialogues, and crowd-pleasing whistle-worthy moments that will showcase Sunny Deol in full action avatar. (adsbygoogle = window.adsbygoogle || []).push({}) Lakhan Shoot Begins In October 2026 The pre-production work of Lakhan has already begun, and the makers aim to take the film on floors by October this year. The film has generated massive buzz among the fans and the trade alike, especially after Bhatt's gritty action vision in Kill, which won critical acclaim and also emerged as a success at the box office with around 50 crores gross worldwide. (adsbygoogle = window.adsbygoogle || []).push({}) Meanwhile, Sunny Deol will next be seen in an emotional action drama, Gabru, which is scheduled to release in the next couple of months. Later this year, the actor will appear in director Nitesh Tiwari's epic, Ramayana, in which he plays the role of Lord Hanuman, alongside Ranbir Kapoor as Ram, Ravi Dubey as Lakshman, Sai Pallavi as Sita, and Yash as Raavan. The first part of the film is scheduled to hit the big screens on Diwali this year.

BY SUNIT JANGIR

Mumbai, April 10 - Ryan Gosling-fronted Project Hail Mary is steadily emerging as one of the biggest global box office success stories of the year. The sci-fi drama has not only struck a chord with audiences worldwide but is also performing impressively in India, where it has now crossed the 50 crore gross mark. The film's Indian run is particularly noteworthy given that it is neither a sequel nor part of a major franchise. In a market typically dominated by superhero spectacles and established intellectual properties, Project Hail Mary has managed to carve its own space through strong word-of-mouth and growing audience interest. (adsbygoogle = window.adsbygoogle || []).push({}) The sci-fi space film has grossed around fifty-four crore at the end of the second week (15 days) at the Indian box office, making it the first Hollywood film of 2026 to do so. The original English language has contributed around fifty crores, while the remaining contributions came from Hindi, Telugu and Tamil versions. Globally, the film continues to show remarkable momentum. With a current worldwide total hovering in the $440 million range, it is set to breach $450 million soon. The film has held steady across key markets, with North America providing a solid base and international territories adding significantly to its overall haul. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Phil Lord and Christopher Miller, and adapted from Andy Weir's acclaimed novel, Project Hail Mary stands out as a rare original sci-fi film to achieve such scale at the box office. At a time when franchise-driven content dominates the theatrical business, the film's success underlines the enduring appeal of fresh, high-concept storytelling when backed by strong execution and star power.

BY SACNILK TEAM

In a shocking blow to the Indian film industry, the highly anticipated Tamil blockbuster Jana Nayagan has reportedly been leaked online in full HD quality, hours before its scheduled theatrical debut. The leak, which surfaced on various piracy platforms and social media groups around 2 AM, has sent shockwaves through the trade and left fans in disbelief. While the audience was gearing up for a grand cinematic experience starring Thalapathy Vijay, the sudden availability of the complete film on the internet has created an unprecedented crisis for the makers and the entire distribution network. Prominent industry veteran and chairman of Sakthi Cinemas, Tiruppur Subramaniam, has expressed grave concern over the incident, noting that exhibitors across Tamil Nadu were pinning their hopes on Jana Nayagan as the biggest savior of the year. In a recent interview, Subramaniam highlighted that high-budget spectacles like these are the primary survival factor for theaters to thrive in an increasingly digital world. He emphasized that the industry is now facing a massive financial setback and urged producers and distributors to stand in solidarity with KVN Productions to help them navigate the potential losses from this digital breach. The financial stakes are staggering, as the film was produced with an investment of several hundred crores, carrying immense value across theatrical, satellite, and OTT rights. Responding to the crisis, KVN Productions' legal counsel, Vijayan Subramanian, issued a stern public notice warning of immediate criminal and civil consequences for anyone involved in downloading or circulating the pirated content. The notice clarifies that the illegal distribution through platforms like WhatsApp, Telegram, and X constitutes a serious copyright violation, and the legal team is already tracking individuals to ensure strict action is taken against those responsible for the leak. (adsbygoogle = window.adsbygoogle || []).push({}) The industry’s leading voices have also come forward to condemn the act and rally support for the film's theatrical integrity. Megastar Chiranjeevi Konidela shared his deep concern, stating that cinema is built on trust and the collective dreams of many, and that such incidents affect every single person working in the industry. Similarly, actor Sivakarthikeyan made an emotional appeal to fans, reminding them that every film is made with the passion, blood, and sweat of hundreds of people. Both stars emphasized that the only way to respect this hard work is to reject piracy and experience the film exclusively in theaters. Every film is made with the passion, blood and sweat of hundreds of people - please avoid piracy. Kindly wait for the theatrical release and watch it in theatres.Whoever is responsible for this must face strict action.Respect the talents.Respect the hard work.Respect the…— Sivakarthikeyan (@Siva_Kartikeyan) April 10, 2026 The unfortunate leak of #Jananayagan is something that deeply concerns me.Cinema is built on trust, effort, and the collective dreams of many.Such incidents affect all of us in the industry and remind us how crucial it is to protect our creative work.We stand one with KVN…— Chiranjeevi Konidela (@KChiruTweets) April 10, 2026 Piracy is not entertainment. It is an organised theft.Those who indluge in it, are not let less than any criminals and should be treated as one as in any other crime. The leak of #Jananayagan is a brutal betrayal of every artist, technician, and worker who have poured their…— KhushbuSundar (@khushsundar) April 10, 2026 Deeply disheartened by the recent piracy issue surrounding namma #Thalapathy’s #Jananayagan. Please refrain from sharing or encouraging such content. If you support piracy, you’re not a fan, you’re part of the problem. Let’s wait, watch, and celebrate the man the way it’s meant…— Jiiva (@JiivaOfficial) April 10, 2026 The leak of Jana Nayagan underscores the ongoing, brutal battle between high-value content creation and the persistent threat of digital piracy. As the Tamil cinema industry grapples with this sudden loss, the incident serves as a grim reminder of the vulnerability of even the biggest projects. The film's team and industry leaders are now making a final, urgent appeal to the public to report pirated links and support the survival of the theatrical ecosystem by watching the film on the big screen as it was intended to be seen.

BY CHRISTA LINCY

Dhurandhar 2 has entered its fourth Friday with a display of high-level theatrical sustainability, trending almost neck-and-neck with its previous day collections. As the film transitions from its twenty-second day to the twenty-third, the real-time tracking indicators suggest a negligible attrition rate, which is a rare phenomenon for a project this deep into its theatrical run. The ability of the film to maintain nearly 98 percent of its Thursday momentum during the morning and afternoon shows today points toward a robust fourth weekend jump, particularly in the urban multiplex circuits where the brand equity remains highest. Analyzing the hourly tracking on BookMyShow, the film is performing with remarkable consistency across its fourth Friday windows. In the early 7-8 AM slot, the film saw a minor dip of approximately 8.4 percent, recording 1,630 tickets against yesterday's 1,780. However, the momentum shifted quickly in the 8-9 AM window, which registered a 2 percent growth with 3,470 tickets today compared to 3,400 yesterday. By noon, the retention remained iron-clad; the 11 AM-12 PM window recorded 7,950 tickets, representing a negligible 1 percent difference from yesterday's 8,030. Most notably, the 1-2 PM window today saw 8,380 tickets sold, effectively outperforming Thursday's numbers by a marginal 0.3 percent. This cumulative total of 41,730 tickets by 2 PM today against 42,460 yesterday confirms a staggering 98.3 percent retention, proving the film is holding its ground with exceptional stability. The film concluded its third week with a massive India Net of ₹ 110.60 Cr, taking its overall domestic total to a staggering ₹ 1,048.42 Cr. A deep dive into the language-wise breakdown reveals that the Hindi version remains the undisputed locomotive of this historic run, contributing ₹ 983.79 Cr to the total. The South Indian markets have also added significant weight, with the Telugu version netting ₹ 41.22 Cr, followed by Tamil at ₹ 18.49 Cr, Kannada at ₹ 3.18 Cr, and Malayalam at ₹ 1.74 Cr. This multi-market contribution has ensured that the film remains a national phenomenon rather than a single-belt success. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of ticket volume, Dhurandhar 2 has now sold a total of 16.52 million tickets on BookMyShow since its release. This puts the film in an elite bracket of historical performers, currently sitting as the second-highest ticket seller on the platform, trailing only Pushpa 2: The Rule (18.62M) and leading major blockbusters like Kantara Chapter 1 (12.89M), Kalki 2898 AD (12.21M), and the original Dhurandhar (11.04M). While the third-week sales of 1.58 million tickets indicate a standard market correction, the film still secured a spot in the top 5 highest third-week ticket sellers in the platform's history. BMS Ticket Sales in 3rd WeekRANKMOVIE NAME3RD WEEK BMS TICKET SALES1Dhurandhar3.00 Million2Pushpa 2: The Rule2.16 Million3Mahavatar Narsimha1.84 Million4Kantara Chapter 11.74 Million5Dhurandhar 2: The Revenge1.58 Million The fourth weekend is now the focal point for assessing the film's eventual lifetime ceiling. The current morning-to-afternoon hold on Day 23 is a significant data point because it shows that despite the film having already been watched by a massive portion of the core demographic, it continues to find new footfalls. Historically, films that trend flat on a fourth Friday afternoon see a 40 to 60 percent jump in the evening and night shows. If this pattern holds, the fourth Friday could potentially end with higher collections than the fourth Thursday, setting the stage for yet another lucrative weekend at the global box office.

BY SACNILK TEAM

Rabb Da Radio 3 has successfully sustained the legacy of its predecessor films by delivering a strong opening week performance at the global box office. The Harry Bhatti directorial, which sees the filmmaker return to the franchise after the original 2017 hit, has benefited significantly from a loyal fan base and the consistent writing of Jass Grewal. By netting ₹ 5.92 Cr in India during its first seven days, the film has officially secured a spot among the top 10 highest-grossing Punjabi week 1 collections of all time, further cementing the series as one of the most bankable properties in regional cinema. The domestic trend throughout the week indicates a healthy appetite for rural-centric drama. The film opened with a solid ₹ 1.00 Cr Net and witnessed a 50 percent jump by Sunday, peaking at ₹ 1.50 Cr. While the typical Monday drop was observed, the film showed remarkable resilience on Tuesday with a spike in occupancy, netting ₹ 0.70 Cr. This mid-week hold is a crucial indicator of positive word-of-mouth, especially as the writing by Jass Grewal continues to resonate with the core audience that made Rabb Da Radio 1 and Rabb Da Radio 2 superhits in 2017 and 2019 respectively. Rabb Da Radio 3 Day-Wise India CollectionsDAYNET COLLECTIONGROSS COLLECTIONDay 1 (Friday)₹ 1.00 Cr₹ 1.19 CrDay 2 (Saturday)₹ 1.10 Cr₹ 1.31 CrDay 3 (Sunday)₹ 1.50 Cr₹ 1.79 CrDay 4 (Monday)₹ 0.55 Cr₹ 0.65 CrDay 5 (Tuesday)₹ 0.70 Cr₹ 0.81 CrDay 6 (Wednesday)₹ 0.67 Cr₹ 0.79 CrDay 7 (Thursday)₹ 0.40 Cr₹ 0.47 CrTotal Week 1₹ 5.92 Cr₹ 7.01 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The narrative depth of the film has played a crucial role in its steady occupancy levels. Rabb Da Radio 3 follows the Sandhu clan in the village of Ratan Singh Wala, where long-standing communal harmony is disrupted by a highway project that causes land prices to skyrocket. The resulting conflict, fueled by greed and legal disputes, serves as a grounded backdrop for the protagonist, Inderjit Singh Sandhu, played by Tarsem Jassar. The film explores the erosion of family values and the eventual realization that wealth is secondary to brotherhood, a theme that has resonated deeply with rural and urban audiences alike. From a global perspective, the overseas market has once again proved to be the backbone of Punjabi cinema. While the India Gross reached ₹ 7.01 Cr, the international circuits contributed a staggering ₹ 14.50 Cr, taking the worldwide total to ₹ 21.50 Cr within the first week. This massive contribution from the diaspora underscores the film's status as a top-tier regional release. With no major competition in the immediate future, the trade expects Rabb Da Radio 3 to maintain its momentum, further strengthening Tarsem Jassar's standing and the franchise's 100 percent success record in the theatrical market.

BY SUNIT JANGIR

Kochi, April 10 - The Malayalam cinema is having a box office storm in the form of Vaazha 2: Biopic of a Billion Bros, which is breaking records at the home turf. The coming-of-age comedy drama has taken the trade by storm by entering the 100 crores club within the first week. Headlined by Hashir, Vaazha 2 outgrossed its predecessor's lifetime worldwide total of 38 crores gross in the first three days, and went past the 100 crores mark globally in seven days. However, instead of showing a drop, the film witnessed growth during the weekdays, which is quite unreal for a non-star film. (adsbygoogle = window.adsbygoogle || []).push({}) Biggest Second Thursday In Malayalam Language After the second biggest first Wednesday, the mega blockbuster sequel showed a remarkable growth to score the biggest second Thursday in the original Malayalam language. It jumped by around 85% from the first Thursday, and around 12% from Wednesday to score gross over 9 crores. While a well-received film tends to see a strong hold, such a jump mid-week without any holiday advantage is very rare, and this suggests that Vaazha is on something very special box office run. In its extended 8-week day, the film has grossed around 64 crores domestically and 116 crores worldwide. (adsbygoogle = window.adsbygoogle || []).push({}) Heading Towards 100 Crore Gross In Kerala The film is bringing real carnage in the home state, Kerala, where it is challenging all-time biggest blockbusters. On the second Thursday, it grossed a stunning 8.50 crores, pushing the total extended first week gross to 57+ crores in the state. It is already among the biggest grossers in Kerala. The movie is now certain to enter the 100 crore gross club in Kerala, and it will be very close to this milestone at the end of the second weekend. So far, only two films have managed to hit the mark - Lokah Chapter 1 and Thudarum, and Vaazha is set to become the third film to achieve this rare feat.

BY SUNIT JANGIR

Mumbai, April 10 - The buzz around Maddock Film's highly-anticipated Mahavatar is getting stronger with each passing day, and the latest update suggests a fresh on-screen pairing may be on the cards. According to reports, Shraddha Kapoor is in talks to play the female lead opposite Vicky Kaushal in the ambitious film. Shraddha Kapoor Emerges As Top Choice As per the Mid-Day report, the makers have approached Shraddha Kapoor for the leading role, and she is being considered the primary choice at this stage. If things work out, Kaushik will take the project, easily one of the most ambitious rolled by the banner, on floors after June this year. (adsbygoogle = window.adsbygoogle || []).push({}) It is said that Shraddha fits the brief perfectly. The makers were keen on someone who brings star value and presence. Plus, the Vicky Kaushal - Shraddha Kapoor pairing will be fresh, and the makers are confident this combination will resonate with the audience. If Shraddha signs on the dotted line, Mahavatar will mark her first collaboration with Vicky Kaushal, making it a fresh pairing for audiences. Given both actors' strong box office pull and fan following, the combination could add significant value to the film's appeal. About Mahavatar (adsbygoogle = window.adsbygoogle || []).push({}) Mahavatar is envisioned as a grand-scale mythological drama, with Vicky Kaushal reportedly set to portray Lord Parashurama, one of the most powerful avatars in Hindu mythology. The film is expected to blend high-end visuals with a rooted narrative, aligning with the current trend of large-scale spectacles in Indian cinema. According to the Mid-Day report, the makers are aiming to take the film on floors after June 2026, provided the casting is finalised in time. Pre-production work is already underway, with significant attention being given to world-building and visual design. (adsbygoogle = window.adsbygoogle || []).push({}) What Is Next For Shraddha Kapoor? Shraddha Kapoor is currently doing Maddock Films' Eetha, which is a biographical drama based on the life of legendary Tamasha artist Vithabai Narayangaonkar. The film is being directed by Laxman Utekar, whose last directorial was the mega blockbuster Chhaava. The movie is currently in production and is expected to be released later this year.

BY SACNILK TEAM

Dacoit arrives in cinemas today as a Telugu-Hindi bilingual, serving as a significant market test for the theatrical sustainability of high-concept action dramas in the post-COVID era. The film follows the back-to-back commercial successes of Major and HIT: The Second Case, two projects that established a strong track record of profitability in an otherwise volatile market. Directed by Shaneil Deo, Dacoit (2026) is a gritty romantic action drama centered on Hari and Saraswati, played by Adivi Sesh and Mrunal Thakur, whose lives are upended by caste-based violence leading to a 13-year prison sentence. The narrative follows their vengeful escape and eventual reunion as they are forced to confront a corrupt medical mafia to save their daughter. Produced by Supriya Yarlagadda under the Annapurna Studios and Sree Venkateswara Cinemas banners, the project moves away from standard investigative procedurals toward a more raw, character-driven aesthetic. The inclusion of Mrunal Thakur as the lead is a strategic casting move intended to boost the film's appeal across both the Telugu and Hindi speaking belts, where both actors have established significant urban equity during the post-pandemic phase. Analyzing the numbers from his previous outings, the growth in Sesh's market equity is evident. Major served as his primary vehicle into the North Indian market, netting a respectable ₹12.96 Cr in Hindi alone, contributing to a Worldwide Gross of ₹60.75 Cr. While HIT: The Second Case did not have a Hindi theatrical release, it sustained the momentum in the Telugu and overseas circuits, finishing with a global gross of ₹41.85 Cr. Both projects earned the Superhit verdict, driven by strong multiplex footfalls and a loyal urban audience that has now come to associate the actor with quality genre cinema. Adivi Sesh Post-COVID Box Office Track RecordMOVIE NAMEINDIA NETHINDI NETWORLDWIDE GROSSMajor (2021)₹ 41.03 Cr₹ 12.96 Cr₹ 60.75 CrHIT: The Second Case (2022)₹ 25.92 CrN/A₹ 41.85 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The early market data for Dacoit suggests a significant jump in opening day potential compared to his previous bests. According to reports from Venky BoxOffice, the final advance sales for the USA premieres in the North American belt have clocked in at $216,438 from 342 locations. With approximately 13,456 tickets sold across 738 shows, the premiere day is trending toward a $325K plus finish. This would comfortably surpass the $270K premiere numbers of Major, indicating a sharp rise in Sesh's overseas pull over the last two years. On the domestic front, the momentum is palpably reflected in the final 24-hour booking cycle on BookMyShow, which has already clocked nearly 30,000 tickets. This robust pre-release traction indicates that the film is successfully tapping into the urban multiplex audience from the outset. The decision to position Dacoit as a direct Hindi-Telugu bilingual is a tactical move to further capitalize on the significant North Indian footprint established during the theatrical run of Major. By doubling down on these two primary markets, the makers are looking to leverage the combined brand equity of Adivi Sesh and Mrunal Thakur to secure a wider national reach. For the trade, the real test lies in the film's ability to convert this strong advance interest into steady weekday sustainability—a factor that will be instrumental in delivering a rare third consecutive Superhit verdict in the post-pandemic era.

BY SUNIT JANGIR

Mumbai, April 10 - Director Aditya Dhar's Dhurandhar 2: The Revenge continues its phenomenal box office run, delivering a massive third week at the domestic box office. The Ranveer Singh starrer has collected over 100 crore net in its third week (Hindi), maintaining its record-breaking momentum. 100+ Crore Net Third Week In Hindi The film raked in approximately 104.50 crore net in its third week in Hindi, surpassing the third-week Hindi collections of Pushpa 2, which stood at 103 crore. However, despite this strong performance, it couldn't match the extraordinary third-week figure of its predecessor, Dhurandhar, which had amassed a staggering 172 crore net. (adsbygoogle = window.adsbygoogle || []).push({}) Unlike the first film, which witnessed exceptional growth driven by strong word of mouth, Dhurandhar 2 has been heavily frontloaded. The sequel opened to massive curiosity and hype, largely fueled by the legacy of the original film and strong audience anticipation. Top 5 Biggest Third Week In Hindi S. No. Movie 3rd Week Net Collection 1 Dhurandhar ₹ 172 Cr 2 Dhurandhar 2 ₹ 104.50 Cr 3 Pushpa 2 ₹ 103.05 Cr 4 Chhaava ₹ 84.05 Cr 5 Stree ₹ 70.20 Cr (adsbygoogle = window.adsbygoogle || []).push({}) With its consistent performance, the film has already crossed the 1000 crore mark across all versions and is now inching closer to achieving a historic milestone - 1000 crore net in Hindi alone. It has already amassed over 980 crore net, and will be opening this exclusive club this weekend. How Far Dhurandhar 2 Can Go In Hindi? Dhurandhar 2 has already sold over 3.50 crores tickets in Hindi and is around the first film's 3.70 crores lifetime admissions. While the trajectory of the sequel is slowing down as compared to the first film, it should still be able to hit 4 crore admissions in the original Hindi version, which keeps it on course to finish around 1100 crores net in the Hindi version alone. (adsbygoogle = window.adsbygoogle || []).push({}) The trade was expecting Dhurandhar 2 to finish its Hindi run at around 1200+ crores net, which might not be possible now, given the trend and new releases next week. Irrespective of where the film ends its theatrical run, it has already etched its name in history and created records which will be hard nut to crack for upcoming films. In the immediate future, Ramayana is coming later this year, which has the potential to beat Dhurandhar 2's numbers, which needs to be seen.

BY CHRISTA LINCY

Dhurandhar 2: The Revenge has continued its monumental run at the box office, completing 22 days of theatrical dominance. The film has already cemented its status as an All-Time Blockbuster, and now, it finds itself in the final sprint for a coveted spot on the all-time podium. After its 22nd day, the cinematic juggernaut has amassed a staggering ₹1,665.23 crore at the worldwide box office, rewriting history with every ticket sold. The immediate target in its crosshairs is Pushpa 2: The Rule, which currently sits at the number three position among the highest-grossing Indian films globally with a lifetime collection of ₹1,742.10 crore. The path for Dhurandhar 2 is clear: it needs to collect another ₹76.87 crore to dethrone the Allu Arjun starrer. This chase for the top three has infused a new level of excitement into its box office run, with every passing day becoming crucial. On its 22nd day, a Thursday, the film added a commendable ₹8.56 crore to its global total. This figure, while marking the lower end of its third-week weekday collections which hovered between ₹9-12 crore, demonstrates a remarkably stable hold at the box office for a film this deep into its run. The upcoming fourth weekend is now poised to provide the crucial oxygen tank for its final ascent on the all-time charts. To eclipse Pushpa 2, it needs to bridge a gap of ₹76.87 crore. Given the precedent of its third weekend, which saw collections surge well past the ₹30 crore mark on Sunday, the fourth weekend is expected to contribute a significant chunk, likely in the range of ₹45-55 crore. This would leave a manageable sum of around ₹20-30 crore to be covered during the subsequent weekdays. Based on this trajectory, the film is projected to surpass Pushpa 2's worldwide gross within the next 6 to 8 days, securing its position as the third-biggest Indian movie of all time by the middle of its fourth week. (adsbygoogle = window.adsbygoogle || []).push({}) The film's performance in its third week is a testament to the sheer power of this franchise. It raked in an incredible ₹110.60 crore in its third week alone, a figure that most films fail to achieve in their lifetime. This places it firmly as the second-highest third-week grosser in Bollywood history, standing right behind its own prequel, Dhurandhar. This phenomenon, where a sequel follows in the record-breaking footsteps of its predecessor, highlights the immense brand value and audience connection the Dhurandhar franchise has built. Indian Cinema's Highest 3rd Week Net Collections (Hindi)#MOVIE3RD WEEK NET (HINDI)1Dhurandhar₹ 172.00 Cr2Dhurandhar 2: The Revenge₹ 104.50 Cr3Pushpa: The Rule - Part 2₹ 103.05 Cr4Chhaava₹ 84.05 Cr5Stree 2₹ 70.20 Cr Furthermore, Dhurandhar 2's narrative of success extends far beyond Indian borders, where it has established itself as an overseas juggernaut. The film has raked in a colossal ₹406.00 crore from international markets, a remarkable feat considering this was achieved without a release in the lucrative Gulf territories. In a significant achievement, it has already raced past the lifetime overseas gross of Shah Rukh Khan's Jawan, which collected ₹400 crore in INR from markets without a China release. This accomplishment is a powerful testament to the film's organic global appeal, proving its ability to connect with audiences worldwide and solidifying its position among the elite Indian films to have conquered the international box office. (adsbygoogle = window.adsbygoogle || []).push({}) Top 10 Highest Grossing Indian Movies WorldwideRANKMOVIE NAMEWORLDWIDE GROSS1Dangal₹ 2,070.30 Cr2Baahubali 2: The Conclusion₹ 1,788.06 Cr3Pushpa 2: The Rule₹ 1,742.10 Cr4Dhurandhar 2: The Revenge₹ 1,661.23 Cr5Dhurandhar₹ 1,307.35 Cr6RRR₹ 1,230.00 Cr7KGF Chapter 2₹ 1,215.00 Cr8Jawan₹ 1,160.00 Cr9Pathaan₹ 1,055.00 Cr10Kalki 2898 AD₹ 1,042.25 Cr With its overseas performance already toppling the lifetime international numbers of Jawan—remarkably doing so without the Gulf contribution—Dhurandhar 2: The Revenge has established a massive new benchmark for the industry. The focus now shifts to the worldwide top 3; with the gap against Pushpa 2: The Rule narrowing to under ₹81 crore, the film is on a clear trajectory to displace it by the middle of its fourth week. This isn't just a hit; it’s a rare trend-setter that has maintained high-level sustainability in a way few sequels ever do. As it heads into the fourth weekend, the film remains the primary driver of the domestic and global box office, setting a gold standard for 'All-Time Blockbusters' that will be the yardstick for big-ticket Indian cinema for years to come.

BY CHRISTA LINCY

The highly anticipated film Jana Nayagan, which marks Thalapathy Vijay's final outing in cinema before his full-time transition into politics, has encountered a significant digital security breach. In a development that has caused a stir across social media, a five-minute sequence from the film has reportedly been leaked online. This incident comes at a critical time for the production, as the movie has already been navigating a series of logistical challenges regarding its theatrical debut. Originally, the makers had planned to release Jana Nayagan on January 9 to coincide with the early festive season. However, the film could not meet this deadline due to a reported delay in acquiring the mandatory censor certificate from the Central Board of Film Certification (CBFC). Reports indicate that the certification process took longer than anticipated, leading to the difficult decision to move the film out of its initial January window to ensure all formalities are completed without a rushed schedule. Following the censorship delay, the release of Jana Nayagan is now slated for a post-election window. With Vijay having officially launched his political party, Tamizhaga Vetri Kazhagam, and actively preparing to contest in the upcoming Tamil Nadu State Assembly elections, the film's theatrical debut during the campaign period would likely conflict with the Model Code of Conduct enforced by the Election Commission. To avoid any legal hurdles or potential political controversy, reports from various circles suggest that the production has decided to aim for a release in late April or early June, ensuring the film arrives after the electoral process has concluded. (adsbygoogle = window.adsbygoogle || []).push({}) The sudden appearance of a five-minute leaked clip on social platforms has emerged as a fresh hurdle amidst these scheduling changes. For a project as high-profile as Jana Nayagan, such a leak involves a substantial portion of the narrative being exposed prematurely. While the source of the leak remains under investigation, the footage has been circulating widely, prompting discussions about the film's content and themes. This development has heightened the pressure on the production house to manage the film's digital assets more strictly as they prepare for the new release date. Directed by H. Vinoth, Jana Nayagan features a high-profile ensemble cast including Bobby Deol, Pooja Hegde, Mamitha Baiju, and Gautham Vasudev Menon. The film's soundtrack is being composed by Anirudh Ravichander, making it one of the most anticipated musical and cinematic collaborations of the year. As the team works toward the revised release window in the summer of 2026, the focus remains on delivering a grand farewell for Vijay, ensuring that the final product maintains its impact despite the recent censorship delays and digital leaks.

BY SUNIT JANGIR

Mumbai, April 9 - The debate around all-time box office blockbuster Dhurandhar 2: The Revenge refuses to die down, but filmmaker Sandeep Reddy Vanga has stepped in firmly in support of the film and its director Aditya Dhar. As the film faces criticism from certain sections, accusing it of pushing a political narrative, Vanga dismissed the noise and instead praised the film for its storytelling and execution. SRV Comes Out in Support, Calls It an "Outstanding Film" Reacting to the ongoing discourse, Vanga didn't mince words. He described Dhurandhar 2 as an "outstanding film", applauding Dhar's vision and conviction. According to him, cinema should not be restricted by labels or external narratives, and filmmakers must be free to tell stories they believe in. (adsbygoogle = window.adsbygoogle || []).push({}) Taking to the X, Vanga blasted off propaganda gang, while calling out their hypocrisy. "Writers & actors built careers on propaganda, and the industry stayed quiet like cats. Now the same clan mocks Dhurandhar. You don't get to call yourself liberal if your first instinct is to Mock. Don't know when truth started getting labelled as propaganda...... strange times", he said. Talking about the film, Vanga said that he watched it last night and called it an outstanding film. "COMING TO THE POINT..... I want to tell @AdityaDharFilms & @RanveerOfficial yeh kaala drishti aise nahi jaayega... Muthi bhar ke laal mirch se kaam nahi chalega.... poora khet jalana padega 🔥 Watched #Dhurandhar2‌TheRevenge last night.... Outstanding film". Writers & actors built careers on propaganda, and the industry stayed quiet like cats. Now the same clan mock Dhurandhar. You don’t get to call yourself liberal if your first instinct is to Mock. Don’t know when truth started getting labeled as propaganda...... strange times.…— Sandeep Reddy Vanga (@imvangasandeep) April 9, 2026 (adsbygoogle = window.adsbygoogle || []).push({}) The Propaganda Debate Since its release, Dhurandhar 2 has sparked conversations around whether it leans into propaganda. While critics argue that the film carries a certain ideological tone, supporters claim it is simply a hard-hitting narrative rooted in realism and creative interpretation. Vanga's backing adds weight to the latter argument, especially given his reputation for making bold and unapologetic films. Industry Voices Matter (adsbygoogle = window.adsbygoogle || []).push({}) Support from a filmmaker like Sandeep Reddy Vanga is significant, as he himself is no stranger to polarising reactions. His endorsement signals a larger conversation within the film industry about creative freedom and audience interpretation. Meanwhile, Aditya Dhar has remained largely focused on the film's reception, letting the audience response speak louder than the controversy. Whether one sees Dhurandhar 2 as provocative or powerful, there's no denying that it has struck a chord, and the box office numbers are proof of that. The film continues to storm the box office and is heading towards 1700 crores worldwide. With influential voices like Vanga stepping in, the film's cultural and cinematic impact continues to grow.