BY CHRISTA LINCY

Filmmaker Sandeep Reddy Vanga has officially weighed in on the latest box office hit, Dhurandhar 2: The Revenge, giving it a strong endorsement. After watching the spy thriller recently, the director took to social media to call it an outstanding film. However, his praise was accompanied by a sharp response to those who have been critical of the movie's themes. Vanga's comments have quickly gone viral, adding a new layer to the ongoing discussion surrounding the Ranveer Singh starrer. In his post, Vanga criticized a specific group of writers and actors within the industry who have been vocal against the film. He noted that while some have built their careers on what he described as propaganda, the same group is now mocking Dhurandhar 2. The filmmaker questioned the instinct to mock successful work and remarked that the term propaganda is often used unfairly to label certain truths. He suggested that the industry has often stayed quiet in the past, making the current criticism feel inconsistent. Addressing the creative team directly, Vanga shared a metaphorical and aggressive piece of advice for director Aditya Dhar and lead actor Ranveer Singh. He spoke about the kaala drishti or the evil eye of negativity that often surrounds successful projects, suggesting that a small measure of resistance would not be enough to counter it. Using a fiery analogy, he stated that just a handful of red chilies wouldn't suffice and that one must be prepared to burn the whole field to clear the air of such negativity, indicating that the filmmakers should stand their ground against organized criticism. (adsbygoogle = window.adsbygoogle || []).push({}) Writers & actors built careers on propaganda, and the industry stayed quiet like cats. Now the same clan mock Dhurandhar. You don’t get to call yourself liberal if your first instinct is to Mock. Don’t know when truth started getting labeled as propaganda...... strange times.…— Sandeep Reddy Vanga (@imvangasandeep) April 9, 2026 The support from a filmmaker like Vanga is significant given the current box office trajectory of Dhurandhar 2. While the film continues to shatter records globally, it has also faced a segment of polarized reviews regarding its themes and narrative choices. By weighing in so heavily in favor of the film, Vanga has effectively turned the focus toward the ongoing friction between blockbuster commercial cinema and the traditional critic circles. His endorsement serves as a major morale boost for the team, reinforcing the film’s status as a project that has resonated deeply with a large section of the audience despite the noise from its critics. As the film enters its fourth week, this external validation from a fellow high-stakes director adds another layer to its success story. With Dhurandhar 2: The Revenge already becoming the first Bollywood film to cross the ₹1,000 crore net milestone in India, the conversation is no longer just about the numbers but also about its cultural and industry impact. Vanga's comments have ensured that the film remains a central topic of discussion, highlighting the growing divide in how modern Indian cinema is perceived by the masses versus a section of the intellectual elite.

BY SACNILK TEAM

The cinematic juggernaut that is Dhurandhar: The Revenge continues to dismantle box office records as it enters its 22nd day of a historic theatrical run. While the film remains the primary choice for moviegoers across the globe, the conversation in trade circles has increasingly turned toward its eventual digital migration. This high-octane spy thriller, led by Ranveer Singh, has not only proven to be a commercial powerhouse but is currently sustaining a level of theatrical momentum that suggests its big-screen journey is far from over. As it continues to shatter ceilings, the strategy behind its OTT premiere is being meticulously crafted to capitalize on this unprecedented success. At the heart of the film's dominance is a collection tally that has redefined the benchmark for Indian cinema. Analyzing the current trajectory, the movie has comfortably breached the ₹1,000 crore net mark in India, with its current standing at ₹1,041.27 Crore. In doing so, it has etched its name in the history books as the first Bollywood film ever to achieve this monumental domestic milestone, effectively setting a new gold standard for the industry. When viewing the broader picture, the India gross has reached a staggering ₹1,246.67 Crore, further supported by a robust overseas contribution of ₹407.00 Crore. With a total worldwide gross of ₹1,653.67 Crore in just three weeks, the film is behaving like a theatrical marathon runner, showing no signs of fatigue as it enters the fourth week of its release. The transition from the big screen to the digital space involves a significant platform shift for this franchise. In a strategic move that has caught the attention of the industry, JioHotstar has secured the digital rights for Dhurandhar: The Revenge, marking a departure from the first installment which found its home on Netflix. The premium deal with JioHotstar is reflective of the film's massive scale and the high demand for blockbuster content in the post-pandemic streaming era. This acquisition is seen as a major win for the platform, ensuring it hosts one of the highest-grossing titles in cinematic history once the theatrical window eventually closes. Despite the digital buzz, the producers are in no hurry to pull the film from theaters, strictly adhering to the established 8-week theatrical rule. This window is a vital component of the Bollywood distribution ecosystem, ensuring that a blockbuster is given the necessary oxygen to breathe and maximize its financial potential on the large screen before becoming accessible for home viewing. By maintaining this exclusive theatrical period, the film continues to generate significant revenue, further cementing its status as an All-Time Blockbuster. This approach also heightens the sense of exclusivity, making the eventual OTT arrival a major digital event. (adsbygoogle = window.adsbygoogle || []).push({}) The streaming strategy is also being aligned with the national calendar to ensure maximum visibility. Industry insiders suggest that the film is likely to arrive on JioHotstar in late May or early June 2026, a timing that perfectly coincides with the conclusion of the IPL season. By launching post-IPL, the film can seize the undivided attention of the viewing public, dominating digital trends at a time when cricket viewership traditionally transitions back to entertainment. This post-tournament window is viewed as the ideal territory for a film of this magnitude to transition from theatrical dominance to streaming success. Dhurandhar: The Revenge - Global Box Office Performance (Day 21)REVENUE METRICCOLLECTION FIGURESIndia Net Collection₹ 1,041.27 CrTotal India Gross₹ 1,246.67 CrOverseas Gross₹ 407.00 CrWorldwide Total Gross₹ 1,653.67 Cr To stay updated on the latest digital premieres and explore more films arriving on streaming platforms, visit our dedicated OTT Movies section. The film's continued success is a testament to the directorial craft of Aditya Dhar and a stellar ensemble cast that has kept audiences hooked. While Ranveer Singh's portrayal of the elite spy remains the central draw, the presence of veterans like Sanjay Dutt, along with Arjun Rampal and R. Madhavan, has added layers of gravitas to the narrative. As Dhurandhar: The Revenge marches forward in theaters, it remains the ultimate box office predator, ensuring that by the time it reaches its digital destination, it will do so as a certified legend of the modern era.

BY SUNIT JANGIR

Mumbai, April 9 - Dhanush and Kriti Sanon are reportedly set to reunite once again with filmmaker Aanand L Rai, following the success of romantic drama Tere Ishq Mein last year. The trio is reportedly discussing a big-budget period romantic drama film, which is currently in early development. Reunion After Tere Ishk Mein Following their collaboration in Tere Ishk Mein, the trio of Dhanush, Kriti Sanon, and Aanand L Rai has become one of the most talked-about actor-director combinations. Their previous film marked Rai and Dhanush's reunion after Raanjhanaa and continued their streak of emotionally intense storytelling. (adsbygoogle = window.adsbygoogle || []).push({}) According to Pinkvilla, the director is keen on bringing the duo back together for another project, which is said to be a period love story. The makers are currently in talks as the writing work is in full swing. Both Dhanush and Kriti Sanon have responded positively to the script, and if all goes well, the film is expected to go on floors by the end of this year. Madhubala Biopic In The Making It is one of the projects which has been in the news for quite some time now. Recently, it was reportedly that Kiara Advani was roped in to play Madhubala, but things seem to have changed pretty quickly. As per Pinkvilla, Dhurandhar breakout star Sara Arjun, who has been making waves with her performance in the film, has been assigned to play the legendary actress. (adsbygoogle = window.adsbygoogle || []).push({}) The young actress has reportedly been locked to play Madhubala, to be directed by Darlings fame Jasmeet K Reen and produced by Sanjay Leela Bhansali. The film, which is currently in pre-production, is expected to go on floors later this year and promises to be an ambitious cinematic experience rooted in the golden era of Hindi cinema.

BY CHRISTA LINCY

Following the monumental success of the action thriller Dhurandhar, lead actress Sara Arjun has reportedly landed what is being described as the most challenging role of her career. The young talent is set to portray the legendary screen icon Madhubala in a highly anticipated biopic. According to a report by Pinkvilla, this project marks a major collaboration between director Jasmeet K Reen and producer Sanjay Leela Bhansali, promising a grand cinematic experience rooted in the golden era of Indian cinema. The film is currently in the pre-production stage and is expected to officially commence filming later this year. Jasmeet K Reen, who previously garnered critical acclaim for her work on the film Darlings, is expected to bring a nuanced emotional depth to the narrative, while Bhansali's involvement as a producer suggests an ambitious aesthetic scale. The casting of Sara Arjun as one of the most beloved and enigmatic figures in history is already generating substantial buzz within the industry. To authentically bring the timeless grace of the screen icon to life, Sara Arjun will undergo an extensive physical transformation. The preparation involves meticulous look tests, period-appropriate costume detailing, and specialized dialect training. The production team is reportedly focusing on high-precision recreation of the 1950s era, capturing both the charm and the complex presence that defined the actress's career. Insiders suggest that the makers are leaving no stone unturned in their pursuit of historical and emotional accuracy. (adsbygoogle = window.adsbygoogle || []).push({}) The biopic is being envisioned as a high-octane drama layered with tragic emotional undertones, reflecting the extraordinary yet heartbreaking life of the star. Madhubala remains one of the most celebrated figures in cinematic history, having featured in over 70 films across a career that spanned two decades. Her ability to navigate diverse genres, from light-hearted comedies to grand historical epics like Mughal-e-Azam, made her one of the highest-paid and most influential stars of her time, a legacy that this film seeks to honor. For Sara Arjun, this role represents a pivotal milestone in her professional journey. Stepping into the shoes of an icon who continues to be admired decades after her passing is a significant undertaking that highlights the actress's growing range in the industry. With a powerful director-producer combination and a compelling biographical subject, this project is shaping up to be one of the most prestigious and anticipated films on the upcoming release calendar.

BY SUNIT JANGIR

Hyderabad, April 9 - Adivi Sesh and Mrunal Thakur's romantic action drama Dacoit is steadily building momentum ahead of its theatrical release, with the film locking a solid pre-release business across key territories. The movie, which blends action with an emotional love story, is scheduled to release on April 10 in multiple languages. As per Telugu trade reports, Dacoit has secured a worldwide theatrical business of around 30 crore. The majority of this comes from the Telugu states, where the film enjoys a strong base thanks to Adivi Sesh's consistent track record. (adsbygoogle = window.adsbygoogle || []).push({}) The Andhra Pradesh and Telangana regions contribute the largest share, accounting for around 20 crore, while North India and overseas markets have added decent value, indicating growing interest beyond the core Telugu audience. The makers have ensured a balanced distribution strategy, avoiding overpricing in any territory. With the theatrical rights valued at approximately 30 crore, the film is expected to target over 60 crore gross worldwide to achieve break-even status and emerge as a clean success. This puts Dacoit in the mid-range category, where performance heavily depends on word-of-mouth and audience reception rather than just star power or massive openings. (adsbygoogle = window.adsbygoogle || []).push({}) Dacoit will probably need to become Adivi Sesh's highest-grossing film to emerge as a box office hit. The actor's 2022 biographical action drama film, Major, is currently the biggest grosser with around 61 crores worldwide. The good thing is that Sesh has consistently delivered successes, and the same is expected from Dacoit.

BY SUNIT JANGIR

Mumbai, April 9 - After years, Akshay Kumar is set to return to the horror-comedy space with director Priyadarshan's Bhooth Bangla. This genre once gave the actor one of his most iconic roles in Bhool Bhulaiyaa. Bhooth Bangla is already generating strong buzz, largely because it promises a blend of nostalgia and a fresh take on the genre. Akshay Kumar's strength has always been his effortless comic timing, especially in films that balance humour with tension. With Bhooth Bangla, fans are hoping to see him revisit that space—something reminiscent of his performance as the eccentric yet sharp psychiatrist in Bhool Bhulaiyaa, but with a new twist. (adsbygoogle = window.adsbygoogle || []).push({}) Bollywood has experimented with spooky humour over the years, delivering films that blend scares with laughter in unique ways. Before stepping into Akshay's upcoming entertainer, scheduled for April 17 release, here are five original (first film) horror comedies that perfectly set the mood. 1. Bhool Bhulaiyaa – The Cult Classic (2007) (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Priyadarshan, Bhool Bhulaiyaa remains one of Bollywood's finest horror comedies. With Akshay Kumar delivering an iconic performance as the eccentric Dr Aditya, the film smartly balances psychological horror with humour. Its gripping narrative, memorable music, and twist-filled climax make it a must-watch before Bhooth Bangla. 2. Stree – Horror With a Message (2018) (adsbygoogle = window.adsbygoogle || []).push({}) Featuring Rajkummar Rao and Shraddha Kapoor, Stree redefined the genre in modern Bollywood. Set in a small town haunted by a mysterious spirit, the film cleverly mixes folklore with social commentary. Its sharp writing and perfectly timed humour make it one of the most loved horror comedies in recent years. 3. Phone Bhoot – A Quirky, Gen-Z Spin (2022) (adsbygoogle = window.adsbygoogle || []).push({}) Starring Katrina Kaif alongside Ishaan Khatter and Siddhant Chaturvedi, Phone Bhoot brings a fresh, meta take on horror comedy. Packed with pop-culture references and self-aware humour, the film leans more toward laughs while still embracing its supernatural core. 4. Bhoot Police – Ghost Hunting Meets Comedy (2021) (adsbygoogle = window.adsbygoogle || []).push({}) With Saif Ali Khan and Arjun Kapoor playing ghost hunters, Bhoot Police offers a fun, adventurous take on the genre. The film blends supernatural elements with a buddy-comedy dynamic, making it an easy and entertaining watch for fans of light-hearted horror. 5. Roohi – A Supernatural Love Triangle (2021) (adsbygoogle = window.adsbygoogle || []).push({}) Led by Janhvi Kapoor, Rajkummar Rao, and Varun Sharma, Roohi explores a unique concept involving a bride possessed by a spirit. While rooted in horror, the film leans heavily into comedy, delivering several laugh-out-loud moments alongside its eerie premise. It was originally part of the Maddock Horror Comedy Universe, but the makers later dropped it from MHCU. From the psychological brilliance of Bhool Bhulaiyaa to the quirky chaos of Phone Bhoot, these films showcase the versatility of Bollywood's horror-comedy genre. Each offers a distinct flavour, be it satire, folklore, or pure slapstick, making them the perfect watchlist before Bhooth Bangla hits the screens.

BY CHRISTA LINCY

The upcoming cinematic adaptation of the epic Ramayana, directed by Nitesh Tiwari, has been one of the most discussed projects in Indian cinema. Given the profound cultural and religious significance of the source material, expectations and apprehensions have been equally high. In a recent detailed conversation with Collider, Tiwari addressed the complexities of adapting the great mythological epic, emphasizing a cautious approach toward religious sentiments while staying true to the foundational text. Addressing the existence of over 300 variations of the Ramayana across India, Tiwari clarified that his vision is firmly rooted in Valmiki's version of the epic. The filmmaker expressed a deep awareness of the responsibilities that come with such a project, stating that as a creator, he is mindful of the specific do's and don'ts required to honor the narrative. He noted that while creative leaps have been taken in areas that allow for a leap of faith, the team has strictly avoided altering sections where creative liberties are not permissible. Tiwari, who considers himself a devout follower of the epic, mentioned that his own satisfaction with the work is his primary benchmark for ensuring the audience's feelings are respected. Beyond the narrative structure, Tiwari highlighted that the soul of his adaptation lies in its emotional depth rather than just the visual spectacle. While the film promises to show Ayodhya and Lanka in a new light through high-end visual effects and grand production design, these elements are intended to enhance rather than overshadow the story. According to the filmmaker, the core of the Ramayana is its exploration of morals, principles, and relationships. The spectacle is designed to make the journey more engaging and presentable for a modern audience, allowing them to experience a familiar story with a fresh visual perspective. (adsbygoogle = window.adsbygoogle || []).push({}) The project has already generated significant buzz due to its reported stellar cast and massive scale. Ranbir Kapoor is set to portray Lord Ram, with Sai Pallavi stepping into the role of Sita. Adding further weight to the ensemble, KGF star Yash is slated to play Ravana, while Sunny Deol and Lara Dutta are rumored to play Hanuman and Kaikeyi, respectively. Interestingly, Arun Govil, who famously played Ram in the classic television series, is also part of the cast, reportedly playing King Dashrath, bridging the gap between generations of the epic's adaptations. To do justice to the sheer scale of the narrative, the production is being envisioned as a grand six-hour saga, which has necessitated splitting the film into two distinct parts. This structure allows the narrative to breathe and explore the intricate details of the epic without being rushed. As per current scheduling, Part 1 is slated for a massive theatrical arrival during Diwali 2026, followed by the concluding Part 2 during the Diwali 2027 window, effectively turning the next two years into a major festive event for cinema-goers. As the film continues its production phase, the focus remains on Tiwari's ability to balance grand cinematic ambition with the sensitivity required for a religious subject. By centering the film on human emotions and ethical principles, the director aims to create a version that resonates with both traditional followers and younger viewers. With a reported multi-part release strategy and collaboration with global VFX giants like DNEG, Ramayana is being positioned as a landmark event in Indian cinema that seeks to redefine the mythological genre.

BY CHRISTA LINCY

The month of April marks a busy period for the film industry with several high-profile theatrical releases scheduled across various regional markets. The lineup includes a mix of pan-India action films, regional dramas, and notable collaborations between established directors and actors in the Hindi, Telugu, Tamil, Malayalam, and Kannada industries. As the summer movie season begins, these projects are expected to drive significant footfall to theaters nationwide. Dacoit Casts: Adivi Sesh and Mrunal Thakur Director: Shaniel Deo Releasing on April 10, Dacoit is a gritty action drama that has already begun creating ripples in the international market. Starring Adivi Sesh and Mrunal Thakur, the film is primarily a Telugu production that is also receiving a wide Hindi release. The buzz is backed by strong numbers, as the USA premiere advance sales have already crossed 145,634 dollars across 339 locations. With over 9,044 tickets already sold for 659 shows, the film is showing a significant jump in momentum just two days before its premiere. Adivi Sesh, who has a flawless track record with hits like Major and Kshanam, is expected to deliver another winner alongside Mrunal Thakur, whose presence in South Indian cinema has been highly celebrated following Sita Ramam. LIK: Love Insurance Kompany Casts: Pradeep Ranganathan, Krithi Shetty, and S.J. Suryah Director: Vignesh Shivan Also arriving on April 10, Love Insurance Kompany is a vibrant Tamil and Telugu entertainer directed by Vignesh Shivan. The film stars Pradeep Ranganathan, who carries a massive youth following after his blockbuster debut in Love Today. This project marks a significant step for Shivan, known for his unique blend of humor and romance in films like Kaathuvaakula Rendu Kaadhal. With the addition of Krithi Shetty and the versatile S.J. Suryah, LIK is positioned as a trendy, high-energy film. The production has generated immense interest due to its quirky premise and the musical backing of Anirudh Ravichander, who continues to be the most sought-after composer in the industry. (adsbygoogle = window.adsbygoogle || []).push({}) Pallichattambi Casts: Tovino Thomas, Kayadu Lohar Director: Dijo Jose Antony The Malayalam film industry is looking forward to April 15 for the release of Pallichattambi. This project marks the highly anticipated collaboration between actor Tovino Thomas and director Dijo Jose Antony. Dijo Jose Antony has previously gained widespread acclaim for directing high-impact and commercially successful films like Jana Gana Mana and Queen. Pallichattambi is expected to be a heavy-duty period drama that showcases Tovino in an intense and transformational role. Given the directors proven ability to craft powerful narratives with a grand scale, the film is being hailed as one of the most significant Malayalam releases of the year. Bhooth Bangla Casts: Akshay Kumar and Wamiqa Gabbi Director: Priyadarshan Scheduled for April 17, Bhooth Bangla marks the legendary reunion of Akshay Kumar and filmmaker Priyadarshan after a 14-year hiatus. This duo has historically dominated the box office with cult classics such as Hera Pheri and Bhool Bhulaiyaa. The film, a horror-comedy produced by Balaji Motion Pictures, also stars Wamiqa Gabbi in a pivotal role. The excitement surrounding this project stems from the nostalgia of the Priyadarshan-Akshay era, combined with the current popularity of the horror-comedy genre. Fans are eager to see the pair return to the style of filmmaking that made them staples of Indian pop culture. (adsbygoogle = window.adsbygoogle || []).push({}) KD The Devil Casts: Dhruva Sarja, Sanjay Dutt, and Shilpa Shetty Director: Prem On April 30, the Kannada film industry will launch its massive pan-India contender, KD The Devil. Directed by Prem, the film is a stylized period actioner set in the 1970s. Starring Dhruva Sarja in a rugged, high-octane avatar, the film's profile has been elevated by the inclusion of Bollywood veterans Sanjay Dutt and Shilpa Shetty. Prem is widely known for his grand cinematic vision and ability to mount films on a massive scale. Following the global success of the KGF series, KD The Devil is being viewed as the next big milestone for Kannada cinema, aiming to capture the imagination of audiences across all languages. Kara Casts: Dhanush, Mamitha Baiju Director: Vignesh Raja Scheduled for release on April 30, Kara is a Tamil-language crime action thriller featuring the powerhouse performer Dhanush in the lead role. The film is directed by Vignesh Raja, who earned widespread acclaim for his 2023 debut thriller Por Thozhil, which became one of the most celebrated investigative dramas in recent years. Raja has also co-written the script for Kara alongside Alfred Prakash. Produced by Vels Film International, the project marks a significant collaboration between a director known for high-tension storytelling and a global superstar coming off the back of the massive success of Raayan. Given the credentials of the creative team, Kara is expected to be a high-priority release for the Tamil industry, blending intense action with the high artistic standards that Dhanush is known for. Peddi Casts: Ram Charan and Janhvi Kapoor Director: Buchi Babu Sana Closing the month on April 30 is the highly anticipated Telugu film Peddi, starring Global Star Ram Charan. Directed by Buchi Babu Sana, who previously helmed the National Award-winning blockbuster Uppena, this film marks Ram Charans major release following the global success of RRR. Peddi is reported to be a rural sports drama with a significant emotional core, featuring Janhvi Kapoor as the female lead. With music by the legendary A.R. Rahman, the film has all the ingredients of a massive blockbuster. Given Ram Charans status as a global icon, Peddi is expected to take one of the biggest openings of the year for Telugu cinema.

BY CHRISTA LINCY

Ranveer Singh's Dhurandhar 2: The Revenge completes its third week in theaters today on a high note, and what stands out most is how consistent the numbers have been. Even as the initial frenzy of the first two weeks begins to settle, the film is demonstrating a steady theatrical life. Yesterday, on its 21st day, the film continued to pull in steady crowds, showing that it still has enough steam to keep the box office busy as it heads into another weekend. Taking a closer look at the midweek performance, the film collected a net of ₹7.90 crore across all languages in India on Wednesday. This comes after a very stable Monday and Tuesday, where it managed to stay in the double-digit zone. The Hindi version remains the primary driver of this success, netting ₹7.50 crore on Day 21 alone. It is impressive to see the movie still holding a spot among the highest-grossing third Wednesdays in the industry, even after having already surpassed the lifetime collections of almost every other major franchise in the country. The film's pan-India appeal has also played a crucial role in maintaining these daily totals. While the Hindi version is currently on the verge of hitting the massive ₹1,000 crore net mark, the regional versions have provided valuable padding. The Telugu version has now crossed ₹41 crore, and the Tamil version is holding steady at over ₹18 crore. This multi-market support has been essential in keeping the daily attrition rates low, ensuring that the film doesn't rely solely on one region to keep its momentum going during the weekdays. (adsbygoogle = window.adsbygoogle || []).push({}) On the global front, the film's footprint is equally massive. On Day 21, the India gross collection stood at ₹9.46 crore, while the overseas markets added another ₹3.00 crore. This brings the total India gross to ₹1,246.67 crore and the overseas total to ₹407.00 crore. Combined, Dhurandhar 2 has now reached a staggering worldwide gross of ₹1,653.67 crore. Reaching these heights in just 21 days is a testament to the film's broad appeal, successfully catering to both domestic and international audiences with equal strength. Dhurandhar 2: Day 21 & Cumulative Box Office BreakdownCOLLECTION METRICDAY 21 (3RD WED)CUMULATIVE TOTALIndia Net (All Languages)₹ 7.90 Cr₹ 1,041.27 CrHindi Net Collection₹ 7.50 Cr₹ 977.04 CrIndia Gross Collection₹ 9.46 Cr₹ 1,246.67 CrOverseas Gross₹ 3.00 Cr₹ 407.00 Cr As the third week comes to a close today, all eyes are now on a historic milestone expected to be crossed by Friday. The Hindi version of the film is currently sitting at ₹977 crore net and is on track to breach the ₹1,000 crore mark over the coming weekend. Achieving this would be a landmark moment, as no other single language version in the history of Indian cinema—including previous Hindi blockbusters—has ever managed to hit a four-digit net total. It's a clear sign that Dhurandhar 2 isn't just breaking records; it's creating a league of its own as it heads into its fourth week.

BY SUNIT JANGIR

Los Angeles, April 9 - The theatrical business is witnessing a major shift as Gen Z audiences emerge as the most active and influential moviegoing demographic. According to a recent industry study highlighted by Variety, younger viewers are not only returning to cinemas in large numbers but are also redefining how films perform at the box office. Gen Z Leading The Charge According to a new Fandango study (via Variety), a significant majority of Gen Z has visited theatres over the past year, with many going far more frequently than older generations. On average, Gen Z moviegoers are clocking multiple visits annually, making them the most consistent theatrical audience in the post-pandemic era. (adsbygoogle = window.adsbygoogle || []).push({}) This surge comes at a crucial time when overall cinema attendance is still recovering. While older demographics have reduced their theatre visits, Gen Z has effectively stepped in to bridge the gap and sustain box office momentum. More Than Just Tickets: Higher Spending Power Beyond frequency, Gen Z is also contributing heavily to revenue through higher per-visit spending. Premium formats like IMAX and large-screen experiences are particularly popular among younger audiences, along with increased spending on concessions. (adsbygoogle = window.adsbygoogle || []).push({}) This trend is helping exhibitors boost overall revenue even when footfalls are not fully back to pre-pandemic levels. As per the report, one of the biggest reasons behind Gen Z's theatrical pull is their perception of cinema as a social outing rather than just content consumption. Moviegoing has become a shared experience, something to enjoy with friends and amplify through social media conversations. This behaviour has also fueled the success of films that generate buzz online, turning theatrical releases into cultural moments. Shaping What Works At The Box Office (adsbygoogle = window.adsbygoogle || []).push({}) With Gen Z now at the centre, the industry is increasingly tailoring content to match their preferences. Event-driven films, franchise spectacles, anime, and video game adaptations are seeing stronger traction, largely due to their appeal among younger viewers. Studios are also focusing on creating "theatrical moments", films that feel worth stepping out for, rather than waiting for a streaming release. The rise of Gen Z signals a structural shift in the movie business. The box office is no longer driven by a broad, uniform audience but is instead being reshaped by the habits and tastes of younger generations. Note: The study by Fandango primarily focuses on North American audiences.

BY CHRISTA LINCY

While Dhurandhar 2: The Revenge continues to set the box office on fire with its record-breaking run, the production has hit a significant legal roadblock. In a fresh development that has caught the industry’s attention, Trimurti Films has moved the court against filmmaker Aditya Dhar's production banner, B62 Studios. The lawsuit alleges unauthorized usage of a classic musical property within the film, potentially complicating the movie's continued commercial exploitation across various platforms. The core of the dispute revolves around the iconic track Tirchi Topiwale, a song that originally featured in the 1989 blockbuster Tridev. Trimurti Films, the original producers of the 1989 film, have alleged that Dhurandhar 2 has utilized a version substantially similar to this classic in its new track titled Rang De Lal. According to reports from Bar and Bench, the lawsuit claims that this was done without obtaining the requisite licenses or permissions from the rightful owners of the musical work. Tracing the origins of the original composition, Tirchi Topiwale was a cultural phenomenon in the late 80s, composed by the legendary duo Kalyanji-Anandji with lyrics penned by Anand Bakshi. The vocals were provided by Amit Kumar and Sapna Mukherjee. Trimurti Films asserts complete ownership and control over both the musical composition and the sound recording rights. The legal plea argues that the use in the new film amounts to a clear case of copyright infringement, involving unauthorized reproduction and communication of the protected work to the public. (adsbygoogle = window.adsbygoogle || []).push({}) The legal implications for the makers of Dhurandhar 2 could be far-reaching if the court sides with the plaintiffs. Trimurti Films is seeking an immediate injunction to restrain any further use of the song in the film's theatrical run, promotional materials, and upcoming digital releases. Beyond the stay on the song's usage, the lawsuit also seeks significant financial damages and other consequential reliefs. This move puts a spotlight on the critical nature of music rights clearance, especially when dealing with high-stakes blockbuster sequels. As the legal proceedings move forward, the focus remains on the eventual resolution of the dispute between the two parties. While the movie continues its dominant theatrical journey, the outcome of this lawsuit will be particularly relevant for its upcoming transition to streaming and satellite platforms. As of now, Aditya Dhar and B62 Studios have not issued a formal response to the claims, but the case serves as a notable reminder of the complexities involved in music licensing within the modern film industry.

BY SUNIT JANGIR

Kochi, April 9 - The Malayalam film industry has found its newest box office sensation as Vaazha II: Biopic of a Billion Bros has stormed past the coveted 100 crore mark worldwide within just seven days of its release. The film's phenomenal performance has placed it among the all-time fastest-grossing hits in Mollywood. Headlined by Hashir and others, Vaazha 2 witnessed an exceptional opening weekend, followed by excellent weekday collections. The film's relatable coming-of-age storyline has struck a chord with audiences across Kerala and overseas markets, especially in the Gulf region. In 7 days so far, Vaazha has grossed approximately 55 crores at the Indian box office, including around 48.50 crores gross in Kerala state alone. The film's overseas performance is equally exceptional, with around 49 crore, and a major chunk of this has come from the Gulf, despite the region being at war. (adsbygoogle = window.adsbygoogle || []).push({}) Vaazha 2 Joins Elite Mollywood 100 Crore Grosser Club With around 104 crores at the worldwide box office in 7 days, Vaazha 2 has become the 15th Malayalam film of all-time to enter the 100 crore club. Interestingly, in just a week, it has already earned 2x of its predecessor, which ended with around 38 crores at the worldwide box office. Mohanlal's Pulimurugan was the first Mollywood film to hit the milestone of 100 crores gross globally. However, the real peak for Malayalam cinema came after the COVID-19 pandemic, especially after the 2018 Movie (2023), which was the third Mollywood 100 crore grosser. Vaazha 2, with very little competition at the box office, is expected to be a dominant force in the coming days, particularly at the Kerala box office, where it is expected to enter the rare 100 crore club. If the momentum continues, which is expected, the film is heading towards 200+ crore worldwide, which will be an exceptional result. (adsbygoogle = window.adsbygoogle || []).push({}) 100 Crore Malayalam Films Worldwide (Highest to Lowest) S. No. Movie Worldwide Gross 1Lokah Chapter 1₹ 303.86 Cr 2Empuraan₹ 266.81 Cr 3Manjummel Boys₹ 241.03 Cr 4Thudarum₹ 235.38 Cr 52018₹ 180.03 Cr 6Aadujeevitham₹ 157.62 Cr 7Aavesham₹ 154.80 Cr 8Sarvam Maya₹ 151.25 Cr 9Pulimurugan₹ 139.50 Cr 10Premalu₹ 131.50 Cr 11Lucifer₹ 127.50 Cr 12Aadu 3₹ 119.37 Cr 13ARM₹ 107.32 Cr 14Vaazha 2₹ 104 Cr 15Marco₹ 102.55 Cr Data as of April 8 (adsbygoogle = window.adsbygoogle || []).push({}) What makes Vaazha 2 even more impressive is the speed at which the film achieved the 100 crore milestone. Crossing 100 crore in a week makes Vaazha 2 the third fastest Malayalam 100 crore grosser, behind Thudarum (6 days) and Empuraan (2 days). With the momentum still going strong, Vaazha 2 is expected to continue its impressive run in the coming days, potentially aiming for even bigger milestones at the global box office.