BY SUNIT JANGIR

Mumbai, May 28 - Bollywood superstar is all set to return to the cricket field with director Ashutosh Gowarikar's upcoming sports biopic film. The actor is gearing up for one of the most exciting phases of his career as the superstar has reportedly allotted dates to the film, before kickstarting Rajkumar Hirani's 3 Idiots sequel. According to a report by Variety India, Aamir Khan will begin shooting for Gowariker's ambitious period sports drama in October 2026. The film is said to be based on the historic 1952 India-Pakistan Test series, and it revolves around legendary cricketer Lala Amarnath and his friendship with Pakistan captain Abdul Hafeez Kardar during the partition era. (adsbygoogle = window.adsbygoogle || []).push({}) The project is reportedly being mounted on a massive scale and is expected to feature an emotional backdrop combining sports, history, and human relationships. Interestingly, Rajkumar Hirani and writer Abhijat Joshi are also believed to be creatively involved with the screenplay. The development has also impacted the timeline of the much-awaited sequel to 3 Idiots. As per reports, Rajkumar Hirani's next directorial starring Aamir Khan will now go on floors in mid-2027 instead of earlier schedules, purely because of the script's readiness. (adsbygoogle = window.adsbygoogle || []).push({}) The sequel has already generated huge excitement among fans, especially after Aamir Khan previously confirmed that discussions around the project were indeed happening. Reports suggest that the film may feature a significant time jump and reunite the original trio of Aamir Khan, R. Madhavan, and Sharman Joshi. Meanwhile, the film is also expected to feature Vicky Kaushal in a prominent role. Meanwhile, Aamir's reunion with Ashutosh Gowariker has become a major talking point in the industry. Their last collaboration, Lagaan, remains one of Indian cinema's most celebrated films and even received an Academy Award nomination in the Best Foreign Language Film category. With two major projects lined up back-to-back, Aamir Khan appears set for a grand comeback phase over the next few years.

BY CHRISTA LINCY

2026 is turning out to be a massive year for Marathi cinema, following the strong performance of Krantijyoti Vidyalay Marathi Madhyam and the record-setting run of Raja Shivaji. Deool Band 2 has now firmly joined this successful trend, showing a level of consistency that is rare for even the biggest releases. While its extended first week is still ongoing, the film has already started challenging some of the most historic milestones in the industry by maintaining a rock-solid hold through its first seven days. On its first Wednesday, the film earned a net collection of ₹3.35 Cr. What is particularly impressive about this figure is that it represents no change at all from the previous day collection. Holding completely flat on a weekday is a clear sign of very strong word-of-mouth. This steady performance across 1,878 shows has pushed the total India net collection to ₹25.85 Cr and the total India gross to ₹30.40 Cr within the first week. With a seven-day total net of ₹25.85 Cr, Deool Band 2 has officially become the second-highest first-week net grosser in the history of Marathi cinema. It managed to surpass the opening week collection of Sairat, which stood at ₹25.50 Cr. Currently, the only film ahead of it in the all-time list is Raja Shivaji, which holds the top record with a first-week net of ₹36.25 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) The regional performance remains the backbone of this success. The film maintained an overall occupancy of 38.0 percent on Wednesday. Pune continues to be the primary driver, recording a strong 45.5 percent occupancy across 404 shows. Mumbai also contributed significantly with 33.3 percent occupancy over 624 shows. These high occupancy levels in major Marathi-speaking hubs suggest that the film is connecting deeply with its core audience. In the national chains, the film saw steady footfalls for a seventh day. PVR led the contributions with approximately 1,270 tickets sold, bringing in a gross of ₹2.75L. INOX added around 660 tickets with a gross of ₹1.38L, while Cinepolis recorded roughly 470 tickets for a gross of ₹1.20L. Combined, the big three chains accounted for about 2,400 tickets and a total gross of ₹5.33L for the day. With a worldwide gross now standing at ₹30.40 Cr, all of which has come from the domestic market, the film has already proven to be a massive success. The fact that it has managed to stay so consistent throughout its opening week bodes well for its second-week prospects. As it enters its second weekend, the focus will be on how close it can get to the lifetime records of the biggest hits in the industry.

BY CHRISTA LINCY

Karuppu has firmly established itself as the undisputed top performer of 2026, holding the number one position with a dominance that is hard to ignore. As we move into the second week, the film continues to show remarkable resilience at the box office. According to early trends, Karuppu earned a net collection of ₹4.00 Cr on its second Wednesday. This reflects a minor 10.1 percent drop from the previous day net of ₹4.45 Cr, which is a very healthy hold for a weekday. This latest addition brings the total India net collection to ₹163.20 Cr. On the gross front, the film collected ₹4.61 Cr on Day 13, which is particularly impressive as it has surpassed the Day 13 gross collections of previous major hits like Jailer. When we look at the historical rankings for the second Wednesday in the Tamil market, Karuppu has successfully secured a position among the top five all-time earners. It currently sits in the fifth spot with a Tamil net of ₹3.30 Cr. To give you some context on the competition, Master leads the list with ₹5.90 Cr, followed by Varisu at ₹5.15 Cr, Sarkar at ₹4.00 Cr, and Thunivu at ₹3.65 Cr. Matching these kinds of numbers in its second week proves that the film has high repeat value and strong word-of-mouth. (adsbygoogle = window.adsbygoogle || []).push({}) In the national chains, the performance remained solid for a thirteenth day. PVR led the way with roughly 8,290 tickets sold, bringing in a gross of ₹11.10L. INOX followed with 3,270 tickets and a gross of ₹3.90L, while Cinepolis added another 940 tickets with a gross of ₹1.33L. In total, the big three chains accounted for approximately 12,500 tickets and a combined gross of ₹16.30L for the day. The ticket booking platforms tell a similar story of high demand. On BookMyShow, the film saw 81.96K tickets booked on its second Wednesday. This follows a strong second Monday of 100.84K and a second Tuesday of 79.16K. To put this in perspective, even a massive hit like Jailer saw 99K sales on its second Wednesday, showing that Karuppu is playing in the big leagues. So far, the total tickets booked on the platform have reached a staggering 39,24,510. With today being a public holiday for Bakrid, sales and collections are expected to see a significant jump. This boost should easily push the film past the 4 million ticket mark on the platform by the end of the day. The global footprint is equally impressive. Based on Early trends On Day 13, the film collected ₹1.00 Cr from overseas markets, taking the total overseas gross to ₹70.00 Cr. When you combine the domestic and international numbers, the worldwide gross collection has now reached ₹258.85 Cr. It is interesting to see how the film is ranking among historical records for its thirteenth-day performance in the Tamil market. (adsbygoogle = window.adsbygoogle || []).push({}) Kollywood Day 13 Highest Collection Movie - Tamil NetMOVIE NAMEDAY 13 NET (TAMIL)The Greatest of All Time₹ 6.45 CrAmaran₹ 3.60 CrKaruppu₹ 3.30 CrJailer₹ 3.30 CrBaahubali 2 The Conclusion₹ 3.25 Cr As we look at the regional breakdown for Day 13, the Tamil version remains the primary driver with a net of ₹3.30 Cr and an occupancy rate of 23.0 percent. The Telugu version added another ₹0.70 Cr with 17.0 percent occupancy. State-wise, Tamil Nadu contributed a gross of ₹3.35 Cr, followed by the AP-TG region at ₹0.70 Cr, Karnataka at ₹0.28 Cr, and Kerala at ₹0.25 Cr. With such a wide-reaching performance, Karuppu is showing no signs of slowing down anytime soon.

BY SACNILK TEAM

Here is the Malayalam movie Kattalan box office collection which is a Action Thriller film. This film is directed by Paul George and produced by . ## Kattalan stars , Dushara Vijayan, Antony Varghese, Sunil Varma, Kabir Duhan Singh, Jagadish, Siddique in key roles. ## Kattalan Review ## Kattalan Review: What Public Has To Say About This Movie ## Kattalan Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Thursday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Kattalan Budget: ₹ 1 Cr * Approx ## Kattalan Verdict: Coming Soon ## Kattalan Screen count ## India: - * expected ## Overseas: - * expected ## Worldwide total: - ## Release Date: 28th May 2026 ## For more and the latest news about Mollywood Box Office Collection, Stay tuned to us.Kattalan State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Thursday]₹ 0.18 Cr₹ 0.3 Cr₹ 0.09 Cr₹ 3.5 Cr₹ 0.3 Cr₹ 4.37 CrDay 2 [1st Friday]₹ 0.1 Cr₹ 0.35 Cr₹ 0.09 Cr₹ 0.95 Cr₹ 0.35 Cr₹ 1.84 CrDay 3 [1st Saturday]₹ 0.12 Cr₹ 0.35 Cr₹ 0.1 Cr₹ 0.55 Cr₹ 0.5 Cr₹ 1.62 CrDay 4 [1st Sunday]₹ 0.11 Cr₹ 0.2 Cr₹ 0.04 Cr₹ 0.37 Cr₹ 0.35 Cr₹ 1.07 CrTotal₹ 0.51 Cr₹ 1.2 Cr₹ 0.32 Cr₹ 5.37 Cr₹ 1.5 Cr₹ 8.9 Cr ##

BY CHRISTA LINCY

BookMyShow (BMS) interest levels over the last 24 hours provide a clear look at which upcoming films are currently generating the most traction. Leading the list is Ram Charan's Peddi, followed by global spectacles like Spider-Man: Brand New Day and Avengers: Doomsday, as well as highly anticipated local projects like Hai Jawani Toh Ishq Hona Hai, Spirit, Toxic, and Cocktail 2. BMS Interests | Last 24 HoursMOVIE NAMEINTERESTS / LIKESPeddi7KSpider-Man: Brand New Day2KHai Jawani Toh Ishq Hona Hai1.3KAvengers: Doomsday1KSpirit1KToxic: A Fairy Tale for Grown-Ups1KCocktail 2600 Leading the pack is Ram Charan’s Peddi, which is showing immense ground-level hype. The film has already cleared its censor formalities with a U/A certificate, and it is going to be a long sitting for the audience with a runtime of 189 minutes (3 hours and 9 minutes). Overseas, the momentum is even more impressive. According to data from Venky Box Office, the North America premiere advance sales have already touched $533K with over 18,900 tickets sold, even with 8 days still left for the premiere. On the business side, Netflix India has secured the post-theatrical rights for a reported ₹130 crore, which includes extra bonus payouts depending on how well the film performs at the box office. (adsbygoogle = window.adsbygoogle || []).push({}) On the global front, Tom Holland’s Spider-Man: Brand New Day is rewriting the record books before its July 31, 2026 release. The trailer alone pulled in a historic 718.6 million views in 24 hours, completely smashing the previous record held by Deadpool & Wolverine. It didn't stop there, crossing the 1 billion mark in just four days. Early tracking for the North American opening weekend suggests a massive $150 million to $200 million start. For those craving some classic Bollywood rom-com vibes, David Dhawan is returning with Hai Jawani Toh Ishq Hona Hai on June 5, 2026. This marks his fourth collaboration with son Varun Dhawan and features a chaotic love triangle with Mrunal Thakur and Pooja Hegde. Mounted on a controlled budget of ₹40 crore, the film leans heavily into 90s nostalgia, even recreating the iconic track Ishq Chandi Hai, Ishq Sona Hai. It is being viewed as a low-risk, high-return project for the industry. Marvel is also prepping its ultimate comeback with Avengers: Doomsday, slated for December 18, 2026. With the Russo brothers returning to direct and Robert Downey Jr. back in the mix as Doctor Doom, the industry standard for this film is a billion dollars at the bare minimum. Long-lead tracking is already pointing toward a potential $2 billion global finish, making it a heavy favorite to dominate the 2026 box office alongside Spider-Man. (adsbygoogle = window.adsbygoogle || []).push({}) Looking further into the future, Prabhas is gearing up for his landmark 25th film, Spirit, directed by Sandeep Reddy Vanga. Tracking for a March 5, 2027 release, the film reportedly features Prabhas as an aggressive IPS officer. Meanwhile, Rocking Star Yash is set to return after a four-year hiatus with Toxic: A Fairy Tale for Grown-Ups. This Goa-based gangster saga is being mounted on a gargantuan budget of ₹700–₹800 crore, unfolding as a savage period drama set between the 1940s and the 1970s. Finally, we have Cocktail 2, a spiritual sequel to the 2012 hit, locked for June 19, 2026. The film features a fresh trio of Shahid Kapoor, Kriti Sanon, and Rashmika Mandanna. While the first single Mashooqa faced some plagiarism allegations, the chemistry between the leads has kept the buzz alive. The film's first major box office goal will be to overtake the ₹109 crore gross of Pati Patni Aur Woh to secure a spot among the top romantic comedies of the decade. With such a diverse and heavy-hitting lineup, the theatrical business is looking incredibly healthy for the next two years.

BY CHRISTA LINCY

2026 is turning out to be a landmark year for Marathi cinema, showing a level of consistency and commercial muscle that we haven't seen in quite a while. It is not just about one-off hits anymore; the industry is producing films with incredible theatrical legs. We have seen projects like Deool Band 2 holding their ground, but Raja Shivaji is the one truly leading the charge, proving that regional epics can sustain interest deep into their fourth week. As we look at the numbers for Day 26, which was its fourth Tuesday, Raja Shivaji is showing remarkable stability. Based on the latest data, the film collected a net of 0.45 Cr in India. What is particularly fascinating is that there was absolutely no drop compared to Monday's collection of 0.45 Cr. In the box office world, a zero percent drop on a weekday is a clear indicator of a loyal audience base that is still turning up to catch the film. This steady performance has now pushed the total India net collection to a strong 92.90 Cr. The Marathi version continues to be the primary engine of growth, contributing 0.37 Cr net (0.42 Cr gross) from 566 shows on Tuesday. The occupancy levels in the core Marathi markets remain very healthy for a film in its fourth week. Mumbai recorded an overall occupancy of 35 percent, while Pune performed even better at 41.3 percent. If we look at the night shows, the numbers jumped significantly, with Pune hitting 57 percent and Mumbai reaching 52 percent capacity. The Hindi version added another 0.08 Cr net from 268 shows, with decent traction in Surat and Ahmedabad, which saw occupancies of 26 percent and 21.8 percent respectively. (adsbygoogle = window.adsbygoogle || []).push({}) The performance in national multiplex chains like PVR, INOX, and Cinepolis confirms that the film is still a top choice for urban viewers. These chains contributed a total gross of 1.8 Lakhs from around 1,430 tickets sold on Tuesday. Specifically, INOX led the segment with a contribution of 0.88 Lakhs, while Cinepolis and PVR added 0.59 Lakhs and 0.33 Lakhs respectively. These figures highlight how well the film is holding its own on premium screens even after 87,098 cumulative shows. The digital footprint on BookMyShow actually showed a slight uptick in interest. On Monday, the platform saw 15.51K tickets booked, which grew to 15.72K on Tuesday. This brings the cumulative ticket sales on the platform to a staggering 25.36 Lakhs. On the global stage, Raja Shivaji has officially crossed the 114 Crore gross milestone. With an India gross of 109.81 Cr and an overseas contribution of 4.22 Cr, the worldwide gross total now sits at 114.03 Cr. Having played across 87,098 shows since its release, the film has managed to balance domestic strength with a modest but present international footprint. As it inches closer to the 100 Crore net mark in India, it has already cemented itself as a genuine blockbuster for the Marathi industry in 2026.

BY CHRISTA LINCY

It is truly remarkable to see a film still finding fresh oxygen in its tenth week, but Ranveer Singh’s Dhurandhar 2: The Revenge is doing exactly that. On its 69th day in theaters, the sequel managed to rake in a net of 0.15 Cr across India. While the number might seem small in isolation, it actually represents a 25 percent growth compared to the previous day's 0.12 Cr. For a movie to show an upward trend this late in its theatrical run is a testament to its incredible legs at the box office. With this latest addition to the kitty, the total India net collection has reached a staggering 1,147.85 Cr. Most of this moolah has come from the Hindi version, which alone has crossed the 1,000 Crore milestone, sitting at 1,079.31 Cr. The film has also seen healthy contributions from the South, particularly from the Telugu version, which netted 43.07 Cr. Overall, the India gross now stands at 1,373.73 Cr, and when you combine that with an overseas gross of 426.67 Cr, the film has officially breached the massive 1,800 Crore worldwide milestone. If you look at the occupancy levels for Day 69, the film is performing exceptionally well in specific pockets despite having only 246 shows left nationwide. Pune was the standout performer yesterday, recording a massive 66 percent overall occupancy, with afternoon shows even hitting 100 percent capacity. Mumbai also saw strong footfalls with 43 percent occupancy, including an evening peak of 91 percent. In the National Capital Region (NCR), which still holds the highest show count at 56, the occupancy stayed solid at 30.5 percent. It is clear that the core audience is still showing up to experience this spectacle on the big screen. (adsbygoogle = window.adsbygoogle || []).push({}) National multiplex chains like PVR, INOX, and Cinepolis show that the film added around 1.3 Lakhs to its gross through advance sales for the day. Specifically, PVR brought in approximately 61K, followed by INOX at 40K and Cinepolis at 31K. Total ticket sales across these chains for the day were around 780 tickets. These figures show that while the volume is low, the film is still maintaining its presence in premium screens even after 525,460 cumulative shows since its release. In total, Dhurandhar 2: The Revenge has cemented itself as an all-time blockbuster with worldwide collections of 1,800.40 Cr. The journey from its opening day to Day 69 has been record-breaking, and even as it nears the end of its theatrical journey, it continues to add those final bits of revenue to its legendary total. Logically, with new releases taking over most screens, the film is now making the most of its loyal urban fan base to finish its run on a high note.

BY SUNIT JANGIR

Mumbai, May 27 - After a mega blockbuster run at the box office and massive OTT viewership on Netflix, director Aditya Dhar's Dhurandhar is all set to make its television debut. The much-talked-about action thriller starring Ranveer Singh will have its World Television Premiere on May 30 at 7 PM on Star Gold, Star Gold 2, and Colors Cineplex. (adsbygoogle = window.adsbygoogle || []).push({}) The television premiere marks another major milestone for the film, which emerged as one of the biggest Indian blockbusters. Backed by high-octane action, patriotic themes, and a mass-heavy presentation, the 2025 film managed to create strong buzz during its theatrical run and continued to dominate conversations even after its digital release. Made on a grand scale and huge budget, Dhurandhar featured Ranveer Singh in one of his most intense action-oriented avatars. The film received appreciation for its raw action sequences and rooted narrative. The film is expected to register impressive television ratings, considering its strong theatrical popularity and fan following among mass audiences. (adsbygoogle = window.adsbygoogle || []).push({}) Multi-channel premieres have increasingly become a strategy for broadcasters to maximise reach, and the same approach is now being adopted for Dhurandhar. The movie's television debut is expected to further strengthen its popularity among audiences. With its action-packed narrative and star power, the film is likely to attract significant viewership. Released on December 5, 2025, Dhurandhar went on to gross over 1300 crores at the worldwide box office, before its sequel, Dhurandhar 2: The Revenge, scripted history by grossing over 1800 crores globally after its release on March 19. Produced by Jio Studios and B62 Studio, the movie also stars R. Madhavan, Arjun Rampal, Sanjay Dutt, Sara Arjun, Rakesh Bedi, and Danish Pandor in key roles.

BY CHRISTA LINCY

Mohanlal is back in his most iconic role, and the box office numbers suggest that Drishyam 3 is finding plenty of oxygen to sustain its theatrical run. On its first Tuesday, which marks Day 6, the film collected a net of 6.45 Cr across India. This represents a logical 16.2 percent drop from Monday, which saw 7.70 Cr. While big-budget sequels often see a sharper decline after the opening weekend, this Tuesday collection indicates a steady hold for the film. With 4,668 shows running nationwide, the total India net collection has now reached a strong 68.60 Cr. The Malayalam version remains the heavy lifter, contributing 5.50 Cr to the Tuesday net. This performance has earned the film a spot among the elite performers in Mollywood history. While the film is performing well across all South Indian states, the core strength remains in its home territory. To give you some perspective on its domestic dominance, here is how the 6-day net collections for the Malayalam version compare with other recent blockbusters: Mollywood First 6 Days Highest Collection Movie (Net)RANKMOVIE NAMEFIRST 6 DAYS NET (MALAYALAM)1L2: Empuraan₹ 71.90 Cr2Drishyam 3 (Malayalam)₹ 59.05 Cr3Thudarum₹ 43.49 Cr4Vaazha 2: Biopic of a Billion Bros₹ 40.20 Cr5Aadujeevitham - The Goat Life₹ 34.77 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Kerala remains the primary engine for the film, contributing a gross of 50.95 Cr in just six days. This makes Drishyam 3 the second fastest film to hit the 50 Crore mark in the state, sitting just behind L2: Empuraan which reached the milestone in 5 days, and ahead of both Thudarum and Vaazha 2 which took 8 days. Karnataka has also added significant moolah to the kitty, crossing the 10 Crore milestone with a 10.28 Cr gross. With APTG bringing in 7.00 Cr and Tamil Nadu adding 6.35 Cr, the total India gross has reached a solid 79.62 Cr before completing its first week. Breaking into the second spot on the 6-day chart is a massive win for the franchise. However, if we look strictly at the first Tuesday earnings, the film faces stiff competition. With a net of 5.50 Cr for the Malayalam version on Tuesday, it currently sits at the fifth spot on the list of highest 1st Tuesday earners in Mollywood, trailing behind films like L2: Empuraan and Vaazha 2. Mollywood 1st Tuesday Highest Collection Movie (Net)RANKMOVIE NAME1ST TUESDAY NET (MALAYALAM)1L2: Empuraan₹ 8.00 Cr2Vaazha 2: Biopic of a Billion Bros₹ 7.10 Cr3Thudarum₹ 6.35 Cr4Lokah: Chapter 1 - Chandra₹ 5.70 Cr5Drishyam 3 (Malayalam)₹ 5.50 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Also Check the state-wise gross collection breakdown for Day 6: Kerala: 5.65 Cr APTG: 0.60 Cr Tamil Nadu: 0.50 Cr Karnataka: 0.43 Cr Rest of India: 0.30 Cr Total Day 6 India Gross: 7.48 Cr When we dive into region-specific occupancy for the Malayalam version, Kochi and Kozhikode are leading the way with overall occupancies of 60 percent and 55 percent. The night shows in these cities were particularly busy, peaking at 79 percent and 76 percent respectively. Trivandrum also saw a solid overall occupancy of 42.8 percent, with night shows climbing to 64 percent. In satellite markets, Bengaluru recorded 13.3 percent overall occupancy, while Mumbai and Chennai saw 17 percent and 22.3 percent. The Tamil version saw healthy traction in Chennai with a 30 percent overall occupancy, followed by Coimbatore at 25 percent. In the Telugu markets, Hyderabad and Vizag recorded occupancies of 13.3 percent and 12.5 percent, while the Kannada version saw a standout performance in Hubballi with 32.3 percent occupancy. National multiplex chains confirm that Drishyam 3 is currently the top-selling movie in that segment. On its first Tuesday, the film added approximately 32.7 Lakhs to its gross kitty from around 15,400 tickets sold. PVR was the primary driver here, contributing roughly 21.7 Lakhs, while INOX and Cinepolis added approximately 5.6 Lakhs and 5.4 Lakhs respectively. (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales on BookMyShow further highlight the consistent interest. On Tuesday, the platform recorded 221.81K ticket sales, taking the total sales on the app to over 27.45 Lakhs. Since 2024, this puts Drishyam 3 at the fourth spot for highest 1st Tuesday sales on the platform, just behind Thudarum. On the global front, the film is raking in serious moolah. The overseas gross added another 6.00 Cr on Day 6, taking the total overseas kitty to 90.70 Cr. According to reports from Venky Box Office, the film earned 168K Dollars on Monday in North America, pushing its total there to 1.64 Million Dollars. Down under, the film's theatrical run is seeing massive traction in the Oceania region, with total earnings comfortably exceeding A$850K in Australia and over NZ$240K in New Zealand within its first six days.. With a total show count of 30,199 to date, Drishyam 3 is well on its way to setting new benchmarks for the Malayalam industry.

BY CHRISTA LINCY

Bhooth Bangla is maintaining a steady pace as it completes its sixth week in theaters. On its 40th day, the film added 0.65 Cr net to its kitty across India, marking a 30 percent growth from the previous day’s 0.50 Cr. Even with new competition like Drishyam 3 taking up significant screen space, the movie is finding enough oxygen to keep its theatrical run alive during the weekdays. With this latest addition to the kitty, the total India net collection now stands at a solid 175.50 Cr. When we look at the gross numbers, the film has crossed the 200 Crore mark domestically, sitting at 207.95 Cr. The global story is equally impressive for a mid-budget horror-comedy; with an overseas contribution of 53.75 Cr, the worldwide gross has now touched 261.70 Cr. Navigating through 40 days of theatrical run is no small feat, and the film has managed to sustain itself across a total of 228,679 shows since its release. To give you some context on where this performance ranks in the history of Bollywood, Bhooth Bangla has officially cracked the Top 10 list for the highest Day 40 collections. While it sits at the tenth spot with its 0.65 Cr, trailing just slightly behind Drishyam 2, which earned 0.70 Cr on the same day, finding its name alongside biggies like Dhurandhar and its sequel is a massive win for the makers. It shows that the film has successfully transitioned from a hit to a genuine long-term player in the market. (adsbygoogle = window.adsbygoogle || []).push({}) Bollywood Day 40 Highest Collection MovieRANKMOVIE NAMEDAY 40 NET (HINDI)1Dhurandhar₹ 2.60 Cr2Pathaan₹ 2.55 Cr3Chhaava₹ 1.40 Cr4URI The Surgical Strike₹ 1.38 Cr5Stree 2₹ 1.35 Cr6Dhurandhar 2: The Revenge₹ 1.00 Cr7Pushpa: The Rule - Part 2₹ 0.75 Cr8Jawan₹ 0.74 Cr9Drishyam 2₹ 0.70 Cr10Bhooth Bangla₹ 0.65 Cr Looking at the occupancy levels, the National Capital Region (NCR) continues to be the primary engine for the film. With 200 shows still running in the region, it recorded an overall occupancy of 28.5 percent. The night shows in NCR were particularly busy, hitting a peak of 39 percent. Other cities like Ahmedabad and Lucknow also showed decent footfalls with occupancies of 15.3 percent and 16.8 percent respectively. This indicates that while the show count has naturally decreased to 1,597 shows nationwide, the seats are still being filled at a healthy rate. (adsbygoogle = window.adsbygoogle || []).push({}) In terms of early trends from the big national multiplex chains, the film added around 3 Lakhs to its gross through advance sales for Day 40. PVR led the way with 1.15 Lakhs, followed closely by INOX at 1.02 Lakhs, and Cinepolis contributing 83.36K. These numbers might seem small compared to the opening weekend, but for a film in its sixth week, these are vital signs that the audience hasn't completely moved on yet. The digital footprint on BookMyShow remains quite active as well. On this sixth Tuesday, the platform recorded 16.08K ticket sales for the film. This brings the cumulative ticket sales on the platform to a staggering 32.86 Lakhs. It is clear that the word-of-mouth has carried this film far beyond its initial buzz. While newer biggies are grabbing the lion's share of the screens, Bhooth Bangla is content with its slice of the pie, continuing to add to its lifetime total with surprising consistency.

BY CHRISTA LINCY

It is not often that we see a single film dominate the charts in two different versions at the same time, but Ranveer Singh’s Dhurandhar is doing exactly that on Netflix. During the latest tracking window from May 18 to May 24, 2026, the film has pulled off a rare double-charting feat in India. The newly released uncut version, titled Dhurandhar (Raw & Undekha), has grabbed the Number 2 spot, while the original version of the film has climbed back up to occupy the Number 4 position. This simultaneous dominance is a fascinating case of defying viewership cannibalisation. Usually, when a new or extended version of a film is released, it tends to pull the audience away from the older version. However, in this instance, it seems to have triggered a massive rewatch cycle. Fans are actively streaming both versions side-by-side to compare the scenes and catch the differences, which is an exceptionally rare anomaly for Indian cinema on a global streaming platform. If you look at the domestic performance, the original Dhurandhar has managed to stay in the Top 10 for a staggering 17 weeks. Here is the complete Top 10 breakdown for the Indian market: (adsbygoogle = window.adsbygoogle || []).push({}) Top 10 Movies on Netflix India (May 18-24, 2026)RANKINGMOVIE NAMEWEEKS IN TOP 1001Kartavya202Dhurandhar (Raw & Undekha)103Swapped404Dhurandhar1705Bharathanatyam 2 Mohiniyattam306Blue Beetle207Youth608Aquaman and the Lost Kingdom209Raakaasa410Made in Korea5 The success is not just limited to the domestic market. On the global stage, the sequel, Dhurandhar The Revenge (Raw & Undekha), has secured the 5th spot in the Non-English movies category. The numbers are quite impressive, with 1.3 million views recorded just this week and a staggering 49 million hours viewed. The film has a massive runtime of 3 hours and 52 minutes, which makes those high watch hours even more significant. By the end of its second weekend, the total views for this specific uncut version have reached 3.1 million worldwide. 01. Kartavya (4,200,000 Views | 7,700,000 Hours) 02. Bride of the Year (2,500,000 Views | 4,100,000 Hours) 03. Coco Before Chanel (1,700,000 Views | 3,200,000 Hours) 04. The Bus: A French Football Mutiny (1,500,000 Views | 2,000,000 Hours) 05. Dhurandhar The Revenge (Raw & Undekha) (1,300,000 Views | 4,900,000 Hours) 06. Number One (1,100,000 Views | 19,00,000 Hours) 07. My Dearest Assassin (1,100,000 Views | 23,00,000 Hours) 08. Je m’appelle Agneta (9,00,000 Views | 18,00,000 Hours) 09. Village of the Dead (8,00,000 Views | 12,00,000 Hours) 10. Hidden Enemy (7,00,000 Views | 13,00,000 Hours) (adsbygoogle = window.adsbygoogle || []).push({}) A major factor behind this viral momentum is the inclusion of nearly 4 minutes of entirely unseen footage in the international uncut version of the sequel, Dhurandhar The Revenge (Raw & Undekha). This has sparked a significant wave across social media platforms like Instagram, with fans encouraging others to experience the unfiltered narrative. On the global stage, this specific version has secured the Number 1 spot in 7 countries—including Bangladesh, Bahrain, Sri Lanka, and Pakistan—while maintaining a Top 10 presence in 13 countries. With a massive runtime of 3 hours and 52 minutes, the film recorded 1.3 million views and an impressive 49 million viewing hours this week, solidifying its position at Number 5 on the global non-English movie chart. Meanwhile, in India, the film’s popularity has trickled back to the original part, causing both versions of the franchise to trend in the Top 5 simultaneously. Logically, this trend suggests that audiences are increasingly interested in extended director’s cuts that offer a deeper dive into the story. For a film like Dhurandhar, which follows a high-stakes mission into a criminal underworld, those extra minutes of raw footage have clearly added enough value to bring viewers back for a second or even third viewing. Seeing the original version stay in the Top 10 for 17 weeks while the new version climbs the charts is a testament to the enduring popularity of this franchise.

BY CHRISTA LINCY

Karuppu is maintaining a steady grip at the box office as it completes its second Tuesday in theaters. After a strong opening week, the film is now navigating the usual weekday trend with a logical dip in numbers. Based on early estimates, the movie earned a net collection of 4.45 Cr in India on its 12th day. When we look at the trajectory, this represents a 24.6 percent drop from the previous day, which saw a collection of 5.90 Cr. It is a standard pattern for a big-budget film in its second week, and the steady count of 4,470 shows indicates that the film continues to hold a significant presence across screens. A significant milestone to note is that the film officially crossed the 150 Crore net mark in India on its 11th day itself. Reaching this level within just 11 days of release is a clear indicator of its strong box office pull and puts it in an elite bracket of performers. As of the end of Day 12, the total India net has climbed to 159.20 Cr, while the gross collections stand at 184.26 Cr. Looking back at the Day 11 trend, the film saw a typical post-weekend drop of 60 percent, but the steady performance on Tuesday suggests a consistent interest from the audience during the weekdays. Karuppu has managed to break into the top three for the highest second Tuesday net collections in the Tamil language. By earning 3.65 Cr from the Tamil version alone on its 12th day, it has outperformed hits like Amaran and Vikram. Highest 2nd Tuesday Tamil/Kollywood Net CollectionRANKMOVIE NAME2ND TUESDAY NET (TAMIL)1The Greatest of All Time₹ 6.45 Cr2Sarkar₹ 4.00 Cr3Karuppu₹ 3.65 Cr4Amaran₹ 3.60 Cr5Vikram₹ 3.51 Cr (adsbygoogle = window.adsbygoogle || []).push({}) Looking at how the film is performing across different regions, the home territory of Tamil Nadu continues to be the primary driver of growth. Here is the state-wise gross collection report for Day 12: Tamil Nadu: 3.70 Cr APTG: 0.80 Cr Karnataka: 0.30 Cr Kerala: 0.21 Cr Rest of India: 0.08 Cr Total Day 12 Gross: 5.09 Cr When we dive into city-level data, Chennai remains the powerhouse for the film with a 36 percent overall occupancy. The night shows in Chennai saw a peak of 41 percent, showing that the urban audience is still turning up in good numbers. Other regions like Coimbatore and Madurai are also showing healthy trends with 29.8 percent and 22 percent occupancy respectively. Bengaluru is seeing a more modest performance at 11.5 percent, which is typical for a Tamil film in its second week in that market. In terms of ticket sales in national chains like PVR, INOX, and Cinepolis, the film is holding its own even with new competition like Drishyam 3. For Day 12, the national chains contributed around 18.7 Lakhs to the advance gross. Specifically, PVR brought in 12.5 Lakhs, INOX contributed 4.9 Lakhs, and Cinepolis added 1.3 Lakhs. These figures show that while the volume is lower than the opening weekend, the interest remains sustained in multiplexes. (adsbygoogle = window.adsbygoogle || []).push({}) The ticket sales on BookMyShow also tell an interesting story, with Karuppu selling 79.16K tickets on its second Tuesday. If we look at how other major blockbusters have performed, Jailer sold 108K tickets on its second Tuesday. While Karuppu is trailing that specific record, selling nearly 80K tickets on a weekday is a very healthy sign. Total tickets sold on the platform have now reached a significant 38.42 Lakhs. On the global front, Suriya is witnessing a career-best performance in several markets, with early estimates suggesting the film added another 1.00 Cr on Day 12. In the UK and Ireland, the film has smashed records by crossing 400K Pounds [approximately 4.35 Cr] in just 11 days, marking it as a mega blockbuster in that region. Over in North America, according to data from Venky Box Office, the film earned 40K Dollars [around 33.5 Lakhs] on Monday, taking its total there to 1.29 Million Dollars [roughly 10.80 Cr]. Through the second weekend, the total overseas gross stands at 7.05 Million Dollars [67.1 Cr]. In total, the worldwide gross for Karuppu has now reached 253.26 Cr. With a total show count of 64,922 across its 12-day run, the film has managed to balance domestic strength with an impressive overseas footprint. The logical trend suggests it will continue to add to its tally before the next set of big releases arrives.