BY CHRISTA LINCY

Bollywood’s madcap comedy universe is expanding once again — and this time it’s louder, crazier, and unapologetically full of masti.The much-awaited Mastiii 4 trailer dropped today, with Vivek Anand Oberoi sharing the first look on X, teasing fans with a promise: this year, it’s “full of Dhamaal and Golmaal!”The film brings together a riot of familiar comic faces and fresh energy, packing the frame with chaos, confusion, and absolute laugh-riot vibes. The film reunites the original “Masti boys” — Riteish Deshmukh, Vivek Oberoi and Aftab Shivdasani — who first made waves with the franchise’s earlier instalments, and this time they are joined by an expanded comedic lineup featuring Arshad Warsi, Tusshar Kapoor, Nargis Fakhri, Ruhi Singh, Shreya Sharma and Shaad Randhawa. With such a roster of familiar faces, the new chapter taps directly into the feel of the classic multi-star laugh-riot era, where outrageous situations, high-energy buddy chemistry and fast punch-lines ruled the theatres. With the holiday season around the corner, Mastiii 4 hits theatres on 21 November 2025, aiming to deliver a classic popcorn entertainer perfectly built for families and friend-groups to enjoy together. In a year where thrillers, gritty dramas and biopics have dominated the big screen, this one brings back good old desi slapstick fun — zero logic, full volume, maximum laughter. This year Mastiii 4 is full of Dhamaal and Golmaal!Trailer Out Now!#Mastiii4 #TrailerOutNowReleasing in cinemas on 21st November@Riteishd @vivekoberoi @AftabShivdasani @ArshadWarsi @TusshKapoor @NargisFakhri #RuhiSingh #ShreyaSharmaishere @Shaadrandhawa… pic.twitter.com/f9E3NjNXlS— Vivek Anand Oberoi (@vivekoberoi) November 4, 2025 Silly? Yes. Loud? Definitely. Entertaining? The trailer says — absolutely. Mastiii 4 looks like pure weekend escape — a fun-filled, no-logic, full-mood comedy meant to bring back the charm of big-screen laughter. If the film matches the trailer’s energy, November might just turn into a nostalgia-driven giggle fest at the box office.

BY CHRISTA LINCY

When S.S. Rajamouli says inspiration can strike anywhere, he means it literally. In a recent X post going viral among film buffs, the master storyteller revealed that the Karna and Ghatotkacha fight sequence in Baahubali was inspired by a grand sculpture he saw in Bali. The larger-than-life depiction of the mythological clash sparked a creative spark — one that eventually shaped one of Indian cinema’s most iconic war moments.And now, with Baahubali: The Epic back in cinemas in its remastered, single-cut format, audiences are once again witnessing how that vision translated into cinematic history. #SSRajamouli Said I Saw - KARNA AND GHATOTKACHA FIGHT - Statue in Bali then I decided its need be in My #BaahubaliTheEpic Film. pic.twitter.com/CVdgie778A— GetsCinema (@GetsCinema) November 4, 2025 This new edition condenses the two-part saga into one sweeping narrative while upgrading visuals and sound for today’s big-screen standards. With enhanced clarity, deeper sound design and a tighter storytelling rhythm, the film feels less like a re-release and more like a celebration of the world Rajamouli built.From Mahishmati’s soaring architecture to the raw emotional arc of Amarendra and Mahendra Baahubali, the film still carries the same thunder — only sleeker, sharper and grander. Even as a re-release, Baahubali: The Epic has surged back into theatres with remarkable force. The film has already garnered ₹26 crore net in India in its first four days, with a global weekend haul of ₹39.75 crore, proving the franchise still commands massive pull. The re-release has drawn strong turnout across metros, fuelled by loyal fans returning for the big-screen experience, families rediscovering the epic, and a fresh wave of younger audiences seeing Baahubali in theatres for the very first time. This perfect mix of nostalgia and new curiosity has given the film an impressive second life at the box office. Whether you’re revisiting Mahishmati or experiencing it for the first time, Baahubali: The Epic proves once again that true cinematic universes don’t age — they evolve.And as Rajamouli’s Bali anecdote reminds us — epic stories come from observing epic stories carved by cultures long before us. The only difference? He turned inspiration into a phenomenon.

BY CHRISTA LINCY

Assam is witnessing a rare cinematic moment. Roi Roi Binale, the last film featuring beloved singer-actor Zubeen Garg, has turned theatres into tribute grounds — not just movie halls. Crowds have been queuing up from early morning, many walking out teary-eyed, celebrating the star one last time on the big screen.For fans across the Northeast, this isn’t just a film release — it’s closure, celebration, and a heartfelt goodbye rolled into one frame. PHOTOS | Crowds have been pouring into theatres for Roi Roi Binale, the last film of #ZubeenGarg. Fans have been arriving show after show since dawn watching, crying, and celebrating the legend one last time.#roiroibinale #assamesecinema #gplus #guwahati pic.twitter.com/q1OSAk4hvP— GPlus (@guwahatiplus) October 31, 2025 Ever since the film hit theatres, social media has been flooded with emotional tributes — fans sharing photos, videos, and personal memories, turning cinema halls into spaces of remembrance and celebration. The nostalgic wave has translated strongly at the box office too, with ₹ 8.87 Cr collected worldwide already, and multiple shows running house-full across Assam and key cities with Assamese audiences. Collections are already impressive — within three days the film crossed ₹7 crore net in India with a gross of ₹ 8.87 Cr and opened with near-100% occupancy in Assam. With packed early-morning shows and high turnout beyond the state, the release is being treated as a cultural event rather than just a film. Amid the celebrations, the makers have already raised alarm over piracy leaks. Clips and recorded videos began circulating online soon after release, compelling production and fan groups to request viewers: “If you love Zubeen, don’t pirate his film. Watch it in theatres — celebrate him with dignity.” Authorities and the film team are actively monitoring and taking down illegal uploads, urging fans to support the film responsibly. Zubeen Garg’s passing earlier this year left a void that still feels unreal to millions. Known as the heartbeat of Assamese music and a passionate creative force, his legacy stretches across albums, films, and cultural movements.Roi Roi Binale captures his artistry one last time — making it a deeply personal viewing experience for admirers who grew up with his voice. Roi Roi Binale isn’t just a release — it’s a cultural moment. A moment of unity, pride, love, and loss for Assamese cinema. One that reminds us how deeply an artist can belong to his people.And as theatres echo with applause and emotion, one thing is clear — Zubeen Garg’s voice may fall silent, but his legacy will not.

BY SUNIT JANGIR

Hyderabad, November 4 - Rashmika Mandanna's upcoming romantic drama The Girlfriend has turned out to be a hot property even before its theatrical release. The film has secured impressive non-theatrical deals, reaffirming the Pushpa actress's pan-India appeal. According to reports, The Girlfriend has secured its streaming home on Netflix, which has acquired the digital rights for 14 crore. Additionally, the Hindi dubbing and satellite rights have reportedly been sold for around 7 crore, taking the total non-theatrical revenue to a solid 21 crore. The strong response from buyers reflects the growing buzz around the film and Rashmika Mandanna's pan-India popularity. The film has managed to grow curiosity among the moviegoers after the solid teaser and trailer. The movie promises to be a unique romantic drama with a strong message. Directed by Rahul Ravindran, The Girlfriend is touted to be an emotional romantic entertainer which explores themes of toxic and possessive relationships within a college romance. Also starring Dheekshith Shetty, Anu Emmanuel, Rao Ramesh, and Rohini, the movie is scheduled to release on November 7 in multiple languages. Stay tuned...

BY CHRISTA LINCY

Junglee Pictures’ upcoming drama Haq, headlined by Emraan Hashmi and Yami Gautam Dhar, has smoothly crossed one of the biggest pre-release checkpoints — global censor clearances. The film, inspired by the historic Shah Bano legal case, is set for release on 7 November 2025 and arrives with strong attention on its sensitive legal-drama theme.. As noted by trade analyst Taran Adarsh, these are the certification milestones. India – Certified UA (13+) by the CBFC on 28 October 2025 UAE – Cleared with no cuts, rated 15+ Also cleared in the UK, Australia and New Zealand 'HAQ' CLEARED IN INDIA, UAE, UK, AUSTRALIA, NEW ZEALAND... #JungleePictures' #Haq – starring #EmraanHashmi and #YamiGautamDhar – has received censor clearance in #India, #UAE, #UK, #Australia, and #NewZealand.⭐️ #India: Certified UA 13+ by CBFC on 28 Oct 2025.⭐️ #UAE:… pic.twitter.com/CaVeom53DY— taran adarsh (@taran_adarsh) November 4, 2025 The UAE clearance — without any edits — has drawn attention, especially given the film’s social and religious sensitivity. Yami Gautam recently highlighted that passing scrutiny in the UAE signals the film’s balanced, non-provocative approach to its subject.“If there are no problems there, it means this film isn’t here to antagonise any faith,” Yami noted in a recent interaction. Haq revisits the Shah Bano landmark case, one of India’s most pivotal legal battles around women’s rights and religious law. With themes rooted in justice, faith, and societal reform, the film walks a fine line — and its clean international clearances suggest a respectful treatment of the narrative. Director Suparn Varma reportedly focuses on courtroom intensity, personal trauma, and ethical debate rather than sensationalism — a choice that seems to have helped the film earn regulatory approvals smoothly. While the film has been cleared, controversy hasn’t stayed far. Shah Bano’s daughter reportedly issued a legal notice objecting to the use of her mother’s story without consent. As of now, the film’s release schedule remains unaffected. With a UA in India — allowing teenagers to watch with guidance — and 15+ in UAE, the film is positioned for a wide audience.Haq now walks into release week with the credibility of global approvals, a quietly confident cast, and a topic that continues to resonate decades later. If early signals are anything to go by, this courtroom drama may well spark conversations not just in theatres, but beyond them.

BY SUNIT JANGIR

Mumbai, November 3 - Superstar Shah Rukh Khan celebrated his 60th birthday by officially announcing his highly-awaited action thriller film King, directed by Siddharth Anand. The movie, which is currently under production, marks the duo's second film together after 2023's mega blockbuster Pathaan. Produced by Red Chillies Entertainment and Marflix, the King title teaser has ignited massive curiosity among cinephiles after the massive response across social media platforms. In the first 24 hours, the teaser generated over 90 million views across all platforms. On YouTube, the title teaser scored around 28 million views and over 40 million views on Instagram. This is among the highest viewership for a title announcement promo, which shows the excitement around the film. King, as the promo shows, promises to present SRK in a never-before-seen avatar that is both menace and magnetism. The makers have confirmed that King will be hitting worldwide theatres in 2026, most likely in the last quarter of the year. SRK is currently recovering from his shoulder injury and will resume filming in the next few days in Mumbai. The film stars Shah Rukh Khan in the titular role, alongside his daughter Suhana Khan (in her theatrical film debut), with an ensemble cast consisting of Deepika Padukone, Abhishek Bachchan, Raghav Juyal, Anil Kapoor, Jackie Shroff, Arshad Warsi, Jaideep Ahlawat, and Abhay Verma, among others. Stay tuned...

BY SUNIT JANGIR

Mumbai, November 1 – On Diwali 2024, Bollywood witnessed one of its most talked-about box office clashes when Kartik Aaryan's horror-comedy blockbuster Bhool Bhulaiyaa 3 released opposite Rohit Shetty's star-studded Singham Again. The heavyweight clash was expected to be win by Singha Again due to the star power, but what followed was a stunning turnaround. The Anees Bazmee's directorial entertainer not only held its ground but ultimately emerged as the winner against Singham Again during the festive showdown, cementing its place as one of the biggest hits of the year. Produced by T-Series, BB3, despite the mixed word of mouth, resonated strongly with family audiences due to nostalgia, comedy, and supernatural thrills. Riding on Kartik Aaryan's funky performance as Rooh Baba and strong festive footfalls, Bhool Bhulaiyaa 3 scored a remarkable approximately 400 crores worldwide, becoming one of the highest-grossing films of 2024. In terms of audience reach, the third installment of the blockbuster franchise recorded approximately 1.30 crore footfalls across India, outperforming several films released in the year. As the film marks its first anniversary, fans continue to celebrate it as one of Kartik Aaryan’s most entertaining performances and a milestone for Indian horror-comedies. The success of Bhool Bhulaiyaa 3 not only reaffirmed Bazmee's mastery in the genre but also set a new benchmark for sequels, proving that entertainment value can still triumph over scale and star power. Here Is The Final Worldwide Box Office Breakdown of Bhool Bhulaiyaa 3 (Est.) India Net Box Office Collection₹ 260.10 Cr India Gross Box Office Collection₹ 311.35 Cr Overseas Box Office Collection₹ 89.00 Cr Worldwide Box Office Collection₹ 400.35 Cr India Footfalls/Admits1.30 Cr Box Office VerdictSuper hit Stay tuned...

BY SACNILK TEAM

Malayalam cinema continues its exciting horror streak, and Dies Irae arrives right on cue — atmospheric, unsettling, and technically sharp. Directed by Rahul Sadasivan, the film marks a powerful step forward for Pranav Mohanlal, headlining what feels like a genre milestone for Mollywood horror. The title itself, “Dies Irae,” comes from Latin meaning “Day of Wrath” — famously known as a medieval hymn sung in the Mass for the dead. It sets the tone for what the film aims to be: ominous, intense and rooted in psychological dread. Dies Irae isn’t built on jump scares — it leans into mood, paranoia and emotional unease. Pranav Mohanlal plays a character caught in a spiraling psychological trap — is it grief, guilt, a haunting presence, or something far more primal and supernatural? Instead of loud horror beats, the film lingers, unsettles and stays with you long after the credits roll. Rahul Sadasivan has quietly become one of Malayalam cinema’s most dependable voices in horror. With films like Bhoothakaalam, a critically acclaimed psychological chiller, and Bramayugam, an experimental black-and-white folk-horror led by Mammootty that earned both critical praise and box-office success, he has shown that Malayalam horror can be mature, atmospheric and emotionally grounded. Dies Irae feels like a natural extension of that journey — taking his signature mood-driven style forward with even more intention and confidence. Early audience response has been overwhelmingly positive, with viewers praising the film’s immersive sound design and technical polish. Pranav Mohanlal’s performance is being highlighted as intense, controlled and arguably his career-best, while many appreciated how the film sustains tension without relying on cheap thrills. First-show reactions call Dies Irae “technically outstanding,” “edge-of-the-seat,” and “bold filmmaking that deserves a theatrical watch,” with particular applause for its soundscape and mixing — elements that several viewers felt elevate the horror to an international standard. Dies Irae isn’t your typical horror entertainer — it’s atmospheric, patient, tastefully crafted and deeply unsettling, the kind of film that rewards attention and truly demands a big-screen experience. Pranav Mohanlal delivers his most mature performance yet, anchoring the story with quiet intensity, while Rahul Sadasivan further strengthens his position as one of the most compelling horror voices in Indian cinema today. Overall, the film stands as a worthy addition to Malayalam cinema’s evolving and increasingly confident horror legacy.

BY SUNIT JANGIR

Mumbai, November 1 — Kaleem Productions and Hombale Films' Mahavatar Narsimha, the animation phenomenon that took the box office by storm, has completed 100 glorious days in theatres, marking a defining moment for Indian animation cinema. The film has defied expectations by grossing a massive around 327 crores worldwide, including almost 300 crores from India alone. With its remarkable run nearing completion, the Ashwin Kumar's directorial has proven that animation can command the same scale and respect as live-action blockbusters, even at the Indian box office, which hasn't seen much from the Indian cinema when it comes to animation. Released amid moderate expectations, Mahavatar Narsimha found attention through strong word of mouth, and once it got that, the film was unstoppable. It reimagined the story of Lord Narsimha — the half-man, half-lion incarnation of Lord Vishnu — through state-of-the-art animation and cinematic storytelling. What set the film apart was its grand visual language and emotional depth, resonating with audiences across generations and faiths. For many, it was not just a film but an immersive experience brought to life on the big screen. The film's success also highlights the growing appetite for Indian devotional-driven content when told with technical finesse and universal appeal. Mahavatar Narsimha was praised for its animation quality, action choreography, and background score, which received widespread acclaim, making it a benchmark for what Indian animation studios can achieve when ambition meets innovation. It has been that kind of film. Beyond its box office numbers, Mahavatar Narsimha might have paved the way for Indian filmmakers to think in this way. For years, the Indian film industry has struggled to establish itself in the animation sector, with a sole focus on live-action cinema. This film's success has opened the door for large-scale animated features rooted in Indian stories, encouraging both filmmakers and investors to view the medium as commercially viable. Its impact is already being felt, with several animation films reportedly exploring divotional and fantasy-based projects. There will be at least seven films in the Mahavatar Cinematic Universe, with a few more already in production. The biggest animation project is likely to come in 2027, as maverick director SS Rajamouli has confirmed Baahubali: The Eternal War, which will be the continuation of the Baahubali franchise in animated format. The first part will hit the big screen in 2027. As Mahavatar Narsimha celebrates 100 days of dominance, it stands as more than just a blockbuster film — it's a milestone that could redefine the trajectory of Indian animation. By combining powerful storytelling with world-class visuals, it has shown that animated cinema can evoke the same awe, emotion, and patriotism as any live-action epic. The film's legacy will likely inspire a new generation of creators to dream bigger and take Indian animation to the global stage. Stay tuned...

BY SACNILK TEAM

Here is the Hindi movie The Taj Story box office collection, which is a drama film. This film is directed by Tushar Amrish Goel and produced by Swarnim Global Services Pvt. Ltd. ## The Taj Story stars Paresh Rawal, Zakir Hussain, and Amruta Khanvilkar in key roles. ## The Taj Story Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 1 [1st Friday] ₹ 1 Cr - Day 2 [1st Saturday] ₹ 2 Cr 100.00% Day 3 [1st Sunday] ₹ 2.75 Cr 37.50% Day 4 [1st Monday] ₹ 1.15 Cr -58.18% Day 5 [1st Tuesday] ₹ 1.6 Cr 39.13% Day 6 [1st Wednesday] ₹ 1.6 Cr 0.00% Day 7 [1st Thursday] ₹ 0.9 Cr -43.75% Week 1 Collection ₹ 11 Cr - Day 8 [2nd Friday] ₹ 0.9 Cr 0.00% Day 9 [2nd Saturday] ₹ 1.75 Cr 94.44% Day 10 [2nd Sunday] ₹ 2.15 Cr 22.86% Day 11 [2nd Monday] ₹ 0.4 Cr -81.40% Day 12 [2nd Tuesday] ₹ 0.6 Cr 50.00% Day 13 [2nd Wednesday] ₹ 0.45 Cr -25.00% Day 14 [2nd Thursday] ₹ 0.45 Cr 0.00% Week 2 Collection ₹ 6.7 Cr -39.09% Day 15 [3rd Friday] ₹ 0.3 Cr -33.33% Day 16 [3rd Saturday] ₹ 0.5 Cr 66.67% Day 17 [3rd Sunday] ₹ 0.65 Cr 30.00% Day 18 [3rd Monday] ₹ 0.15 Cr -76.92% Day 19 [3rd Tuesday] ₹ 0.23 Cr 53.33% Day 20 [3rd Wednesday] ₹ 0.12 Cr -47.83% Day 21 [3rd Thursday] ₹ 0.15 Cr 25.00% Week 3 Collection ₹ 2.1 Cr -68.66% Day 22 [4th Friday] ₹ 0.05 Cr -66.67% Day 23 [4th Saturday] ₹ 0.1 Cr 100.00% Day 24 [4th Sunday] ₹ 0.14 Cr 40.00% Day 25 [4th Monday] ₹ 0.04 Cr -71.43% Day 26 [4th Tuesday] ₹ 0.03 Cr -25.00% Day 27 [4th Wednesday] ₹ 0.04 Cr 33.33% Day 28 [4th Thursday] ₹ 0.03 Cr -25.00% Week 4 Collection ₹ 0.43 Cr -79.52% Day 29 [5th Friday] ₹ 0.02 Cr -33.33% Day 30 [5th Saturday] ₹ 0.02 Cr 0.00% Day 31 [5th Sunday] ₹ 0.02 Cr 0.00% Total ₹ 20.29 Cr - ## Take Subscription To See Footfalls ## India Net Collection ₹ 20.29 Cr ## Worldwide Collection ₹ 25.29 Cr ## Overseas Collection ₹ 1.15 Cr ## India Gross Collection ₹ 24.14 Cr ## The Taj Story Budget: ₹ - Cr * Approx ## The Taj Story Verdict: Coming Soon ## The Taj Story Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 31st October 2025 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

BY SUNIT JANGIR

Kochi, November 1 - Director Rahul Sadasivan, known for his acclaimed horror thrillers Bhoothakaalam and Bramayugam, has struck again with his latest horror film, Dies Irae, starring Pranav Mohanlal. The movie has opened to glowing reviews from both critics and audiences, marking another big win for Malayalam cinema in 2025. Dies Irae had its premiere on October 30, earning approximately 1 crore domestically through limited shows. The film expanded widely on Friday and witnessed an excellent response at the box office. As per early estimates, it collected around 4.50 crore on its first full day, taking the total domestic gross to roughly 5.50 crore. The film's opening marks the third biggest of 2025 for a Malayalam title, behind only L2: Empuraan and Thudarum, and also stands as the biggest-ever debut for an A-rated Malayalam film. Within Kerala, Dies Irae grossed approximately 4.75 crore, the fourth highest first-day gross of the year, while the rest of India contributed about 80 lakh. The worldwide opening of the film is over 10 crores, making it the 15th Malayalam film of all time and the third of 2025 to do so. With positive word of mouth, the movie is expected to have an excellent opening weekend. This also marks the first double-digit opening for a Malayalam adult-rated (18+) film. Stay tuned...

BY SACNILK TEAM

Here is the Assamese movie Roi Roi Binale box office collection which is a musical drama film. This film is directed by Rajesh Bhuyan and produced by Zubeen Garg and Garima Saikia Garg under the banners NK Production, iCreation, and Zeal Creations. ## Roi Roi Binale stars Zubeen Garg, Joy Kashyap, Achurjya Borpatra, Mousumi Alifa, and Yasashree Bhuyan in key roles. ## Roi Roi Binale Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 1 [1st Friday] ₹ 1.85 Cr - Day 2 [1st Saturday] ₹ 2 Cr 8.11% Day 3 [1st Sunday] ₹ 1.8 Cr -10.00% Day 4 [1st Monday] ₹ 1.5 Cr -16.67% Day 5 [1st Tuesday] ₹ 1.5 Cr 0.00% Day 6 [1st Wednesday] ₹ 1.5 Cr 0.00% Day 7 [1st Thursday] ₹ 1.33 Cr -11.33% Week 1 Collection ₹ 11.48 Cr - Day 8 [2nd Friday] ₹ 1.2 Cr -9.77% Day 9 [2nd Saturday] ₹ 1.35 Cr 12.50% Day 10 [2nd Sunday] ₹ 1.4 Cr 3.70% Day 11 [2nd Monday] ₹ 0.9 Cr -35.71% Day 12 [2nd Tuesday] ₹ 0.9 Cr 0.00% Day 13 [2nd Wednesday] ₹ 0.89 Cr -1.11% Day 14 [2nd Thursday] ₹ 0.83 Cr -6.74% Week 2 Collection ₹ 7.47 Cr -34.93% Day 15 [3rd Friday] ₹ 0.74 Cr -10.84% Day 16 [3rd Saturday] ₹ 0.93 Cr 25.68% Day 17 [3rd Sunday] ₹ 1.26 Cr 35.48% Day 18 [3rd Monday] ₹ 0.63 Cr -50.00% Day 19 [3rd Tuesday] ₹ 0.59 Cr -6.35% Day 20 [3rd Wednesday] ₹ 0.55 Cr -6.78% Day 21 [3rd Thursday] ₹ 0.47 Cr -14.55% Week 3 Collection ₹ 5.17 Cr -30.79% Day 22 [4th Friday] ₹ 0.37 Cr -21.28% Day 23 [4th Saturday] ₹ 0.59 Cr 59.46% Day 24 [4th Sunday] ₹ 0.8 Cr 35.59% Day 25 [4th Monday] ₹ 0.52 Cr -35.00% Day 26 [4th Tuesday] ₹ 0.28 Cr -46.15% Day 27 [4th Wednesday] ₹ 0.24 Cr -14.29% Day 28 [4th Thursday] ₹ 0.25 Cr 4.17% Week 4 Collection ₹ 3.05 Cr -41.01% Day 29 [5th Friday] ₹ 0.21 Cr -16.00% Day 30 [5th Saturday] ₹ 0.26 Cr 23.81% Day 31 [5th Sunday] ₹ 0.39 Cr 50.00% Total ₹ 28.03 Cr - ## Take Subscription To See Footfalls ## India Net Collection ₹ 28.03 Cr ## Worldwide Collection ₹ 33 Cr ## Overseas Collection ₹ 0 Cr ## India Gross Collection ₹ 33 Cr ## Roi Roi Binale Budget: ₹ - Cr * Approx ## Roi Roi Binale Verdict: Coming Soon ## Roi Roi Binale Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 31st October 2025 ## For more and the latest news about Jollywood Box Office Collection, Stay tuned to us.