BY SUNIT JANGIR

Mumbai, April 13 - Dhurandhar 2: The Revenge has scripted box office history by emerging as the highest-grossing Indian film worldwide without any contribution from the Gulf and China markets. In just 24 days, the Ranveer Singh starrer has stormed past the 1700 crore mark globally, setting a new benchmark for Hindi cinema. Directed by Aditya Dhar, the spy action thriller's phenomenal run has been driven by a dominant domestic performance and a once-in-a-lifetime overseas showing. Despite missing out on two of the most lucrative international circuits, Dhurandhar 2 has raked in 410+ crore gross overseas, powered by exceptional collections in North America, the United Kingdom, Australia, and key European territories. Worldwide Box Office Numbers (Without Gulf & China) Dhurandhar 2 – 1700+ crore (24 days) Pushpa 2: The Rule – 1685+ crore Baahubali 2: The Conclusion – 1615+ crore Indian blockbusters have relied on Gulf countries for consistent NRI footfall. China, though it is not a regular market for Indian films, can boost collections to extraordinary levels. Films like Dangal and Baahubali 2: The Conclusion significantly benefited from these regions. However, Dhurandhar 2 has rewritten that narrative by achieving record-breaking numbers purely on the strength of its core markets and widespread audience acceptance. The sequel has also crossed the 1000 crore net mark in India as well as in Hindi, underlining its massive domestic pull. Its sustained run, aided by strong word-of-mouth and repeat viewership, has ensured that it remains a top draw even into its fourth week, an increasingly rare feat for a heavily frontloaded title. Top Indian Grossers Worldwide Without Gulf & China S. No. Movie Total Worldwide Gross WW Gross (Excl. Gulf & China) 1 Dhurandhar 2 ₹ 1700+ Cr ₹ 1700+ Cr 2 Pushpa 2 ₹ 1742 Cr ₹ 1685+ Cr 3 Baahubali 2 ₹ 1788 Cr ₹ 1615+ Cr As of April 12, 2026. With 1700+ crore already in the bag and momentum still intact, Dhurandhar 2 is now eyeing the finish in the top 3 biggest Indian grossers, even with China and the Gulf. More importantly, its success marks a significant shift in box office dynamics, proving that a film can achieve unprecedented global success even without access to traditional high-revenue international markets.

BY CHRISTA LINCY

Pradeep Ranganathan has evolved into a significant box office draw within the Tamil film industry, especially after the back-to-back 100 crore achievements of Dragon and Dude. His latest venture, Love Insurance Kompany (LIK), entered the theatrical arena with the massive responsibility of maintaining this century-streak. However, the opening weekend data indicates a cooling trend, as the film has registered a cumulative drop of approximately 25 to 26 percent in its domestic opening weekend performance compared to his previous two hits in 2025. During the first three days, Love Insurance Kompany managed an India net collection of ₹22.70 crore. When placed against the ₹30.75 crore earned by Dude and the ₹30.05 crore netted by Dragon, LIK is currently trailing by a margin of 26.1 percent and 24.4 percent respectively. The Tamil version remained the primary anchor with ₹18.40 crore, while the Telugu version added ₹4.30 crore. With a reported production budget estimated between ₹60 crore and ₹95 crore, the stakes are considerably higher for this ambitious project. These opening figures indicate a cautious start for such a high-stakes investment, as it currently lacks the explosive initial velocity that defined Ranganathan's earlier outings last year. Pradeep Ranganathan Opening Weekend Comparison - India NetMOVIE NAMEWEEKEND INDIA NETDude (2025)₹ 30.75 CrDragon (2025)₹ 30.05 CrLove Insurance Kompany (LIK)₹ 22.70 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The performance gap is even more evident in the North American market, where Pradeep Ranganathan's previous films established a high benchmark. LIK grossed a weekend total of $136K (approximately ₹1.14 crore), which represents a sharp 76.1 percent decline from the $570K (approximately ₹4.79 crore) opening of Dude. When compared to the $606K (approximately ₹5.09 crore) North American start for Dragon, the deficit is a notable 77.5 percent. This cooling trend also manifested in the domestic daily collections; unlike Dragon, which witnessed a massive Sunday surge to ₹12.75 crore, LIK recorded a slight consolidation on its third day, earning ₹7.70 crore in India net compared to its Saturday collection of ₹7.95 crore. This absence of a Sunday peak suggests the film is seeking sustainability through steady word-of-mouth rather than the explosive day-three growth that defined Ranganathan's previous blockbusters. For LIK to achieve the coveted 100 crore hat-trick, the film requires a theatrical trajectory that significantly exceeds its current pace. Sitting at a worldwide gross of ₹34.59 crore, the movie needs to sustain high theater occupancy during the weekdays to bridge the roughly ₹65 crore gap remaining for the triple-digit milestone. Given the reported production budget of ₹60 crore to ₹95 crore, the 100 crore mark is not just a psychological target for Pradeep Ranganathan's career, but a necessary benchmark for the film to be considered a financial success. Unlike the previous hits Dude and Dragon, which had lower cost-to-collection ratios, LIK carries a higher financial weight, meaning it needs to push closer to the ₹120 crore mark to truly mirror the success of its predecessors. In comparison, Dude had already established a dominant lead through its 231K ticket sale surge in its opening phase. For LIK to remain competitive in this high-budget bracket, it must significantly boost its international numbers and maintain its steady hold in the Telugu states, where it has already netted ₹4.30 crore. (adsbygoogle = window.adsbygoogle || []).push({}) Overseas Performance & Worldwide ComparisonMOVIE NAMENA WEEKEND GROSSWORLDWIDE TOTALDragon$ 606,015 (~₹ 5.09 Cr)₹ 151.83 CrDude$ 570,000 (~₹ 4.78 Cr)₹ 114.30 CrLove Insurance Kompany (LIK)$ 136,000 (~₹ 1.14 Cr)₹ 34.59 Cr (3 Days) While Love Insurance Kompany currently benefits from a solo theatrical window, this competitive advantage is expected to face challenges in the coming weeks. Industry reports suggest that Jana Nayagan may advance its release to either this or next Friday following a pirated leak, which could potentially impact LIK's screen count earlier than expected. Furthermore, with Kara scheduled for an April 30 release, the window for LIK to bridge its 65 crore gap to the 100 crore mark is tightening. The film's performance over the next few days will be critical in determining if it can maximize its reach before these new entries arrive to compete for the box office share.

BY SUNIT JANGIR

Mumbai, April 13 - Ryan Gosling's sci-fi space movie Project Hail Mary continues its excellent theatrical run, emerging as one of 2026's biggest global success stories. The film has crossed the 65 crore mark at the Indian box office while simultaneously storming past the $500 million milestone worldwide. Project Hail Mary Eyes 100 Crore Finish In India (adsbygoogle = window.adsbygoogle || []).push({}) The Gosling starrer has been a surprise blockbuster at the Indian box office. Despite facing a tough challenger in the form of Dhurandhar 2, the film managed to click with audiences and has been growing purely on word of mouth. It minted around 12 crores gross in its third weekend in all versions, pushing its total India gross to 65.75+ crores in 18 days. With word of mouth still propelling it and keeping strong, Project Hail Mary might target a 100 crore finish in India. However, it will be interesting to see how things work out when Akshay Kumar's Bhooth Bangla arrives next week, which will take away some screens. The advantage for Hail Mary is IMAX screenings, as it will retain most of them. Hits $500 Million Globally (adsbygoogle = window.adsbygoogle || []).push({}) On the global front, the film has officially crossed the $500 million mark after its fantastic fourth weekend, with its worldwide total standing at $510 million. The film has delivered a balanced performance across domestic and international markets, grossing over $250 million each, making it one of the highest-grossing films of the year so far. What makes this achievement even more noteworthy is the film's standalone nature. In an era dominated by sequels, franchises, and superhero spectacles, Project Hail Mary has carved its own space purely on the strength of its storytelling, scale, and audience reception. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Phil Lord and Christopher Miller, the film has not only resonated with global audiences but has also proven that original sci-fi content can still thrive theatrically. With its current momentum, the film is expected to continue its strong run both in India and worldwide in the coming weeks and is heading to finish its run at $650+ million. Stay tuned...

BY CHRISTA LINCY

Dhurandhar 2: The Revenge has concluded its 24-day theatrical run with a cumulative worldwide gross of ₹ 1,691.30 Cr. For the sequel to reach the ₹ 1,700 Cr mark on its 25th day, it requires a global gross addition of approximately ₹ 8.70 Cr, a target that appears certain based on current theatrical velocity. Real-time data from BookMyShow indicates that Sunday is operating at a higher gear than the previous day; between 7 AM and 1 PM, the production moved 66,490 tickets, maintaining a healthy lead over the 61,520 sales recorded during the same window on Saturday. This morning-half advantage is further validated by hourly benchmarks, such as the 12 PM to 1 PM slot recording 17,110 sales today against Saturdays 15,990. Given this consistent outperformance across all early sessions, the film is positioned to breach the milestone during the evening sessions, becoming the first Bollywood original to secure this valuation within a 25-day timeframe. Analyzing the domestic market from a trade perspective, the sequels performance in the Hindi belt is nothing short of revolutionary. Within just 24 days, the movie has officially crossed the ₹ 1,000 Cr net mark in Hindi alone, with the current total standing at ₹ 1,003.54 Cr. This achievement places it in a league of its own, especially when compared to recent pan-Indian titans like Pushpa 2: The Rule and Baahubali 2: The Conclusion. While those films recorded staggering Hindi numbers, they were Telugu-original productions where the Hindi dub served as a secondary revenue stream. In the case of Dhurandhar 2, the primary Hindi market has acted as the central engine, accounting for a massive share of the ₹ 1,068.92 Cr total India net collection. The films international trajectory is perhaps its most impressive facet, characterized by massive gains in traditional and emerging territories. Dhurandhar 2 has managed to cross the ₹ 400 Cr overseas mark without the benefit of a Gulf release—a region that typically serves as a prime revenue driver for films of this scale and genre. Despite this omission, the production has topped overseas grosser charts by dominating markets like Australia, New Zealand, Canada, and Germany. According to Venky Box Office, the North American market recorded a Saturday gross of $288K, bringing the total in the region to $27.36M. This performance establishes the film as the highest-grossing Indian title in multiple territories that exclude the Gulf market. (adsbygoogle = window.adsbygoogle || []).push({}) To accurately assess the commercial standing of Dhurandhar 2: The Revenge within the global hierarchy of Indian cinema, it is necessary to differentiate between initial theatrical runs and secondary international releases. For instance, while Dangal holds a lifetime worldwide gross of ₹ 2070.3 Cr, its total was significantly augmented by a secondary release in China. The China market alone contributed ₹ 1305.29 Cr ($203M) to that figure. By subtracting this secondary market contribution from the total worldwide gross, the films Phase 1 / Excluding China valuation stands at approximately ₹ 765 Cr. This data comparison highlights that the current sequel is operating at nearly double the capacity of previous Hindi-original benchmarks during their primary theatrical windows. Top Worldwide Grossers - Indian Cinema (Phase 1 / Primary Run)RANKMOVIE NAMEWORLDWIDE GROSS1Baahubali 2: The Conclusion₹ 1,788.06 Cr2Pushpa 2: The Rule₹ 1,742.10 Cr3Dhurandhar 2: The Revenge₹ 1,691.30 Cr4Dhurandhar₹ 1,307.35 Cr5Dangal (Excluding China / Phase 1)₹ 765.00 Cr The theatrical durability of Dhurandhar 2: The Revenge has brought it within striking distance of top-tier global records, though the upcoming weeks will present a shift in market dynamics. With the release of Bhoot Bangla scheduled for April 17, the sequel faces its first major competitive challenge in a market where a significant portion of the primary audience has already been tapped. While surpassing the ₹ 1,742 Cr lifetime gross of Pushpa 2: The Rule appears mathematically probable in the coming days, the films ability to maintain enough momentum to challenge even higher benchmarks remains a wait and watch scenario. Future daily holds will be the decisive factor in whether the film can secure a position among the top two all-time global grossers during their primary theatrical runs before the release window narrows.

BY SUNIT JANGIR

Mumbai, April 12 - The release plans for Varun Dhawan-fronted Hai Jawani Toh Ishq Hona Hai continue to evolve as the makers fine-tune their box office strategy. The much-awaited romantic entertainer, also starring Mrunal Thakur and Poorja Hegde, has now undergone yet another shift in its release timeline, adding to the growing curiosity around the film. Initially planned for an April 2026 release, the film was first postponed to June 5, 2026, before being officially rescheduled to June 12, 2026. The change was largely attributed to a crowded release calendar, with multiple big-ticket films eyeing the same window. The makers were keen to ensure that the film gets a solo run, especially considering its mass appeal and family-friendly genre. (adsbygoogle = window.adsbygoogle || []).push({}) However, the latest developments suggest a significant change in plans. On Sunday (April 12), the makers officially announced that the film will now be released earlier on May 22, with a first look glimpse coming tomorrow, on April 13. The decision is taken keeping the best interest of the movie as far as the box office is concerned. Hai Jawani Toh Ishq Hona Hai marks the much-anticipated reunion between Varun Dhawan and his father, David Dhawan, a duo known for delivering crowd-pleasing entertainers. With a fresh pairing alongside Pooja Hegde and Mrunal Thakur, the film promises a mix of romance, comedy, and classic Bollywood charm, reminiscent of the director’s earlier hits. Stay tuned...

BY CHRISTA LINCY

The cinematic landscape of 2026 is witnessing a massive strategic recalibration as the high-octane collaboration between Man of Masses Jr NTR and visionary director Prashanth Neel moves into a critical production phase. Operating under the title Dragon, this project has remained the focal point of trade interest, specifically regarding the identity of its central antagonist. While the production initially secured the participation of Malayalam sensation Tovino Thomas, the latest industry developments indicate a significant casting shuffle. This vacancy has reportedly paved the way for Bollywood star Shahid Kapoor to step into a role designed as one of the most formidable and gritty villains in the Neel cinematic universe, a move that would significantly amplify the films pan-Indian reach. The exit of Tovino Thomas from this high-stakes venture stems from the expansive and demanding filming schedules that are a hallmark of a Prashanth Neel production. Known for requiring multiple call sheets over a long-term duration, the projects timeline came into direct conflict with Tovino's already saturated 2026 workfront. Following the massive global success of his previous ventures like L2: Empuraan and ARM, the actor is currently deep into the production of his next set of Malayalam projects, including the highly anticipated Pallichattambi and Athiradi. Given the rigorous demands of these primary commitments, the actor chose to prioritize his ongoing regional slate, leading to an amicable departure from the NTR-Neel venture. In response to this vacancy, the makers—Mythri Movie Makers and NTR Arts—are looking toward the Hindi film industry to maximize the movies theatrical footprint in the Northern markets. Shahid Kapoor has emerged as the primary contender for the role, marking what could be one of the most significant casting coups of the year. Shahid is currently entering a busy phase of his own, with his romantic comedy Cocktail 2 slated for a June 19, 2026 release. Directed by Homi Adajania and co-starring Kriti Sanon and Rashmika Mandanna, Cocktail 2 is one of the most awaited films of the summer. By potentially signing Dragon, Shahid would be balancing a high-profile romantic lead with a dark, industrial-themed antagonist role, showcasing his versatile range to a global audience. (adsbygoogle = window.adsbygoogle || []).push({}) The lead stars themselves are navigating a monumental period in their respective careers. Jr NTR, who has already established a massive presence in the Hindi belt following his high-octane Bollywood debut in War 2, is now looking to solidify his status as a national icon with Dragon. Simultaneously, Prashanth Neel is managing a dual creative front, balancing the intricate pre-production of this project while also finalizing the roadmap for Salaar 2: Shouryanga Parvam. This high-density schedule ensures that Dragon will be a polished, massive theatrical event, meticulously crafted to dominate the global box office in the 2026-2027 window. Analyzing this through a trade lens, the shift toward a prominent Bollywood antagonist is a masterstroke in terms of distribution and digital rights valuation. By potentially bringing Shahid Kapoor on board, the makers are ensuring that Dragon has a star-driven hook for the Northern audience while maintaining the high technical standards associated with the involvement of Ravi Basrur for music and Rukmini Vasanth as the female lead. As the industry awaits an official confirmation, the buzz alone has significantly raised the films pre-release profile, positioning it as a primary contender to redefine the commercial potential of the action genre in the coming years.

BY SUNIT JANGIR

Mumbai, April 12 - Pan India superstar Prabhas and director Sandeep Reddy Vanga teamed up for the first time for a cop action thriller Spirit. The film is generating tremendous buzz among fans and the trade alike. The film is scheduled to release on March 5, 2027, in multiple languages. With nearly a year before the film hits the big screen, Spirit is attracting massive trade attention even without a first-look glimpse. According to the latest Telugu media reports, the makers have locked a theatrical deal for the Telugu states. (adsbygoogle = window.adsbygoogle || []).push({}) While the details about the deal are not revealed yet, reliable reports have confirmed that Mythri Movies and People Media Factory have bagged the AP/TG theatrical rights of Spirit. The acquisition without seeing anything related to the movie reflects the huge trust trade has in the combination of Prabhas and Sandeep Vanga. Known for their solid distribution network, Mythri Movie Makers has steadily built dominance in key territories, particularly in Nizam. Their collaboration with People Media Factory further strengthens their reach, creating a reliable system capable of handling large-scale films with high expectations and wide audience demand. (adsbygoogle = window.adsbygoogle || []).push({}) Produced by T-Series and Bhadrakali Pictures, Spirit is currently in production. It has Triptii Dimri as the female lead alongside Vivek Oberoi as the antagonist, Kanchana, Aishwarya Desai, and Prakash Raj in key roles.

BY CHRISTA LINCY

The Tamil film industry is currently monitoring a complex situation regarding the release of Jana Nayagan, which has faced a series of unfortunate setbacks. Originally positioned for a major theatrical debut on January 9, the production was moved from its initial slot due to prolonged certification procedures. The films trajectory has been further complicated by reports that a version of the movie has surfaced on Telegram and other piracy platforms before its official arrival in cinemas. This breach has placed the stakeholders in a difficult position, as they now navigate the challenge of maintaining theatrical curiosity while resolving the final hurdles with the regulatory authorities. The financial ramifications for KVN Productions and the wider distribution network are catastrophic, primarily due to the emergence of a full-movie pirated copy online before the official theatrical debut. This breach has crippled the producers' bargaining power in the digital space; reports suggest that a previously negotiated, hefty OTT deal was cancelled as a direct result of the postponement. While KVN Productions attempted to renegotiate the terms to reflect the new release window, the presence of the leaked copy has made a recovery via digital rights nearly impossible. Beyond the production house, the liquidity crunch has hit the ground level, with Tamil Nadu distributors now staring at an estimated ₹ 80 crore loss on capital already invested into the project. The situation has been further intensified by widespread speculation regarding the source of the leak, which initially drew the Censor Board into the center of a controversy. In a definitive clarification, the board has dismissed rumors of an internal leak as baseless and factually incorrect. The official statement highlighted a critical technical safeguard: without the Key Delivery Message (KDM) password—which remains exclusively with the production house—the board cannot even view the content independently. Furthermore, it was confirmed that the films digital assets were officially returned to the producers on March 17. Parallel to this, the first round of investigation into the breach has reportedly shifted focus toward a sophisticated cloud-based hack, suggesting that the digital integrity was compromised during the remote transfer of data between post-production units and regulatory bodies. From a commercial standpoint, the industry is measuring this crisis against the benchmark performances of recent blockbusters. Historically, films like Leo and Beast have secured substantial theatrical shares in Tamil Nadu, ranging between ₹ 50 and ₹ 60 crore, setting a precedent for massive capital recovery within the first few weeks. However, the Jana Nayagan leak presents a fundamental threat to this recovery model. With a significant portion of the audience already having access to the pirated version, the theatrical footprint is expected to shrink significantly. Tiruppur Subramaniam notes that the projected distributor share of ₹ 80 crore is now in extreme jeopardy, as the films repeat value and initial footfalls are likely to be diluted by the unauthorized digital circulation. (adsbygoogle = window.adsbygoogle || []).push({}) In light of these developments, the trade veteran has urged a unified front between producers, distributors, and exhibitors to prevent a total collapse of the films financial ecosystem. The strategy moving forward involves an aggressive push to clear the Revising Committee hurdles by early next week, with the goal of securing a release as early as this Friday. The industry logic is clear: a swift theatrical launch during the ongoing summer holiday window is the only viable method to salvage the remaining distributor share and tap into the post-election fervor. The summer holidays offer a final opportunity to draw family audiences to the big screen, potentially offsetting some of the damage caused by the piracy leak. The situation serves as a grim reminder of the vulnerabilities inherent in big-budget filmmaking when star-driven political narratives intersect with regulatory bottlenecks. As KVN Productions works to stabilize the project, the focus remains on immediate theatrical deployment. Subramaniam emphasizes that the industry must help the producers overcome this liquidity trap, as a failure of this magnitude would have a cascading effect on future distribution deals in Kollywood. For now, all eyes are on the Revising Committee's verdict and the speed at which Jana Nayagan can claim its rightful place on the silver screen before the digital leak erodes the remaining market value.

BY CHRISTA LINCY

Dhurandhar 2: The Revenge has effectively cemented its status as a theatrical juggernaut, surpassing the Day 24 benchmarks set by Pushpa: The Rule - Part 2 to dictate the terms of the Hindi box office even in its fourth week. While the industry often anticipates a sharp deceleration for mega-sequels after the initial hype, this production is exhibiting a rare brand of endurance that validates every bit of its massive pre-release billing. Far from showing signs of saturation, the film is currently thriving on a significant second-wind, fueled by an influx of family audiences across the country. This robust weekend activity doesn't just represent a hold; it signifies a total dominance that has allowed the sequel to leapfrog over contemporary blockbusters to claim the all-time number two spot for its day. The films collection trajectory witnessed a decisive acceleration on Day 24, as the production entered its fourth Saturday with substantial momentum. After the movie naturally transitioned into single-digit territory post its third Wednesday—a completely expected phase as a majority of the primary audience had already been tapped—it has demonstrated exceptional elasticity over the weekend. Building on a steady Friday net of ₹ 7.00 Cr, the Saturday figures underwent a massive 92.9% expansion, culminating in a robust haul of ₹ 13.50 Cr in the Hindi market alone. This near-doubling of numbers is a textbook example of strong word-of-mouth and repeat viewership driving a fourth-week surge. By securing double-digit returns this late into its run, the movie has officially claimed the second spot for the all-time highest Day 24 collections in Bollywood history. Notably, the only film standing above it on this list is its own predecessor, the original Dhurandhar, proving that the franchises sheer theatrical power remains unmatched in the modern era. Indian Movies with Highest Day 24 Net Collection - Hindi NetMOVIE NAMEDAY 24 NET (HINDI)Dhurandhar₹ 22.50 CrDhurandhar 2: The Revenge₹ 13.50 CrPushpa: The Rule - Part 2₹ 10.00 CrURI: The Surgical Strike₹ 8.92 CrStree 2₹ 8.50 Cr (adsbygoogle = window.adsbygoogle || []).push({}) A granular look at the films real-time velocity on BookMyShow indicates that Sunday is already operating at a higher gear compared to the previous day. Analyzing the cumulative sales between 7 AM and 1 PM, the production has moved 66,490 tickets, maintaining a healthy lead over the 61,520 tickets sold during the same window on Saturday. This morning-half advantage of nearly 5,000 tickets highlights a classic Sunday surge, which is further validated by hourly benchmarks; the 12 PM to 1 PM slot alone recorded 17,110 sales today against Saturdays 15,990. Given this consistent outperformance across all early sessions, the sequel is mathematically positioned to surpass its Day 24 numbers, eyeing a monumental Sunday finish that could redefine fourth-weekend benchmarks. The cumulative financial health of the project remains exceptionally robust. With the Day 24 haul factored in, the total India net collection has climbed to a staggering ₹ 1,068.92 Cr, while the India gross stands at ₹ 1,279.80 Cr. The international market continues to provide strong support, contributing ₹ 3.50 Cr on Saturday to take the total overseas gross to ₹ 411.50 Cr. This collective performance has pushed the worldwide gross collection to ₹ 1,691.30 Cr, bringing the film within striking distance of the elite ₹ 1,700 Cr global milestone. Dhurandhar 2: The Revenge - Cumulative Language-wise Net Collection (24 Days)LANGUAGEINDIA NET COLLECTIONHindi₹ 1,003.54 CrTelugu₹ 41.60 CrTamil₹ 18.73 CrKannada₹ 3.29 CrMalayalam₹ 1.76 CrTotal India Net₹ 1,068.92 Cr

BY CHRISTA LINCY

The Malayalam box office is currently witnessing a significant recalibration as Vaazha 2: Biopic of a Billion Bros maintains an aggressive pursuit of industry milestones. Driven by the high-octane screen presence of a popular ensemble featuring Hashir, Alan Bin Siraj, Ajin Joy, and Vinayak V, the production has successfully transitioned from influencer-led curiosity into a legitimate theatrical powerhouse. Bolstered by Savin S.A's sharp screenplay, which skillfully balances relatable camaraderie with genuine emotional stakes, the film has secured deep penetration across both the youth and family demographics. This unique blend has generated a formidable wave of momentum, positioning the sequel as one of the most resilient performers in recent Mollywood history. In a stunning display of box office muscle, the film has officially etched its name in the history books by recording the highest Day 10 collection in the history of Malayalam cinema. On its second Saturday, Vaazha 2 raked in a sensational ₹ 7.60 Cr net from the Malayalam version. This unprecedented surge allowed the sequel to bypass the previous record-holder, Manjummel Boys, which had netted ₹ 7.45 Cr on its tenth day. The ability of the film to grow during its second weekend highlights a rock-solid trend, cementing its status as a certified All-Time Blockbuster. Highest Day 10 Malayalam Net Collection MOVIE NAMEDAY 10 NET (MALAYALAM)Vaazha 2: Biopic of a Billion Bros₹ 7.60 CrManjummel Boys₹ 7.45 CrLokah: Chapter 1 - Chandra₹ 7.40 CrThudarum₹ 7.35 Cr2018₹ 5.65 Cr From a trade perspective, the theatrical run of Vaazha 2 has been a masterclass in sustainability and organic growth. The film opened with a healthy ₹ 4.75 Cr and exhibited incredible resilience during the workweek, maintaining a flat-line plateau around the ₹ 7 Cr mark. This signifies that the film is not just dependent on initial fan-base rush but is drawing consistent footfalls through heavy family-audience penetration. The second Saturday re-inflation to ₹ 7.60 Cr is a classic indicator of a long-legged hit, showcasing a performance pattern that mirrors the most successful films in the history of the industry. The cumulative Malayalam net now stands at a formidable ₹ 69 Cr within just ten days of its release. (adsbygoogle = window.adsbygoogle || []).push({}) Vaazha 2 - Day Wise Net Collection (Malayalam)DAYCOLLECTIONDay 1₹ 4.75 CrDay 2₹ 5.50 CrDay 3₹ 7.20 CrDay 4₹ 8.55 CrDay 5₹ 7.10 CrDay 6₹ 7.10 CrDay 7₹ 7.00 CrDay 8₹ 7.85 CrDay 9₹ 6.35 CrDay 10₹ 7.60 CrTotal 10 Days Net₹ 69 Cr The global performance of the movie is equally staggering. Vaazha 2 has officially crossed the ₹ 140 Cr mark worldwide in just ten days, with a total gross of ₹ 148 Cr. The overseas market has contributed a substantial ₹ 68 Cr, showing the immense popularity of the franchise beyond Indian borders. The domestic gross stands at ₹ 79.89 Cr, ensuring a balanced and healthy revenue split for the producers and distributors. A major highlight of this global run is the film's dominance in the Middle East. Vaazha 2 has officially hit the half-century mark in the GCC region, grossing $5.40M (approximately ₹ 50.40 Cr) in 10 days. By reaching this milestone, it has surpassed the lifetime GCC collection of the legendary Pulimurugan ($4.80M) to become the 6th highest-grossing Malayalam film in the region. With no major competition in sight, the movie is well-positioned to continue its record-breaking spree and climb further up the all-time charts.

BY SUNIT JANGIR

Mumbai, April 11 - In a landmark moment for Indian cinema, Dhurandhar 2: The Revenge has etched its name in the record books by becoming the first-ever film to cross the 1000 crore net mark in Hindi at the Indian box office. The action spectacle, headlined by Ranveer Singh, has emerged as a once-in-a-generation blockbuster. Record-Breaking Run in India Directed by Aditya Dhar, Dhurandhar 2 achieved the historic milestone of 1000 crore net in Hindi in 24 days, driven by strong word-of-mouth. It is not only the first film in Hindi, but also the first title ever to top a thousand crore net in a single language at the Indian box office. After the explosive opening and first week, Dhurandhar 2 remained super strong in its later weeks to add impressive numbers, comfortably surpassing the 1000 crore net mark in Hindi. In all versions, the film has minted around 1065 crores net in all versions, making it the second-highest-grossing film in India in terms of net collection. Top 5 Biggest Hindi Net Grossers S. No. Movie Year Hindi Net Collection 1 Dhurandhar 2 2026 ₹ 1000+ Cr 2 Dhurandhar 2025 ₹ 840.20 Cr 3 Pushpa 2 2024 ₹ 812.10 Cr 4 Stree 2 2024 ₹ 598.00 Cr 5 Chhaava 2025 ₹ 585.70 Cr Data as of April 11, 2026. Highlight of Dhurandhar 2's Box Office Run - Becomes the first Hindi film ever to cross ₹1000 crore net in India - Took a thunderous start with a 600+ crore opening week - Maintained strong momentum for weeks with minimal drops - Crossed 1600+ crore worldwide, entering all-time top grossers - Achieved 1000 crore only in Hindi, a first in Indian cinema - Performed exceptionally in both single screens and multiplexes - High repeat audience turnout boosted long-term collections - Sequel hype and strong brand recall drove massive footfalls - Set a new ceiling for Bollywood box office potential Global Box Office Dominance Globally, the film has also been on a rampage. Its worldwide gross is nearing 1700 crore, and is expected to breach this mark by the 4th Sunday to become only the fourth Indian film of all-time to do so. The film's performance in overseas markets, combined with its unprecedented domestic run, highlights its wide-reaching appeal and strong word-of-mouth. The success of Dhurandhar 2 can be attributed to multiple factors - a gripping narrative, large-scale action set pieces, chart-topping music, and, most importantly, Ranveer Singh's electrifying screen presence that has resonated strongly with both mass and urban audiences. The sequel factor has also played a crucial role, especially since the first part is also among the biggest grossers with 1300+ crores worldwide. Top 5 Highest-Grossing Indian Films Worldwide S. No. Movie Worldwide Gross 1 Dangal (2016) ₹ 2070 Cr 2 Baahubali 2 (2017) ₹ 1788 Cr 3 Pushpa 2 (2024) ₹ 1742 Cr 4 Dhurandhar 2 (2026) ₹ 1685+ Cr 5 Dhurandhar (2025) ₹ 1307 Cr Data as of April 11, 2026 Despite facing expected slowdowns due to frontloaded opening and external factors like the ongoing cricket season, the film continues to register steady collections, underlining its staying power at the box office. With this historic feat, Dhurandhar 2 has not only delivered a massive blockbuster but has also set a new benchmark for Hindi cinema, opening doors for even bigger box office milestones in the future.

BY SUNIT JANGIR

Hyderabad, April 11 - Dacoit: A Love Story has opened on a strong note at the box office, delivering a career-best opening for actor Adivi Sesh and further cementing his position as one of the most reliable mid-budget stars in Telugu cinema today. Career-Best Opening for Adivi Sesh The romantic action drama has clocked an impressive 13.60 crore worldwide on its opening day, surpassing Sesh's previous best and setting a new benchmark in his career. Previously, the actor's biographical action drama, Major, raked in 13.15 crores gross on its first day at the worldwide box office. While the margin over Major is not big, the significance lies in the consistency Sesh has displayed at the box office. (adsbygoogle = window.adsbygoogle || []).push({}) A Rare Hat-Trick of Strong Openings What makes this achievement even more notable is that Dacoit marks a hat-trick of double-digit openings worldwide for Adivi Sesh. In an era where only top-tier stars consistently deliver big openings, Sesh's films have quietly built a reputation for strong initial pull backed by content-driven appeal. The actor's last movie, HIT: The Second Case, opened to 11.50 crores worldwide. From Major to HIT 2 and now Dacoit, the actor has shown a steady upward trajectory, with each film opening to solid numbers despite varying genres. (adsbygoogle = window.adsbygoogle || []).push({}) Mixed Domestic Trends, Strong Overseas Push While the global opening numbers are encouraging, the film's domestic performance has shown mixed trends, especially in non-Telugu markets. The Hindi version, in particular, has opened on a relatively slower note. However, Dacoit has found strong support in overseas territories, which has significantly boosted its worldwide total. This indicates that Adivi Sesh’s appeal is steadily expanding beyond regional boundaries. What Lies Ahead? (adsbygoogle = window.adsbygoogle || []).push({}) The strong opening has given Dacoit a solid platform, but its long-term success will now depend on word-of-mouth and weekend growth. With competition and mixed initial reactions in certain circuits, sustaining momentum will be crucial. If the film manages to hold well over the weekend, it could very well turn this strong start into yet another success story in Adivi Sesh’s filmography.