BY CHRISTA LINCY

The King of Pop has officially taken the lead over the stars at the Indian box office. On Day 1, the musical biopic Michael delivered a superior performance compared to the sci-fi epic Project Hail Mary, out-earning it in both national cinema chains and total domestic net collections. This decisive start highlights the massive draw of Michael Jackson's legacy, allowing the film to set a significant new benchmark for the musical biopic genre in the country. Michael opened its account with a solid Day 1 net collection of ₹3.80 crore, supported by a wide release across 3,029 shows. When combined with its Day 0 preview earnings of ₹1.70 crore, the film's total India net collection currently stands at ₹5.50 crore. This compares very favorably to its competitor, Project Hail Mary, which managed to collect a net of ₹2.25 crore on its opening day from 1,324 shows. While the sci-fi film had a respectable start, it was clearly outscaled by the massive reach and show-count of the biopic, which had already established a historic lead through its record-breaking advance sales. The gap between the two releases is equally evident in the performance within national cinema chains (PVR, INOX, and Cinepolis). Michael sold approximately 45,000 tickets for its opening day in these chains, resulting in a gross of roughly ₹2.00 crore. In contrast, Project Hail Mary, which had shifted its release date to avoid a clash with the domestic giant Dhurandhar 2, sold around 30,000 tickets in the national chains for a gross of ₹1.15 crore. Michael's ability to pull ahead by nearly 40 percent in the premium urban centers highlights its massive popularity as a global event film. (adsbygoogle = window.adsbygoogle || []).push({}) Michael Vs Project Hail Mary - Day 1 India Net ComparisonMOVIE NAMESHOW COUNTDAY 1 NET COLLECTIONTOTAL INDIA NETMichael3,029₹ 3.80 Cr₹ 5.50 Cr(With Preview)Project Hail Mary1,324₹ 2.25 Cr₹ 2.25 Cr Looking at the trajectory, Michael is currently trending at an elite level for Hollywood releases in India. Having secured over 1.10 lakh ticket sales for its opening weekend through advance bookings alone, it has comfortably shattered the records of genre predecessors like Bohemian Rhapsody and Elvis. The film now ranks as the fourth-highest Hollywood film in terms of all-time advance sales in the country, trailing only the massive trio of Avengers: Endgame, Oppenheimer, and Barbie. This momentum suggests that the film is headed for a lucrative full run, provided the weekend holds remain steady. Looking back at the journey of Project Hail Mary, the sci-fi epic has now completed a full month at the box office following its release on March 26. While Michael has taken the lead on a day-to-day basis this week, Project Hail Mary has already cemented its status as a massive global phenomenon. In the Indian market, the film has managed to rake in a total net collection of approximately ₹66.89 crore, with the English version dominating the charts by contributing over ₹63 crore. The dubbed versions saw a more limited response, with the Hindi version bringing in nearly ₹2.50 crore, while the Tamil and Telugu markets combined for just under ₹1 crore. Despite entering its fifth week, the film continues to show respectable resilience in premium urban centers. For its performance today on April 25, the film has secured nearly 11,000(As of 3 pm) ticket sales across the national chains of PVR, INOX, and Cinepolis, resulting in a gross of approximately ₹38.00 lakh . On a global scale, the film has reached stratospheric heights, with the total worldwide gross standing at a staggering ₹5,400.84 crore. While the King of Pop biopic Michael is now the primary driver for current theatrical footfalls

BY CHRISTA LINCY

Riteish Deshmukh's ambitious historical epic, Raja Shivaji, has officially joined the elite club of Indian films crossing the three-hour mark. Bollywood Hungama has exclusively learned that the film completed its censor process on April 24, with the Marathi version locking a massive runtime of 195.05 minutes (3 hours, 15 minutes, and 5 seconds). The Central Board of Film Certification (CBFC) has passed the film with a U/A 16+ certificate, signaling a raw and impactful portrayal of the legendary Maratha warrior's life. This marathon duration places the film among the longest modern-day cinematic experiences, proving that the makers are committed to a grand, detailed narrative for this global release. The cinematic journey of Chhatrapati Shivaji Maharaj on the silver screen is a legacy that spans over a century, beginning with the landmark silent film Sinhagad in 1923. Over the last hundred years, the stories of the great Maratha ruler and his brave associates have been adapted more than 60 times across Indian film and television. Riteish Deshmukh's Raja Shivaji is the most anticipated modern addition to this timeline, arriving shortly after the massive success of Chhaava, which featured Vicky Kaushal as Sambhaji. The buzz for this epic reached a fever pitch following its trailer release on April 20, 2026, which set the stage for its global premiere. While long-form storytelling was once considered a risk, the trend has shifted with several massive grossers proving that audiences are willing to stay glued to their seats if the content is engaging. Raja Shivaji now finds itself in the company of legendary classics and modern-day juggernauts that have dared to push the boundaries of runtime. Here is a look at some of the most prominent Indian films that have clocked over three hours: LOC: Kargil (2003) – 4 hours 15 minutes Mera Naam Joker (1970) – 4 hours 4 minutes Sangam (1964) – 3 hours 58 minutes Dhurandhar 2: The Revenge (2026) – 3 hours 55 minutes Lagaan (2001) – 3 hours 44 minutes Khatarnaak (1990) – 3 hours 43 minutes Mohabbatein (2000) – 3 hours 36 minutes Dhurandhar (2025) – 3 hours 34 minutes Jodhaa Akbar (2008) – 3 hours 33 minutes Kabhi Khushi Kabhie Gham (2001) – 3 hours 30 minutes Swades (2004) – 3 hours 30 minutes Sholay (1975) – 3 hours 24 minutes Animal (2023) – 3 hours 21 minutes Border 2 (2026) – 3 hours 20 minutes Salaam-E-Ishq (2007) – 3 hours 16 minutes M.S. Dhoni: The Untold Story (2016) – 3 hours 10 minutes Bhaag Milkha Bhaag (2013) – 3 hours 9 minutes Hum Saath-Saath Hain (1999) – 3 hours 8 minutes (adsbygoogle = window.adsbygoogle || []).push({}) To ensure historical accuracy, the CBFC Examining Committee suggested specific modifications for Raja Shivaji. The makers were asked to strengthen the disclaimer with a voiceover and provide a clear clarification for the film's title. Additionally, the production team submitted extensive documentation for historical references and a detailed script to align with the dialogues and songs. The board also instructed the team to insert specific dates and text slates for key historical events to help viewers follow the timeline. Visual modifications were minimal, involving the replacement of a shot showing a child's throat being slit and adding audio to certain muted visuals. These minor tweaks ensure that the core essence of the 10-year-long dream project remains preserved as it heads toward its May 1 release, coinciding with the auspicious occasion of Maharashtra Day. The film boasts a powerhouse cast that spans across industries. Riteish Deshmukh plays the titular role of Chhatrapati Shivaji Maharaj, while Sanjay Dutt portrays the antagonist Afzal Khan. The ensemble includes Abhishek Bachchan as Sambhaji Shahaji Bhosale, Vidya Balan as Tajul Mukkhidarat Badi Sahiba, Fardeen Khan as Shah Jahan, and Bhagyashree as Jijabai. In a move that has already created massive hype, Salman Khan is set to appear in a significant cameo. The film also marks the debut of Riteish's son, Rahyl, playing the younger version of Shivaji. The cinematic legacy of Chhatrapati Shivaji Maharaj is over a century old, beginning with the silent film Sinhagad in 1923. Since then, the life of the Maratha warrior and his associates has been adapted over 60 times across Indian film and television. Riteish Deshmukhs Raja Shivaji is the most ambitious entry in this timeline, arriving shortly after the massive success of Chhaava (2025), which starred Vicky Kaushal as Sambhaji. The trailer for this historical epic, released on April 20, 2026, has already set the stage for a grand theatrical experience. (adsbygoogle = window.adsbygoogle || []).push({}) Joining the lead stars is an powerhouse supporting cast including Genelia Deshmukh, Sachin Khedekar, Amole Gupte, and Jitendra Joshi. The production is a joint venture between Riteish and Genelia Deshmukhs Mumbai Film Company and Jyoti Deshpandes Jio Studios. By releasing the film in six languages, the makers are expanding the story of Shivaji Maharaj beyond the Marathi market to reach a global audience, ensuring that the dream project, 10 years in the making, gets the scale it deserves. A decade in the making, this dream project is produced by Mumbai Film Company and Jio Studios, featuring world-class technical talent like cinematographer Santosh Sivan and music composers Ajay-Atul. Despite debates surrounding specific historical depictions in the trailer, the anticipation remains sky-high. Raja Shivaji is scheduled for a grand release on May 1, 2026, coinciding with Maharashtra Day, and will arrive in Marathi, Hindi, Tamil, Telugu, Kannada, and Malayalam to reach a worldwide audience.

BY CHRISTA LINCY

The wait for one of the most anticipated sequels in Hindi cinema history is finally over. The legendary anti-hero Ballu Balram is set to return to the silver screen as the official announcement for Khalnayak Returns has arrived. The first look teaser, released today(April 24, 2026), has sent nostalgia levels through the roof, proving that the aura of the original 1993 masterpiece remains as potent as ever. Sanjay Dutt reprises his most iconic role, looking more rugged and lethal than ever before. The announcement video provides a gritty glimpse into the world of Ballu Balram. Drenched in a dark, atmospheric setting, Sanjay Dutt is shown with a weathered and rugged look, complete with long hair and a menacing presence. The teaser features him lighting a cigarette with a flare of arrogance while threatening a man on the ground, immediately establishing that the character hasn't lost his edge over the decades. The high point of the video comes when Dutt recites his famous line from the original: Nayak nahin khalnayak hoon main (I am not a hero, I am a villain), accompanied by the hauntingly familiar background score. This new chapter is being positioned as a direct expansion of the legacy established by Subhash Ghai in the early 90s. The video hints at a storyline that picks up long after the original events, carrying the caption: Some stories don't end... they start again. The production is a massive collaboration involving Jio Studios, Aspect Entertainment, Three Dimension Motion Pictures, and Mukta Arts Ltd., ensuring that the sequel has the scale and technical finesse required for a modern-day blockbuster. (adsbygoogle = window.adsbygoogle || []).push({}) The return of Khalnayak is fueled by the massive success of the original 1993 film, which remains a benchmark for the crime-thriller genre. In its initial run, the film was a domestic juggernaut, collecting Rs. 12.00 crore net in India and reaching a worldwide gross of Rs. 21.00 crore. These numbers were extraordinary for the time, allowing the film to finish as the second-highest-grossing Hindi film of 1993, surpassed only by the comedy Aankhen. Its impact was so profound that it earned a Superhit verdict at the box office. Beyond just the numbers, the profitability of the 1993 film was a case study in itself. Produced on a modest budget ranging between Rs. 2.5 crore to Rs. 5 crore, the movie earned an estimated 400 percent profit for its makers. It became a cultural phenomenon, not just for its storytelling but for its chart-topping music and Sanjay Dutt's career-defining performance. With the sequel now officially in the works, the industry is eyeing a similar box office eruption, as the combination of nostalgia and a modern-day gritty narrative is often a winning formula for pan-Indian success. Khalnayak (1993) - Historical Box Office StatsCATEGORYCOLLECTIONIndia Net₹ 12.00 CrIndia Gross₹ 21.00 CrWorldwide Total₹ 21.00 Cr

BY SUNIT JANGIR

Mumbai, April 25 - Michael Jackson is once again set to prove why he was a cultural phenomenon. Even after 16 years since his passing, the Pop King continues to rule the hearts of people all around the world, as his biopic Michael is about to blow up at the global box office. Michael Creates Rotten Tomatoes Record (adsbygoogle = window.adsbygoogle || []).push({}) Michael has emerged as one of the highest-rated films on Rotten Tomatoes in terms of audience reception, and when it comes to musical biopics, it is easily the top-rated title, boasting an impressive 97% audience score. This, despite critics disliking it for whitewashing the controversial life of the King of Pop. The film holds a critics' score in the mid-30% range on the Tomatometer, with many reviewers pointing out issues related to storytelling choices and its handling of sensitive aspects of Michael Jackson's life. Despite this divide, the overwhelmingly positive audience score has fueled curiosity and strong word-of-mouth. (adsbygoogle = window.adsbygoogle || []).push({}) Record Box Office Previews Worldwide On the box office front, Michael has started its journey on a solid note. The film recorded a strong global preview opening of $40 million, the best preview for any movie in 2026, signalling high audience interest across markets. In India, Michael earned approximately 2 crore gross ($210K) from paid previews, while North America reported $12.5+ million previews. The initial response suggests that the film is benefiting from strong fan turnout and global curiosity surrounding the King of Pop's life story.

BY SUNIT JANGIR

Mumbai, April 24 - Akshay Kumar-fronted Welcome To The Jungle is gearing up for a grand release this June after multiple delays, and ahead of it, the film is making strong noise in the trade circuit, not just for its ensemble cast but for its impressive pre-release business. The third instalment in the popular Welcome franchise has reportedly secured major distribution deals well ahead of its release. According to the report by Bollywood Hungama, JioStar has acquired the film's domestic theatrical rights, along with satellite and OTT rights. This means the film will release nationwide under JioStar's distribution, followed by its television premiere and digital streaming on JioHotstar, giving the company complete control over its India lifecycle. (adsbygoogle = window.adsbygoogle || []).push({}) On the international front, Pen Marudhar is said to be in advanced talks to acquire the overseas theatrical rights. The deal is said to be in its final stages, with strong interest driven by the Welcome franchise's popularity among overseas audiences, particularly in key diaspora-driven markets like the Middle East, the UK, and North America. This deal structure highlights a smart and modern revenue model, where a bulk domestic deal ensures substantial cost recovery before release, while overseas rights are monetised separately to maximise value. Such an approach significantly reduces the financial risk for the makers, allowing the film to enter theatres in a comfortable position. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Ahmed Khan and headlined by Akshay Kumar along with Suniel Shetty, Paresh Rawal, Sanjay Dutt, Arshad Warsi, Jacqueline Fernandez, Disha Patani, Raveena Tandon, Lara Dutta, Tusshar Kapoor, Shreyas Talpade, Krushna Abhishek, and Kiku Sharda, among others, in key roles. Welcome 3 is slated to release on June 26, 2026.

BY CHRISTA LINCY

Ram Charan is set to headline director Buchi Babu Sana's upcoming period sports drama, tentatively titled Peddi. The film has officially locked June 25, 2026, for its theatrical release in India, arriving as a major mid-year cinematic event. This project marks a significant step for the actor as it prepares for a global rollout with high production values. The narrative of the film has become a major talking point among fans and trade experts alike. While the project was long rumored to be a pure cricket-based drama, a recent birthday teaser provided a massive surprise by revealing Ram Charan in a powerhouse avatar as Peddi Pehelwan, a formidable wrestler. This revelation has sparked intense speculation that the actor might be essaying a dual role—possibly a father who was a legendary wrestler and a son who pursues cricket. Set against the rustic backdrop of the 1980s Uttarandhra region, the story follows a spirited villager who leverages sports as a tool to unite his community and take a stand against an oppressive rival force. To bring this 1980s world to life, the production house has spared no expense, working with a humongous budget of approximately ₹300 crore. A significant portion of this investment has gone into creating a meticulous, large-scale replica of 1980s Vizianagaram near Hyderabad. The set is reported to be an architectural marvel, complete with a vintage railway station, old-world marketplaces, and a massive sports stadium designed to reflect the era's aesthetic. This attention to detail suggests that Buchi Babu Sana is aiming for a grounded yet visually spectacular experience that will transport audiences back in time. (adsbygoogle = window.adsbygoogle || []).push({}) The business side of Peddi has already started creating records even before the completion of the shoot. In a landmark deal for a solo Ram Charan film, the digital streaming giant Netflix has reportedly acquired the post-theatrical rights for a staggering sum ranging between ₹105 crore and ₹130 crore. On the musical front, the collaboration with Academy Award-winner A.R. Rahman has already yielded gold. The first single, Chikiri Chikiri, has turned into a pan-Indian chartbuster, amassing over 200 million views across various social media and music platforms, setting the perfect stage for the film’s marketing campaign. As the film prepares for its global assault, the premiere strategy has also been outlined. According to reports from Venky Box Office, the overseas premieres are currently targeting Wednesday, June 24, 2026. This will lead into a grand theatrical release in India on Thursday, June 25, 2026. The decision to opt for a Wednesday premiere abroad is a strategic move to secure maximum allocations for IMAX and Premium Large Formats (PLFs) before the weekend rush. However, due to a packed schedule of Hollywood studio releases during that period, these high-end screen allocations will likely be limited primarily to the premiere day and the opening Thursday, making the initial shows a high-priority event for the global audience.

BY SUNIT JANGIR

Mumbai, April 24 - Superstar Shah Rukh Khan-fronted action thriller King has reconfirmed its Christmas 2026 theatrical release, locking in one of the most lucrative windows in global cinema. The film is set to arrive in cinemas on December 24, 2026, positioning itself as a massive year-end spectacle aimed at both domestic and international audiences. A Grand Festive Release Strategy (adsbygoogle = window.adsbygoogle || []).push({}) Mounted on a massive scale, the Siddharth Anand's directorial is being developed as a pan-India and globally appealing action entertainer. The film features a strong ensemble cast, including Suhana Khan, Deepika Padukone, Abhishek Bachchan, Arshad Warsi, and Abhay Varma, among others, in key roles. The Christmas corridor has traditionally been one of the most profitable release periods, driven by holiday crowds, family audiences, and strong overseas turnout. By securing this date, the makers are clearly aiming to capitalise on peak theatrical demand and maximise worldwide collections. Clash With Hollywood Titans (adsbygoogle = window.adsbygoogle || []).push({}) While the festive timing offers huge advantages, it also brings intense competition. The Christmas window is often crowded with major Hollywood tentpole releases, including franchise blockbusters and big-budget spectacles that dominate global screens. Currently, Marvel's Avengers: Doomsday and Warner Bros. Pictures' Dune 3 are scheduled for December 18, a week before King begins its rollout. Additionally, there is Dwayne Johnson's Jumanji: Open World slated to hit the big screens on December 25, making it a crowded period. With King entering this space, it sets the stage for a high-stakes box office clash as all three Hollywood films carry huge potential at the Indian box office on top of their global dominance. King will rely on Shah Rukh Khan's immense national and international fanbase. The holiday period ensures strong footfalls, but it also intensifies the competition for screens and audience attention. (adsbygoogle = window.adsbygoogle || []).push({}) Massive Pre-Release Buzz King has generated significant buzz within the industry. The film is reportedly being made on a budget in the 350–400 crore range, making it one of the most expensive Indian productions. Additionally, it has already reportedly secured a major distribution deal in India worth around 250 crore, highlighting strong confidence from exhibitors and distributors. The reconfirmation of King's Christmas 2026 release firmly establishes it as one of the most anticipated Indian films of the year. With Shah Rukh Khan leading the charge and Siddharth Anand donning the director's hat, the film is aiming for nothing short of worldwide box office dominance.

BY CHRISTA LINCY

The Indian box office is gearing up for what could be the most significant month in theatrical history as March 2027 approaches. Rebel Star Prabhas and Megastar Salman Khan are set to headline two massive pan-Indian projects, creating a release schedule that closely mirrors the legendary box office period of July 2015. With Prabhas' Spirit and Salman Khan's SVC63 locked for the same window, the trade is anticipating a level of theatrical footfalls that has not been seen in the modern era. The upcoming showdown brings back memories of the one-week gap between Baahubali: The Beginning (July 10, 2015) and Bajrangi Bhaijaan (July 17, 2015). That period is considered a gold standard for theatrical co-existence, where two films managed to expand the market simultaneously. Interestingly, both 2015 blockbusters were written by V. Vijayendra Prasad, the father of director S.S. Rajamouli. While Baahubali sold roughly 50 million tickets across India, Bajrangi Bhaijaan dominated the Hindi belt with 35.5 million tickets. Despite fears that Salman's film would halt Baahubali's run, both movies crossed the ₹500 crore mark globally during their initial runs, proving that the audience had an appetite for both regional epics and commercial Hindi giants. Leading the charge in March 2027 is Spirit, starring Prabhas and directed by Sandeep Reddy Vanga. Officially scheduled for a worldwide release on March 5, 2027, this marks the first collaboration between the actor and the director. Produced by Bhushan Kumar under T-Series and Bhadrakali Pictures, the film is expected to be a high-octane, gritty actioner. The release has been strategically timed to benefit from a long theatrical window, with Eid falling around its seventh day and Holi around its eighteenth day. Alongside Prabhas, the film features Triptii Dimri as the female lead, with Vivek Oberoi, Prakash Raj, and Kanchana in pivotal roles. The film is planning a massive multi-language release, including a reported theatrical run in China. (adsbygoogle = window.adsbygoogle || []).push({}) Just weeks later, Salman Khan is set to take over the screens with his Eid 2027 release, SVC63. The project has generated massive buzz as it marks the first pairing of Salman Khan with the Lady Superstar Nayanthara. Directed by National Award-winner Vamshi Paidipally and produced by Dil Raju, the film officially began production on April 18, 2026, in Mumbai. This marks a significant milestone as it is Salman's first collaboration with the legendary South Indian producer Dil Raju. The film features a high-profile ensemble cast including Anil Kapoor, Arvind Swamy, Paresh Rawal, and Rajpal Yadav, positioning it as a true pan-Indian entertainer aimed at capturing both the North and South Indian markets. The excitement for SVC63 has reached a fever pitch following its grand muhurat ceremony in Mumbai on April 18, 2026, which marked the official start of production. This project is a significant milestone for director Vamshi Paidipally; although he is a National Award-winner known for South Indian blockbusters like Maharshi and Varisu, SVC63 marks his first major foray into Hindi-language cinema. By bringing together Salman Khan and Lady Superstar Nayanthara under the legendary Sri Venkateswara Creations banner, producer Dil Raju is ensuring that the film has the scale and technical finesse required to dominate the pan-Indian market during the Eid 2027 window. The synergy between these two releases is expected to replicate the success of 2015. While Spirit will have a two-week head start to dominate the box office and tap into the early March holidays, Salman Khan's SVC63 will arrive to capitalize on the massive Eid festivities. In 2015, Baahubali set a record for the highest footfalls for a dubbed film in the Hindi market (1.5 crore tickets), while Bajrangi Bhaijaan drew over 20 million people in its opening week alone. If the current momentum for Spirit and SVC63 holds, March 2027 could very well see both films surpassing the ₹1000 crore mark globally, cementing this as the second coming of the Baahubali-Bajrangi era.

BY SUNIT JANGIR

Mumbai, April 24 - The much-anticipated musical biopic Michael, based on the life of King of Pop, Michael Jackson, has begun its box office run on a promising note, registering solid numbers in paid previews across India and North America. Michael had its paid previews in India on Thursday, and the response was solid. Despite competition from local releases and IPL matches, the film minted around 2 crore gross in previews at the Indian box office. This has set the tone for a solid opening weekend, which is expected to be around 20 crores gross. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Antoine Fuqua and starring Jaafar Jackson, who is the real-life nephew of Michael Jackson, Michael could achieve back-to-back Hollywood success in India after sci-fi space movie, Project Hail Mary, which has minted around 80 crores gross collection so far. Meanwhile, the film has scored solid previews at the domestic (North America) box office with $12.5 million - $13.5 million, which is the best ever for a musical biopic, as per Deadline. The trade is now projecting the opening weekend to be a record $80+ million in North America. (adsbygoogle = window.adsbygoogle || []).push({}) Michael released amid the wrath of critics who are bashing the film for whitewashing Michael Jackson's controversial life. The movie currently has 40% ratings 163 critics' reviews on Rotten Tomatoes after opening to just 27%. But contrary to what critics are saying, Michael has managed to click with all important audiences with an excellent 96% Rotten Tomatoes score.

BY CHRISTA LINCY

The legendary saga of Georgekutty is all set to return on an unprecedented scale. In what is being hailed as one of the most significant collaborations in Indian cinema, Pen Studios has officially come on board to back the much-anticipated Malayalam film Drishyam 3. Jayantilal Gada's PEN Studios will be investing a massive ₹100 crore in Aashirvad Cinemas through Panorama Studios, marking one of the largest single-film investments by a North Indian production house into the Malayalam film industry. This strategic partnership between Antony Perumbavoor, Kumar Mangat Pathak, and Jayantilal Gada signals that Drishyam 3 is no longer just a regional sequel but is being positioned as a true Pan-Indian event. While the previous two installments set new benchmarks for the thriller genre, the third part aims to take the franchise to a global audience with a high-budget production and a wider theatrical footprint across multiple languages. The previous installment, Drishyam 2, made massive headlines during the height of the pandemic when it opted for a direct-to-digital premiere. Released on February 19, 2021, the sequel skipped a theatrical run and arrived directly on Amazon Prime Video. Produced on a modest budget of roughly ₹20 crore, the film proved to be an exceptionally profitable venture. Amazon Prime Video reportedly acquired the digital rights for a then-record-breaking deal of ₹30 crore. When combined with the satellite rights sold to Asianet for ₹15 crore, the film generated substantial revenue, eventually becoming one of the most-watched Malayalam titles on the streaming platform. (adsbygoogle = window.adsbygoogle || []).push({}) The makers have also locked a special date for the grand arrival of the film. Drishyam 3 is officially scheduled to hit the big screens on May 21, 2026. This date holds immense significance as it coincides with the 66th birthday of the Complete Actor, Mohanlal. By choosing his birthday for the release, the producers are ensuring a massive festive opening fueled by fan celebrations and nostalgia for the most successful thriller franchise in Indian cinema history. While the exact plot details for the upcoming film are being kept under wraps to preserve the franchise's signature suspense, Drishyam 3 is confirmed to be the final chapter of the saga. The story is set to take place roughly four-and-a-half years after the events of the second installment. Director Jeethu Joseph has indicated that this sequel will move away from the legal complexities of the previous movie to focus on a more psychological thriller approach. The narrative will explore the internal cracks within the George family as they buckle under the decade-long weight of their secret. As Georgekutty faces a new, more organized investigation that threatens his perfect cover-up, the plot is expected to deliver a definitive conclusion to his battle against the law and the Prabhakar family. Directed by the master storyteller Jeethu Joseph, the film is expected to pick up from where the second part left the audience in suspense. While the core cast including Meena, Ansiba Hassan, and Esther Anil is expected to return to complete the family unit, there is immense curiosity regarding the new additions to the cast. The Drishyam franchise has already seen successful remakes in Hindi, Tamil, Telugu, Kannada, and even Chinese, making the third part the most awaited conclusion in recent times.

BY CHRISTA LINCY

Ranveer Singh starrer Dhurandhar 2: The Revenge continues its historic run at the box office, wrapping up its fifth week on a very strong note. The spy action thriller added another Rs. 19.42 crore to its Hindi net collection during its fifth week, showing remarkable holding power despite several new releases. The film started the week with Rs. 2.70 crore on Friday and saw a significant jump over the weekend, collecting Rs. 4.65 crore on Saturday and Rs. 5.20 crore on Sunday. The total India net collection for the film now stands at a massive Rs. 1,122.54 crore. With this, the movie has officially been crowned an ALL-TIME BLOCKBUSTER. The worldwide gross has reached a staggering Rs. 1,766.12 crore, fueled by a robust overseas contribution of Rs. 422.50 crore. The fifth-week performance has allowed Dhurandhar 2 to surpass several major records, making its way into the elite list of highest fifth-week earners in the history of Hindi cinema. In terms of ticket sales, the movie has maintained a steady pace in the national chains. During the fifth week, the film sold a total of 1.63 lakh tickets across major multiplexes. The daily breakdown for national chains saw a peak on Sunday with 46,400 tickets sold, while Saturday recorded 35,700 tickets. Even on weekdays, the film managed to stay relevant with sales like 34,600 tickets on Tuesday, showcasing the strong word-of-mouth that is still driving audiences to the theaters. (adsbygoogle = window.adsbygoogle || []).push({}) On the digital front, BookMyShow has recorded phenomenal numbers for the Ranveer Singh starrer. By the end of its fifth week, Dhurandhar 2: The Revenge has sold approximately 17.84 million (1.78 crore) tickets on the platform alone. This puts it in the second spot for all-time highest ticket sales on BookMyShow, trailing only behind Pushpa 2: The Rule, which stands at 20.08 million. The massive footfalls confirm that the film is not just relying on higher ticket pricing but is a genuine mass phenomenon. The Ranveer Singh starrer has maintained a rock-solid trend throughout its theatrical journey. After a humongous opening week, the drop in collections has been well-contained, ensuring the film reached elite milestones with ease. Here is a look at the week-wise net collection breakdown of the film so far: Week 1 Collection: ₹ 674.17 Cr Week 2 Collection: ₹ 263.65 Cr Week 3 Collection: ₹ 110.60 Cr Week 4 Collection: ₹ 54.70 Cr Week 5 Collection: ₹ 19.42 Cr With a cumulative India gross of Rs. 1,343.62 crore, the film's trajectory remains highly impressive. While it is expected to see a reduction in screens in the coming weeks due to new releases, its ability to hold nearly 40 percent of its previous week's momentum suggests it will continue to add to its massive total. The movie has successfully managed to stay ahead of several classic blockbusters in its fifth-week run, outperforming titles like URI: The Surgical Strike and Baahubali 2 in this specific window. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Highest 5th Week Collection - Hindi NetRANKMOVIE NAME5TH WEEK NET (HINDI)1Dhurandhar₹ 51.25 Cr2Chhaava₹ 30.05 Cr3Stree 2₹ 24.65 Cr4Dhurandhar 2: The Revenge₹ 19.42 Cr5URI: The Surgical Strike₹ 18.74 Cr Total Box Office BreakDown - Dhurandhar 2: The RevengeCATEGORYCOLLECTIONIndia Net₹ 1,122.54 CrIndia Gross₹ 1,343.62 CrOverseas Gross₹ 422.50 CrWorldwide Total₹ 1,766.12 Cr

BY CHRISTA LINCY

Prabhas starrer Darling has registered a massive start at the box office with its 4K re-release. The romantic entertainer, originally released on April 23, 2010, collected Rs. 7.59 crore gross worldwide on its first day. With these numbers, it has become the second-highest opening day for a Telugu re-release, following only the record set by Baahubali: The Beginning. The film managed to surpass the opening day collections of recent major re-releases like Gabbar Singh 4K and Khaleja 4K, solidifying Prabhas' position as the biggest superstar of the Telugu film industry today. The momentum for this re-run was evident right from the moment advance bookings opened on April 17, where roughly 39,500 tickets were sold instantly. The film generated a historic buzz by raking in approximately ₹3 crore in advance bookings gross alone before the first show even commenced. All-India advance sales for Day 1 comfortably crossed the ₹2.8 crore mark, with more than 2 lakh tickets sold across a massive footprint of over 1,300 shows. In the capital city of Hyderabad, the craze reached a fever pitch as over 25,000 tickets were sold within a matter of hours. A closer look at the digital ticket sales reveals the sheer magnitude of the Prabhas brand. On BookMyShow alone, Darling sold a massive 154,000 tickets in pre-sales. To put this into perspective, this figure is significantly higher than the re-release performance of the actor's recent global blockbuster Salaar, which saw around 102,000 tickets sold. With this performance, Darling officially entered the Top 5 all-time for Telugu re-release ticket sales on the platform, moving ahead of classic titles like Athadu and Businessman. (adsbygoogle = window.adsbygoogle || []).push({}) The scale of the release was unprecedented for a film returning to the big screen. Darling 4K played across 1,616 shows in 185 cities, maintaining a very healthy overall occupancy of 47 percent on its opening day. Fans across the nation turned theatres into concert halls, with over 180 housefull shows recorded nationwide. The combination of nostalgia, the evergreen chemistry between Prabhas and Kajal Aggarwal, and the pristine 4K upgrade has turned this re-release into a full-blown box office celebration. In the overseas markets, the Darling 4K re-release has managed to put up decent numbers on its opening day. According to the data reported by Venky Box Office, the film registered a Day 1 gross of $32,093, which is approximately Rs. 30.1 lakhs. The North American market contributed the lion's share with $20,962 coming from 82 locations. The United Kingdom recorded a gross of £7,708, while Australia added around A$1,000 to the total tally. The performance in the USA was steady, with special shows recording a final advance sale of $17,841 across 135 shows with 2,234 tickets sold. Per Venky Box Office, while the footfalls were strong, the overall gross was slightly limited due to the discount Tuesday pricing. In the all-time North American re-release charts, Darling 4K has taken the 13th spot. It surpassed the opening figures of other notable re-releases like Shiva 4K, Pokiri 4K, and Billa 4K, though it finished just behind the numbers of SVSC 4K and JVAS 4K. (adsbygoogle = window.adsbygoogle || []).push({}) Here are the top 5 highest-grossing Telugu re-releases on their opening day in the North American market: Baahubali: The Beginning - $452,739 from 400 Locations (Rs. 3.80 Crore) Indra - $65,375 from 64 Locations (Rs. 54.91 Lakhs) Gabbar Singh - $60,216 from 117 Locations (Rs. 50.58 Lakhs) Khaleja - $58,288 from 107 Locations (Rs. 48.96 Lakhs) Athadu - $57,290 from 124 Locations (Rs. 48.12 Lakhs) Top 5 Telugu Re-Release Movies - Day 1 Worldwide GrossRANKMOVIE NAMEDAY 1 WW GROSS1Baahubali: The Beginning₹ 19.65 Cr2Darling 4K₹ 7.59 Cr3Gabbar Singh 4K₹ 7.53 Cr4Khaleja 4K₹ 6.85 Cr5Murari 4K₹ 5.41 Cr