Advance Booking

1 day ago

1K views

Kara Day 1 Advance Booking: Dhanush's 1991 Gulf War Thriller Records A Slow Start; Will The Unique Gulf War Backdrop Pull In Crowds?

BY SACNILK

Dhanush's 54th project, Kara, is approaching its theatrical debut with a steady build-up in its advance bookings for the opening day. As of now, the film's worldwide real-time pre-sales have reached the 3 crore mark, with the home territory of Tamil Nadu contributing a major share of 2 crore. While these numbers suggest a reliable start for the heist action-thriller, the film is currently in its final day of pre-sales, where a significant jump in momentum will be required to ensure a high-impact opening total at the box office. The ticket sales on BookMyShow have shown a positive trajectory over the last 48 hours. After recording 5,410 tickets on April 27, the volume saw a healthy increase on April 28 to reach 15,990 tickets, bringing the cumulative total on the platform to 21,400. The hourly momentum has also witnessed a spike, with 2,300 tickets sold in the 1-2 pm window today, contributing to a total of 7,710 tickets since 9 am. This recent surge indicates that audience interest is intensifying as the release window narrows. In the national cinema chains involving PVR, INOX, and Cinepolis, the film has recorded approximately 21,900 ticket sales for its opening day across 809 shows. PVR leads the contribution with 15,700 tickets, followed by INOX with 4,900 tickets and Cinepolis with 1,300 tickets. The gross collection from these chains currently stands at 34 lakh with an average occupancy rate of 13 percent. These figures reflect a balanced distribution across major multiplexes, though the primary volume remains centered around PVR venues in key urban centers. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Vignesh Raja, Kara is a heist action-thriller with a confirmed runtime of 161 minutes or 2 hours and 41 minutes. The film has been granted a UA 16+ certificate by the censors due to its intense action themes and survival sequences. Set against the unique backdrop of the 1991 Gulf War, the narrative specifically explores the fuel crisis in Tamil Nadu triggered by the Iraq-American conflict. The story follows the protagonist's 16-day journey of survival and redemption, a concept that the director revealed was sparked by a mix of real-world events, including a crime report from Northern India and an emotional piece set near Vellore. As the film prepares to hit the screens on April 30, the final phase of bookings will be crucial. While the current pre-sales are trending at an average level, the historical performance of Dhanush's films often shows a strong reliance on late-day bookings and walk-in audiences. With its lengthy runtime and specific historical setting, the film is positioned as a detailed survival drama. The upcoming 24 hours will determine if Kara can convert this steady interest into a significant opening day benchmark in both domestic and overseas markets.

Box Office

1 day ago

3.2K views

Dhurandhar Heading To Japan! Can Ranveer Singh's 1,300 Cr Blockbuster Push The Franchise To Unimaginable Global Limits?

BY SACNILK

The global trajectory of Aditya Dhar's Dhurandhar franchise is reaching a fever pitch. After a remarkable and record-shattering run at the global box office, it has been officially confirmed that the first part, Dhurandhar—which currently occupies the 5th spot on the all-time global charts with a lifetime collection of 1,307.35 crore—will release in Japan on July 10, 2026. While the second installment, Dhurandhar 2: The Revenge, has already cemented its status as the 3rd highest-grossing Indian film of all time with a worldwide total of 1,780.76 crore, this strategic move for the original chapter is designed to build a solid foundation in the territory, allowing the film to maximize its lifetime potential as it heads toward a massive new milestone. This development has sent the box office community into a frenzy as the franchise now holds two distinct spots in the top five highest-grossing Indian films of all time. Currently, Dhurandhar: The Revenge is on the verge of overtaking Baahubali 2: The Conclusion to officially claim the number two spot globally, a milestone it is expected to reach within a matter of days. Meanwhile, the first part of the saga occupies the 5th position with its current lifetime total of 1,307.35 crore. The upcoming Japan release for the first chapter opens a strategic window for it to climb even higher in the rankings. While Aamir Khan’s Dangal remains the ultimate target at the top with 2,070.30 crore, the massive potential of the Japanese market suggests that Dhurandhar could witness a significant late-career surge in its global journey. Top 10 Highest Grossing Indian Films in JapanRANKMOVIE NAMEJAPAN COLLECTION (YEN)1RRR¥ 2.42 Billion2Muthu¥ 405 Million3Baahubali 2: The Conclusion¥ 305 Million43 Idiots¥ 170 Million5English Vinglish¥ 160 Million6The Lunchbox¥ 150 Million7Saaho¥ 131 Million8Magadheera¥ 130.1 Million9Enthiran (Robot)¥ 109.6 Million10Pushpa 2: The Rule¥ 105 Million* (2 Weeks) (adsbygoogle = window.adsbygoogle || []).push({}) It’s time for Japan to experience the Dhurandhar energy! ⚔️🔥Arriving in theatres across Japan on 10.7.2026.@RanveerOfficial #AkshayeKhanna @duttsanjay @ActorMadhavan @rampalarjun #SaraArjun @bolbedibol @AdityaDharFilms #JyotiDeshpande @LokeshDharB62 @jiostudios @B62Studios… pic.twitter.com/Hju88Qoi5m— Jio Studios (@jiostudios) April 29, 2026 The historical performance of Indian films in Japan reveals a diverse palate. While SS Rajamouli's films like Magadheera capitalized on the later Baahubali fever to prove that his brand is a bankable genre, Prabhas himself established a loyal following with Saaho, which held the record for the biggest opening day before RRR. Even sci-fi entries like Enthiran were specifically edited to be more fast-paced for the Japanese audience, focusing heavily on the action and Rajinikanth's iconic robotic mannerisms. This level of customization shows the effort producers put into capturing this unique market, and Dhurandhar is expected to receive similar localized attention. The Japanese market has a history of turning Indian blockbusters into legends. RRR remains the absolute benchmark, being the only Indian film to breach the ¥2 billion milestone. Its success proved that when the Japanese audience connects with the spectacle and emotion of an Indian film, the theatrical run can last for over 500 days. Even recent releases like Pushpa 2: The Rule have shown record-breaking speed, entering the all-time Top 10 in just 14 days. For the Dhurandhar franchise, the strategy is calculated: release Part 1 to introduce the characters and world-building, and then strike while the iron is hot to capitalize on the built-up hype. (adsbygoogle = window.adsbygoogle || []).push({}) The cultural appetite in Japan for larger-than-life Indian cinema has evolved significantly. From the Rajinikanth-mania sparked by Muthu in the 90s to the vocal screenings popularized by Baahubali 2, the audience there treats these films as a celebration. Content-driven successes like 3 Idiots and English Vinglish have also proven that emotional depth resonates just as much as high-octane action. Other notable films that have enjoyed cult status in Japan include: Bajrangi Bhaijaan (2015) Padman (2018) Dhoom 3 (2013) Rangasthalam (2018) KGF: Chapter 1 & 2 Secret Superstar (2017) Hindi Medium (2017) PK (2014) Om Shanti Om (2007) Ra.One (2011) The potential collection from Japan for the first part of Dhurandhar is set to be a strategic addition to its already storied global run. While the gap to the next tier of all-time blockbusters is substantial, the additional gross from this release allows Part 1 to effectively consolidate its individual lifetime total and maximize its reach in an elite market. More than just a chase for individual rankings, this international expansion serves to strengthen the collective weight of the entire franchise. By adding another layer of revenue to the first installment, the saga pushes its combined total to heights rarely seen in Indian cinema, further distancing itself from other major series. This tactical push ensures that the Ranveer Singh-Aditya Dhar collaboration continues to grow its global footprint, solidifying a legacy that stands as a benchmark for franchise-building in the modern era.

OTT

1 day ago

3.5K views

Ustaad Bhagat Singh Netflix Viewership: Pawan Kalyan Starrer Becomes Number 1 Indian Release Of 2026

BY SACNILK

The digital journey of Pawan Kalyan's Ustaad Bhagat Singh has provided a contrasting narrative to its theatrical run. Despite being produced on a reported budget of 150 crore, the film was declared a flop at the box office after netting 72.34 crore in India. Its domestic gross stood at 84.91 crore, and with an overseas contribution of 11.85 crore, the worldwide total concluded at 96.76 crore. While these numbers fell short of theatrical recovery, the film's premiere on Netflix has unlocked a significant global audience, turning it into a notable digital success story for the year. In its debut window from April 16 to April 19, the Harish Shankar directorial made a strong entry, clocking 2.5 million views and 6.2 million viewing hours. This performance allowed it to secure the number 3 spot globally in the non-English films category during its first week. The mass entertainer trended in the Top 10 across 14 countries during this period, finding traction in major markets like India, Pakistan, Bangladesh, the UAE, and Malaysia. This initial surge indicated that the star power of Pawan Kalyan remained a significant draw for the streaming audience despite the earlier theatrical outcome. The film showed stability in its second week on the platform. Between April 20 and April 26, it added 1.9 million views and 4.7 million viewing hours to its tally. This brought the cumulative two-week performance to 4.4 million views and approximately 10.9 million total viewing hours. Although it moved to the number 4 spot worldwide in the second week, it continued to trend in the Top 10 across 10 countries. This global reach extended beyond Asia into Africa, where it maintained a presence in the Top 10 lists of Mauritius and Nigeria for two consecutive weeks. (adsbygoogle = window.adsbygoogle || []).push({}) When looking at the competitive landscape of 2026 releases on Netflix, Ustaad Bhagat Singh currently holds the number 1 rank for the year. Below is the 2-week viewership comparison for the top 2026 releases: Ustaad Bhagat Singh: 4.4 Million Views (10.9M Hours) Youth (Tamil/Telugu): 3.8 Million Views (9.2M Hours) Akhanda 2: Thaandavam: 3.4 Million Views (8.8M Hours) Anaganaga Oka Raju: 3.1 Million Views (7.9M Hours) Mrithyunjay: 2.5 Million Views (6.4M Hours) In the broader context of Tollywood films on Netflix from 2024 onwards, Ustaad Bhagat Singh has secured the ninth spot on the list. Below are the top 5 Tollywood performers on the platform based on their viewership at the end of the second weekend: Lucky Baskhar: 11.7M Views Pushpa 2: 9.4M Views Kalki 2898 AD (Hindi): 7.1M Views Hit 3: 6.9M Views Saripodhaa Sanivaaram / OG: 5.3M Views From a financial standpoint, the producers, Mythri Movie Makers, found themselves in a protected position despite the box office result. A reported digital rights deal with Netflix, valued at a substantial 80 crore, acted as a critical safety net for the producers. This trend underscores the growing importance of OTT revenue streams for big-budget productions. While the film may have struggled at the physical box office, its performance on Netflix confirms that Ustaad Bhagat Singh found a wider calling in the digital space, reaching millions of households across multiple continents within its first fortnight of streaming.

Box Office

2 days ago

3.4K views

Bhooth Bangla Day 12 Box Office Collection: 24% Jump; Becomes Akshay Kumar's Number 1 Post-Pandemic 2nd Tuesday Earner

BY SACNILK

Bhooth Bangla, featuring Akshay Kumar, saw an improvement in its collections on the second Tuesday. The film earned 4.35 crore net on its twelfth day, reflecting a 24 per cent increase from the 3.50 crore reported on the second Monday. This mid-week uptick is largely due to the implementation of a Buy 1 Get 1 ticket offer across booking platforms. The incentive helped the film stay steady during the working week, preventing the typical Tuesday drop and pushing the daily total slightly higher than the previous day. The collection of 4.35 crore on the second Tuesday stands as one of the better mid-week holds for the actor in recent years. Below is how the film compares to other major Day 12 (2nd Tuesday) collections of Akshay Kumar in the post-pandemic era: Bhooth Bangla: 4.35 Cr Housefull 5: 4.25 Cr Sooryavanshi: 3.92 Cr Jolly LLB 3: 3.75 Cr OMG 2: 3.25 Cr The total domestic performance now stands at a solid 121.25 crore in net collections, while the India gross has reached 144.10 crore. Despite being in its second week, the film maintained a strong footprint with 9,117 shows running across the country. The trend suggests that the audience interest remains high, particularly in the family segment, which was the target demographic for the promotional offer. The film has now effectively built a platform to cross the 125 crore net mark before the conclusion of its second week. (adsbygoogle = window.adsbygoogle || []).push({}) A closer look at the theatrical occupancy reveals a strong upward trajectory as the day progressed. The morning shows started on a quiet note with 6 per cent occupancy, but the numbers saw a steady climb during the afternoon and evening, hovering around 14 per cent. However, the night shows saw the biggest jump, reaching nearly 19 per cent occupancy. This pattern indicates that the BOGO offer effectively pushed working professionals and families toward the later screenings, ensuring a high closing for the day. The performance in national cinema chains was instrumental in driving the Day 12 numbers. PVR led the charts with 17,800 tickets sold, followed by INOX with 9,800 and Cinepolis with 4,800. In total, the national chains accounted for approximately 32,450 ticket sales, generating a combined gross of over 53 lakh from these specific venues alone. The National Capital Region (NCR) remains a primary stronghold for the film, maintaining 1,010 shows and recording consistent footfalls that outpaced many other major territories. Digital ticket sales on BookMyShow also mirrored this positive sentiment. The platform recorded a total of 80,000 ticket sales for the second Tuesday, a massive leap from the previous day's momentum. Between 8 am and 10 pm, the film sold over 60,000 tickets compared to 46,500 during the same period yesterday. Even the late-night hourly trend showed growth, with 3,820 tickets sold in the 9-10 pm window compared to 3,430 on Monday night, proving that the film's momentum is gathering pace rather than slowing down. On the global front, Bhooth Bangla added 1.50 crore from overseas markets on its twelfth day, taking its total international gross to 51 crore. When combined with the domestic gross, the film's worldwide total has reached 195+ crore. With this current trajectory, the film is officially on the countdown to join the 200 crore club, a milestone it is expected to surpass by the end of today. Achieving this feat within twelve days marks a significant victory for the Akshay Kumar and Priyadarshan duo, reaffirming their box office pull in the horror-comedy genre.

Box Office

2 days ago

13.6K views

9 Years Of Baahubali 2: The Conclusion; Why This Footfall King Remains The Avatar Of Indian Cinema

BY SACNILK

Nine years ago, on April 28, 2017, S.S. Rajamouli's Baahubali 2: The Conclusion hit the screens, fundamentally altering the trajectory of the Indian film industry. Beyond the staggering monetary figures, the film is often described as the Avatar of Indian Cinema due to its unprecedented reach. While modern blockbusters like the 2026 hit Dhurandhar 2 and Pushpa 2: The Rule have surpassed it in nominal collection figures, Baahubali 2 remains the undisputed champion of audience engagement. With over 10.8 crore tickets sold, it is the only Indian film of the 21st century to achieve such a feat. To match this level of admissions at today’s tripled ticket prices, a film would need to earn over ₹3,000 crore in the domestic market alone. The film's legacy is built on a foundation of firsts that many high-budget productions still struggle to replicate. From its opening day, where it maintained a near-impossible 95% occupancy across India, to its final theatrical run, the film dominated every circuit. It was the first Indian production to earn over ₹1,000 crore net in the domestic market and the first to gross ₹1,000 crore worldwide, achieving the latter in just ten days. Its regional dominance was so absolute that it became the highest-grossing film in nearly every Indian state, and it remains the only movie in history where all four primary languages (Telugu, Hindi, Tamil, and Malayalam) collected over ₹50 crore net each. (adsbygoogle = window.adsbygoogle || []).push({}) Below is a comprehensive breakdown of the records established by Baahubali 2: The Conclusion: Domestic Benchmarks: It set the record for the biggest opening day with ₹121 crore and the biggest first Monday with over ₹80 crore net across all languages. The ₹1000 Crore Pioneer: It is the first and only film to surpass ₹1,000 crore net domestically and served as the creator of the ₹400 crore through ₹1000 crore NBOC clubs. Unrivaled Footfalls: The film recorded over 1.05 crore admissions on its first day alone and finished its run with an estimated 10.8 crore ticket sales, the highest this century. Kerala Box Office: It was the first film to open at ₹5 crore in Kerala and became the first non-Malayalam film to cross ₹50 crore in the state, eventually finishing at over ₹75 crore. After 9 years, no non-Malayalam film has surpassed this collection. Global Release Scale: It premiered on over 9,000 screens worldwide (6,500 in India), setting a record for the widest release at the time. North American Dominance: It was the first Indian film to cross the $20 million mark in the USA, a record that stood for eight years, and earned a massive $10.43 million in its opening weekend. China & Japan Market: It holds the 5th highest collection for an Indian film in China and saw the 3rd highest opening there behind Secret Superstar and Hindi Medium. In Japan, it remained the 3rd highest Indian grosser for years. Guinness World Record: To promote the franchise, a massive poster covering 51,598.21 square feet (the size of 18 tennis courts) was unveiled in Kochi, officially becoming the world’s largest poster. (adsbygoogle = window.adsbygoogle || []).push({}) Nepal Dominance :It still holds the record for the highest-grossing Indian film in Nepal. Non-Hindi Mastery: It was the first South Indian film to collect over ₹500 crore net in North India Middle East Milestones: In the UAE, it sold over 100,000 tickets in advance, beating Fast and Furious. It was also the first Indian film to receive a standing ovation from the UAE censor board. IMAX & Prestigious Screenings: It recorded the biggest IMAX launch for an Indian film ($1.8 million) and became the first non-English film since 1871 to be screened at the Royal Albert Hall with a live orchestral score. Pre-Release & Digital: It was the first film to earn over ₹500 crore from satellite, theatrical, and digital rights before release. Netflix acquired the streaming rights for a then-record ₹25.5 crore. Television Records: Its Hindi premiere on Sony MAX garnered 2.6 crore impressions, outperforming its closest competitor by 500%. The Telugu premiere delivered a historic 22.7 TRP. Baahubali 2: The Conclusion is effectively the architect of the modern Pan-India concept. Its ability to maintain a second-highest worldwide grosser position and a 7th highest overseas grosser rank for nearly a decade speaks to its enduring appeal. While inflation may allow newer films to touch higher revenue milestones, the 10-crore-plus footfall record stands as a near-impossible mountain to climb. Nine years later, the saga of Mahendra Baahubali remains the gold standard for cinematic scale and commercial success in Indian history.

Box Office

2 days ago

2.6K views

Bhooth Bangla Day 11 Box Office: Akshay Kumar Starrer Sees 70% Drop From Sunday; Collects Rs.3.65 Cr Net

BY SACNILK

Akshay Kumar's horror-comedy Bhooth Bangla has completed its eleventh day at the box office, finishing its second Monday with a steady hold. Following a high-growth second weekend, the film earned ₹3.65 crore net in India on Monday. This brings the total 11-day India net collection to ₹117.05 crore, while the India gross stands at ₹139.25 crore. The Monday collection saw a 70.8% drop compared to the previous day’s ₹12.50 crore, which is a standard weekday trend for a film entering its second week. The film was screened across 8,755 shows in the domestic market. In terms of national cinema chains, Bhooth Bangla sold approximately 5.5K tickets at PVR, 4.5K at INOX, and 1.5K at Cinepolis. On the digital front, the film continued to see interest with 64K tickets sold on BookMyShow throughout the day. The occupancy for the Hindi 2D version remained consistent across different time slots, averaging a total of 9.88%. While morning shows started with a 5.95% occupancy, the footfalls saw a jump as the day progressed. Afternoon shows recorded 11.13%, followed by 11.05% in the evening and a peak of 11.38% for the night screenings. This trend indicates that the film is still finding traction with urban audiences during the later hours of the day. The early tracking for Tuesday, April 28, 2026, indicates that the horror-comedy is not just holding steady but showing an upward trend compared to its Monday performance. As of the 2 PM tracking window, the 1 PM to 2 PM slot recorded 5,340 tickets sold on BookMyShow, an increase over the 4,330 tickets sold during the same period on Monday. Furthermore, the total tickets sold between 8 AM and 2 PM reached 24,130, significantly surpassing Monday's tally of 18,290 for the same window. This mid-week growth in daytime slots suggests strong word-of-mouth driving an increase in spot bookings. (adsbygoogle = window.adsbygoogle || []).push({}) This trend is further supported by the afternoon data across national chains. As of 2 PM update, Bhooth Bangla had already sold approximately 33,000 tickets for Tuesday's screenings, contributing a gross of ₹54L. With an initial occupancy of 7.41% across 4,236 shows in the early tracking phase, the film is maintaining a consistent footprint in the market. The ability to outperform Monday's hourly sales during the second week highlights the film's stability as it heads toward the ₹200 crore global milestone. Internationally, Bhooth Bangla is maintaining a healthy pace, adding ₹1.50 crore on its second Monday. The total overseas gross has now reached ₹49.50 crore. North America remains the strongest international territory, contributing nearly 37% of the total overseas revenue with a total of $1.9 million in ten days. The Gulf market follows with $1.4 million, showing the film's appeal within the UAE-GCC family audience where the horror-comedy genre traditionally performs well. With the worldwide gross collection now reaching ₹188.75 crore, the film is steadily approaching the ₹200 crore global milestone. The consistent weekday holds in the North American belt, combined with premium show footfalls in the domestic market, have ensured a stable run for the project. As it moves toward the end of its second week, the focus remains on the film's ability to sustain these levels before the new releases hit the theaters.

Bollywood

3 days ago

4.7K views

From Housefull 2 To Bhooth Bangla: Every Akshay Kumar's Film To Enter 100 Crore India Net Club

BY SACNILK

Mumbai, April 27 - Bollywood superstar Akshay Kumar is one of the most decorated Indian actors ever and has contributed so much to Indian cinema. From a young martial artist to the undisputed king of consistent box office returns, the Khiladi Kumar has redefined the stardom of his own in Indian cinema. While Akshay is yet to break into the coveted 500 crore club (solo), he has redefined the 100-Crore Club, not just for Bollywood but in Indian cinema also. As of April 2026, Kumar has officially delivered 20 films that have crossed the 100 crore net mark in India, a record-breaking feat for an Indian actor, followed by Salman Khan with 18 films. The Beginning: Breaking the Seal (2012) The 100 crore net journey for Akshay Kumar began in 2012 with the multi-starrer comedy Housefull 2. While Akshay was already a superstar, this film marked his entry into the elite 100-crore bracket, earning 112 crore. He quickly proved it wasn't a fluke by following it up just two months later with the action-packed Rowdy Rathore, which netted 133.25 crore. (adsbygoogle = window.adsbygoogle || []).push({}) The Golden Era: 2016–2019 The mid-to-late 2010s saw Akshay Kumar at his most prolific. He moved away from pure slapstick comedy and shifted toward social dramas and patriotic thrillers. He actually popularised the social dramas which used to be considered taboo, with films like Padman and Toilet: Ek Prem Katha. In 2016, Akshay delivered a hat-trick of 100 crore hits with Airlift, Housefull 3, and Rustom. 2019, the Triple 200 year. This was arguably the greatest year in the actor's career. In a single calendar year, he delivered three films, Mission Mangal, Housefull 4, and Good Newwz, that didn't just cross 100 crore, but soared past the 200 crore net mark. (adsbygoogle = window.adsbygoogle || []).push({}) The Post-Pandemic Revival When the pandemic shuttered theatres, Akshay was the first big star to bring audiences back with Sooryavanshi (2021), which earned nearly 200 crore net during a time of limited seating capacity. Despite a brief lean period, his resurgence in 2025 and 2026 has been admirable. With the massive success of sequels like Housefull 5 and Jolly LLB 3, and his 20th-century hit, Bhooth Bangla (2026), he has solidified his reputation as the safest bet in the industry. A Star Beyond Box Office Successes In an era where most A-list superstars release one film every two to three years, Akshay Kumar operates on a different level in this regard. By releasing 3 to 4 films annually, he has been the primary provider of "content oxygen", especially in the post-pandemic era when theatres were going through a challenging phase. (adsbygoogle = window.adsbygoogle || []).push({}) For theatre owners, a blockbuster provides a massive spike, but it is regularity that pays the bills. During dry spells when other stars are in hiding or in long production cycles, an Akshay Kumar film is always around the corner. When the industry was in fear in 2021, Akshay was the first to risk a big-budget release with Bell Bottom (despite 50% occupancy rules) and later Sooryavanshi. He paved the way for the reopening of the theatres during the health crisis. While critics and trade often point to his occasional box-office duds, the producers and exhibitors view them differently. A flop for Akshay still generates significant revenue through satellite rights, digital streaming, and music, often keeping the production ecosystem profitable even if the theatrical outcome is low. And at the same time, he generates a steady flow of footfalls in cinemas. (adsbygoogle = window.adsbygoogle || []).push({}) Akshay Kumar 100 Crore Net Films in India S. No. Movie Release Year India Net (Approx) 1 Housefull 2 2012 ₹ 112.00 Cr 2 Rowdy Rathore 2012 ₹ 133.25 Cr 3 Holiday 2014 ₹ 112.50 Cr 4 Airlift 2016 ₹ 128.10 Cr 5 Housefull 3 2016 ₹ 110.20 Cr 6 Rustom 2016 ₹ 127.50 Cr 7 Jolly LLB 2 2017 ₹ 117.00 Cr 8 Toilet: Ek Prem Katha 2017 ₹ 134.40 Cr 9 Gold 2018 ₹ 109.60 Cr 10 2.0 (Hindi) 2018 ₹ 188.25 Cr 11 Kesari 2019 ₹ 155.70 Cr 12 Mission Mangal 2019 ₹ 203.10 Cr 13 Housefull 4 2019 ₹ 210.30 Cr 14 Good Newwz 2019 ₹ 205.10 Cr 15 Sooryavanshi 2021 ₹ 195.50 Cr 16 OMG 2 2023 ₹ 151.15 Cr 17 Sky Force 2025 ₹ 113.60 Cr 18 Housefull 5 2025 ₹ 183.40 Cr 19 Jolly LLB 3 2025 ₹ 117.50 Cr 20 Bhooth Bangla 2026 ₹ 113.40 Cr As of April 26, 2026.

Bollywood

6 days ago

43.1K views

Akshay Kumar's Welcome To The Jungle Reportedly Locks Major Distribution Deals

BY SACNILK

Mumbai, April 24 - Akshay Kumar-fronted Welcome To The Jungle is gearing up for a grand release this June after multiple delays, and ahead of it, the film is making strong noise in the trade circuit, not just for its ensemble cast but for its impressive pre-release business. The third instalment in the popular Welcome franchise has reportedly secured major distribution deals well ahead of its release. According to the report by Bollywood Hungama, JioStar has acquired the film's domestic theatrical rights, along with satellite and OTT rights. This means the film will release nationwide under JioStar's distribution, followed by its television premiere and digital streaming on JioHotstar, giving the company complete control over its India lifecycle. (adsbygoogle = window.adsbygoogle || []).push({}) On the international front, Pen Marudhar is said to be in advanced talks to acquire the overseas theatrical rights. The deal is said to be in its final stages, with strong interest driven by the Welcome franchise's popularity among overseas audiences, particularly in key diaspora-driven markets like the Middle East, the UK, and North America. This deal structure highlights a smart and modern revenue model, where a bulk domestic deal ensures substantial cost recovery before release, while overseas rights are monetised separately to maximise value. Such an approach significantly reduces the financial risk for the makers, allowing the film to enter theatres in a comfortable position. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Ahmed Khan and headlined by Akshay Kumar along with Suniel Shetty, Paresh Rawal, Sanjay Dutt, Arshad Warsi, Jacqueline Fernandez, Disha Patani, Raveena Tandon, Lara Dutta, Tusshar Kapoor, Shreyas Talpade, Krushna Abhishek, and Kiku Sharda, among others, in key roles. Welcome 3 is slated to release on June 26, 2026.

Bollywood

7 days ago

18.8K views

Reasons Dhurandhar 2 Failed To Beat Dangal In Bid To Become Biggest Indian Grosser Worldwide

BY SACNILK

Mumbai, April 23 - The box office journey of Dhurandhar 2: The Revenge has been nothing short of historic, but the bigger picture now reveals a fascinating reality. While the film is within touching distance of Baahubali 2, surpassing Dangal is now a pipe dream. It is not that Dhurandhar 2 was always going to surpass Dangal's lifetime worldwide collection of 2070 crores, as the latter had the rare advantage that most Indian films never had and still don't have - China. However, China was not the only thing that stopped the Ranveer Singh starrer from achieving ultimate glory. Here are some of the reasons that prevented Dhurandhar 2 from beating Dangal. (adsbygoogle = window.adsbygoogle || []).push({}) No China and Gulf Effect A major pillar behind Dangal's historic success was its extraordinary performance in China, where it minted a staggering 1300+ crores. The film witnessed an unprecedented reception there, contributing a massive portion to its worldwide total. It was the luxury Dhurandhar 2 didn't have (yet). On top of China, Dhurandhar 2 also had a setback when it comes to the Gulf markets, one of the biggest revenue sources for Indian films. Due to its anti-Pakistan content, the film faces a ban in the region, preventing it from adding another 100 crores or so to its massive global tally. In terms of regular markets, Dhurandhar 2's overseas performence has been historic. Without China, Dangal grossed 230 crores in international markets. On the other hand, the spy action thriller has already scored 422+ crores without any support from China as well as the Gulf. This shows how decisive China market proved in favour of Aamir Khan's sports biopic. (adsbygoogle = window.adsbygoogle || []).push({}) No Strong Regional Languages Turnout It is not something comparable with Dangal, but to make it up for China advantange and beat it, Dhurandhar 2 needed more from other Indian languages, especially in Telugu, than what it got. In the era of Pan India dominance, multi lingual statergy has played a pivotal roles. The biggest Telugu blockbusters has one thing common - Hindi. A large share of total domestic, or take worldwide collection for Telugu origin movies have come from Hindi languages, be it Pushpa 2, Baahubali 2, RRR, and others. The trade was betting big on other languages, especially after the first film got incredibaly positive reception from Southern Indian audiences. Dhurandhar 2 too got super positive word of mouth, but it didn't entirely translated into ticket sales. (adsbygoogle = window.adsbygoogle || []).push({}) While the movie performence well in Telugu states and Karnataka, it couldn't find a breakout success in regional languages, grossing around 80 crores in South Indian languages, an incredibaly low number as compared to what a Telugu film of this level could have make in Hindi. As a result, Dhurandhar 2 will end up as the third biggest grosser at the Indian box office, behind Baahubali 2 and Pushpa 2. Adult Certification Barrier (adsbygoogle = window.adsbygoogle || []).push({}) One of the biggest structural disadvantages for Dhurandhar 2 was its adult (A) certification. This significantly restricted its audience base, keeping younger viewers and a large section of family audiences away from theatres. While the target audience flocked to theatres, the adult rating still kept a large number of people away from it, which ultimately reduced total potential of footfalls, even though Dhurandhar 2 is still the greatest adult rated Indian blockbuster. Impact of Long Runtime Runtime is an often overlooked but crucial factor in box office performance, and when mixed with high ticket prices, it becomes a deadly combo against the film's overall potential. Dhurandhar 2's lengthy duration (nearly 4 hours) reduced the number of shows theatres could screen in a day. Over time, this limits overall ticket sales, especially when compared to films with tighter runtimes. Exibitors did try to make it up by scheduling round the clock showcasing but the capacity issue was still there.

Mollywood

7 days ago

856 views

Drishyam 3 OTT Rights Put On Hold? Legal Dispute Clouds Digital Deal

BY SACNILK

New Delhi, April 23 - Superstar Mohanlal's highly anticipated Drishyam 3 has run into a major hurdle even before its release. The film's OTT rights, expected to be one of the most lucrative deals in Malayalam cinema, are currently on hold due to a legal dispute, creating uncertainty around its digital premiere. A Clash Over Digital Rights (adsbygoogle = window.adsbygoogle || []).push({}) The controversy centres on streaming giant Amazon Prime Video and the film's producer, Aashirvad Cinemas. Amazon has asserted that it holds exclusive streaming rights to Drishyam 3, citing an earlier agreement signed with the production banner. According to the platform, the deal includes clauses that either grant it first preference or outright exclusivity for future instalments in the Drishyam franchise. This claim has effectively prevented the producers from exploring fresh OTT offers in the open market. Delhi High Court Grants Interim Relief (adsbygoogle = window.adsbygoogle || []).push({}) The dispute reached the Delhi High Court, which has granted interim relief in favour of Amazon Prime Video. The court's order temporarily restrains the makers from negotiating or finalising any OTT deal with third parties until the matter is resolved. This development has put the digital rights deal in limbo, halting what could have been (still possible) a record-breaking streaming acquisition. In today's market, where post-theatrical streaming deals are crucial to a film's overall revenue model, this uncertainty can influence both valuation and release timing. Impact on Theatrical Release? (adsbygoogle = window.adsbygoogle || []).push({}) While the legal battle does not directly affect the film's theatrical release plans, it has significantly delayed clarity on its OTT debut. The Drishyam franchise, helmed by Jeethu Joseph, has historically performed exceptionally well on OTT platforms, making its third instalment a highly sought-after property among streaming services. Drishyam 3 is scheduled to release on May 21, after being postponed from April 2nd. It is the third instalment in the blockbuster crime suspense thriller franchise, which kicked off in 2013. The second film in the series, Drishyam 2, was a direct digital release via Prime Video in 2021. Meanwhile, the Hindi remake of Drishyam 3, starring Ajay Devgn, is slated for October 2, 2026, release.

Kollywood

16 days ago

1.4K views

Karuppu Pre-Release Business: Suriya's Actioner Locks Tamil Nadu Deal For 40+ Crore

BY SACNILK

Chennai, April 14 - Tamil star Suriya's upcoming action entertainer Karuppu is one of the most-awaited Tamil films amid the strong buzz in trade. The film has been making headlines for its solid pre-release business, and the latest update further strengthens its trade buzz. According to Tamil trade reports, Karuppu has sealed its Tamil Nadu theatrical rights for a massive 40-42 crore, reportedly with Sakthi Film Factory, indicating strong distributor confidence in the project. This is a significant number, especially considering the current market trends for Tamil cinema. (adsbygoogle = window.adsbygoogle || []).push({}) The film, directed by RJ Balaji and co-starring Trisha Krishnan, has already generated impressive pre-release revenue across multiple streams. Reports suggest that the film has crossed 110 crore in total pre-release business, including digital, satellite, and music rights. With a reported budget of around 130 crore, the makers have already recovered a major chunk of the investment even before release, putting the film in a safe zone financially. The strong Tamil Nadu deal reflects the hype surrounding the film and Suriya's pull in his home market. (adsbygoogle = window.adsbygoogle || []).push({}) Scheduled for a release in May this year, Karuppu is widely seen as a crucial film in Suriya's career, especially after a mixed box office phase. With strong pre-release numbers and growing anticipation, the stage is set for a big opening at the box office.

Bollywood

18 days ago

54.9K views

Dhurandhar 2 Box Office: Ranveer Singh Starrer Becomes Highest-Grossing Indian Film Without Gulf and China

BY SACNILK

Mumbai, April 13 - Dhurandhar 2: The Revenge has scripted box office history by emerging as the highest-grossing Indian film worldwide without any contribution from the Gulf and China markets. In just 24 days, the Ranveer Singh starrer has stormed past the 1700 crore mark globally, setting a new benchmark for Hindi cinema. Directed by Aditya Dhar, the spy action thriller's phenomenal run has been driven by a dominant domestic performance and a once-in-a-lifetime overseas showing. Despite missing out on two of the most lucrative international circuits, Dhurandhar 2 has raked in 410+ crore gross overseas, powered by exceptional collections in North America, the United Kingdom, Australia, and key European territories. Worldwide Box Office Numbers (Without Gulf & China) Dhurandhar 2 – 1700+ crore (24 days) Pushpa 2: The Rule – 1685+ crore Baahubali 2: The Conclusion – 1615+ crore Indian blockbusters have relied on Gulf countries for consistent NRI footfall. China, though it is not a regular market for Indian films, can boost collections to extraordinary levels. Films like Dangal and Baahubali 2: The Conclusion significantly benefited from these regions. However, Dhurandhar 2 has rewritten that narrative by achieving record-breaking numbers purely on the strength of its core markets and widespread audience acceptance. The sequel has also crossed the 1000 crore net mark in India as well as in Hindi, underlining its massive domestic pull. Its sustained run, aided by strong word-of-mouth and repeat viewership, has ensured that it remains a top draw even into its fourth week, an increasingly rare feat for a heavily frontloaded title. Top Indian Grossers Worldwide Without Gulf & China S. No. Movie Total Worldwide Gross WW Gross (Excl. Gulf & China) 1 Dhurandhar 2 ₹ 1700+ Cr ₹ 1700+ Cr 2 Pushpa 2 ₹ 1742 Cr ₹ 1685+ Cr 3 Baahubali 2 ₹ 1788 Cr ₹ 1615+ Cr As of April 12, 2026. With 1700+ crore already in the bag and momentum still intact, Dhurandhar 2 is now eyeing the finish in the top 3 biggest Indian grossers, even with China and the Gulf. More importantly, its success marks a significant shift in box office dynamics, proving that a film can achieve unprecedented global success even without access to traditional high-revenue international markets.