BY SUNIT JANGIR

Bengaluru, October 27 - The exhibitors of Karnataka finally had a moment of joy this year with Rishab Shetty-fronted Kantara Chapter 1 doing excellent business and bringing people to theatres in big numbers. They were hoping for more to come, but their happiness has been cut short by a disappointing and questionable move by the makers. Despite the film continuing its very good run and showing remarkable stability across regions, the team has decided to drop it on the OTT platform much sooner than expected. At a time when almost every South Indian film is dropping on OTT after just four weeks of its theatrical release, Kantara Chapter 1 had the perfect chance to break the trend. The Rishab Shetty directorial was still performing excellently at the box office, showing no signs of slowing down even in its fourth weekend. With a strong hold and exceptional word of mouth, the film was well on its way to extending its glorious run and setting new benchmarks for long theatrical sustainability in the post-pandemic era. In its fourth weekend alone, the film grossed over 30 crores domestically, with nearly half of that coming from the Kannada version. These are solid numbers for a film that opened to massive numbers in its initial week, proving its continued dominance and audience connection. A longer exclusive theatrical run could have easily pushed the film's lifetime total significantly higher, adding many more crores to its already stellar tally. However, the makers have now officially confirmed the film's OTT release. The period folk actioner will drop on Amazon Prime Video on October 31st in Kannada, Telugu, Malayalam, and Tamil versions, four weeks after its release. This decision comes across as both disappointing and questionable, especially considering the film's ongoing momentum at the ticket windows. In opting for an early digital release, the team may have left considerable box office potential untapped, undermining what could have been an even more historic run. Beyond the numbers, this move also affects exhibitors, particularly in Karnataka, where Kantara Chapter 1 has been a saviour amid a dull theatrical year. A longer theatrical run would have benefited both the film's legacy and the local theatre chains, reinforcing the power of strong content to sustain on the big screen. Instead, this shortened window feels like a missed opportunity for both the industry and the film's makers, and more importantly, for the theatre ecosystem, which has been struggling this year in Karnataka. Stay tuned...

BY SUNIT JANGIR

Hyderabad, October 29 - Director SS Rajamouli's action drama Baahubali: The Epic, which is a nearly 4-hour one cut version of his Baahubali duology, is roaring in the advance booking ahead of its 31st October release. The bookings are better than many of the mid-budget films, let alone the re-release title. Starring Prabhas in the title role alongside Rana Daggubati, Anushka Shetty, Sathyaraj and Tamannah Bhatia, the film has topped 10 crores advance booking gross collection for the opening day, including premieres. In India, the bookings have crossed 5 crores, while overseas pre-sales are nearing the 5 crore mark, driven by North America. The pre-sales of Baahubali - The Epic are already higher than the lifetime collection of Indian re-release titles. It is certain to become the biggest Indian re-release grosser of all time, and will probably become the first film to cross the 100 crore mark. Meanwhile, the makers have locked a wide release of the film in international markets. In the USA, the film will be released in over 400 theatres, followed by 210 in the UK & Ireland, over 150 in the UAE & GCC, 144 in Australia and New Zealand, and over 100 theatres in Southeast Asia. Overall, the movie will be released in over 1150 theatres across overseas markets, which is easily the biggest for an Indian re-release movie. Produced by Arka Media Works, Baahubali: The Epic has been censored with U/A with an approved theatrical runtime of 3 hours and 45 minutes. The first half, which contains scenes from Baahubali: The Beginning, is nearly 1 hour and 42 minutes, while the second half (Baahubali: The Conclusion) is about 2 hours and 3 minutes. Stay tuned...

BY SACNILK TEAM

Here is the Telugu movie Baahubali: The Epic box office collection, which is a fantasy action thriller film. This film is directed by S. S. Rajamouli and produced by Arka Media Works. ## Baahubali: The Epic stars Prabhas, Rana Daggubati, Anushka Shetty, Tamanna Bhatia, Sathyaraj, Nassar, and Ramya Krishnan in key roles. ## Baahubali: The Epic State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 0 [ Thursday]₹ 0.2 Cr₹ 1.15 Cr₹ 0 Cr₹ 0 Cr₹ 0 Cr₹ 1.35 CrDay 1 [1st Friday]₹ 1.25 Cr₹ 7.6 Cr₹ 0.65 Cr₹ 0.3 Cr₹ 1.65 Cr₹ 11.45 CrDay 2 [1st Saturday]₹ 1.25 Cr₹ 4.25 Cr₹ 0.85 Cr₹ 0.3 Cr₹ 1.85 Cr₹ 8.5 CrDay 3 [1st Sunday]₹ 1 Cr₹ 3.35 Cr₹ 0.8 Cr₹ 0.3 Cr₹ 2 Cr₹ 7.45 CrDay 4 [1st Monday]₹ 0.17 Cr₹ 1.25 Cr₹ 0.2 Cr₹ 0.08 Cr₹ 0.5 Cr₹ 2.2 CrDay 5 [1st Tuesday]₹ 0.2 Cr₹ 1.05 Cr₹ 0.17 Cr₹ 0.08 Cr₹ 0.8 Cr₹ 2.3 CrDay 6 [1st Wednesday]₹ 0.15 Cr₹ 0.85 Cr₹ 0.15 Cr₹ 0.05 Cr₹ 0.65 Cr₹ 1.85 CrDay 7 [1st Thursday]₹ 0.1 Cr₹ 0.6 Cr₹ 0.15 Cr₹ 0.03 Cr₹ 0.37 Cr₹ 1.25 CrWeek 1 Gross₹ 4.32 Cr₹ 20.1 Cr₹ 2.97 Cr₹ 1.14 Cr₹ 7.82 Cr₹ 36.35 CrDay 8 [2nd Friday]₹ 0.07 Cr₹ 0.18 Cr₹ 0.08 Cr₹ 0.01 Cr₹ 0.06 Cr₹ 0.4 CrDay 9 [2nd Saturday]₹ 0.15 Cr₹ 0.35 Cr₹ 0.14 Cr₹ 0.04 Cr₹ 0.12 Cr₹ 0.8 CrDay 10 [2nd Sunday]₹ 0.1 Cr₹ 0.35 Cr₹ 0.15 Cr₹ 0.05 Cr₹ 0.15 Cr₹ 0.8 CrDay 11 [2nd Monday]₹ 0.02 Cr₹ 0.12 Cr₹ 0.03 Cr₹ 0.01 Cr₹ 0.02 Cr₹ 0.2 CrDay 12 [2nd Tuesday]₹ 0.02 Cr₹ 0.13 Cr₹ 0.02 Cr₹ 0.01 Cr₹ 0.02 Cr₹ 0.2 CrDay 13 [2nd Wednesday]₹ 0.03 Cr₹ 0.11 Cr₹ 0.03 Cr₹ 0.01 Cr₹ 0.02 Cr₹ 0.2 CrDay 14 [2nd Thursday]₹ 0.02 Cr₹ 0.07 Cr₹ 0.03 Cr₹ 0.01 Cr₹ 0.02 Cr₹ 0.15 CrWeek 2 Gross₹ 0.41 Cr₹ 1.31 Cr₹ 0.48 Cr₹ 0.14 Cr₹ 0.41 Cr₹ 2.75 CrTotal₹ 4.73 Cr₹ 21.41 Cr₹ 3.45 Cr₹ 1.28 Cr₹ 8.23 Cr₹ 39.1 Cr ## Baahubali: The Epic Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 0 [ Thursday] ₹ 1.15 CrTelugu: 1.15 Cr - Day 1 [1st Friday] ₹ 9.65 CrTelugu: 7.9 Cr Hindi: 1.35 Cr Kannada: 0.02 Cr Tamil: 0.2 Cr Malayalam: 0.18 Cr - Day 2 [1st Saturday] ₹ 7.25 CrTelugu: 4.9 Cr Hindi: 1.55 Cr Kannada: 0.03 Cr Tamil: 0.6 Cr Malayalam: 0.17 Cr -24.87% Day 3 [1st Sunday] ₹ 6.3 CrTelugu: 3.9 Cr Hindi: 1.6 Cr Kannada: 0.03 Cr Tamil: 0.6 Cr Malayalam: 0.17 Cr -13.10% Day 4 [1st Monday] ₹ 1.85 CrTelugu: 1.18 Cr Hindi: 0.4 Cr Kannada: 0.01 Cr Tamil: 0.19 Cr Malayalam: 0.07 Cr -70.63% Day 5 [1st Tuesday] ₹ 1.95 CrTelugu: 1.06 Cr Hindi: 0.65 Cr Kannada: 0.02 Cr Tamil: 0.15 Cr Malayalam: 0.07 Cr 5.41% Day 6 [1st Wednesday] ₹ 1.55 CrTelugu: 0.82 Cr Hindi: 0.55 Cr Kannada: 0.03 Cr Tamil: 0.1 Cr Malayalam: 0.05 Cr -20.51% Day 7 [1st Thursday] ₹ 1.05 CrTelugu: 0.6 Cr Hindi: 0.3 Cr Kannada: 0.03 Cr Tamil: 0.1 Cr Malayalam: 0.02 Cr -32.26% Week 1 Collection ₹ 30.75 CrTelugu: 21.51 Cr Hindi: 6.4 Cr Kannada: 0.17 Cr Tamil: 1.94 Cr Malayalam: 0.73 Cr - Day 8 [2nd Friday] ₹ 0.35 CrTelugu: 0.22 Cr Hindi: 0.05 Cr Kannada: 0.01 Cr Tamil: 0.06 Cr Malayalam: 0.01 Cr -66.67% Day 9 [2nd Saturday] ₹ 0.68 CrTelugu: 0.4 Cr Hindi: 0.12 Cr Tamil: 0.13 Cr Malayalam: 0.03 Cr 94.29% Day 10 [2nd Sunday] ₹ 0.73 CrTelugu: 0.39 Cr Hindi: 0.14 Cr Tamil: 0.16 Cr Malayalam: 0.04 Cr 7.35% Day 11 [2nd Monday] ₹ 0.2 CrTelugu: 0.14 Cr Hindi: 0.03 Cr Tamil: 0.03 Cr -72.60% Day 12 [2nd Tuesday] ₹ 0.18 CrTelugu: 0.12 Cr Hindi: 0.03 Cr Tamil: 0.02 Cr Malayalam: 0.01 Cr -10.00% Day 13 [2nd Wednesday] ₹ 0.15 CrTelugu: 0.07 Cr Hindi: 0.04 Cr Tamil: 0.03 Cr Malayalam: 0.01 Cr -16.67% Day 14 [2nd Thursday] ₹ 0.12 CrTelugu: 0.06 Cr Hindi: 0.02 Cr Tamil: 0.03 Cr Malayalam: 0.01 Cr -20.00% Week 2 Collection ₹ 2.41 CrTelugu: 1.4 Cr Hindi: 0.43 Cr Kannada: 0.01 Cr Tamil: 0.46 Cr Malayalam: 0.11 Cr -92.16% Day 15 [3rd Friday] ₹ 0.07 CrTelugu: 0.03 Cr Hindi: 0.02 Cr Tamil: 0.01 Cr Malayalam: 0.01 Cr -41.67% Day 16 [3rd Saturday] ₹ 0.07 CrTelugu: 0.02 Cr Hindi: 0.02 Cr Tamil: 0.02 Cr Malayalam: 0.01 Cr 0.00% Day 17 [3rd Sunday] ₹ 0.11 CrTelugu: 0.04 Cr Hindi: 0.03 Cr Tamil: 0.03 Cr Malayalam: 0.01 Cr 57.14% Day 18 [3rd Monday] ₹ 0.04 CrTelugu: 0.01 Cr Hindi: 0.01 Cr Tamil: 0.02 Cr -63.64% Day 19 [3rd Tuesday] ₹ 0.03 CrTelugu: 0.01 Cr Tamil: 0.01 Cr Malayalam: 0.01 Cr -25.00% Total ₹ 33.48 CrTelugu: 23.02 Cr Hindi: 6.91 Cr Kannada: 0.18 Cr Tamil: 2.49 Cr Malayalam: 0.88 Cr (estimated) - ## Take Subscription To See Footfalls ## India Net Collection ₹ 33.48 Cr ## Worldwide Collection ₹ 51.72 Cr ## Overseas Collection ₹ 12.25 Cr ## India Gross Collection ₹ 39.47 Cr ##

BY SUNIT JANGIR

Mumbai, October 29 - Director Anand L Rai's romantic drama with the National award-winning actor duo of Dhanush and Kriti Sanon is gearing up for release on November 28. The teaser, which was released recently, showcased the intense side of the lead pair as they indulge in a love-hate relationship. Produced by Colour Yellow Productions and T-Series, Tere Ishq Mein has already created a lot of buzz following the teaser and the title song release. While the audience is awaiting the trailer, it is said that the makers don't want to reveal much before the film hits the big screen. According to the reports, Anand L Rai and team have decided not to release the trailer. It is said that music is a pivotal part of the film, and the makers want to stick to the same approach leading up to the release. There will reportedly be one more song and a couple of different units as part of promotional plans before the release. However, there is no official confirmation on the same yet. If the makers indeed skip the trailer launch and directly release the film, it will be a bold move, as trailers have always been the most significant part of a film to build curiosity around it. The decision marks a departure from the tried and tested promotional strategies that Bollywood has followed for decades. Meanwhile, the title song of the film has been a massive hit among the audience, and it seems the makers have a lot of confidence in the music of the film to set the right tone ahead of the release. The decision could also be due to the recent romantic drama films, which followed a similar kind of emotion as Tere Ishq Mein. Tere Ishq Mein marks the reunion of Rai and Dhanush after Atrangi Re (2021). The duo first teamed up 12 years ago for Raanjhanaa (2013), which went on to become a cult classic. The upcoming film falls in the same world as Raanjhanaa. It will be released on November 28 in Hindi and Tamil. Stay tuned...

BY CHRISTA LINCY

Ram Charan’s Peddi is fast emerging as one of the most talked-about cinematic spectacles of 2025 — a film that promises both emotional depth and visual majesty. Directed by Uppena fame Buchi Babu Sana, the movie is produced by Vriddhi Cinemas and IVY Entertainment, and presented by Mythri Movie Makers and Sukumar Writings.The film brings together heartfelt performances, stunning visuals, and A. R. Rahman’s evocative music, promising an experience that connects with audiences across languages. The much-awaited first single from Peddi is expected to release in the first week of November, likely around the 8th, during A. R. Rahman’s concert in Hyderabad . The celebrated composer, who is scoring the film’s soundtrack, is reportedly planning a spectacular launch event that merges cinematic emotion with the grandeur of a live musical performance.This single release isn’t just a marketing move — it’s a full-scale musical celebration designed to kick off Peddi’s promotions on a massive stage. Peddi is believed to be a high-octane rural action drama with emotional depth, sports elements, and a strong social core — staying true to Buchi Babu’s storytelling sensibilities. The film’s cinematography is handled by R. Rathnavelu, known for his visual brilliance, while editing duties fall to Navin Nooli.Ram Charan’s rugged transformation, complete with a rustic aesthetic and raw intensity, signals a bold shift from his urban hero image. Shot extensively across scenic locales in India and Sri Lanka, the film carries a distinctive visual signature — blending earthy tones, grandeur, and cultural authenticity. With A. R. Rahman composing the soundtrack, anticipation around Peddi’s music is soaring. Industry reports suggest that the first single will carry a vibrant folk essence, choreographed by Jani Master and featuring Ram Charan in a high-energy dance number. The music rights have already fetched a record price, reflecting Rahman’s unmatched pull and the team’s confidence in his work. Both fans and critics are eager to see how Rahman’s signature emotional depth and melodic finesse shape the film’s overall soundscape. If the excitement around the first single and the scale of its launch are anything to go by, Peddi could set a new benchmark for Telugu cinema — bringing together heartfelt emotions, stunning visuals, and beautiful music for a memorable theatre experience.

BY SUNIT JANGIR

Mumbai, October 29 - One of the biggest stars of the 90s, Sunny Deol, broke the shackles and delivered one of the biggest blockbusters of Indian cinema with period action drama Gadar 2 in 2023. The actor followed this mega success with director Gopichand Mallineni's Jaat earlier this year and turned out to be a decent success. The veteran star, who redefined the patriotic and action-hero image for an entire generation, hasn't looked back since Gadar 2 and now has a packed and promising lineup ahead. His upcoming projects span across genres — from emotional dramas and patriotic sagas to massive epic and actioner spectacles — marking one of the busiest phases of his career in decades. 1. Border 2 Release Date: 22 January 2026 The much-awaited sequel to the 1997 war classic Border is finally on the way. Directed by Anurag Singh, Border 2 is Sunny Deol's immediate release and will see him reprise his iconic character in a new story of bravery and sacrifice. Joining him are Varun Dhawan, Diljit Dosanjh and Ahan Shetty, adding youthful energy to the ensemble. The film aims to recreate the patriotic fervour of the original with modern scale and storytelling. 2. Gabru Release Date: 13 March 2026 Touted as the most emotional role yet for Sunny, Gabru is an emotional drama directed by Shashank Udapurkar. The film, described as a story of courage, conscience, and compassion, will reportedly showcase Sunny in a deeply human and emotionally charged role — something different from his usual high-octane characters. The actor unveiled the first look on his 68th birthday, promising a moving tale that connects with the heartland audience. 3. Ramayana - Part 1 Release Date: Diwali 2026 Directed by Nitesh Tiwari, Ramayana is a mega-scale epic saga, in which Sunny Deol plays the role of Lord Hanuman. The project, one of India's most ambitious cinematic ventures, features a massive ensemble, including Ranbir Kapoor as Lord Ram, Sai Pallavi as Goddess Sita, and Yash as demon king Raavan. It's a refreshing departure for Sunny, who will step into an epic world far removed from his usual patriotic dramas. 4. Lahore, 1947 Release Date - 2026 (TBA) Directed by Rajkumar Santoshi, Lahore, 1947 is a period drama set against the backdrop of the partition of India in 1947. It is based on Prof. Asghar Wajahat's drama – Jis Lahore Nai Vekhya, O Jamya E Nai. The film is expected to delve into themes of sacrifice, resilience, and national pride — perfectly aligned with the kind of cinema Sunny Deol has always championed. 5. Baap Release Date - 2026 (expected) A nostalgic action ensemble, Baap pairs Sunny with other '80s–'90s action icons - Sanjay Dutt, Mithun Chakraborty, and Jackie Shroff, for a throwback spectacle. Directed by Vivek Singh Chauhan, Baap is expected to emphasise old-school heroics, punchy dialogues and crowd-driven moments. 6. Soorya Release Date - 2026 (expected) Soorya is said to be the adaptation of the acclaimed Malayalam film Joseph, with Sunny reportedly in the lead as a gritty, world-weary cop. This project places Sunny in a lean, procedural role — different from his traditional action fare and aimed at showcasing acting depth. 7. Ramayana - Part 2 Release Date - Diwali 2027 The second part of the epic, in which Sunny Deol has the full-length role, will be hitting worldwide cinemas in 2027. The movie will be released in multiple Indian and international languages, using a special technology. 8. Coal King Release Date - TBA Director Anil Sharma has reportedly pitched a larger-than-life action drama set against the coal mafia and its brutal underworld to Sunny Deol, who is said to have liked it. There is not much information available about the project yet, but reports say it will be the duo's next project after Gadar 2. 9. Gadar 3 Release Date - TBA Talks are ongoing for Gadar 3, reuniting Sunny with director Anil Sharma to continue the Gadar saga. The first two films captured massive patriotic fervour and emotional catharsis; a third instalment would look to extend that narrative, leaning on the franchise's scale and the audience's attachment to the central characters. 10. Jaat 2 Release Date - TBA Following the success of Jaat, the sequel is reportedly in the works, with Rajkumar Santoshi in talks to replace Malliani to direct it. With creative teams assembling and scripts being refined, Jaat 2 is positioned to continue Sunny's recent run of earthy action dramas. Sunny Deol's upcoming lineup is intentionally diverse. Gabru and Soorya push him toward performance-driven drama; Coal King, Border 2 and Gadar 3 promise mass spectacle and nationalist themes; Ramayana offers epic scale, while Jaat 2 and Baap blend nostalgia with crowd entertainment. Together, these projects map out a carefully balanced second act. Stay tuned...

BY CHRISTA LINCY

Vishnu Vishal is back in uniform, and this time, the stakes are higher than ever. Aaryan, directed by first-time filmmaker Praveen K and produced under Vishnu Vishal Studioz, is a gripping investigative thriller that pits a determined cop against a cold-blooded mastermind. The film, which also stars Selvaraghavan, Shraddha Srinath, and Maanasa Choudhary, blends intense police drama with personal emotion, marking one of the most anticipated Tamil releases of the season. The movie follows an intriguing premise — a serial killer who publicly announces the victim’s name exactly one hour before committing the crime. The trailer sets up a nerve-wracking cat-and-mouse chase, promising a tightly woven crime drama with emotional undertones. Aaryan also stands apart for its scale and meticulous execution, with Ghibran’s music and Harish Kannan’s cinematography giving the narrative a gritty visual texture. Interestingly, Vishnu Vishal named the film Aaryan after his son — a choice that brings personal depth to the project. The actor has described the film as one of his most emotionally connected works, balancing commercial thrills with heartfelt storytelling. “It’s not just another thriller,” he said in a recent interview. “It’s about the choices we make when duty collides with humanity.” While the Tamil version of Aaryan is all set to hit theatres on October 31, 2025, the Telugu version has been postponed to November 7. The one-week delay was a strategic move to avoid clashing with major releases such as Baahubali: The Epic and Mass Jathara. Vishnu Vishal addressed Telugu fans directly, assuring them that the wait would be worth it and expressing respect for the other releases sharing the festive weekend.The decision highlights the team’s thoughtful release planning — ensuring that the film gets undivided attention across markets without losing momentum. Adding another layer of curiosity to the film’s journey, Vishnu Vishal revealed that early conversations had taken place about developing a Hindi adaptation of Aaryan — with none other than Aamir Khan being considered for the antagonist’s role. Although those talks did not progress further, the very thought of such a collaboration underscores the story’s universal appeal and the filmmakers’ ambition to take it beyond linguistic boundaries. It’s a testament to Aaryan’s strong narrative foundation — one compelling enough to catch the attention of Bollywood’s finest minds. Aaryan was shot extensively across Chennai, Hyderabad, and Kochi, with long night sequences and elaborate action choreography. Vishnu Vishal hinted that certain elements of the film draw inspiration from the Malayalam hit Kannur Squad, particularly its procedural authenticity and emotional depth. However, Aaryan retains a unique flavor — balancing realism with cinematic tension. During promotions, Vishnu appealed to audiences not to reveal major twists post-release, underscoring his confidence in the film’s layered screenplay. The actor also acknowledged the inevitable comparisons with Ratsasan but clarified that Aaryan follows a completely different emotional graph. Having received a U/A certificate, Aaryan is expected to offer a balance of gripping thrills and mass entertainment. The teaser, launched in late September, was widely praised for its haunting tone and suspenseful buildup. Social media conversations around the film’s trailer highlight excitement over Selvaraghavan’s menacing turn as the antagonist — marking his return to a complex character space. With a strong cast, sleek technical execution, and a high-concept narrative, Aaryan has shaped up as one of the season’s most intriguing releases. For Vishnu Vishal, it marks not just another thriller but a statement of creative intent — a fusion of emotional storytelling, technical polish, and star-driven intensity. As the countdown begins for its Tamil release and Telugu debut a week later, Aaryan stands poised to reaffirm Vishnu Vishal’s reputation as one of Tamil cinema’s most ambitious contemporary actors — one unafraid to chase stories that challenge both the screen and the soul.

BY CHRISTA LINCY

The much-awaited Tamil version of Tere Ishk Mein’s title track, titled O Kadhale, has finally dropped — and it’s already setting the internet abuzz. Composed by the musical legend A. R. Rahman, the song captures the same haunting emotional depth that defined its Hindi counterpart, but with a distinctly Tamil soul. Sung by Adithya RK with heartfelt lyrics by Mashook Rahman, the track beautifully bridges melody and melancholy, making it an instant favorite among Rahman loyalists and Tamil audiences alike. The Hindi version of Tere Ishk Mein’s title track stormed past 50 million YouTube views in just three days, cementing the song’s appeal even before the film’s release. Now, O Kadhale continues that momentum — blending poetic Tamil phrasing with Rahman’s lush orchestration to create a symphonic experience that transcends language barriers. Directed by Aanand L. Rai, Tere Ishk Mein marks Dhanush’s third Hindi venture after the much-loved Raanjhanaa (2013) and the emotionally charged Atrangi Re (2021). The film reunites the actor-director duo after more than a decade, once again exploring the fragile intersections of love, destiny, and human vulnerability — themes that have consistently defined their collaborations. Starring Dhanush and Kriti Sanon in lead roles, the film is slated for release on November 28, 2025, and is already being billed as one of the year’s most anticipated love sagas. The Tamil track’s release further underlines Dhanush’s growing pan-Indian appeal — an artist effortlessly balancing his Tamil roots with his evolving presence in Hindi cinema. The Tamil rendition’s release is also part of a calculated promotional wave. With teasers already hinting at an intense love story torn by betrayal and fate, O Kadhale serves as the emotional backbone of the film’s marketing — a sonic window into its central conflict. With O Kadhale now out and resonating deeply among listeners, the stage is set for Tere Ishk Mein to claim its space as one of the most anticipated films of 2025. For Dhanush, the project isn’t just another crossover attempt — it’s a reaffirmation of his unique ability to inhabit worlds, languages, and hearts with equal grace. And if O Kadhale is any indication, this journey of love and longing will be remembered long after the final note fades.

BY CHRISTA LINCY

Mari Selvaraj’s Bison Kaalamaadan has officially galloped past the ₹50 crore mark worldwide, cementing its position as one of Tamil cinema’s most talked-about successes of 2025. Starring Dhruv Vikram in a career-defining performance, the sports drama continues its victorious run at the box office, powered by strong word-of-mouth and glowing praise from industry legends. In Bison Kaalamaadan, Mari Selvaraj channels the energy of the kabaddi arena into a story about defiance, identity, and pride. Kittan (Dhruv Vikram) is not just a player chasing victory — he becomes a symbol of resilience, standing tall against deep-rooted social divides. The film transforms a simple sports journey into a compelling statement on self-worth and belonging. The film’s box office trajectory reflects a steady and consistent climb — proof that audience connection has outweighed competition. India Net Collection: ₹38.65 crore India Gross Collection: ₹45.35 crore Overseas Collection: ₹7.50 crore Worldwide Total: ₹52.85 crore This achievement makes Bison one of the rare mid-budget Tamil films of the year to breach the ₹50 crore mark — a feat earned through critical acclaim, audience loyalty, and emotional resonance. The film has received widespread admiration from both the film fraternity and political leaders alike. Superstar Rajinikanth personally called Mari Selvaraj to convey his appreciation, saying, “Super, Mari! I watched Bison. The effort and personality you bring to every film amaze me. Congratulations.” Tamil Nadu Chief Minister M.K. Stalin also lauded the film, calling it “another gem in Mari Selvaraj’s crown,” and praising how it merges the thrill of sport with a message of equality and empowerment. Their words have further elevated the film’s stature, positioning Bison as not just a box office success, but a cultural statement that reflects the spirit of contemporary Tamil cinema. With Bison now roaring past ₹52 crore globally, its theatrical journey shows no signs of slowing. Talks of extended runs and an early digital premiere are already underway. Fans continue to celebrate it across social media, calling it “not just a sports film, but a voice for the voiceless.” In a year dominated by massive star vehicles and franchise blockbusters, Bison Kaalamaadan stands tall as a reminder that cinema rooted in honesty and purpose can still command both screens and hearts. The roar of Bison is more than just victory — it’s a celebration of perseverance, artistry, and the power of stories that matter.

BY SUNIT JANGIR

Mumbai, October 29 - After the mega blockbuster success of Gadar 2, his fortune turned highly in his favour, and now, he is among the busiest actors in the industry. The mega star has multiple films in the pipeline, including the soon-to-be-released Border 2. Meanwhile, apart from Border 2, Sunny Deol also has a Jaat sequel in the works. Released earlier this year, the Gopichand Mallineni directorial became a box office success and found love among the masses. The makers confirmed Jaat 2, and, as per reports, the movie is officially in work. According to Pinkvilla, Gopichand Mallineni is unlikely to direct the sequel as he is busy with other commitments. Instead, the makers are reportedly in talks with veteran Bollywood director Rajkumar Santoshi to helm the upcoming film. As per reports, the veteran filmmaker has been paid a whopping 15 crore fees to helm to sequel. "Yes, Rajkumar Santoshi has been in talks to direct Jaat 2. The team feels he is the perfect choice because no one understands Sunny Deol's audience connect better than him. His storytelling has the right balance of emotion, action, and mass appeal, exactly what Jaat 2 needs to elevate the franchise", says the report. Sunny Deol and Rajkumar Santoshi have previously worked together in the iconic films like Ghayal (1990), Damini (1993), and Ghatak (1996), and the actor won National Awards for the first two films in the Best Actor and Supporting Actor categories. The iconic duo reunited after 27 years for Lahore 1947, which is scheduled to release next year. If all goes well, Jaat will begin in the second half of 2026. Meanwhile, Sunny Deol's immediate release is Border 2 (22 January 2026), followed by Gabru (13 March 2026), Lahore 1947 (TBA), Ramayana Part 1 (Diwali 2026), Baap (TBA), and Ramayana Part 2 (Diwali 2027). All the films have the potential to become massive box office successes. Stay tuned...

BY CHRISTA LINCY

A decade after rewriting Indian cinema’s boundaries S. S. Rajamouli’s Baahubali returns to theatres as Baahubali: The Epic — a single, re-edited, remastered presentation of the duology that made Indian cinema gasp and global audiences sit up. The re-cut compresses the sprawling saga of Mahishmati into a tight cinematic experience while preserving the grand battles, sweeping visuals and the emotional core that transformed the franchise into a cultural milestone. The film follows the two-generation arc — the rise of the legendary Amarendra/Baahubali, the betrayal that shatters a kingdom, and the son who avenges and redeems his mother and people. Baahubali: The Epic is more than a re-run: it’s a curated anniversary presentation Rajamouli has personally supervised the re-edit, sharpening visuals, enhancing sound, and pacing the story for a tighter cinematic flow. With high-end digital restoration and 4K remastering, Baahubali: The Epic promises an even grander viewing experience, especially for those who missed it in theatres during its original run. The ensemble remains the film’s spine: Prabhas in the lead(s), Rana Daggubati as Bhallaladeva, Anushka Shetty as Devasena, Tamannaah, Ramya Krishna, Sathyaraj, Nassar and others populate the royal and rebel courts. The film is directed by S. S. Rajamouli, produced by Arka Media Works (Shobu Yarlagadda & Prasad Devineni), with music by M. M. Keeravani and cinematography by K. K. Senthil Kumar. Visual-effects supervision, episodic worldbuilding and a host of VFX houses were central to the film’s look. Baahubali’s scale was engineered over long preproduction and heavy practical-set work. Production designer Sabu Cyril (and the art & concept team) built vast palace sets and engineered elaborate war-stage pieces; previsualization and large-scale battle staging were significant line items. The film’s extensive preproduction spanned several months, with massive battle sequences requiring meticulous planning and costing lakhs per day to stage. — Indian Express noted that certain war sequences cost about ₹1 crore every four days, and millions were invested in previsualization to get the action right. While The official teasers and trailers for the re-release leaned into nostalgia: restored battle imagery, refocused story beats, and a promise of “one uninterrupted epic the advance booking response has been nothing short of phenomenal. According to trade sources, Baahubali: The Epic has grossed over ₹5 crore in advance bookings worldwide, with nearly ₹2.5 crore coming from India and another ₹2.5 crore from overseas markets. In the U.S. alone, pre-sales touched nearly ₹1.8 crore, reaffirming the franchise’s global pull even years after its original release. The first installment, Baahubali: The Beginning (2015), was made on a grand budget of ₹180 crore and went on to collect over ₹650 crore worldwide, setting a new benchmark for Telugu cinema. Its sequel, Baahubali 2: The Conclusion (2017), mounted on an even larger scale with a ₹250 crore budget, became a cultural phenomenon — earning around ₹1,788.06 crore globally and holding the title of one of India’s biggest hits ever.Together, the two parts — made with a combined production cost of nearly ₹430 crore — created an unparalleled cinematic universe that continues to inspire filmmakers and captivate audiences worldwide. Baahubali: The Epic arrives as both celebration and commercial event: a remastered single-film presentation that has already registered substantial advance interest.Social media is buzzing with throwback posts, fan edits, and emotional reactions. Many call it “the return of Indian cinema’s pride,” while others simply say, “Baahubali is not just a movie — it’s emotion revisited.”Whether you come for the battles, the drama, or the shared fandom, the re-release promises a theatrical experience geared to big screens and big emotions.

BY SUNIT JANGIR

Mumbai, October 29 - Ayushmann Khurrana and Rashmika Mandanna's vampire comedy Thamma has maintained steady momentum at the box office and has crossed the 100 crore net mark in India within 8 days of its release. The film has benefited from positive word of mouth, with family audiences turning up in decent numbers through the weekdays. Following a good extended opening weekend, Thamma maintained a decent hold during the week, particularly in North India and Maharashtra. It scored a healthy jump of around 27% on Tuesday due to discounted prices, which led to a total collection of around 101 crores net in 8 days. Presenting the soundtrack to all our imaginary movie scenes 🤌🏻#Thamma is running successfully in cinemas. 🧛Book your tickets now to enjoy this love story in Hindi and Telugu!🔗- https://t.co/RBDd4wK07k🔗- https://t.co/nHoTXhYrII#ThammaInCinemas#ThammakedaarDiwali… pic.twitter.com/glYn0UsFJH— Maddockfilms (@MaddockFilms) October 28, 2025 Thamma is the 12th movie and 11th Bollywood title of 2025 to cross 100 crores net collection in Hindi. Worldwide, the film has grossed around 140 crore so far, and with another weekend ahead, it is expected to continue its positive trend. Directed by Aditya Sarpotdar, Thamma is the 5th film, and first since the record-breaking blockbuster Stree 2, in the Maddock Horror Comedy Universe. While the film may not be a record-breaker, its box office run so far has been decent and indicates a good and sustained response across multiple territories. Stay tuned...