BY CHRISTA LINCY

A decade after rewriting Indian cinema’s boundaries S. S. Rajamouli’s Baahubali returns to theatres as Baahubali: The Epic — a single, re-edited, remastered presentation of the duology that made Indian cinema gasp and global audiences sit up. The re-cut compresses the sprawling saga of Mahishmati into a tight cinematic experience while preserving the grand battles, sweeping visuals and the emotional core that transformed the franchise into a cultural milestone. The film follows the two-generation arc — the rise of the legendary Amarendra/Baahubali, the betrayal that shatters a kingdom, and the son who avenges and redeems his mother and people. Baahubali: The Epic is more than a re-run: it’s a curated anniversary presentation Rajamouli has personally supervised the re-edit, sharpening visuals, enhancing sound, and pacing the story for a tighter cinematic flow. With high-end digital restoration and 4K remastering, Baahubali: The Epic promises an even grander viewing experience, especially for those who missed it in theatres during its original run. The ensemble remains the film’s spine: Prabhas in the lead(s), Rana Daggubati as Bhallaladeva, Anushka Shetty as Devasena, Tamannaah, Ramya Krishna, Sathyaraj, Nassar and others populate the royal and rebel courts. The film is directed by S. S. Rajamouli, produced by Arka Media Works (Shobu Yarlagadda & Prasad Devineni), with music by M. M. Keeravani and cinematography by K. K. Senthil Kumar. Visual-effects supervision, episodic worldbuilding and a host of VFX houses were central to the film’s look. Baahubali’s scale was engineered over long preproduction and heavy practical-set work. Production designer Sabu Cyril (and the art & concept team) built vast palace sets and engineered elaborate war-stage pieces; previsualization and large-scale battle staging were significant line items. The film’s extensive preproduction spanned several months, with massive battle sequences requiring meticulous planning and costing lakhs per day to stage. — Indian Express noted that certain war sequences cost about ₹1 crore every four days, and millions were invested in previsualization to get the action right. While The official teasers and trailers for the re-release leaned into nostalgia: restored battle imagery, refocused story beats, and a promise of “one uninterrupted epic the advance booking response has been nothing short of phenomenal. According to trade sources, Baahubali: The Epic has grossed over ₹5 crore in advance bookings worldwide, with nearly ₹2.5 crore coming from India and another ₹2.5 crore from overseas markets. In the U.S. alone, pre-sales touched nearly ₹1.8 crore, reaffirming the franchise’s global pull even years after its original release. The first installment, Baahubali: The Beginning (2015), was made on a grand budget of ₹180 crore and went on to collect over ₹650 crore worldwide, setting a new benchmark for Telugu cinema. Its sequel, Baahubali 2: The Conclusion (2017), mounted on an even larger scale with a ₹250 crore budget, became a cultural phenomenon — earning around ₹1,788.06 crore globally and holding the title of one of India’s biggest hits ever.Together, the two parts — made with a combined production cost of nearly ₹430 crore — created an unparalleled cinematic universe that continues to inspire filmmakers and captivate audiences worldwide. Baahubali: The Epic arrives as both celebration and commercial event: a remastered single-film presentation that has already registered substantial advance interest.Social media is buzzing with throwback posts, fan edits, and emotional reactions. Many call it “the return of Indian cinema’s pride,” while others simply say, “Baahubali is not just a movie — it’s emotion revisited.”Whether you come for the battles, the drama, or the shared fandom, the re-release promises a theatrical experience geared to big screens and big emotions.

BY SUNIT JANGIR

Mumbai, October 29 - Ayushmann Khurrana and Rashmika Mandanna's vampire comedy Thamma has maintained steady momentum at the box office and has crossed the 100 crore net mark in India within 8 days of its release. The film has benefited from positive word of mouth, with family audiences turning up in decent numbers through the weekdays. Following a good extended opening weekend, Thamma maintained a decent hold during the week, particularly in North India and Maharashtra. It scored a healthy jump of around 27% on Tuesday due to discounted prices, which led to a total collection of around 101 crores net in 8 days. Presenting the soundtrack to all our imaginary movie scenes 🤌🏻#Thamma is running successfully in cinemas. 🧛Book your tickets now to enjoy this love story in Hindi and Telugu!🔗- https://t.co/RBDd4wK07k🔗- https://t.co/nHoTXhYrII#ThammaInCinemas#ThammakedaarDiwali… pic.twitter.com/glYn0UsFJH— Maddockfilms (@MaddockFilms) October 28, 2025 Thamma is the 12th movie and 11th Bollywood title of 2025 to cross 100 crores net collection in Hindi. Worldwide, the film has grossed around 140 crore so far, and with another weekend ahead, it is expected to continue its positive trend. Directed by Aditya Sarpotdar, Thamma is the 5th film, and first since the record-breaking blockbuster Stree 2, in the Maddock Horror Comedy Universe. While the film may not be a record-breaker, its box office run so far has been decent and indicates a good and sustained response across multiple territories. Stay tuned...

BY SACNILK TEAM

Here is the Telugu movie Mass Jathara box office collection, which is an action comedy drama film. This film is directed by Bhanu Bogavarapu and produced by Fortune Four Cinemas, Srikara Studios, and Sithara Entertainments. ## Mass Jathara stars Ravi Teja, Sree Leela, Naveen Chandra, Rajendra Prasad, Naresh in key roles. ## Mass Jathara Review - Coming Soon! ## Mass Jathara Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 0 [ Friday] ₹ 3.1 Cr 0.00% Day 1 [1st Saturday] ₹ 4.2 Cr - Day 2 [1st Sunday] ₹ 3.15 Cr -25.00% Day 3 [1st Monday] ₹ 1.2 Cr -61.90% Day 4 [1st Tuesday] ₹ 1.15 Cr -4.17% Day 5 [1st Wednesday] ₹ 1.03 Cr -10.43% Day 6 [1st Thursday] ₹ 0.72 Cr -30.10% Week 1 Collection ₹ 14.55 Cr - Day 7 [1st Friday] ₹ 0.42 Cr -41.67% Day 8 [2nd Saturday] ₹ 0.58 Cr 38.10% Day 9 [2nd Sunday] ₹ 0.65 Cr 12.07% Day 10 [2nd Monday] ₹ 0.35 Cr -46.15% Day 11 [2nd Tuesday] ₹ 0.25 Cr -28.57% Day 12 [2nd Wednesday] ₹ 0.35 Cr 40.00% Day 13 [2nd Thursday] ₹ 0.3 Cr -14.29% Week 2 Collection ₹ 2.9 Cr -80.07% Day 14 [2nd Friday] ₹ 0.05 Cr -83.33% Day 15 [3rd Saturday] ₹ 0.05 Cr 0.00% Day 16 [3rd Sunday] ₹ 0.1 Cr 100.00% Day 17 [3rd Monday] ₹ 0.05 Cr -50.00% Day 18 [3rd Tuesday] ₹ 0.05 Cr 0.00% Day 19 [3rd Wednesday] ₹ 0.05 Cr 0.00% Day 20 [3rd Thursday] ₹ 0.05 Cr 0.00% Week 3 Collection ₹ 0.4 Cr -86.21% Day 21 [3rd Friday] ₹ 0.02 Cr -60.00% Day 22 [4th Saturday] ₹ 0.03 Cr 50.00% Day 23 [4th Sunday] ₹ 0.05 Cr 66.67% Day 24 [4th Monday] ₹ 0.02 Cr -60.00% Day 25 [4th Tuesday] ₹ 0.12 Cr 500.00% Total ₹ 18.09 Cr - ## Take Subscription To See Footfalls ## India Net Collection ₹ 18.09 Cr ## Worldwide Collection ₹ 21.64 Cr ## Overseas Collection ₹ 1.35 Cr ## India Gross Collection ₹ 20.29 Cr ## Mass Jathara Budget: ₹ - Cr * Approx ## Mass Jathara Verdict: Coming Soon ## Mass Jathara Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 1st November 2025 ## For more and the latest news about Tollywood Box Office Collection, Stay tuned to us.Mass Jathara State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 0 [ Friday]₹ 0.3 Cr₹ 3.25 Cr₹ 0.05 Cr₹ 0 Cr₹ 0.05 Cr₹ 3.65 CrDay 1 [1st Saturday]₹ 0.5 Cr₹ 4.25 Cr₹ 0.08 Cr₹ 0 Cr₹ 0.12 Cr₹ 4.95 CrDay 2 [1st Sunday]₹ 0.3 Cr₹ 3.25 Cr₹ 0.05 Cr₹ 0 Cr₹ 0.1 Cr₹ 3.7 CrDay 3 [1st Monday]₹ 0.07 Cr₹ 1.3 Cr₹ 0.01 Cr₹ 0 Cr₹ 0.02 Cr₹ 1.4 CrDay 4 [1st Tuesday]₹ 0.08 Cr₹ 1.25 Cr₹ 0.01 Cr₹ 0 Cr₹ 0.01 Cr₹ 1.35 CrDay 5 [1st Wednesday]₹ 0.05 Cr₹ 1.1 Cr₹ 0.01 Cr₹ 0 Cr₹ 0.04 Cr₹ 1.2 CrDay 6 [1st Thursday]₹ 0.05 Cr₹ 0.77 Cr₹ 0.01 Cr₹ 0 Cr₹ 0.02 Cr₹ 0.85 CrWeek 1 Gross₹ 1.35 Cr₹ 15.17 Cr₹ 0.22 Cr₹ 0 Cr₹ 0.36 Cr₹ 17.1 CrDay 7 [1st Friday]₹ 0.02 Cr₹ 0.46 Cr₹ 0 Cr₹ 0 Cr₹ 0.02 Cr₹ 0.5 CrDay 8 [2nd Saturday]₹ 0.05 Cr₹ 0.63 Cr₹ 0 Cr₹ 0 Cr₹ 0.02 Cr₹ 0.7 CrTotal₹ 1.42 Cr₹ 16.26 Cr₹ 0.22 Cr₹ 0 Cr₹ 0.4 Cr₹ 18.3 Cr ##

BY CHRISTA LINCY

The highly anticipated musical marketing campaign for Jana Nayagan — the star-driven political action drama headlined by Thalapathy Vijay — is officially underway: reports confirm that the film’s first single will drop in the first week of November 2025, marking the beginning of a layered promotional rollout leading to its theatrical arrival early next year.Fans have been buzzing ever since the announcement poster hinted at a politically charged action-drama that blends mass appeal with emotional intensity. With Anirudh Ravichander once again composing for Vijay, and the actor expected to lend vocals to at least one track, the music is poised to be both a mass-appeal dance earworm and a strategic promotional tool. From the electrifying “First Roar” glimpse already trending on YouTube to the behind-the-scenes studio stills circulating across social media, the makers are skillfully tapping into Vijay and Anirudh’s proven on-screen and musical chemistry to amplify excitement among fans and streaming audiences. A lead single for a Vijay–Anirudh collaboration is more than a song — it’s a cultural moment. Their previous tracks have had outsized impact on promotions, social trends, and even box office awareness; this single is likely to be the centerpiece of Jana Nayagan’s marketing and may set the tone for the film’s public narrative as Vijay prepares for a major theatrical event in January. The single isn’t just about the launch of a song — it serves as the anchor point for the film’s marketing arc, bridging the gap between early promotional teasers and the full-fledged audio-video release phase.Fans have been sharing hashtag #JanaNayagan across X, Instagram and Telegram groups, dissecting every micro-clip and rallying for what is likely to become a viral dance routine. From early trade updates to the producers’ official handles, the rollout strategy is clear: deliver the song, trend on streaming services, reel in virality on social media, and drive ticket pre-orders for what promises to be a major Vijay box-office event. With Vijay’s previous outings setting benchmarks for both music and box office collections, this next phase is not just about entertainment — it’s about reclaiming territory. The first single’s release marks the moment when momentum turns into a wave, and as one film-industry insider put it, “When Vijay speaks through his song, the audience listens.

BY SUNIT JANGIR

Chennai, October 28 - Indian cinema legend Rajinikanth continues to be busy doing films at the age of 75 despite his age and health concerns. The superstar is currently shooting for director Nelson Dilipkumar's highly anticipated Jailer 2, which is scheduled to release next year. Rajinikanth has been doing films non-stop and travelling regularly for them. According to the latest reports in Tamil media, the legendary actor is planning to retire from cinema after a multistarrer film with another legend, Kamal Haasan. The big project with Kamal Haasan has already been confirmed by the duo themselves, but who will direct it is still not confirmed. Reports say that Nelson Dilipkumar has been assigned this mega duty to handle both legends, and the director has reportedly agreed to the same. It is said that Nelson is planning to take the film in 2027 as he needs more time for the script. The project will be produced by Kamal Haasan's Raaj Kamal Films International. As per Valaipechu, it will be Thalaivaar's final film before he bids goodbye to his glorious cinema career. Before the multistarrer, Rajinikant will reportedly do one more film with RKFI, and it will be directed by Sundar C. The announcement for the same is expected to be made in a couple of weeks. The superstar also has a film with Bollywood producer Sajid Nadiadwala, for which the timeline is not fixed. As things stand today, Rajinikanth has at least 4 films in the pipeline, including Jailer 2, which is his immediate next. He reportedly wants his film with Kamal Haasan to be his swansong, marking a fitting farewell to his memorable career. Stay tuned...

BY SUNIT JANGIR

Bengaluru, October 28 - Amid the disappointing news of early OTT release, Risabh Shetty's Kantara Chapter 1 continues to draw big crowds in theatres. In a massive milestone, it has become the highest-grossing Indian film of the year, beating the Bollywood blockbuster Chhaava. Produced by Hombale Films, Kantara Chapter 1 has been one of its kind phenomena for Kannada cinema. The film's box office juggernaut has made it the most-watched Indian title of 2025 in theatres. In 26 days so far, the film has sold approximately 3.20 crores tickets in India across all languages, beating Chahava's 3.10+ crores admissions to become the number 1 movie of 2025. Kantara Chapter 1 is the second movie of 2025 and the ninth film in the post-pandemic era to top 3 crores (30 million) footfalls at the Indian box office. Yash-fronted KGF Chapter 2 remains the biggest blockbuster with over 5 crores admissions, and it, along with Kantara 2, is the only Kannada film of all time to reach 3 crores admissions. The prequel to 2022's blockbuster has also topped 1 crore (10 million) footfalls in the dubbed Hindi version, becoming the first South Indian film of 2025 to do so. The original Kannada version is the number 2 with around 80 lakh admissions, while Telugu, Malayalam, and Tamil versions have sold over 1.30 crores tickets so far. Meanwhile, the film has grossed approximately 817 crores worldwide, including around 707 crores in India and 110 crores overseas, after 26 days. It was well on course to finish with 875+ crores worldwide, but the target now looks difficult after makers confirmed its digital release from October 31 in South Indian versions. Stay tuned...

BY SUNIT JANGIR

Mumbai, October 28 - After winning accolades and high praise for Article 370 last year, actress Yami Gautam returns with another real-life based film Haq, co-starring Emraan Hashmi. Written by Reshu Nath and directed by Suparn S Varma, the film also stars Vartika Singh, Danish Husain, Sheeba Chadha and Aseem Hattangady in pivotal roles. The trailer of Haq, which is inspired by the Supreme Court's 1985 historical judgement in the case of Mohd. Ahmed Khan vs. Shah Bano Begum was launched on October 27. The trailer has proved to be a hype raiser and promises another intense courtroom drama. The trailer introduces Yami Gautam as Shazia Bano, who takes her husband, Abbas (Emraan Hashmi), a prominent lawyer, to court after he abandons her and their children and marries another woman. The relationship between the two is briefly shown, and how Abbas verbally pronounces divorce to Shazia, denying her any maintenance after paying her some amount of money. In the film, Emraan Hashmi's character Abbas argues in favour of the Islamic personal law while going against the secular law, whereas Yami fights for her rights. Haq is a fictionalised and dramatised version of events stated in the book titled Bano: Bharat ki Beti, written by Jigna Vora, as per the makers. Produced by Baweja Studios, Junglee Pictures, and Insomnia Films, the movie is scheduled to release on November 7. Stay tuned...

BY SUNIT JANGIR

Mumbai, October 28 - Bollywood superstar Akshay Kumar is reportedly set to reunite with director Anees Bazmee for an action comedy film, tentatively titled Ram Aur Shyam. Recently, it was reported that Bazmee had locked his next and was looking to sign a top star for the same. According to the report, Akshay Kumar will be playing a double role in Ram and Shyam. The film reportedly takes inspiration from the original 1967 classic, which featured the legendary Dilip Kumar in a memorable double role. If true, it will mark the duo's first collaboration since Thank You (2011). The film will reportedly be produced by Dil Raju, one of the leading producers of Telugu cinema. The pre-production of Ram and Shyam will begin in December this year, and the shoot is said to commence in March 2026. Interestingly, there are reports that Dil Raju will produce the Hindi remake of his blockbuster Sankranthiki Vasthunam with Akshay Kumar in the lead. However, there is no confirmation on the same yet. The official confirmation on the project is still awaited, as Bazmee also has No Entry Mein Entry. There were reports that the film was shelved, but producer Boney Kapoor recently confirmed that it is still on and will roll out next year. So, it needs to be seen how Bazmee fits both projects. Stay tuned...

BY SUNIT JANGIR

Mumbai, October 28 - The South Indian film industry has been at the forefront of India's box office resurgence over the past few years after facing the setback from the Covid-19 pandemic. From crowd-pullers like KGF 2, RRR, and Pushpa 2 to record-breaking phenomena like Kantara Chapter 1, these films have consistently drawn large numbers of audiences back to theatres. Yet, despite the success of tentpole blockbusters, the theatrical run of such films is being cut short far too soon due to premature OTT releases. This growing trend poses a serious threat to the sustainability of the theatrical ecosystem. After the pandemic, the entertainment industry, especially theatrical exhibition, was among the worst-hit sectors. Theatres across the country were shut for months, and filmmakers were left with no choice but to take an alternative route to recover costs. This was when digital platforms emerged as a boon, offering an immediate solution for film releases. However, this was never a long-term solution, given the limited financial returns from OTT platforms compared to theatrical revenue. Once the pandemic eased and normalcy returned, it became crucial for filmmakers to go back to basics and rebuild the theatrical business and help the sector recover from the pandemic blow. Bollywood was the first to do so, reinstating the pre-COVID norms and maintaining an eight-week theatrical window before films headed to OTT. Unfortunately, the same cannot be said about South Indian cinema, where most films continue to follow a four-week window. This shortsighted approach has severely impacted theatres, particularly in Karnataka, where exhibitors are struggling to draw audiences back, especially for mid and small-budget films. Viewers are now aware that a film will be available to stream online within a month, which discourages them from visiting theatres. While producers might still manage to recover their budgets and earn quick profits through early digital deals, this strategy is proving disastrous for exhibitors. Theatres are the proven backbone of the film industry's economy, and neglecting their long-term survival will ultimately harm everyone involved. The time has come for theatres in the South to take a decisive step and insist on a longer theatrical window, just as Bollywood has done to some extent. A uniform minimum eight-week window can help sustain the box office momentum and restore the balance between filmmakers, exhibitors, and audiences. South Indian cinema, just like any other film industry, has built its reputation on big-screen spectacles and community-driven experiences. To safeguard that magic and ensure the future of theatrical viewing, exhibitors and filmmakers must reunite for better planning. Protecting the theatrical window is not merely about the film business; it's about keeping alive the very essence of cinema that audiences love and celebrate. Stay tuned...

BY CHRISTA LINCY

Samantha Ruth Prabhu’s next film Maa Inti Bangaaram, also starring Gulshan Devaiah, has officially gone on floors with a traditional muhurat ceremony. Produced under Samantha’s banner Tralala Moving Pictures, the film reunites her with director Nandini Reddy after Oh! Baby and promises to blend heartfelt drama with strong emotional depth. The actress shared glimpses from the launch, describing it as a story that “spoke straight to her heart.” The first-look poster has already turned heads, showing Samantha in a powerful new avatar — draped in a sari and wielding a double-barrelled shotgun — hinting at a character who combines vulnerability with fierce determination.The title Maa Inti Bangaaram, which loosely translates to “The treasure of our home,” beautifully reflects the film’s core themes of family, belonging, and resilience. Joining her are Gulshan Devaiah, Diganth Manchale, Gautami, and Manjusha in key roles, while Om Prakash handles cinematography and Santhosh Narayanan composes the music. Raj Nidimoru gave the inaugural clap, setting off buzz around this highly anticipated venture. With filming now underway and visuals hinting at an intense, performance-driven story, Maa Inti Bangaaram stands as a defining project for Samantha — an emotionally charged yet commercially engaging film that reinforces her position as one of Telugu cinema’s most compelling leading voices.

BY SUNIT JANGIR

Hyderabad, August 6 - Pan-India superstar Prabhas-fronted romantic horror-comedy The Raja Saab is among the most-anticipated Indian movies. Directed by Maruthi, the movie has officially been postponed from December 5, 2025, as was already reportedly in the media. Produced by People Media Factory, the movie will now be hitting the big screens on January 9, 2026, during the Sankranthi festival weekend. The makers officially confirmed the release date during the trailer launch event of Teja Sajja's Mirai, which is produced by the same team. With The Raja Saab confirming to come on Sankranthi, this marks his first film in 18 years, since Yogi (2019), to release during this lucrative holiday period. At the moment, the film is clashing with megastar Chiranjeevi's Mana Shankara Varaprasad Garu, which was announced for Sankranthi 2026, along with Thalapathy Vijay's Jana Nayagan. Prabhas is undoubtedly one of the most bankable Pan-India stars, who can do wonders at the box office if the film is good enough, and considering this, the makers have given the best chance to the film to explode at the box office as Sankranthi is a major holiday period for the box office. During a recent interview, producer TG Vishwa Prasad hinted that they are planning to release the movie on January 9, 2026, while mentioning that Bollywood buyers were insisting on sticking with the December 5, 2025, release. The producer added that a few songs and some patchwork are yet to be completed as they are expecting to wrap the film by October. He also revealed that director Maruthi has shot raw footage of 4 hours and 30 minutes, and the editing team is working on chopping and editing it down to about 2 hours and 45 minutes. It can be said that the final runtime of The Raja Saab will be around 165 minutes, and it might get stretched to around 3 hours. Produced by People Media Factory and IVY Entertainment, the film's plot revolves around a young man who sets his eyes on his ancestral property to ease him out of a cash crunch. It stars Prabhas in the lead role, alongside Sanjay Dutt, Nidhhi Agerwal, Malavika Mohanan (in her Telugu film debut), and Riddhi Kumar. Stay tuned...

BY SUNIT JANGIR

Bengaluru, October 27 - The exhibitors of Karnataka finally had a moment of joy this year with Rishab Shetty-fronted Kantara Chapter 1 doing excellent business and bringing people to theatres in big numbers. They were hoping for more to come, but their happiness has been cut short by a disappointing and questionable move by the makers. Despite the film continuing its very good run and showing remarkable stability across regions, the team has decided to drop it on the OTT platform much sooner than expected. At a time when almost every South Indian film is dropping on OTT after just four weeks of its theatrical release, Kantara Chapter 1 had the perfect chance to break the trend. The Rishab Shetty directorial was still performing excellently at the box office, showing no signs of slowing down even in its fourth weekend. With a strong hold and exceptional word of mouth, the film was well on its way to extending its glorious run and setting new benchmarks for long theatrical sustainability in the post-pandemic era. In its fourth weekend alone, the film grossed over 30 crores domestically, with nearly half of that coming from the Kannada version. These are solid numbers for a film that opened to massive numbers in its initial week, proving its continued dominance and audience connection. A longer exclusive theatrical run could have easily pushed the film's lifetime total significantly higher, adding many more crores to its already stellar tally. However, the makers have now officially confirmed the film's OTT release. The period folk actioner will drop on Amazon Prime Video on October 31st in Kannada, Telugu, Malayalam, and Tamil versions, four weeks after its release. This decision comes across as both disappointing and questionable, especially considering the film's ongoing momentum at the ticket windows. In opting for an early digital release, the team may have left considerable box office potential untapped, undermining what could have been an even more historic run. Beyond the numbers, this move also affects exhibitors, particularly in Karnataka, where Kantara Chapter 1 has been a saviour amid a dull theatrical year. A longer theatrical run would have benefited both the film's legacy and the local theatre chains, reinforcing the power of strong content to sustain on the big screen. Instead, this shortened window feels like a missed opportunity for both the industry and the film's makers, and more importantly, for the theatre ecosystem, which has been struggling this year in Karnataka. Stay tuned...