Box Office: 'Raid 2' Hits 200 Crore Gross Collection Worldwide

By Sunit Jangir
May 21, 2025 at 9:06 AM IST
8.2K
1 min read
Box Office: 'Raid 2' Hits 200 Crore Gross Collection Worldwide
Mumbai, May 19 - Bollywood star Ajay Devgn-fronted Raid 2 has topped 200 crores gross collection at the worldwide box office, becoming only the second Hindi movie of the year to achieve the feat after Vicky Kaushal-fronted Chhaava.



Directed by Rajkumar Gupta, the crime drama thriller has grossed approximately 201.50 crores worldwide, including around 177.50 crores in India and 24 crores overseas in 18 days. The film has performed better than expected to emerge as a clean box office hit.





Raid 2 is the 8th movie of Ajay Devgn to top 200 crores globally, and the first since Singham Again in November 2024. It had already surpassed the lifetime worldwide gross collection of the first movie, Raid, which minted approximately 154 crores gross collection. Overall, Raid 2 is the 6th Indian movie of 2025 to go past 200 crore worldwide.





Produced by T-Series and Panorama Studios, Raid 2 is a sequel to Raid (2018). Set 7 years after the events of the first film, it follows the return of IRS officer Amay Patnaik (Devgn), who tracks another white-collar crime. It also stars Riteish Deshmukh and Vaani Kapoor in prominent roles.





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Published on May 21, 2025 at 3:36 AM

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Bhooth Bangla Week 2 Box Office: Akshay Kumar Scores Rs.43.75 Cr, his Second-Highest Post-COVID Week 2 as Global Collections Breach 200 Crores

BY SACNILK

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Dhurandhar 2 Week 6 Box Office: A 12 Crore Hold Sets the Stage to Surpass Baahubali 2's 1788 Crore Worldwide Record

BY SACNILK

Dhurandhar 2 has officially proven that it is not just a massive opener but a genuine marathon runner at the box office. While most big-budget films struggle to stay relevant after the third week, this sequel has managed to hold its ground even in its sixth week. The film wrapped up the week with a collection of approximately 12.40 crore, which is a testament to its incredible leg-room. If you look at the language breakdown, the Hindi version continues to do the heavy lifting, contributing nearly 11.80 crore of the total, while the South Indian markets added about 60 lakh collectively. One of the most impressive aspects of this journey has been the digital footfall on BookMyShow. The film has reached a staggering milestone of 1.81 crore total tickets booked on the platform since its release. This momentum started with 2.41 million tickets in pre-sales and a massive 8.92 million in its first extended week. The footfall remained high with 3.62 million in the second week and 1.58 million in the third, followed by nearly 1.3 million tickets combined across weeks four and five. Even in its sixth week, the film added another 259,000 tickets to its tally. Week 1 Collection:₹674.17Cr Week 2 Collection: ₹263.65 Cr Week 3 Collection: ₹110.60 Cr Week 4 Collection: ₹54.70 Cr Week 5 Collection: ₹19.52 Cr Week 6 Collection:₹12.40Cr (adsbygoogle = window.adsbygoogle || []).push({}) If we look closely at the daily trends in national multiplex chains like PVR, INOX, and Cinepolis during this sixth week, the film showed a very healthy weekend jump. On Friday, it sold around 7,700 tickets, which nearly tripled on Saturday to 21,700 tickets. The momentum peaked on Sunday with over 27,000 tickets sold in these major chains alone. Even on the weekdays, the film showed surprising resilience, particularly on Tuesday where it saw a spike back up to nearly 20,000 tickets. By the end of its sixth week, Dhurandhar 2 sold a total of approximately 96,000 tickets across the top national chains. This kind of consistency at such a late stage in its theatrical run is what separates a regular hit from an all-time blockbuster. To put these numbers into perspective, we have to look at where Dhurandhar 2 stands in the history of Indian cinema. By collecting 12.40 crore in its sixth week, it has officially entered the top five list of highest-ever week six collections. It has managed to edge past the likes of Uri: The Surgical Strike, while trailing behind only a few legendary performers like its predecessor and the other releases Stree 2 and Chhaava. Here is the elite leaderboard for the best sixth-week performances: (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Highest Week 6 Collections - India NetMOVIE NAMEWEEK 6 COLLECTIONDhurandhar₹ 26.35 CrStree 2₹ 18.60 CrChhaava₹ 16.30 CrDhurandhar 2₹ 12.40 CrUri: The Surgical Strike₹ 11.57 Cr Looking at the current trajectory, the film is set to continue its run for several more weeks. Even in its sixth week, the daily ticket sales on BookMyShow have stayed in a solid range between 20,000 and 65,000 tickets, with a clear peak on Saturday at nearly 65,000 bookings. With a total worldwide collection of 1,783.66 crore—comprising 1,358.51 crore in India gross and 425.15 crore from overseas—Dhurandhar 2 is now on the verge of making history. It currently sits just about 5 crore away from the lifetime worldwide collection of Baahubali 2, which stands at 1,788.06 crore. Given its steady week six hold and a net collection of 1,135.04 crore across over 5 lakh shows, the film is now almost certain to surpass that legendary figure by the end of its seventh weekend.

Raja Shivaji vs. Chhaava Advance Booking:Analyzing the Clash Between Regional Authenticity and Bollywood's Record-Breaking Scale Box Office
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Raja Shivaji vs. Chhaava Advance Booking:Analyzing the Clash Between Regional Authenticity and Bollywood's Record-Breaking Scale

BY SACNILK

The historical genre in Indian cinema has recently seen two major projects based on the Maratha legacy take very different paths at the box office. While Chhaava was released as a purely Hindi production, the upcoming Raja Shivaji is taking a dual-language approach by releasing in both Marathi and Hindi. Although it is clear from the data that Raja Shivaji is playing on a different commercial level, comparing the two provides a fascinating look at how a multi-lingual regional film stands against a massive Bollywood production. To understand the scale of this competition, we have to look at the benchmark set by Chhaava for its opening day. Even as a Hindi-only release, the film managed to generate immense momentum, particularly within Maharashtra. Its final advance booking for day one stood at approximately 4.88 lakh tickets sold across India, translating to a gross of nearly 17.89 crore including block seats. This volume was driven by a heavy presence in national chains, where it sold over 2.14 lakh tickets, setting a high bar for any historical drama aiming for a massive start. On the other hand, Raja Shivaji is leaning into a strategy that combines regional loyalty with a wide national footprint. Backed by Jio Studios, the film is aiming for a massive showing of around 5,700 shows nationwide across its two versions. However, the internal breakdown of these shows tells a very interesting story about where the demand actually lies. Despite having a massive push in Hindi with nearly 3,900 shows, that version has sold only about 34,000 tickets so far. In sharp contrast, the Marathi version is completely dominating the pre-sales, selling over 1.67 lakh tickets from just 1,786 shows. This clear preference for the native language version is what has pushed the total opening day advance to approximately 2.02 lakh tickets, resulting in a gross of 6.54 crore with block seats. (adsbygoogle = window.adsbygoogle || []).push({}) Day 1 Advance Booking: Chhaava vs. Raja ShivajiMETRICCHHAAVA (HINDI ONLY)RAJA SHIVAJI (MAR + HIN)Total Tickets Sold4.88 Lakh2.02 LakhTotal Advance Gross (With Block)₹ 17.89 Cr₹ 6.54 CrBMS Final Pre-Sales776.6K Tickets217.3K TicketsNational Chain Sales2.14 Lakh81,866 Tickets The regional data is where the story gets even more detailed. Even though Chhaava was purely in Hindi, its subject matter ensured that it dominated Maharashtra. It recorded a massive opening with nearly 4.50 crore in advance sales from the state alone, with Pune and Mumbai showing occupancy peaks of 62.5 percent and nearly 80 percent. Coming to Raja Shivaji, the response is heavily concentrated in its native language. The Marathi 2D version has sold over 1.67 lakh tickets, with Mumbai and Pune showing real occupancy levels of 44 percent and 55 percent respectively. However, the Hindi version is seeing a slower start, with territories like NCR currently at a 2 percent occupancy across 433 shows. Regional Comparison: Raja Shivaji vs Chhaava (Day 1)REGION & METRICRAJA SHIVAJI (MAR/HIN)CHHAAVA (HINDI)Mumbai Shows6151,230Mumbai Occupancy44%36%Mumbai Gross (With Block)₹ 2.08 Cr₹ 4.06 CrPune Shows350654Pune Occupancy55%48%Pune Gross (With Block)₹ 1.38 Cr₹ 2.81 CrNCR Shows4331,249NCR Occupancy2%8%NCR Gross (With Block)₹ 19.98 Lac₹ 1.11 Cr Ultimately, Raja Shivaji is operating on a different scale compared to the massive Hindi-only production of Chhaava. While Chhaava set a high benchmark with its 33.50 crore opening day net, Raja Shivaji is testing how far a film can go when it prioritizes its regional roots while still competing for a national footprint. Even if it does not reach the same opening day totals as a major Bollywood actioner, the current pre-sales and the sheer scale of its release are already setting a historic new benchmark for the Marathi film industry.