Dangal Day Wise and Total Collection In China

BY SACNILK

Mumbai, July 16 - The promotional campaign for Nitesh Tiwari's massively anticipated Ramayana: Part 1 has officially entered its next phase, with the film's much-awaited trailer receiving clearance from the Central Board of Film Certification (CBFC) ahead of its global launch. The trailer has been awarded a 'U' certificate, making it suitable for audiences of all age groups. (adsbygoogle = window.adsbygoogle || []).push({}) According to the latest reports, two versions of the trailer have been certified. The theatrical trailer runs exactly 4 minutes, while the official digital version runs 4 minutes and 15 seconds. Both versions have received a clean U certificate, reflecting the makers' intention to position Ramayana as a grand family entertainer. The trailer is scheduled to make its worldwide debut on July 24, following an exclusive industry and media launch event. The extended runtime suggests that audiences will get a comprehensive look at the film's scale, introducing the principal characters, large-scale action sequences, breathtaking visual effects, and the mythical world envisioned by director Nitesh Tiwari. (adsbygoogle = window.adsbygoogle || []).push({}) Produced by Namit Malhotra's Prime Focus Studios in association with Monster Mind Creations, Ramayana: Part 1 stars Ranbir Kapoor as Lord Ram, Yash as Ravana, Sai Pallavi as Sita, Sunny Deol as Hanuman, and Ravie Dubey as Lakshman. The first instalment is slated to release in theatres on October 30, 2026, with Part 2 scheduled for Diwali 2027. With a four-minute-plus trailer now certified, anticipation is at an all-time high for what is widely expected to be one of the biggest cinematic events in Indian film history.

BY SACNILK

Dhamaal 4 arrives as the latest installment in a comedy franchise that has historically relied on loud, slapstick humor to draw crowds. The film reunites the familiar ensemble of Ajay Devgn, Riteish Deshmukh, Arshad Warsi, and Javed Jaffrey, aiming to capitalize on the nostalgia of the earlier hits. However, the pre-release momentum was notably lukewarm; when the trailer first dropped, it failed to ignite the kind of massive social media conversation or high-octane buzz usually expected from a big-budget sequel. Instead of a wave of excitement, the initial reaction was quite measured, leaving the film to rely heavily on its theatrical performance to prove its worth. Now, six days into its run, the film is performing well at the box office, managing to find its footing and draw in consistent numbers. By the end of its sixth day, Dhamaal 4 has reached a worldwide gross of ₹124.66 Cr, a figure that highlights its steady performance across markets. This total is built on a solid domestic foundation, with India gross collections standing at ₹107.41 Cr. In the international circuit, the film has brought in a total gross of ₹17.25 Cr. When focusing on the core domestic earnings, the movie has officially secured a net collection of ₹90 Cr in India so far. (adsbygoogle = window.adsbygoogle || []).push({}) Looking specifically at the Day 6 performance, which fell on a Wednesday, the film collected a net of ₹6.75 Cr. When we compare this to Tuesday's net collection of ₹9.50 Cr, we see a drop of 28.9 percent. This decline is quite standard for a comedy film during the middle of its first week, as the initial weekend rush settles into a steady weekday pace. To achieve this Day 6 figure, the movie played across 11,137 shows, contributing to a massive cumulative total of 65,916 shows since its release. On the international front, early estimates suggest the film added another ₹1.25 Cr (approximately 149 thousand dollars) on its sixth day. According to Venky Box Office, the film earned 139 thousand dollars (roughly ₹1.16 Cr) on Tuesday alone. This brings its total North American gross to 714 thousand dollars (approximately ₹5.98 Cr). These numbers indicate a decent pull among the diaspora, even on working days. (adsbygoogle = window.adsbygoogle || []).push({}) Ticketing trends on BookMyShow further highlight the film's reach. On Tuesday, the platform recorded 133.65K tickets booked, while Wednesday saw 100.96K bookings. In total, the film has seen over 16,12,090 tickets sold through this platform alone. These figures reflect a healthy interest, though there is a visible downward trend as the week progresses. Looking at the performance across major national chains—PVR, INOX, and Cinepolis—we get a clearer picture of how the movie is trending through advance bookings. For its sixth day, these chains collectively sold around 5,300 tickets, resulting in a total gross of approximately ₹14.3 Lakhs. This was achieved across nearly 3,490 shows, reflecting a modest advance occupancy of about 0.9 percent. When we break these numbers down, INOX led the way with roughly 2,900 tickets sold, bringing in nearly ₹7.2 Lakhs from about 1,280 shows, which translates to a 1.0 percent occupancy rate. PVR followed with roughly 2,400 tickets, generating about ₹7.1 Lakhs from a slightly higher show count of around 1,540, resulting in an occupancy of approximately 0.8 percent. Interestingly, Cinepolis, which scheduled around 670 shows across nearly 80 venues, saw no activity in advance ticket sales for this period. These figures highlight that the film is currently relying more on spontaneous spot bookings and walk-in audiences rather than pre-planned ticket purchases, which is quite common for comedy sequels during the work week as they aim to maintain their screen count heading into the second weekend. (adsbygoogle = window.adsbygoogle || []).push({}) When we break down the occupancy for Day 6, the overall average across India stood at 14.12 percent. The interest level grew steadily throughout the day, starting with a 6.92 percent occupancy in the morning shows. This jumped to 13.62 percent in the afternoon and 15.31 percent in the evening with the night shows peaking at 19.00 percent occupancy. Regional performance also tells an interesting story. The National Capital Region (NCR) led with 1,025 shows and an overall occupancy of 14.5 percent. Mumbai followed closely with 856 shows and 14.0 percent occupancy. Ahmedabad showed a strong preference for the film with 623 shows and a 15.5 percent occupancy rate, while Pune and Bengaluru saw 12.3 percent and 13.3 percent occupancy respectively. Surat recorded a lower engagement at 7.3 percent across its 381 shows.

BY SACNILK

Dhamaal 4 is moving through its first Wednesday with a typical mid-week dip in numbers. As the film hits its sixth day in theaters, the focus is on how it compares to other recent releases in terms of daily engagement. While the initial rush has slowed down, the film is still managing to hold a steady position in the current market. Dhamaal 4 has secured the second spot for ticket sales on BookMyShow during the 8 am to 3 pm window of its first Wednesday. With 33K tickets sold in this period, it stands ahead of other major 2026 releases like Bhooth Bangla, which recorded 31K sales out of its 93K daily total, and Welcome To The Jungle, which also saw 31K sales against an 87K daily total. Border 2 remains the leader in this specific comparison with 61K tickets from a daily total of 171K. Overall, the market is experiencing a quieter day, with the cumulative 24-hour ticket volume for these tracked films expected to stay below 100,000.This specific comparison tracks major releases where the overall 24-hour ticket volume on BookMyShow remained below the 500,000 mark for their first Wednesday (adsbygoogle = window.adsbygoogle || []).push({}) Font style fo Looking at the specific hourly trends on BookMyShow, the film saw 33,110 tickets sold by 3 pm today. This is a noticeable decrease from yesterday's 45,210 tickets during the same period. A similar trend was observed in the 2 pm to 3 pm window, where the film sold 6,930 tickets compared to yesterday's 8,870. This downward trajectory is common for a first Wednesday, indicating a settling period as the film moves toward the end of its first week. The live box office data for Day 6 shows that Dhamaal 4 is currently running across 5,815 shows. So far, the film has collected a net of 1.54 Crore today. This brings the cumulative India net collections to 84.79 Crore. A major milestone has also been crossed on the gross front, as the total India gross collections have now officially surpassed the 100 Crore mark, currently sitting at 101.26 Crore. Final reports for the day are expected to push these figures slightly higher as the evening and night shows conclude. (adsbygoogle = window.adsbygoogle || []).push({}) Font style fo A closer look at the performance within major national cinema chains shows a very specific contribution pattern for today, July 15. PVR recorded approximately 2.4k tickets resulting in a gross of 7.1 Lakhs across 1.54k shows. INOX saw a slightly higher volume with 2.9k tickets sold, bringing in a gross of 7.2 Lakhs from 1.28k shows. Interestingly, Cinepolis recorded no tickets for the period tracked, with zero gross across its 0.67k shows. Collectively, these chains accounted for 5.3k tickets and a total gross of 14.3 Lakhs for the day. This resulted in a modest occupancy of 0.89 percent across the 3.49k scheduled shows in these chains. The overall picture for Dhamaal 4 remains one of steady accumulation. While the daily ticket sales have seen a percentage drop from Tuesday, the film holding the second spot among its peers shows that it is currently the preferred choice for audiences seeking comedy in the current release window. Crossing the 100 Crore gross mark in India is a significant psychological win for the makers as the film heads into its second weekend.

BY SACNILK

Mumbai, July 15 - Shraddha Kapoor's much-awaited biographical drama Eetha might no longer hit theatres on its originally announced release date of August 28, 2026, according to a report by Bollywood Hungama. The Laxman Utekar directorial is now expected to arrive on a new date, with the makers reportedly evaluating whether to prepone the film or push it further into the year. (adsbygoogle = window.adsbygoogle || []).push({}) As per the report, Maddock Films is actively discussing multiple release options and is expected to announce a revised date in the coming days. One of the primary reasons behind the move is the crowded release calendar in late August, particularly the arrival of Yash's pan-India action entertainer Toxic: A Fairy Tale for Grown-Ups, which is scheduled to release on August 26. Trade circles believe a direct clash could impact the box office potential of both films, especially in Maharashtra, where Eetha is expected to enjoy strong traction due to its subject. The report further states that both preponement and postponement are on the table. If the makers opt to bring the film forward, the Independence Day weekend or August 7 are among the possible windows being explored. (adsbygoogle = window.adsbygoogle || []).push({}) The development comes at a time when several Bollywood release dates are being reshuffled. Sidharth Malhotra and Tamannaah Bhatia's Vvan, which was also slated for August 28, has already moved to September 25, opening the door for further adjustments across the release calendar. Directed by Laxman Utekar, Eetha stars Shraddha Kapoor as legendary Marathi Tamasha artiste Vithabai Narayangaonkar, with Randeep Hooda and Mohd Zeeshan Ayyub playing key roles. While the makers are yet to make an official announcement, all eyes are now on Maddock Films as it finalises the film's new theatrical release date.

BY SACNILK

As Alpha completes its twelfth day in theaters, the box office performance reflects a quieter run compared to the usual high-stakes expectations associated with the YRF Spy Universe. Despite the novelty of being a female-led entry in the franchise featuring Alia Bhatt, the film is currently navigating its second week with modest figures. Let us take a look at how the latest numbers and occupancy trends are shaping up for the film. On its second Tuesday, Alpha recorded a net collection of 0.85 Crore across 2,344 shows. This marks a 13.3 percent growth compared to Monday's 0.75 Crore, though the daily earnings remain on the lower side for a project of this scale. With these latest numbers, the total India net collection has reached 55.20 Crore, while the domestic gross now stands at 65.77 Crore. (adsbygoogle = window.adsbygoogle || []).push({}) The global performance remains a key part of the film's journey. On Day 12, the international markets contributed 0.50 Crore, bringing the total overseas gross to 26.70 Crore. When we combine the domestic and international figures, the worldwide gross collection for Alpha has now reached 92.47 Crore. This has been achieved through a cumulative total of 65,445 shows scheduled since the release. A closer look at the North American market via data from Venky Box Office shows that the film earned 9,000 dollars on Monday, taking its total in the region to 910,000 dollars. The film is now very close to the 1 million dollar milestone. If this is achieved, Alpha will become Alia Bhatt's 10th film to reach this mark in North America. This is a significant achievement for her as a solo female lead, following the success of her previous hits: Gully Boy, Gangubai Kathiawadi, Raazi, Dear Zindagi, Kalank, 2 States, Badrinath Ki Dulhania, Humpty Sharma Ki Dulhania, and Rocky Aur Rani Kii Prem Kahaani. (adsbygoogle = window.adsbygoogle || []).push({}) The digital interest on BookMyShow also reflects a growing trend during the second week. On the second Monday, the platform recorded 10.8K tickets sold, which jumped to 17.29K tickets on the second Tuesday. This brings the total ticket sales on the platform to 951.72K. Occupancy rates for Day 12 show a logical progression throughout the day. The overall occupancy stood at 19.71 percent. Morning shows started slowly at 7.00 percent, but the numbers improved as the day went on. Afternoon shows recorded 17.54 percent, followed by 20.54 percent in the evening. As expected with action films, the night shows saw the highest engagement with 29.46 percent occupancy. (adsbygoogle = window.adsbygoogle || []).push({}) Regional performance highlights where the film is currently strongest. The National Capital Region led the charts with 23.8 percent occupancy across 307 shows, peaking at 34 percent for night screenings. Mumbai followed with 18.3 percent occupancy from 154 shows, with night shows reaching 28 percent. In other regions, Surat saw 14.3 percent occupancy across 87 shows, while Bengaluru recorded 13.0 percent from 86 shows. Ahmedabad had a more modest 11.5 percent occupancy from 153 shows. Performance within the national cinema chains on July 14 remained consistent with the overall trend. PVR sold approximately 1.6K tickets, resulting in a gross of 2.5 Lakhs. INOX followed with 0.8K tickets and a gross of 1.2 Lakhs, while Cinepolis added around 0.9K tickets for a 1.3 Lakhs gross. Collectively, these three chains accounted for 3.3K tickets and a total gross of 5 Lakhs for the day. This activity was recorded across 987 shows with an average occupancy of 2 percent. The stability in these urban centers is helping the film push closer to its next major milestones.

BY SACNILK

Mumbai, July 15 - Netflix has released its latest Global Top 10 Non-English Films rankings, and Indian cinema continues to enjoy a strong presence on the platform. A total of five Indian films found a place in the weekly chart, led by fresh OTT releases and recent theatrical titles. Among them is Ram Charan's Peddi, which made its streaming debut with a relatively modest start despite arriving with considerable buzz following its theatrical release. (adsbygoogle = window.adsbygoogle || []).push({}) According to Netflix's weekly viewership rankings, Peddi garnered 1.9 million views in its first tracking week after premiering on the platform on July 9. It was the 5th most-watched non-English title during July 6-12. The sports drama managed to enter the Global Top 10 Non-English Films chart, but its opening viewership is on the lower side compared to several recent high-profile Indian releases on the streamer. Peddi had an average run at the box office, and its digital debut has followed a similar trajectory, opening without a major surge in viewership. The Hindi version of the film is yet to premiere, and it would have helped it score much better viewership data had it been streamed simultaneously, which is not the case. (adsbygoogle = window.adsbygoogle || []).push({}) Apart from Peddi, four other Indian films also secured places in Netflix's weekly global rankings, including Sunny Deol's direct digital release, Ikka (4.4 million) at 2, Daadi Ki Shaadi (2.1 million) at 4, Pati Patni Aur Woh Do (1.8 million) at 6, and Blast (1.1 million) at 8, underlining the consistent performance of Indian titles across languages on the streaming platform. The latest chart features films from different genres and industries, showcasing the diversity of Indian cinema and its growing appeal among international audiences. Having five Indian films in the same weekly chart is another indication of Netflix's increasing investment in Indian content and its worldwide consumption. Streaming viewership often builds over multiple weeks through positive word of mouth, and the coming weeks will determine whether the Ram Charan starrer can improve its performance. For now, Netflix's latest weekly rankings reaffirm the strong global footprint of Indian cinema, with five homegrown films earning a place among the platform's most-watched non-English titles.

BY SACNILK

Comedy sequels often carry a certain level of expectations at the box office, and Dhamaal 4 seems to be finding its rhythm as the first week progresses. With a legacy built on ensemble slapstick humor, the buzz around this fourth installment has been focused on whether it can recreate the madness of its predecessors. Let us dive into the numbers to see how the film is holding up after its first five days in theaters. Most films typically experience a downward trend on their first Tuesday, but Dhamaal 4 has managed to pull off a surprise. The film earned 9.50 Crore on Day 5, marking a growth of 8.6 percent compared to Monday's collection of 8.75 Crore. This slight uptick during a weekday is a positive indicator of audience interest. This performance was recorded across 11,077 shows on Tuesday, bringing the total India net collection to 83.25 Crore. In terms of gross figures, the domestic total has now reached 99.44 Crore. (adsbygoogle = window.adsbygoogle || []).push({}) The global footprint of the film is also expanding. Based on early estimates, Dhamaal 4 added 1.50 Crore from overseas markets on its fifth day, taking the total international gross to 16.00 Crore. When we combine the domestic and international numbers, the early estimates for the worldwide gross collection currently stand at 115.44 Crore. So far, the film has played across a cumulative total of 54,779 shows since its release. Providing some specific context for the North American market, data from Venky Box Office shows that the film collected 67,000 dollars (approximately 56 Lakhs) on Monday. This brings the total North American gross to 575,000 dollars (approximately 4.83 Crore). The film is now steadily nearing the 1 million dollar mark. If this milestone is achieved, it will mark Ajay Devgn's 17th film to cross 1 million dollars in North America, highlighting his consistent appeal in the international circuit alongside the film's domestic run. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the digital footprint through BookMyShow, the film has crossed a significant milestone of 1.5 million tickets sold on the platform. The daily booking trend reflects the growth seen in the collections, as Tuesday saw 133,650 tickets booked, an increase from Monday's 124,050. However, in the context of the 2025-26 records for first Tuesday ticket sales, Dhamaal 4 narrowly missed a spot in the top ten. With 134K sales, it sits just behind Cocktail 2, while Dhurandhar 2 remains the leader of that list with 680K tickets. The overall occupancy for Day 5 was 20.78 percent. As is common with family entertainers, the night shows were the busiest with 29.31 percent occupancy. Morning shows started at a modest 9.31 percent, while the afternoon and evening slots saw a steady rise to 19.69 percent and 22.46 percent respectively. (adsbygoogle = window.adsbygoogle || []).push({}) Regionally, the National Capital Region was the most active hub, recording 24.5 percent occupancy across 1,050 shows. Mumbai followed with 21.8 percent occupancy from 839 shows. Other major regions like Ahmedabad and Bengaluru hovered around the 19 percent mark. Pune saw 16.0 percent occupancy, while Surat recorded a lower 14.3 percent. Looking at how the film performed in the major national chains, the figures show a steady level of support. PVR sold around 3.9K tickets resulting in a gross of 11.3 Lakhs. INOX followed with approximately 5.2K tickets and a gross of 11.8 Lakhs, while Cinepolis contributed 3.1 Lakhs from about 1.3K tickets. Together, these three chains accounted for 10.4K tickets and a total gross around 26 Lakhs for the day. This activity was spread across 3.57K shows, maintaining an average occupancy of 1.4 percent.

BY SACNILK

Welcome To The Jungle, the third installment of the celebrated comedy franchise, has officially secured its status as a clean hit at the box office. With a production budget evaluated at a highly reasonable 125 crore, the film has navigated its theatrical run effectively to ensure profitability for its makers. As of its 18th day, the movie has achieved worldwide gross collections of 187.48 crore, which includes a domestic gross of 154.63 crore and an overseas contribution of 32.85 crore. The total India net collection has now reached 130.10 crore across a cumulative 130,251 shows. On its third Monday, Day 18, the film recorded a net collection of 0.55 crore from 1,917 shows. This figure represents a 71.1 percent drop compared to the Sunday net of 1.90 crore. While the film had a strong run over its first two weeks, it is now facing significant competition from the recent release of Dhamaal 4. Since both movies cater to the same comedy-loving audience, the market has seen a visible shift in preference toward the newer title. Due to this genre-specific clash and the resulting weekday depletion, initial trade projections that targeted a 150 crore domestic net have been adjusted. The film is now expected to wrap its lifetime theatrical lifecycle at approximately 135 crore domestic net. (adsbygoogle = window.adsbygoogle || []).push({}) The theater occupancy for the Hindi 2D version on Monday stood at an overall average of 10.19 percent. The day started slowly with a morning occupancy of 3.92 percent but gained some momentum as the day progressed. The afternoon shows recorded 9.62 percent, followed by 8.31 percent in the evening, and finally peaking at 14.00 percent for the night shows. Among the major regions, Mumbai maintained a lead with 10.3 percent occupancy over 149 shows. Ahmedabad recorded 8.3 percent across 154 shows, while the National Capital Region saw an occupancy of 8.0 percent from 243 shows. Looking at the performance in national chains for Monday, the film sold approximately 1,780 tickets across 768 shows, resulting in a daily gross of around 4.5 lakhs and an occupancy of 1.38 percent. Breaking the data down by chain, PVR saw around 930 tickets sold with a gross of 2.6 lakhs across 334 shows. INOX followed with approximately 640 tickets sold, earning a gross of 1.4 lakhs from 282 shows. Cinepolis contributed around 210 tickets and a gross of roughly 46.8 thousand from 152 shows. These numbers reflect the movie entry into the final phase of its theatrical journey in urban centers. (adsbygoogle = window.adsbygoogle || []).push({}) On the digital front, BookMyShow continues to show a massive cumulative tally for the project. The platform recorded 26.16K ticket sales on the third Sunday, which dropped to 8.77K on Monday. This brings the total tickets sold on BookMyShow to an impressive 2,296,620 so far. Internationally, the film added 0.25 crore on Day 18, pushing its overseas gross total to 32.85 crore. While the arrival of new competition has slowed its pace, Welcome To The Jungle remains a successful addition to the franchise, demonstrating the enduring pull of its ensemble cast and brand name.

BY SACNILK

Cocktail 2 is currently navigating its fourth week of theatrical release, but the numbers tell a challenging story. As of its 25th day, the film has reached a total India net collection of 94.89 crore. When weighed against its sizable production budget of 150 crore, this theatrical run is officially being deemed a commercial failure. The movie is now struggling with a major screen crunch following the release of the multi-starrer Dhamaal 4 last Friday, alongside the continued presence of other successful holdovers like Welcome 3 and Maain Vaapas Aunga, which have further squeezed its remaining show counts. The impact of this screen crunch became evident starting this Friday, Day 22, when the show count dropped to just 360 shows, earning a net of 0.10 crore. The fourth weekend did see a slight jump in interest, with Saturday collecting 0.18 crore and Sunday reaching 0.21 crore despite the film running on a very limited number of screens, hovering around 165 to 170. On its fourth Monday, Day 25, the film collected a net of 0.05 crore from 145 shows with an overall occupancy of 14 percent. This brings the cumulative India gross to 113.07 crore. (adsbygoogle = window.adsbygoogle || []).push({}) Looking back at the week-by-week progression, Cocktail 2 had a stellar opening week with a net collection of 70.50 crore. However, the momentum slowed down in the second week to 18.90 crore, and the third week saw a further dip to 4.95 crore. Despite the downward trend, the steady weekend bumps helped the movie edge closer to the century mark in domestic net collections. On the global front, the film has performed consistently, adding an overseas gross of 34.00 crore, which pushes the total worldwide gross collection to 147.07 crore. The digital engagement for the film was highest during its initial days. According to BookMyShow data, the film has sold a total of approximately 16.40 lakh tickets so far. The first week alone contributed a massive 1.09 million tickets, while the second week saw 344k sales. By the third week, daily sales began to taper off, moving from 12.9k on Friday to around 9k on Monday. During the current fourth week, the film has largely moved out of the top trending charts on the platform as show counts continue to diminish. (adsbygoogle = window.adsbygoogle || []).push({}) In the national chains on its fourth Monday, the film saw very limited activity. It sold approximately 500 tickets across 115 shows, resulting in a gross of roughly 1.1 lakhs with an occupancy rate of 3.7 percent. Breaking this down by specific chains, INOX led the segment with around 330 tickets sold and a gross of 58k. PVR followed with approximately 90 tickets sold, earning 32k, while Cinepolis contributed roughly 100 tickets with a gross of 23k. Over the course of its 25-day run, Cocktail 2 has occupied a total of 106,418 shows. While surviving in the market for nearly a month is usually a feat for a romantic drama, the numbers simply have not added up to offset the high production costs. With a current worldwide gross of 147.07 crore, the film is on the verge of hitting the 150 crore milestone, yet this achievement offers little consolation given that it barely matches the initial investment. This seals its fate as a commercial failure as the movie rapidly nears the end of its theatrical journey.

BY SACNILK

The cult phenomenon Tumbbad is finally moving forward with its much-anticipated sequel, Tumbbad 2. Fans have waited years for official confirmation, and the makers have now locked the theatrical release for December 3, 2027. After a long pre-production phase that took over seven years to perfect the script, the cameras officially started rolling on April 7, 2026. The sequel aims to expand the dark, greed-driven mythology that made the 2018 original a landmark in Indian folk-horror, promising to dive deeper into the ancient curses that haunt the village of Tumbbad. In a significant casting move that has surprised the industry, Alia Bhatt has officially joined the crew. She has reportedly committed to a 20-day filming schedule for a character that is being described as the catalyst for a massive twist at the conclusion of the film. Most interestingly, her role is intended to act as a bridge that leads directly into Tumbbad 3, ensuring her presence in the franchise's future. For Alia, this choice comes at a strategic time in her career. Her recent ventures, the action-thriller Jigra and the YRF Spy Universe project Alpha, both underperformed at the box office. Jigra struggled to recover its investment, while Alpha faced a lukewarm reception compared to other films in that franchise. By stepping into a high-concept, critically acclaimed world like Tumbbad, Alia is balancing her experimental side with major commercial projects like Sanjay Leela Bhansali's Love & War, which is scheduled for release shortly after on January 21, 2027. (adsbygoogle = window.adsbygoogle || []).push({}) Joining the cast alongside Alia is veteran actor Nawazuddin Siddiqui, who has been signed to play a morally complex and central character. His inclusion adds a new layer of intensity to the film, especially when paired with Sohum Shah, who reprises his role as the anchor of the franchise. Sohum Shah has been the driving force behind the Tumbbad legacy, and his return ensures that the sequel remains deeply rooted in the original lore. The dynamic between Nawazuddin and Sohum is expected to be a major highlight, as both actors are known for their ability to portray gritty, grounded characters in atmospheric settings. The scale of Tumbbad 2 is a significant departure from the first installment. While the original was an underdog story, its recent theatrical re-release in 2024 earned an impressive 40 crore, proving there is a massive audience for this genre. This success has allowed the producers to skyrocket the budget for the sequel, which is now estimated to be between 100 crore and 150 crore. On the creative front, Adesh Prasad has taken over the director’s chair following the departure of Rahi Anil Barve. Prasad, who was the co-director and writer of the first film, is focusing on organic realism. To recreate the signature gloom of the franchise, the crew is purposefully filming during the natural Maharashtra monsoons to ensure authentic rain sequences rather than relying on artificial setups. (adsbygoogle = window.adsbygoogle || []).push({}) With the tagline #PralayAayega, the makers are signaling a much larger threat than what was seen in the first film. The combination of a significantly higher budget, a star-studded cast, and a commitment to the franchise's unique aesthetic suggests that Tumbbad 2 is being positioned as a mainstream blockbuster rather than just a cult favorite.

BY SACNILK

Dhamaal 4 marks the return of one of the most recognizable comedy brands in Indian cinema, bringing back the high-energy madness that the franchise is known for. Under the direction of Indra Kumar, the film relies on the established chemistry of its lead trio—Ajay Devgn, Riteish Deshmukh, and Arshad Warsi—who have been the pillars of the series since its inception. This time around, the narrative is bolstered by the addition of talented actors like Ravi Kishan, Sanjeeda Shaikh, and Esha Gupta, ensuring a mix of seasoned comedic timing and fresh screen presence. As a family-oriented entertainer, the movie aims to capture the same light-hearted spirit that made its predecessors box office favorites. (adsbygoogle = window.adsbygoogle || []).push({}) Dhamaal 4 continues its journey through the first week with a focus on stability. After crossing the 100 crore worldwide gross milestone on Monday, the film is now looking to maintain a consistent trajectory during the weekdays. As of Tuesday morning, the movie has already amassed a total India net collection of 73.83 crore, reflecting the steady interest from family audiences. With 1,322 shows currently tracked for the early hours of the day, the domestic gross has reached 88.42 crore so far, proving that the franchise still holds significant pull across major circuits. LIVE BLOG: DAY 5 UPDATES 10:10 PM (IST) 14 JUL 2026 Live Update: 100K Milestone on BMS; Dhamaal 4 Tuesday Footfalls Surge as India Gross Nears the 100 Crore Mark Dhamaal 4 is ending its first Tuesday on a high note, successfully hitting a major digital milestone. As of 10:00 PM, the film has minted 8.32 crore net live today across 11,077 tracked shows. This brings the cumulative India net collection to 82.07 crore. The most significant achievement, however, is the domestic gross, which has now reached 98.14 crore, placing the film on the verge of the coveted 100 crore gross club in India. The film has surpassed its Monday ticket sales volume. On BookMyShow, Dhamaal 4 has officially crossed the 100K (100,000) tickets sold mark for the day. Between 9 PM and 10 PM, the film sold 7,450 tickets, staying very close to the 7,590 sold during the same slot yesterday. More impressively, the total sales since 8 AM this morning have reached 1,01,870 tickets, comfortably beating yesterday’s tally of 93,700 tickets. 09:20 PM (IST) 14 JUL 2026 Live Update: India Gross Nears 100 Crore; Tuesday Cumulative Sales Surpass Monday Tally Dhamaal 4 is heading toward a strong Tuesday finish as it closes in on another major milestone. As of 9:20 PM, the film has collected a live net of 7.59 crore today across 10,725 tracked shows. This brings the total India net collection to 81.34 crore. More importantly, the total India gross has reached 97.28 crore, leaving the film just a few steps away from the 100 crore domestic gross milestone. While the ticket sales between 8 PM and 9 PM were steady at 7,660 tickets (slightly below yesterday’s 7,790 for the same slot), the overall day’s performance tells a different story. The cumulative sales since 8 AM this morning have reached 94,420 tickets, which is a significant jump over Monday’s tally of 86,110 tickets in the same period. 07:15 PM (IST) 14 JUL 2026 Live Update: Dhamaal 4 Tuesday Footfalls Outpace Monday; India Gross Nears 100 Cr Dhamaal 4 trends as evening footfalls show a clear uptick across major circuits. As of 7:15 PM, the film has already minted 5.67 crore net live today across 8,686 shows. This brings the cumulative India net collection to 79.42 crore, while the total India gross has climbed to 95.02 crore, putting the film within touching distance of its first major domestic milestone. The volume-led growth is highly evident on BookMyShow, where the film sold 8,900 tickets between 6 PM and 7 PM alone—comfortably surpassing the 8,390 tickets sold during the same window on Monday. The cumulative sales since 8 AM this morning have now touched 78,290 tickets, which is roughly 8 percent higher than yesterday's 72,440. Despite the lower ticket prices today, the increased volume is helping the film maintain a rock-solid weekday hold. Occupancy levels are reflecting this evening surge, with the Hindi 2D version recording an overall average occupancy of 17.92 percent. The evening shows specifically witnessed a jump to 22.46 percent. Regionally, the National Capital Region (NCR) continues to lead the charge with 21.7 percent occupancy across 1,044 shows, followed by Mumbai at 17.0 percent and Bengaluru at 16.7 percent. Even secondary markets like Pune and Ahmedabad are showing resilience with 13.3 percent and 15 percent respectively. 03:00 PM (IST) 14 JUL 2026 Live Update: Tuesday Afternoon Surge; Footfalls Outpace Monday as Discounted Rates Drive Volume Dhamaal 4 is witnessing a clear boost in theatrical footfalls as the afternoon shows progress. As of 3:00 PM, the film has minted 1.73 crore net live today across 5,800 tracked shows. This brings the total India net collection to 75.48 crore, while the cumulative India gross has officially crossed the 90 crore mark, currently standing at 90.37 crore. The impact of the lower ticket prices for Discounted Tuesday is evident in the volume of sales on BookMyShow. Between 2 PM and 3 PM today, the film sold 8,870 tickets, showing a jump from the 8,410 tickets sold in the same window yesterday. The total sales since 8 AM this morning have now reached 45,210 tickets, comfortably outpacing yesterday total of 41,630 in the same period. This suggests that while the average ticket price is lower, the higher volume of audience walk-ins is helping the movie maintain a strong weekday baseline. In terms of occupancy, the film recorded an overall morning occupancy of 9.31 percent for its Hindi 2D version. Regionally, the National Capital Region (NCR) led the morning charts with 14 percent occupancy across 1,044 shows, followed by Mumbai and Bengaluru with 11 percent and 10 percent respectively. Pune also remained steady at 10 percent across 369 shows. With the evening and night shows typically seeing higher turnouts, the film is on track for a very healthy Tuesday finish. 12:00 PM (IST) 14 JUL 2026 Live Update: Discounted Tuesday Surge; Dhamaal 4 Crosses ₹74 Crore Net as Footfalls Outpace Monday Dhamaal 4 is experiencing a notable boost in audience turnout this Tuesday, thanks to the slashed ticket prices across major circuits. As of 12:00 PM, the film has collected a live net of 0.37 crore today across 2,804 tracked shows. This brings the cumulative India net collection to 74.12 crore, while the total gross has climbed to 88.76 crore. The impact of "Discounted Tuesday" is clearly visible in the ticket booking velocity on BookMyShow. Between 10 AM and 11 AM, the film sold 5,720 tickets, a healthy jump compared to the 5,050 tickets sold during the same hour yesterday. Looking at the broader morning trend from 8 AM to 11 AM, the film has moved 11,420 tickets today, effectively outperforming yesterday’s tally of 10,520 in the same period. Currently, the morning shows are maintaining an average occupancy of 9.0 percent. If the matinee and evening shows continue to see this growth in walk-ins, the movie is positioned to deliver a strong Tuesday performance that could closely rival its Monday collection. 10:35 AM (IST) 14 JUL 2026 Live Update: Dhamaal 4 Ranks 3rd in Post-Pandemic Comedy Single-Day Collections; Discounted Tuesday Advantage Kicks In As Dhamaal 4 moves through its first Tuesday, its performance over the opening weekend has cemented its place among the elite comedy entertainers of the post-pandemic era. Analyzing the highest single-day collections for films in this genre, Dhamaal 4 Sunday collection of 28.50 crore has officially secured the third spot on the list. It currently trails only the massive Day 3 and Day 2 figures of Housefull 5, which recorded 32.50 crore and 31.00 crore respectively. This achievement puts the Ajay Devgn starrer ahead of other major releases like Welcome To The Jungle (Welcome 3), which saw its highest single day at 24.75 crore on its first Sunday. It also managed to surpass the opening day collection of Housefull 5, which had started its run with 24.00 crore. 10:00 AM (IST) 14 JUL 2026 Live Update: Tuesday Morning Stability; Dhamaal 4 Matches Monday Momentum on BMS Dhamaal 4 is showing signs of a very steady Tuesday, holding its ground well compared to the previous day trend. As of 9:15 AM, the film is running across 1,322 tracked shows and has already collected a live net of 0.08 crore today. This brings the cumulative India net to 73.83 crore, with the gross reaching 88.42 crore within the first few hours of its fifth day. The momentum on BookMyShow is mirroring Monday performance closely. Between 8 AM and 9 AM today, the film sold 1,880 tickets, which is a marginal improvement over the 1,840 tickets sold during the same window yesterday. This indicates that the film has found its baseline for the weekdays. In the National Chains, the daily advance for Tuesday stands at a steady 10.4K tickets, generating a gross of approximately 26.2 lakhs. Leading the charge is INOX with 5.2K tickets (11.8 lakhs), followed by PVR with 3.9K tickets (11.3 lakhs) and Cinepolis contributing 1.3K tickets (3.1 lakhs). These numbers suggest a controlled stabilization as the movie faces its first full weekday cycle. @keyframes pulse { 0% { opacity: 1; } 50% { opacity: 0.2; } 100% { opacity: 1; } } .blinking-dot { height: 10px; width: 10px; background-color: white; border-radius: 50%; display: inline-block; animation: pulse 1.2s infinite ease-in-out; }

BY SACNILK

The Dhamaal franchise has always been a reliable performer at the box office, and the fourth installment continues this trend with a star-studded ensemble led by Ajay Devgn. While analyzing the current run, it is interesting to look back at Total Dhamaal, which remains the highest-grossing entry in the series. On its first Monday, Dhamaal 4 collected a net of 8.75 crore, which is slightly lower than the 9.85 crore managed by its predecessor on its own fourth day. However, the overall picture looks more promising for the new release when we look at the cumulative totals. In terms of the total four-day India net collection, Dhamaal 4 currently stands at 73.75 crore, successfully surpassing the 72.25 crore that Total Dhamaal had collected by the same stage. This edge is primarily due to a significant surge in ticket sales over the opening weekend. While the film did not break the Monday record of the previous film, the current numbers represent a healthy stabilization for the project after such a high-energy start. This steady performance ensures the franchise remains a strong contender in the comedy genre, maintaining its momentum as it moves into the weekdays. (adsbygoogle = window.adsbygoogle || []).push({}) Also Dhamaal 4 has reached its first major global milestone by crossing the 100 crore mark in worldwide gross collections. After a solid opening weekend, the film entered its first crucial weekday testing ground on Monday. As is typical for big-ticket releases, the movie saw a significant dip in numbers following the Sunday rush, but the overall tally remains healthy for the franchise. On its fourth day, the film collected a net amount of 8.75 crore in India. This figure represents a 69.3 percent drop compared to the Sunday collection of 28.50 crore. While the drop might look steep on paper, it is a common trend for sequels in the comedy genre. This brings the total India net collection to 73.75 crore after four days. In terms of gross revenue, the domestic market has contributed 88.33 crore across 10,598 shows on Monday, taking the cumulative India gross to that same figure. (adsbygoogle = window.adsbygoogle || []).push({}) The international market is also contributing steady support to the total tally. According to early estimates, the film added 1.50 crore from overseas territories on Monday, bringing the total overseas gross to an estimated 14.50 crore. When we combine these international figures with the domestic numbers, the worldwide gross collection stands at an estimated 102.83 crore. Reaching this 100 crore milestone within just four days is a positive sign for the star cast led by Ajay Devgn. According to data from Venky Box Office, the film has specifically made its mark in North America, where the Sunday gross was 175K dollars, which is roughly 1.47 crore. This brings the total collection in that region to 508K dollars, or approximately 4.27 crore. On the digital front, BookMyShow recorded around 124K ticket sales for Monday alone, bringing the total tickets sold on the platform to approximately 13.77 lakhs so far. Despite these solid numbers, the film narrowly missed a spot in the top 10 list for first Monday ticket sales in the 2025-26 period. It currently occupies the 12th spot, finishing just behind other recent releases like Bhooth Bangla and Sitaare Zameen Par. While the volume of sales remains healthy, the competitive landscape of this year has pushed the benchmark for Monday performance significantly higher than previous seasons. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the daily advance booking numbers for national chains on Monday, the film sold approximately 17.3K tickets, resulting in a gross of 44.8 lakhs. Breaking this down by specific chains, PVR recorded around 7.4K tickets sold with a gross of 21.3 lakhs and an occupancy of 2.2 percent. INOX followed with a solid 8K tickets sold, earning 18.8 lakhs at an occupancy of 2.6 percent. Meanwhile, Cinepolis contributed roughly 1.9K tickets and a gross of 4.7 lakhs with an occupancy rate of 1.2 percent. In terms of theater occupancy across the country, the film maintained an overall average of 17.79 percent on Monday. The day started slow with a morning occupancy of 7.62 percent but saw a steady climb as the day progressed. The afternoon shows recorded 16.62 percent, evening shows rose to 19.54 percent, and the night shows peaked at 25.15 percent. Among the major regions, Mumbai led the way with 19.3 percent occupancy across 807 shows, while the National Capital Region followed with 18.5 percent over 1,084 shows. Other cities like Pune and Ahmedabad stayed in the 16 percent range, while Surat saw a lower turnout at 11.3 percent. (adsbygoogle = window.adsbygoogle || []).push({}) Comparing this performance to Ajay Devgn's previous post-covid releases, Dhamaal 4 holds a respectable position. It currently ranks as his third-highest first Monday collection in this period, trailing only Singham Again and Drishyam 2. Below is a detailed look at how his top five movies have performed on their first Mondays. Top 5 Post-Covid First Monday Collections - Ajay DevgnMOVIE NAMEINDIA NET COLLECTION (1st Monday)Singham Again₹ 18.00 CrDrishyam 2₹ 11.87 CrDhamaal 4₹ 8.75 CrRaid 2₹ 7.50 CrShaitaan₹ 7.25 Cr The film has shown consistency across its 43,702 cumulative shows so far. While the Monday drop was anticipated, the 100 crore worldwide achievement provides a strong foundation for the coming week. The focus now shifts to how well the movie can sustain its momentum during the remaining weekdays to ensure a solid first-week finish.