BY CHRISTA LINCY

Peddi generated strong pre-release buzz thanks to Ram Charan's star power . Since its release, the actor's performance has received widespread appreciation and remains one of the key talking points among audiences. Although the film is not living up to the massive expectations that accompanied a project of this scale, it is still reaching significant milestones and setting new benchmarks in several areas. On its seventh day, which was a Wednesday, the film managed to earn a net collection of 7.55 Cr across India. This represents a 22.2% drop compared to Tuesday’s net of 9.70 Cr. While mid-week dips are a standard occurrence, the film is maintaining a steady presence with 7,535 shows currently running across the country. This brings the total India net collection to a respectable 187.25 Cr so far. On Day 7, Peddi recorded an India gross of 8.89 Cr. If we look at the state-wise breakdown, the Andhra Pradesh and Telangana markets remain the heart of the movie's success, contributing 6.50 Cr gross for the day. Karnataka followed with 0.60 Cr, while Tamil Nadu and Kerala added 0.25 Cr and 0.05 Cr respectively. The Rest of India markets contributed another 1.49 Cr, pushing the total India gross to 222.53 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) The language-wise performance shows that the Telugu version is doing most of the heavy lifting, bringing in 6.10 Cr net on Wednesday with an overall occupancy of 24.0%. Interestingly, Vizag-Visakhapatnam recorded a very high occupancy of nearly 40%, while Hyderabad remained steady at 20.5% across 640 shows. The Hindi version also showed some grit by adding 1.25 Cr net, while the Tamil, Kannada, and Malayalam versions saw smaller contributions during the mid-week period. In the national theater chains, the film saw a consistent turnout for a working Wednesday. Looking at the figures for PVR, INOX, and Cinepolis, these chains collectively grossed 33 Lakhs. To be more specific, PVR brought in 15 Lakhs, INOX added 12 Lakhs, and Cinepolis contributed 6 Lakhs. It is clear that while the mass-market single screens are driving the volume, the urban multiplex audience is still providing a reliable secondary stream of revenue. Digital booking trends are another indicator of the movie's reach. On BookMyShow, Peddi recorded 84.86K ticket sales on Wednesday alone, which is a very healthy number for a seventh day. This has helped the film cross a massive milestone on the platform, with total tickets sold now exceeding 31 Lakhs since its release. On the global front, the film added 0.80 Cr (Early estimates) from overseas markets on Day 7, taking its international gross to 48.80 Cr. When you combine the domestic and international numbers, Peddi has hit a worldwide gross total of 271.33 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) As the extended first week draws to a close, it is fascinating to see where Peddi stands among the all-time greats of Telugu cinema. While it has some way to climb to reach the very top, it has already secured its place among the notable global earners of Tollywood. Here is a look at the top Telugu movies based on their worldwide gross collections: Baahubali 2: The Conclusion - 1788.06 Cr Pushpa 2: The Rule - 1742.10 Cr RRR - 1230.00 Cr Kalki 2898 AD - 1042.25 Cr Baahubali: The Beginning - 650.00 Cr Salaar: Part 1 – Ceasefire - 617.75 Cr Saaho - 451.00 Cr Devara: Part 1 - 428.00 Cr Adipurush - 393.00 Cr Pushpa: The Rise - 350.10 Cr Mana Shankara Vara Prasad Garu - 301.49 Cr Hanuman - 295.29 Cr They Call Him OG - 295.22 Cr Peddi - 271.33 Cr Ala Vaikunthapurramuloo- 269.35 Cr With its first week coming to an end today, the film has already crossed several significant milestones. If it maintains this momentum, the ₹300 Cr mark is well within reach, and the current trend suggests it could continue climbing higher on the list.

BY SUNIT JANGIR

Mumbai, June 11 - The Hindi film industry is entering what could be its most important theatrical phase of 2026. In less than 30 days, Bollywood will see the release of five major films with significant commercial expectations. Beginning with Bharat Bhhagya Viddhaata on June 12 and concluding with Dhamaal 4 on July 10, the industry will be hoping for a sustained run of box-office successes to strengthen the theatrical business during the summer season. The crucial release window kicks off with Kangana Ranaut's patriotic drama Bharat Bhhagya Viddhaata on June 12, which is based on the true events of the 26/11 Mumbai terror attacks, focusing on the staff at Cama Hospital who risked their lives to save over 400 patients. It is Kangana's first release since Emergency in January 2025. (adsbygoogle = window.adsbygoogle || []).push({}) BBV is followed by one of the year's most anticipated romantic dramas, Cocktail 2, on June 19. The sequel, led by Shahid Kapoor, Kriti Sanon, and Rashmika Mandanna, has generated considerable buzz among moviegoers and currently sits among the most-awaited Hindi films of the year. A week later, superstar Akshay Kumar-led comedy entertainer Welcome To The Jungle arrives on June 26, carrying the responsibility of reviving one of Bollywood's most popular comedy franchises. The momentum continues with Yash Raj Films' ambitious spy action thriller Alpha on July 3. Headlined by Alia Bhatt, Sharvari Wagh, and Bobby Deol, the film marks the first female-led instalment in the YRF Spy Universe and is expected to be one of the biggest Hindi releases of 2026. The film's teaser has already sparked significant discussion online, making it one of the most closely watched projects of the year. (adsbygoogle = window.adsbygoogle || []).push({}) Major Bollywood Releases In Next Four Weeks (June 12 - July 10) S. No. Movie Release Date 1 Bharat Bhhagya Viddhaata June 12 2 Main Vaapas Aaunga June 12 3 Governor June 12 4 Cocktail 2 June 19 5 Welcome 3 June 26 6 Alpha July 3 7 Dhamaal 4 July 10 The one-month stretch concludes with Dhamaal 4 on July 10. Featuring Ajay Devgn and an ensemble cast, the comedy sequel is expected to attract family audiences and capitalise on the franchise's strong popularity. The decision to position the film for a solo release has further increased expectations surrounding its box office prospects. For Bollywood, the significance of this release corridor extends beyond the fate of individual films. The industry has often relied on a cluster of successful releases to create positive momentum at the box office. With a patriotic drama, a romantic sequel, franchise-based comedy spectacles, and a spy action thriller arriving in consecutive weeks, the next month could play a defining role in shaping the narrative of Bollywood's theatrical business for the remainder of 2026.

BY SUNIT JANGIR

Mumbai, June 10 - Indian Marvel fans have a reason to celebrate as Tom Holland-led Spider-Man: Brand New Day is set to arrive in cinemas a day early from its release in the United States. The upcoming superhero spectacle is among the most anticipated Hollywood films of 2026 and marks the beginning of a new chapter in Peter Parker's journey following the events of Spider-Man: No Way Home. (adsbygoogle = window.adsbygoogle || []).push({}) On Wednesday, Marvel and Sony Pictures confirmed that the film will release in Indian cinemas on July 30, 2026, after release getting advanced by a day. The early rollout follows the long-standing practice of major Hollywood tentpoles debuting a day earlier in India, allowing fans to experience the latest Marvel adventure before many international markets. Spider-Man: Brand New Day sees Tom Holland reprise his role as Peter Parker after the dramatic conclusion of No Way Home, where the entire world forgot his identity. Directed by Destin Daniel Cretton, the film is expected to explore Peter's life as he navigates a fresh start while facing a dangerous new threat. (adsbygoogle = window.adsbygoogle || []).push({}) Brand New Day, which is the fourth Spidey movie led by Holland, has generated considerable excitement, with fans eager to see how Marvel Studios and Sony Pictures continue the story of one of cinema's most beloved superheroes. With anticipation already building across the globe, Spider-Man: Brand New Day is expected to emerge as one of the biggest box office events of 2026. Also starring Zendaya, Sadie Sink, Jacob Batalon, and Jon Bernthal, among others, the film's early release in India is likely to further amplify excitement among Marvel enthusiasts, who will get the chance to witness Tom Holland swing back onto the big screen before audiences in several other territories.

BY CHRISTA LINCY

The Central Board of Film Certification (CBFC) has been under a lot of pressure lately, with social media and the film industry criticizing its recent decisions. If you have been following the news, the heavy cuts imposed on films like Hai Jawani Toh Ishq Hona Hai and Bandar caused quite a stir. The situation reached a boiling point when certain crucial scenes in the blockbuster Obsession were ordered to be edited, leading to an intense uproar that lasted for days. However, in a development first reported as an exclusive by Bollywood Hungama, the board seems to have taken a surprisingly lenient turn this week by clearing three significant releases with zero cuts. The first major film to benefit from this shift is Bharat Bhhagya Viddhaata, starring Kangana Ranaut. The movie, which is a thriller based on the tragic 26/11 terror attacks, was granted a U/A 16+ rating by the Examining Committee. Usually, films dealing with such sensitive and violent subject matter face several audio or visual objections, but the CBFC found no reason to ask for any deletions here. According to the censor certificate issued on May 29, the film has a total runtime of approximately 127 minutes, or about 2 hours and 7 minutes. Following this, Vikram Bhatt is making a return to the 3D horror genre with Haunted – Echoes Of The Past. Starring Mimoh Chakraborty, the film has been awarded an ‘A’ rating. Historically, horror films with an adult rating are often subjected to scissor cuts due to intense horrifying sequences or intimate scenes. Surprisingly, this film has passed without a single visual or audio cut. The certificate, issued on June 9, confirms the film's length at nearly 139 minutes, which translates to a runtime of 2 hours and 19 minutes. (adsbygoogle = window.adsbygoogle || []).push({}) The third film to receive a clean chit is the Hollywood sci-fi psychological horror flick, Backrooms. Much like the recent sleeper hit Obsession, there is significant curiosity surrounding this title. The CBFC granted it an ‘A’ rating on June 8 without proposing any cuts. The film is relatively concise, with a runtime of 1 hour and 51 minutes. While the zero-cut status is a win for purists, trade analysts suggest a bit of caution. There is a possibility that the studio might have voluntarily blurred or removed certain disturbing shots before the submission to avoid a confrontation with the board, a practice that is becoming increasingly common with international horror releases. This move by the CBFC is being seen as a tactical shift to ease the ongoing tension with filmmakers and audiences alike. By allowing these high-stakes thrillers and horror movies to retain their original vision, the board might be trying to signal a more balanced approach toward adult-oriented content. For now, moviegoers can look forward to watching these titles exactly as the directors intended, provided the studios haven't played it too safe themselves.

BY SUNIT JANGIR

Mumbai, May 13 - James Cameron's Avatar: Fire and Ash is finally heading to OTT after a long theatrical run across the globe. The sci-fi epic, which emerged as one of the biggest worldwide blockbusters of 2025, has locked its Disney+ streaming premiere for June 24, 2026. The film will be available to stream on JioHotstar in India. Avatar 3 To Stream On Disney+ On June 24 (adsbygoogle = window.adsbygoogle || []).push({}) Disney officially announced the streaming release window during its Upfront presentation in New York. The move to streaming follows over 6-months of theatrical window after the film's release on December 19, 2025. The film had previously arrived on premium video-on-demand platforms on March 31, allowing audiences to rent or purchase it digitally before its subscription streaming debut. Physical 4K UHD, Blu-ray, and DVD editions are also scheduled to release on May 19. Directed by James Cameron, Avatar: Fire and Ash continued the story of Jake Sully and Neytiri while introducing the dangerous Ash People clan on Pandora. The film once again pushed the boundaries of visual storytelling and spectacle, receiving praise for its groundbreaking visuals, emotional scale, and immersive world-building. (adsbygoogle = window.adsbygoogle || []).push({}) A Global Box Office Juggernaut Avatar 3 turned out to be a massive commercial success at the global box office, grossing $1.49 billion worldwide during its theatrical run. It also went on to win the Academy Award for Best Visual Effects, further cementing the Avatar franchise's dominance in cinematic technology and large-scale storytelling. The film features Sam Worthington, Zoe Saldaña, Sigourney Weaver, and Stephen Lang in key roles. With its OTT release now around the corner, fans who missed the theatrical experience will soon get the chance to revisit Pandora from the comfort of their homes through Disney+ and JioHotstar.

BY CHRISTA LINCY

Georgekutty’s third outing in Drishyam 3 is now moving into its final phase at the box office. While the franchise carries a massive legacy, the weekday momentum is clearly settling down as the film completes 20 days in theaters. On Tuesday, the movie earned an India net of ₹0.40 Cr, which is a 20% drop from Monday's ₹0.50 Cr. This brings the total India net collection to ₹107.33 Cr and the total domestic gross to ₹124.51 Cr so far. The film has performed decently, but the pace has slowed down significantly compared to its blockbuster opening week. Looking at the home ground, the Kerala gross currently stands at ₹86.93 Cr. With the current daily numbers, it looks like Drishyam 3 might find it difficult to cross the ₹100 Cr gross mark in Kerala, a record currently held by Mohanlal's own Thudarum. Here is the day-wise breakdown of the Kerala gross collection for Drishyam 3: Day 1: ₹11.05 Cr Day 2: ₹8.85 Cr Day 3: ₹9.25 Cr Day 4: ₹9.60 Cr Day 5: ₹6.55 Cr Day 6: ₹5.70 Cr Day 7: ₹6.10 Cr Day 8: ₹5.70 Cr Day 9: ₹4.25 Cr Day 10: ₹4.40 Cr Day 11: ₹4.85 Cr Day 12: ₹2.15 Cr Day 13: ₹1.40 Cr Day 14: ₹1.20 Cr Day 15: ₹0.95 Cr Day 16: ₹0.85 Cr Day 17: ₹1.35 Cr Day 18: ₹1.75 Cr Day 19: ₹0.55 Cr Day 20: ₹0.43 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The performance in Kerala is particularly interesting to analyze. Currently, the film has amassed a gross of ₹86.93 Cr from its home state. Despite the massive anticipation surrounding the third installment, it appears that Drishyam 3 will likely miss out on the elite ₹100 Crore gross mark in Kerala. This remains a rare feat, and the record continues to be held by Mohanlal's own crime thriller Thudarum, which made history as the first film to cross that milestone in the state. For Drishyam 3 to bridge the remaining ₹13 Cr gap at this current pace would be a very steep climb. Looking at the tracked data from national cinema chains for Tuesday, the collections were modest. PVR led the way with a gross of approximately ₹78,000, while Cinepolis contributed ₹37,000 and INOX added around ₹11,000. These figures, gathered from 91 tracked shows, result in a combined gross of roughly ₹1.26 Lakhs from these specific chains. Overall, the film maintained a footprint of 698 shows across the country on its 20th day, bringing the total show count since release to 57,420. (adsbygoogle = window.adsbygoogle || []).push({}) The international market has been a huge savior for this project. On Tuesday, the film added roughly ₹0.05 Cr from overseas, taking its total international gross to ₹111.60 Cr. This strong performance abroad has pushed the total worldwide gross collection to ₹236.11 Cr. Ticket sales on BookMyShow also reflect the cooling trend. On the third Tuesday, the film sold 7.29K tickets on the platform. This brings the cumulative ticket sales on BookMyShow to a very impressive 38,71,480. While the film is slowing down, its ability to pull in over 3.8 million tickets through just one platform shows the sheer brand power of the franchise. As the film enters its fourth week, the focus will be on its final lifetime total before it eventually makes its way to OTT platforms.

BY SUNIT JANGIR

Mumbai, June 10 - Indian cricket icon Virat Kohli has added another remarkable achievement to his illustrious career. The former India captain has emerged as the most valuable celebrity brand in the country, surpassing some of the biggest names in Indian entertainment, including Shah Rukh Khan and Priyanka Chopra Jonas. (adsbygoogle = window.adsbygoogle || []).push({}) According to the Fortune India–Interbrand Most Valuable Celebrities ranking, Kohli's brand value stands at an impressive 3,542 crore, placing him at the top of the list. The ranking measures a celebrity's commercial influence based on factors such as endorsement strength, consumer appeal, cultural impact, digital presence, and overall marketability. Kohli's rise to the No. 1 position comes as no surprise given his unparalleled popularity both on and off the cricket field. The batting superstar continues to be one of the most sought-after faces for brands across sectors ranging from fashion and lifestyle to technology and finance. His massive social media following and consistent public engagement have further strengthened his standing as one of the world's most marketable athletes. (adsbygoogle = window.adsbygoogle || []).push({}) Bollywood superstar Shah Rukh Khan secured the second spot in the rankings, reflecting his enduring appeal and successful comeback in recent years. Global entertainment star Priyanka Chopra Jonas completed the top three, underlining her strong international presence and influence across multiple industries. The latest ranking highlights the growing power of sports personalities in the branding landscape. While actors have traditionally dominated celebrity endorsements in India, Kohli's ability to connect with audiences across demographics has enabled him to emerge as the country's most valuable celebrity brand.

BY CHRISTA LINCY

The hit father-son duo of Varun Dhawan and director David Dhawan has finally returned to the big screen with their latest romantic comedy, Hai Jawani Toh Ishq Hona Hai. This release is particularly special as it marks their first theatrical collaboration in nine years. Although the pair worked together on Coolie No. 1 in 2020, that film skipped the traditional cinema route for a direct-to-digital release. This means the last time we saw a Dhawan & Dhawan entertainer in theaters was all the way back in 2017 with Judwaa 2, naturally setting the bar very high for this project. On its fifth day, the film collected a net of ₹3.85 Cr across India. What makes this number significant is that it represent a 10.0% growth compared to Monday’s collection of ₹3.50 Cr. Usually, we see films drop by 10-15% on the second weekday, but this growth indicates a strong positive word of mouth. So far, the total India net collection stands at ₹31.35 Cr, with the domestic gross reaching ₹37.32 Cr. The film is currently screening across 7,565 shows nationwide, bringing the total show count to 41,910 since its release. (adsbygoogle = window.adsbygoogle || []).push({}) A major factor behind this Tuesday growth is the steady occupancy across key regions. The film recorded an overall occupancy of 18.0% on Day 5, with significant momentum in the evening and night shows. In the National Capital Region (NCR), occupancy stood at 25.5%, peaking at 36.0% during the night. Mumbai also showed strong numbers with 25.5% overall occupancy, where the night shows saw a massive jump to 45.0%. Other regions like Pune and Bengaluru held well with 22.8% and 20.5% occupancy respectively, while cities like Lucknow and Hyderabad hovered around the 16-19% mark. The performance in national cinema chains has been a major highlight. On Tuesday, Hai Jawani Toh Ishq Hona Hai emerged as the top seller among new releases, second only to the ongoing run of Obsession. In the tracked national chains, PVR led the way with approximately ₹19.6 Lakhs from 1,214 shows. INOX followed with ₹11.5 Lakhs from 962 shows, and Cinepolis contributed roughly ₹6.2 Lakhs across 564 shows. Collectively, these chains brought in a gross of ₹37.3 Lakhs from 2,740 tracked shows, showing a healthy occupancy level for a weekday.Ticket booking platforms are also reflecting this momentum. In the last 24 hours alone, BookMyShow recorded sales of 67.46K tickets for the film. This takes the total number of tickets sold on the platform to 593.8K. On the global front, the film added another ₹1.00 Cr from overseas markets on Tuesday. This brings the total overseas gross to ₹10.50 Cr. When we combine the domestic and international performance, the worldwide gross collection for Hai Jawani Toh Ishq Hona Hai now stands at ₹47.82 Cr. It is now on the verge of crossing the 50-crore mark worldwide by the end of its first week, which is a solid benchmark for a romantic entertainer. (adsbygoogle = window.adsbygoogle || []).push({}) When we compare this performance to Varun Dhawan's other post-covid theatrical releases, Hai Jawani Toh Ishq Hona Hai is carving out its own space. It has already outperformed the 5-day total of Baby John and is trending competitively against other mid-range hits. While it still has some ground to cover to reach the levels of JugJugg Jeeyo, the current growth trend is a very positive sign. Here is how the film compares to Varun Dhawan's post-covid releases in terms of five-day performance: Varun Dhawan Post-Covid Films - 5 Days ComparisonMOVIE NAMEINDIA NET (5 DAYS)WORLDWIDE GROSS (5 DAYS)JugJugg Jeeyo₹ 46.27 Cr₹ 74.50 CrBhediya₹ 35.85 Cr₹ 53.31 CrHai Jawani Toh Ishq Hona Hai₹ 31.35 Cr₹ 47.82 CrSunny Sanskari Ki Tulsi Kumari₹ 33.25 Cr₹ 46.09 CrBaby John₹ 28.65 Cr₹ 42.93 Cr With no major releases till the next weekend, Hai Jawani Toh Ishq Hona Hai has a clear window to maximize its earnings. If the word of mouth remains this steady, we could be looking at a very healthy lifetime total for this Varun Dhawan starrer.

BY SUNIT JANGIR

Mumbai, June 10 - The teaser of Alpha, the first female-led film in YRF's Spy Universe, was finally unveiled on Wednesday, giving audiences a glimpse into the action-packed world headlined by Alia Bhatt, Sharvari Wagh, and Bobby Deol. While the teaser quickly became one of the most talked-about topics across social media platforms, it also attracted a wave of criticism from certain sections of the internet. While discussions about a major film are expected, a significant portion of the negativity directed at the teaser appears forced and intentional, which has very little to do with the teaser itself. In reality, Alpha had become a target for a section of online users long before its first footage arrived. One reason is the presence of Alia Bhatt in the lead role. (adsbygoogle = window.adsbygoogle || []).push({}) Over the last decade, Alia has established herself as one of Bollywood's most successful and commercially viable stars, but that hasn't saved her from online trolling and polarised opinions. Despite being hailed as one of the finest actors of this generation, she has always been under public scrutiny and online trolling, largely for being a star kid. Any major project featuring Alia inevitably attracts a vocal section of critics who are often ready with their verdict before the promotional campaign even begins. As a result, Alpha entered the conversation carrying baggage that had little to do with the film itself. The film's association with Yash Raj Films has added another layer to the scrutiny. (adsbygoogle = window.adsbygoogle || []).push({}) The YRF Spy Universe, which includes blockbuster franchises such as Tiger, Pathaan, and War, has become one of Indian cinema's most successful shared universes. At the same time, some sections of the audience have criticised certain entries for their portrayal of India-Pakistan relations, arguing that the films occasionally take a softer approach than they would prefer. However, the teaser of Alpha does not indicate that the story revolves around Pakistan or follows any of the themes that previously attracted such criticism. Despite that, the film continues to receive similar attacks, suggesting that many reactions are being driven by assumptions rather than the actual content on display. The timing of Alpha's teaser has also coincided with the excitement surrounding Dhurandhar films. Aditya Dhar's spy actioner, inspired by real events, has generated praise for its grounded tone and hard-hitting depiction of terrorism. The strong response to Dhurandhar films has further emboldened some online commentators, who are using the film as a benchmark to criticise Alpha even before its story has been revealed. (adsbygoogle = window.adsbygoogle || []).push({}) Another factor often cited by industry observers is Yash Raj Films' long-standing reputation for relying more on its own marketing strategy than on widespread paid promotional campaigns across social media circles. Whether entirely accurate or not, the perception exists that YRF is less willing than some studios to engage in the increasingly common practice of paid online promotion. As a result, YRF's projects frequently face a harsher digital environment where praise is scrutinised, and criticism tends to gain greater visibility. This also raises a big question about the Bollywood industry's growing dependence on what many describe as a "pay-and-get-praise" ecosystem. While no major studio publicly acknowledges such practices, the perception has become widespread enough to influence how online reactions are interpreted.

BY CHRISTA LINCY

Karuppu is nearing the end of its first month in theaters, and the performance continues to hold quite well despite the screen sharing with Blast. Crossing the 300-crore milestone globally is a major achievement for the team, and even as it moves through its fourth Tuesday, the film is finding enough of an audience to keep the collections ticking. It is clear that the movie has struck a chord with the viewers, allowing it to maintain a consistent presence at the box office long after its initial buzz. Looking at the Tuesday numbers, Karuppu earned an India gross of ₹0.51 Cr on its 26th day. This represents a 15% drop from Monday's gross of ₹0.60 Cr, which is a very steady hold for a film entering the final stretch of its first month. This latest addition brings the cumulative India gross to ₹224.66 Cr. The movie has managed to maintain a consistent pull at the ticket windows, ensuring that the domestic collections continue to climb at a reliable pace even during the working week. (adsbygoogle = window.adsbygoogle || []).push({}) The regional performance breakdown highlights how well the film has been received across various states. Tamil Nadu remains the primary engine of growth, contributing a staggering ₹154.91 Cr to the total gross. The film also found a solid footing in the APTG region with ₹32.39 Cr and in Karnataka with ₹21.31 Cr. Kerala added ₹12.99 Cr to the tally, while the Rest of India contributed ₹3.06 Cr. These numbers reflect a well-distributed performance that has allowed the film to sustain itself for so long across 896 shows on Day 26 alone. Looking at the performance in national cinema chains for Tuesday, the tracked data shows a consistent trend. PVR led the contributions with approximately ₹1.3 Lakhs from 57 shows. INOX followed with around ₹0.9 Lakhs from 29 shows, and Cinepolis added roughly ₹0.2 Lakhs from 17 shows. Collectively, these major chains contributed a tracked gross of ₹2.4 Lakhs from 100+ shows, maintaining a steady occupancy of nearly 12% on a working Tuesday. (adsbygoogle = window.adsbygoogle || []).push({}) Audience engagement remains high on digital platforms as well, with 5.05K tickets booked on BookMyShow on the fourth Tuesday. This brings the total ticket sales on the platform to over 44.78 Lakhs. With a total of 97,401 shows played since its release, Karuppu is now looking to close its fourth week on a high note before entering the fifth weekend, where it will aim to further add to its record-breaking totals. The international box office has been another strong pillar for Karuppu, significantly boosting its global standing. On Day 26, the film added ₹0.10 Cr from overseas markets, bringing the total international gross to ₹80.80 Cr (approximately $8.48M). This project has been a record-breaker for the lead star, marking the first time one of his films has crossed the $6M, $7M, and $8M milestones in the overseas market. Key contributions came from the Middle East at $1.72M and North America at $1.40M. This sustained international success has now pushed the total worldwide gross collection to an impressive ₹305.46 Cr.

BY CHRISTA LINCY

Six days into its theatrical run, Peddi has firmly established itself as one of the biggest box office performers in Ram Charan's career. Directed by Buchi Babu Sana and co-starring Janhvi Kapoor, the sports drama has not only posted impressive numbers worldwide but has also emerged as a strong force in overseas markets. With collections continuing to hold steady, the film is now on the verge of achieving a major milestone in North America. Within just six days of release, Peddi has grossed ₹261.23 crore worldwide and recovered an impressive ₹150+ crore share. With a breakeven target of ₹215 crore share, the film has already recovered 69.8% of its investment and is firmly on track to enter the profit zone by its second weekend.While the domestic performance has been strong, the overseas market is where an even more interesting story is unfolding. Peddi has collected over $3 million in North America within its first week, putting it on the verge of a major career milestone for Ram Charan. With PEDDI crossing the $3 million mark in North America, the film has joined a relatively exclusive club of Telugu releases that have achieved the feat over the years. 2015 – Baahubali: The Beginning 2017 – Baahubali 2: The Conclusion 2018 – Rangasthalam 2018 – Bharat Ane Nenu 2019 – Saaho 2020 – Ala Vaikunthapurramuloo 2020 – Sarileru Neekevvaru 2022 – RRR 2023 – Salaar 2023 – Adipurush 2024 – HanuMan 2024 – Kalki 2898 AD 2024 – Devara: Part 1 2024 – Pushpa 2: The Rule 2025 – Mirai 2025 – They Call Him OG 2026 – Mana Shankara Vara Prasad Garu 2026 – PEDDI* (adsbygoogle = window.adsbygoogle || []).push({}) To understand why this is significant, one has to look at the actor's overseas track record. At the very top sits RRR, the SS Rajamouli-directed global phenomenon that eventually amassed over $15 million in North America. However, RRR occupies a category of its own. It was a once-in-a-generation event film featuring both Ram Charan and NTR Jr, backed by Rajamouli's unmatched brand value. Among Ram Charan's solo-led films, the benchmark has long belonged to Rangasthalam. Released in 2018, the Sukumar directorial started with a premiere gross of around $710K and went on to enjoy an extraordinary theatrical run, eventually finishing with $3.51 million in North America. For nearly eight years, no solo Ram Charan film has been able to cross that mark. That is where Peddi enters the conversation. The film opened with a strong $1.57 million from premieres alone, more than double the premiere numbers of Rangasthalam. By Day 6, its North American total had already climbed to approximately over $3 million, putting it within striking distance of Rangasthalam's lifetime record.The pace is what makes Peddi's run particularly noteworthy. Rangasthalam needed a long and steady theatrical run powered by exceptional word-of-mouth to reach $3.51 million. Peddi, meanwhile, has already covered most of that distance within its opening week itself. In practical terms, the film now needs less than half a million dollars to become Ram Charan's highest-grossing solo film in North America. (adsbygoogle = window.adsbygoogle || []).push({}) The comparison becomes even more impressive when viewed alongside some of the actor's recent releases. Game Changer, despite arriving with the backing of director Shankar and massive expectations, concluded its North American run at around $2.2 million. Peddi has comfortably moved past that figure within days of release and is now chasing a much bigger target. Of course, overtaking RRR is never part of the discussion. The Rajamouli blockbuster remains the undisputed king of Ram Charan's filmography overseas and continues to rank among the biggest Telugu films ever released in North America. The real battle is for the second position, and Peddi appears to have one hand firmly on that spot already. As the film heads into its second weekend, two milestones are now within reach. The first is breakeven, which could be achieved in the coming days if the current trend continues. The second is the North American record among Ram Charan's solo films, a crown that Rangasthalam has worn since 2018. If Peddi maintains momentum over the weekend, Ram Charan may soon have a new overseas champion in his solo filmography.

BY SUNIT JANGIR

Mumbai, June 8 - The makers of superstar Akshay Kumar-fronted Welcome To The Jungle are gearing up for the next major phase of the film's promotional campaign. After generating buzz with its teaser and songs, the highly anticipated comedy entertainer is now set to unveil its theatrical trailer on June 11 at a grand launch event. On Wednesday, the makers confirmed that the trailer of the film will be launched on June 11, reportedly in the presence of the film's cast and crew. The nearly three-minute-long promo is expected to showcase the film's trademark blend of comedy, action, and chaos, while offering audiences a better understanding of the story and characters. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Ahmed Khan, Welcome 3 is the latest instalment in the popular Welcome franchise. The film features an ensemble cast led by Akshay Kumar, alongside Suniel Shetty, Paresh Rawal, Arshad Warsi, Jacqueline Fernandez, Disha Patani, Raveena Tandon, Lara Dutta, Rajpal Yadav, Johnny Lever, Shreyas Talpade, Tusshar Kapoor, Jackie Shroff, Aftab Shivdasani, and several others. The film's promotional campaign began earlier with the release of its teaser and songs, both of which received a positive response from fans. The teaser introduced audiences to the film's adventurous jungle backdrop and hinted at the larger-than-life comic madness that the franchise is known for. Since then, excitement for the trailer has continued to grow among moviegoers. (adsbygoogle = window.adsbygoogle || []).push({}) Report suggests that the chemistry between Akshay Kumar, Suniel Shetty, and Paresh Rawal will be one of the major highlights of the film. Their comic timing and screen presence are expected to play a key role in delivering the laughter-packed entertainment that audiences associate with the Welcome brand. Scheduled to hit cinemas on June 26, Welcome To The Jungle is among the most awaited Bollywood releases of the year. With the trailer launch now just days away, fans are eager to see whether the film can recreate the magic of its predecessors and emerge as one of the biggest comedy entertainers of 2026.