BY CHRISTA LINCY

Karuppu has finished its second week with a phenomenal performance, establishing itself as a major force at the Kollywood box office. The movie has managed to hold its ground remarkably well after a massive opening week, showing that the interest from the general audience is far from fading. Looking at the day-wise numbers, the film showed a classic trending pattern with a massive surge over the second weekend and a very steady hold during the weekdays. When we look at the all-time records for the second-week net collection of Tamil films, Karuppu has achieved something extraordinary by securing the number two spot. With a net collection of 46.50 crore from the Tamil version alone in week 2, it has officially outperformed massive hits like Jailer, Amaran, and Leo. Currently, it only trails behind The Greatest of All Time on the all-time list for this specific period. Highest 2nd Week Net Collection - KollywoodMOVIE NAME2ND WEEK NET (TAMIL)The Greatest of All Time₹ 49.75 CrKaruppu₹ 46.50 CrJailer₹ 46.10 CrAmaran₹ 43.30 CrLeo₹ 40.99 Cr (adsbygoogle = window.adsbygoogle || []).push({}) On its 14th day, which was the second Thursday, the film collected 4.15 crore net from the Tamil version. This performance is significant because it places Karuppu at the number eight spot in the history of Kollywood for the highest second Thursday collections. It successfully pushed past big titles like Varisu and Coolie in this category, proving that the film has high sustainability in theaters. Karuppu has officially wrapped up its second week and the performance is nothing short of spectacular. By the end of day 14, the film has solidified its place among the elite. Talking about the BookMyShow (BMS) ticket sales, it has hit the 4.02 million mark. This puts it in direct competition with massive blockbusters like Jailer, Leo, and Coolie. It is currently chasing the 4.23 million record of The Goat, and looking at the current trend, it is not too far away. The second week was particularly strong, adding over 1.1 million tickets on BMS alone. The weekend was the major highlight, with Saturday and Sunday seeing a combined sale of over 5.1 lakh tickets. Even on the weekdays, the film managed to stay steady, with Thursday actually showing a slight jump. Apart from the online bookings, ticket sales through national chains have also been impressive, crossing the 2,50,000 mark so far. (adsbygoogle = window.adsbygoogle || []).push({}) When we look at the regional performance for the second week, Tamil Nadu continues to be the powerhouse, but other states are chipping in nicely. Here is the state-wise gross breakdown for week 2: Tamil Nadu: ₹46.40 Cr APTG: ₹7.98 Cr Karnataka: ₹5.45 Cr Kerala: ₹2.20 Cr Rest of India: ₹0.70 Cr The film has been screened across 73,361 shows till now. On its 14th day, it actually saw a bit of a boost, earning 4.95 crore net compared to 4.00 crore on Wednesday. This small jump on a Thursday shows that audiences are still flocking to theaters. Globally, Karuppu has now crossed 267.05 crore in gross collections. Out of this, 194.55 crore comes from the Indian market, while the overseas territory has contributed a solid 72.50 crore. This brings the total India net collection to 168.15 crore. (adsbygoogle = window.adsbygoogle || []).push({}) Karuppu Movie - Week 2 India Net CollectionDAYINDIA NET COLLECTIONDay 8 (2nd Friday)₹ 7.80 CrDay 9 (2nd Saturday)₹ 12.45 CrDay 10 (2nd Sunday)₹ 14.75 CrDay 11 (2nd Monday)₹ 5.90 CrDay 12 (2nd Tuesday)₹ 4.45 CrDay 13 (2nd Wednesday)₹ 4.00 CrDay 14 (2nd Thursday)₹ 4.95 CrWeek 2 Total₹ 54.30 Cr Overall, the film is moving ahead at a great pace. The hold in the second week confirms that the movie has resonated well with the general public across all major regions. While Tamil Nadu remains the primary driver, the consistency in the Telugu and Karnataka markets is providing a huge boost. The overseas performance has also been a major contributor, with the film earning a total of 16 crore during its second week. This was driven by a strong second weekend where day 8 saw 3 crore and day 10 saw 3 crore, while day 9 peaked at 4.50 crore. The weekdays remained stable as day 11 and day 12 brought in 1.50 crore each, followed by 1.25 crore on both day 13 and day 14.Looking at specific markets, North America has contributed 1.32 million dollars (approximately 11.08 crore) so far, with 10 thousand dollars (around 8.4 lakhs) coming in on the second Wednesday alone. With no major competition in sight, Karuppu is expected to gain even more traction as it enters its third week.

BY SACNILK TEAM

Here is the Tamil movie Blast box office collection which is an action thriller film. This film is directed by Subash K. Raj and produced by AGS Entertainment. ## Blast stars Arjun Sarja, Preity Mukhundhan, and Abhirami in key roles. ## Blast Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Thursday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Blast Budget: ₹ - Cr * Approx ## Blast Verdict: Coming Soon ## Blast Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 28th May 2026 ## For more and the latest news about Kollywood Box Office Collection, Stay tuned to us.Blast State Wise Gross CollectionDayKarnatakaAPTGTamil NaduKeralaRest Of IndiaDay TotalDay 1 [1st Thursday]₹ 0.1 Cr₹ 0.3 Cr₹ 0.95 Cr₹ 0.06 Cr₹ 0.02 Cr₹ 1.43 CrDay 2 [1st Friday]₹ 0.23 Cr₹ 0.38 Cr₹ 1.6 Cr₹ 0.25 Cr₹ 0.01 Cr₹ 2.47 CrDay 3 [1st Saturday]₹ 0.64 Cr₹ 0.75 Cr₹ 3 Cr₹ 0.8 Cr₹ 0.04 Cr₹ 5.23 CrDay 4 [1st Sunday]₹ 0.63 Cr₹ 1 Cr₹ 3.75 Cr₹ 1.45 Cr₹ 0.07 Cr₹ 6.9 CrDay 5 [1st Monday]₹ 0.23 Cr₹ 0.55 Cr₹ 2 Cr₹ 1.35 Cr₹ 0.01 Cr₹ 4.14 CrDay 6 [1st Tuesday]₹ 0.3 Cr₹ 0.5 Cr₹ 1.85 Cr₹ 1.3 Cr₹ 0.01 Cr₹ 3.96 CrDay 7 [1st Wednesday]₹ 0.15 Cr₹ 0.3 Cr₹ 1.55 Cr₹ 1.15 Cr₹ 0.01 Cr₹ 3.16 CrDay 8 [2nd Thursday]₹ 0.11 Cr₹ 0.03 Cr₹ 1.19 Cr₹ 1 Cr₹ 0.01 Cr₹ 2.34 CrWeek 1 Gross₹ 2.39 Cr₹ 3.81 Cr₹ 15.89 Cr₹ 7.36 Cr₹ 0.18 Cr₹ 29.63 CrDay 9 [2nd Friday]₹ 0.14 Cr₹ 0.16 Cr₹ 1.28 Cr₹ 0.84 Cr₹ 0 Cr₹ 2.42 CrDay 10 [2nd Saturday]₹ 0.4 Cr₹ 0.3 Cr₹ 2.25 Cr₹ 1.1 Cr₹ 0.01 Cr₹ 4.06 CrDay 11 [2nd Sunday]₹ 0.41 Cr₹ 0.44 Cr₹ 2.7 Cr₹ 1.42 Cr₹ 0.02 Cr₹ 4.99 CrDay 12 [2nd Monday]₹ 0.06 Cr₹ 0.25 Cr₹ 0.85 Cr₹ 0.5 Cr₹ 0.01 Cr₹ 1.67 CrDay 13 [2nd Tuesday]₹ 0.09 Cr₹ 0.24 Cr₹ 0.6 Cr₹ 0.34 Cr₹ 0.01 Cr₹ 1.28 CrDay 14 [2nd Wednesday]₹ 0.05 Cr₹ 0.22 Cr₹ 0.6 Cr₹ 0.36 Cr₹ 0.01 Cr₹ 1.24 CrDay 15 [3rd Thursday]₹ 0.05 Cr₹ 0.22 Cr₹ 0.6 Cr₹ 0.33 Cr₹ 0.01 Cr₹ 1.21 CrWeek 2 Gross₹ 1.2 Cr₹ 1.83 Cr₹ 8.88 Cr₹ 4.89 Cr₹ 0.07 Cr₹ 16.87 CrDay 16 [3rd Friday]₹ 0.46 Cr₹ 0.12 Cr₹ 0.61 Cr₹ 0.3 Cr₹ 0 Cr₹ 1.49 CrDay 17 [3rd Saturday]₹ 0.15 Cr₹ 0.15 Cr₹ 1.75 Cr₹ 0.55 Cr₹ 0.01 Cr₹ 2.61 CrDay 18 [3rd Sunday]₹ 0.18 Cr₹ 0.2 Cr₹ 1.95 Cr₹ 0.7 Cr₹ 0.01 Cr₹ 3.04 CrDay 19 [3rd Monday]₹ 0.04 Cr₹ 0.1 Cr₹ 0.57 Cr₹ 0.35 Cr₹ 0 Cr₹ 1.06 CrDay 20 [3rd Tuesday]₹ 0.03 Cr₹ 0.12 Cr₹ 0.54 Cr₹ 0.31 Cr₹ 0 Cr₹ 1 CrDay 21 [3rd Wednesday]₹ 0.01 Cr₹ 0.12 Cr₹ 0.53 Cr₹ 0.19 Cr₹ 0 Cr₹ 0.85 CrDay 22 [4th Thursday]₹ 0.02 Cr₹ 0.1 Cr₹ 0.49 Cr₹ 0.24 Cr₹ 0 Cr₹ 0.85 CrWeek 3 Gross₹ 0.89 Cr₹ 0.91 Cr₹ 6.44 Cr₹ 2.64 Cr₹ 0.02 Cr₹ 10.9 CrDay 23 [4th Friday]₹ 0.02 Cr₹ 0.03 Cr₹ 0.38 Cr₹ 0.12 Cr₹ 0 Cr₹ 0.55 CrDay 24 [4th Saturday]₹ 0.01 Cr₹ 0.01 Cr₹ 0.5 Cr₹ 0.1 Cr₹ 0 Cr₹ 0.62 CrDay 25 [4th Sunday]₹ 0.03 Cr₹ 0.02 Cr₹ 0.65 Cr₹ 0.15 Cr₹ 0 Cr₹ 0.85 CrTotal₹ 4.54 Cr₹ 6.61 Cr₹ 32.74 Cr₹ 15.26 Cr₹ 0.27 Cr₹ 59.42 Cr ##

BY CHRISTA LINCY

The upcoming August 2026 box office window is shaping up to be one of the most crowded and high-stakes periods for South Indian cinema in recent memory. Within a span of just eight days, four major superstars are bringing their highly anticipated projects to the big screen. This lineup creates a massive logistical challenge for theater owners and a feast for moviegoers, but it also raises important questions about whether such a close release schedule is a benefit or a risk for the industry. The wave begins on August 14 with Suriya's Vishwanath and Sons. Directed by Venky Atluri, this film stands out from the rest as it is a nuanced family drama and sports-romance rather than a typical mass-genre entertainer. Suriya plays an international pistol-shooting champion in a bilingual project shot in both Tamil and Telugu. While it gets a head start by releasing almost a week earlier, it will need to maintain strong word-of-mouth to survive the onslaught of three massive action films arriving just days later. The real explosion happens on August 20, when two of Malayalam cinema's biggest stars, Dulquer Salmaan and Prithviraj Sukumaran, go head-to-head. Dulquer's I'm Game, directed by Nahas Hidayath, is a pan-Indian action-thriller exploring themes of cricket betting and fantasy gaming. On the same day, Prithviraj's Khalifa hits theaters. Subtitled The Bloodline, this underworld saga features an extended cameo by Mohanlal, which has already sent expectations soaring. These two films will compete directly for screen space in Kerala, Tamil Nadu, and international markets like the Middle East. (adsbygoogle = window.adsbygoogle || []).push({}) The pressure intensifies just 24 hours later on August 21, with the release of Nani's period action-drama, The Paradise. Directed by Srikanth Odela and featuring music by Anirudh Ravichander, this film is set in the 1980s slums of Secunderabad. While Nani is expected to dominate the Telugu states, the overlap with the other releases is undeniable. In an interesting twist, actress Kayadu Lohar finds herself as the female lead in both I'm Game and The Paradise, meaning she will literally be competing against herself at the box office on the same weekend. A clash of this magnitude acts as a double-edged sword for the industry. On the positive side, it creates a massive surge in overall footfalls, turning the weekend into a festival-like atmosphere. The wide variety of genres—ranging from Suriya's family sports drama to the gritty underworld themes of Khalifa and the period setting of The Paradise—ensures that there is something for every type of moviegoer. The real challenge, however, lies in how the screens are distributed once the word of mouth kicks in. Unlike a solo release where a hit can monopolize every screen in a city, these four films will have to fight to retain their shows from the very first day. An average film that might have survived in a solo window could see its screens replaced much faster in this scenario, as theaters will have three other high-demand alternatives ready to take over. It effectively becomes a survival of the fittest scenario where only the strongest content will thrive. Furthermore, the marketing costs for each production house will skyrocket as they fight for the audience's attention in a cluttered space. While Nani's The Paradise may hold the upper hand in the AP-TG region and Dulquer's I'm Game might lead in Tamil and Malayalam markets, the overlap in the Telugu-Tamil bilingual space for Suriya and the pan-Indian aspirations of the others will lead to a fragmented box office. Ultimately, the success of this August madness will depend on whether the quality of the content can sustain four different narratives simultaneously, or if one dominant film will eventually push the others out of the race.

BY CHRISTA LINCY

The announcement of Khalnayak Returns has created significant buzz in the industry, marking the return of one of the most iconic anti-heroes in Indian cinema. Following the release of a gritty intro teaser on April 24, 2026, fans are eager to see Ballu Balram back on screen. While the excitement is high, the search for a director has recently taken an interesting turn. According to a report by Bollywood Hungama, Sanjay Dutt was very keen on having Rajkumar Santoshi direct the sequel. The actor felt that the veteran filmmaker has a deep understanding of commercial cinema and would be the right fit for such a high-stakes project. It would have been the first time these two industry powerhouses worked together, but the collaboration is not happening just yet. The report suggests that Rajkumar Santoshi has politely declined the offer. He is currently occupied with the post-production and final touches of his film Lahore 1947, starring Sunny Deol. Additionally, he has written scripts that he plans to pitch to Aamir Khan and Sunny Deol, leaving him with no immediate time to take on a massive project like Khalnayak Returns. Sanjay Dutt is now reportedly looking for other established filmmakers to bring this story to life, as Subhash Ghai had earlier confirmed he would not be returning to the director's chair. (adsbygoogle = window.adsbygoogle || []).push({}) The idea for this sequel actually has a very unique origin. During the announcement event, Sanjay Dutt shared that the thought first came to him while he was in prison. He noticed that the inmates were deeply connected to the songs and character of the original 1993 film. After asking for their input, he received 4,000 pages of ideas from fellow prisoners. One of those ideas stood out to him, eventually leading to the development of this new script which picks up long after the original events. The intro teaser has already set a dark and atmospheric tone, showing Sanjay Dutt in a rugged look with his signature long hair and a menacing presence. Hearing the famous line, Nayak nahin khalnayak hoon main, against the original background score has brought back a lot of nostalgia. This project is a massive collaboration between Jio Studios, Aspect Entertainment, Three Dimension Motion Pictures, and Mukta Arts, aiming to match the scale of modern blockbusters while honoring the legacy of the original masterpiece. (adsbygoogle = window.adsbygoogle || []).push({}) The pressure to get the sequel right is understandable given the massive success of the first film. In 1993, Khalnayak was a domestic juggernaut, earning a net collection of ₹12.00 Cr and finishing as the second-highest-grossing film of that year. Produced on a modest budget, it became a cultural phenomenon and a huge profit-maker for its creators. With the sequel now officially in the works, the industry is eyeing a similar box office eruption. Khalnayak (1993) - Historical Box Office StatsCATEGORYCOLLECTIONIndia Net₹ 12.00 CrIndia Gross₹ 21.00 CrWorldwide Total₹ 21.00 Cr As the production moves forward, the focus remains on finding a director who can balance the nostalgia of the 90s with a modern-day gritty narrative. The teaser caption, Some stories don't end... they start again, suggests that the makers are looking for a long-term expansion of this legacy. For now, fans are waiting to see who will eventually lead this ambitious project to the big screen.

BY SUNIT JANGIR

Mumbai, May 28 - Superstar Akshay Kumar's horror-comedy entertainer Bhooth Bangla continues its impressive theatrical run and is showing remarkable stability at the box office even in its sixth week. At a time when most films witness a sharp decline after the first few weeks, Bhooth Bangla has managed to maintain a steady hold across multiplexes and mass circuits alike. (adsbygoogle = window.adsbygoogle || []).push({}) Directed by Priyadarshan, the film has scored approximately 4.60 crores net in 6 days of the 6th week, with the full week heading towards 5+ crore net. The drop from the fifth week is around 30%, which is a solid hold in the late weeks, considering competition with other films. The total India net of the film is expected to be around 176.50 crores (209+ crores gross) after six weeks. Among the biggest sixth-week grossers for Akshay Kumar in the post-pandemic era, Bhooth Bangla is easily the number 1 film by a long margin. Director Rohit Shetty's Sooryavanshi, which revived the theatrical biz after the health crisis, minted approximately 1 crore net in its 6th week, and is currently the second biggest for Khiladi Kumar. (adsbygoogle = window.adsbygoogle || []).push({}) Akshay Kumar's Biggest 6th Week Grossers (Post Covid) S. No. Movie 6th Week Collection 1 Bhooth Bangla ₹ 5+ Cr (expected)* 2 Sooryavanshi ₹ 1 Cr 3 Jolly LLB 3 ₹ 0.78 Cr 4 Kesari Chapter 2 ₹ 0.75 Cr 5 OMG 2 ₹ 0.59 Cr The strong theatrical performance has once again reaffirmed the popularity of the Akshay Kumar–Priyadarshan combination among family audiences. The duo, known for cult comedy classics over the years, reunited after a long gap, and the nostalgia factor has clearly worked in the film's favour. The film has performed especially well in Tier-2 and Tier-3 centres, where comedy entertainers continue to enjoy massive acceptance. (adsbygoogle = window.adsbygoogle || []).push({}) The movie crossed the 100 crore milestone during its second weekend itself and has since maintained a steady run at the ticket windows despite a new release every week. Overseas markets have also contributed significantly to the film's success, helping it become one of the highest-grossing Hindi films of the year worldwide with over 262+ crores gross. With its theatrical run slowly nearing the final phase, Bhooth Bangla has already established itself as one of the most successful films for Akshay Kumar in recent years. The film's strong sixth-week performance proves that content-driven entertainers with strong audience connection can still enjoy a lengthy and profitable run in cinemas. (adsbygoogle = window.adsbygoogle || []).push({}) Bhooth Bangla Box Office (India Net) Week India Net Collection Weekly Change Week 1 ₹ 84.40 Cr — Week 2 ₹ 43.75 Cr -48.16% Week 3 ₹ 21.85 Cr -50.06% Week 4 ₹ 14.30 Cr -34.55% Week 5 ₹ 7.15 Cr -50.00% Week 6 ₹ 5+ Cr -30% Approx.

BY CHRISTA LINCY

The Drishyam franchise is more than just a series of films; it is a global phenomenon that redefined the thriller genre in Indian cinema. Ever since Georgekutty first buried that secret under a police station, audiences worldwide have been hooked on the genius of Jeethu Joseph and the unmatched screen presence of Mohanlal. The anticipation for Drishyam 3 was at a fever pitch, with fans across the globe eager to see if Georgekutty could once again protect his family from the past that never stays silent. Now that the film is out, it isn't just winning hearts—it is completely shattering the record books. Drishyam 3 has officially crossed the major milestone of 3 million ticket sales on BookMyShow on its eighth day. This achievement makes it only the 7th Malayalam movie in history to enter this elite club. What makes this record special is how the film compares to other blockbusters during the same timeframe. By the end of its first week, Drishyam 3 recorded a staggering 2.95 million tickets. For context, during their respective first weeks, Vaazha 2 sold 2.44 million tickets, while Thudarum and Lokah stood at 2.28 million and 2.27 million. Other major hits like Empuraan, Aavesham, and Manjummel Boys recorded 2 million, 1.20 million, and 1.04 million tickets respectively in their opening week. This clearly shows that Drishyam 3 is currently trending at a much faster pace than any other film before it. (adsbygoogle = window.adsbygoogle || []).push({}) Malayalam Movies with 3M+ BookMyShow Ticket SalesMOVIE NAMETOTAL BMS TICKETSLokah Chapter 15.50 MillionVaazha 25.01 MillionThudarum4.52 MillionManjummel Boys4.32 MillionL2: Empuraan3.78 MillionAavesham3.02 MillionDrishyam 33 Million* Drishyam 3 – BookMyShow Ticket Sales Breakdown: Pre-Sales: 643.96K Day 1 (Thursday): 587.3K Day 2 (Friday): 426.35K Day 3 (Saturday): 360.94K Day 4 (Sunday): 273.78K Day 5 (Monday): 231.34K Day 6 (Tuesday): 221.81K Day 7 (Wednesday): 208.97K Total so far: 2,954,450 What makes this run even more impressive is the sheer speed at which it has reached this point. While Vaazha 2 recently became a cultural phenomenon by hitting 3 million tickets in just 10 days, Drishyam 3 started its journey with an explosive energy that we haven't seen before. On its opening day alone, the film logged an unprecedented 587K tickets on BookMyShow. This destroyed the previous Day 1 record held by Thudarum (430K) and L2: Empuraan (381K), proving that the brand value of Georgekutty is currently in a league of its own. (adsbygoogle = window.adsbygoogle || []).push({}) The daily breakdown of ticket sales tells a story of incredible consistency. After a massive opening Thursday of 587.3K tickets, the film maintained high demand through its first week, recording 426.35K on Friday and 360.94K on Saturday. Even as it entered the weekdays, the momentum stayed strong, with Wednesday bringing in 208.97K tickets. This steady flow pushed the total sales to approximately 2,954,450 by Wednesday night, and with the latest updates coming in today, the film has officially surged past the 3 million mark. In terms of historical rankings, Lokah Chapter 1 remains the benchmark on the platform with 5.50 million tickets. However, with Drishyam 3 already joining the elite group of seven Malayalam films to cross the 3 million mark, it is now trending towards the higher tiers of this list. Given its current pace and the support from a total of 34,920 shows, the film is well-positioned to move closer to the final totals of previous top performers like Vaazha 2 and Thudarum as it continues its theatrical run.

BY SUNIT JANGIR

Mumbai, May 27 - Dhurandhar is not just a film, but proof that with 100% conviction, films can achieve the biggest records even with restrictions. Despite being in the 10th week, Aditya Dhar's Dhurandhar 2: The Revenge has been rewriting box office history at an unbelievable pace, still attracting audiences. Starring Ranveer Singh in the lead role, the action spectacle has emerged as one of the greatest Indian blockbusters, and to think that it achieved massive numbers in India and internationally with age restrictions makes this historic success jaw-dropping. Over the last few years, Indian cinema has produced massive blockbusters, and will continue to do so, but here are some of the Dhurandhar 2 records that may remain safe for a long time. (adsbygoogle = window.adsbygoogle || []).push({}) Fastest A-Rated 1000 Crore Grosser Worldwide One of the film's biggest achievements was entering the 1000 crore worldwide club in just seven days. The movie matched the record pace of Pushpa 2: The Rule and became the joint fastest Indian film ever to reach the historic milestone. While it is definitely a proud record, it is not unbreakable, given the way Indian cinema is operating at the moment, with another blockbuster always around the corner. While we may get the fastest Indian 1000 crore grosser very soon, it will be an uphill task for a film with an adult rating. Dhurandhar 2 was 18+ rated, plus, it was banned in the Gulf region, which is a major market for Indian cinema. Yet, the spy action thriller reached the thousand crore milestone at a record pace, which is likely to remain safe for a long time. (adsbygoogle = window.adsbygoogle || []).push({}) Highest A-Rated Indian Grosser Dhurandhar 2 has grossed over 1800 crores worldwide, and is the second-highest-grossing Indian film of all time, which shows that it is already nearing the highest point for Indian cinema, and the highest if we take out China market from the equation. The current biggest grosser, Dangal (2070 crore), largely contributed was China box office, which is not a regular market for Indian cinema. Dhurandhar 2 is achieving its box office numbers with an A-rating and without a single penny from the Gulf and China, which is a watershed achievement for the film. It is expected to remain the biggest adult-rated Indian film for a long time, unless a pleasantly shocking film arrives soon. (adsbygoogle = window.adsbygoogle || []).push({}) Highest Indian Grosser In North America The film created history in North America by surpassing the lifetime collections of Baahubali 2: The Conclusion in the territory. For years, S. S. Rajamouli's blockbuster held a near-unbreakable record in the market with $20.70 million, which shows how tough it is for Indian films to go past the $20 million mark. Dhurandhar 2 managed to attract huge audiences throughout its theatrical run and emerged as the biggest Indian success ever in the region with $28.60+ million. There are some of the highly anticipated films lined up over the next 2 years, which might score massive numbers at the North American box office, but an adult-rated film breaking Dhurandhar 2's record is looking extremely tough anytime soon. (adsbygoogle = window.adsbygoogle || []).push({}) Biggest First Week For An A-Rated Film In A Single Language The action entertainer delivered a historic first-week total and became one of the highest first-week grossers ever for a Hindi-language film with 763 crore gross (636 crore net). After opening to sensational numbers worldwide, the movie continued its dream run on weekdays as well, proving that audience reception remained exceptionally strong beyond the initial hype. Maintaining such massive collections after a gigantic opening is extremely rare in modern box office trends, especially for an age-restricted title. 1000 Crore India Net Milestone For A-Rated Perhaps the film's most extraordinary achievement was crossing the 1000 crore Hindi net mark. Only a handful of Indian films have ever approached this milestone, but Dhurandhar 2 is the only one to acheive these in a single language, a rarity in a modern high-priced theatrical market. The feat reflected the film's universal acceptance across multiplex audiences, mass circuits, metros, and smaller centres alike. (adsbygoogle = window.adsbygoogle || []).push({}) 100 Crore Single Day In A Single Language For An A-Rated Film Before Dhurandhar 2, it was SS Rajamouli's RRR, which scored the 100+ crores single-day collection in a single language, but never before had an adult-rated film hit this jackpot. Dhurandhar 2 not only achieved this milestone twice (day 3 and day 4), but also unlocked the potential for a Hindi film to achieve. However, it may still be the hardest thing to do for a restricted film.

BY CHRISTA LINCY

The buzz surrounding Suriya's upcoming projects is reaching a new high, especially after the massive success of his recent release Karuppu. While fans are still celebrating the god mode performance of Karuppu at the box office, a fresh update regarding his next film, Vishwanath and Sons, has surfaced. According to a report by Aakashavaani, this highly anticipated family drama and sports-romance is likely to hit theatres on August 14, 2026. Vishwanath and Sons is not a typical sports drama. It features an intriguing age-gap romance that navigates the relationship between a middle-aged man and a woman half his age. Suriya plays the role of Sanjay Vishwanath, a 40-year-old elite international pistol-shooting champion who is striving to reach the top of his sport. Interestingly, the name Sanjay is a nostalgic nod to his iconic character Sanjay Ramasamy from the 2005 blockbuster Ghajini, which has already sparked a lot of curiosity among fans. The film marks the official Tamil directorial debut of Venky Atluri, who is fresh off the success of Lucky Baskhar and Vaathi. Starring alongside Suriya is Mamitha Baiju, who plays a 20-year-old named Maddy. The story begins with a mentor-student dynamic that eventually evolves into a complex romance which Sanjay's character continuously resists. This emotional core, combined with the backdrop of professional pistol shooting, makes it one of the most unique scripts in Suriya's career. (adsbygoogle = window.adsbygoogle || []).push({}) On the technical side, the film boasts a strong crew with G.V. Prakash Kumar composing the music, Nimish Ravi handling the cinematography, and Navin Nooli taking care of the editing. The project is being jointly produced by Sithara Entertainments and Fortune Four Cinemas. Since it is a bilingual film, it has been simultaneously shot in both Tamil and Telugu to ensure a grand release across both markets this August. The timing of this release is significant given the current box office climate. Suriya's Karuppu has made a massive impact, dominating the charts and showing incredible resilience in its second week. The way Karuppu connected with the audience has set a very positive stage for Vishwanath and Sons. The industry is watching closely to see if Suriya can maintain this golden run as he transitions from an intense role to this nuanced family drama. Beyond this, Suriya is also busy with his 47th project, an action-comedy directed by Jithu Madhavan, known for Aavesham. This film, co-starring Naslen, is expected to wrap up its shoot by June 2026. While Vishwanath and Sons is geared for an August release, Suriya 47 is being planned for a grand theatrical celebration toward the end of the year or during the Pongal 2027 season. With multiple diverse projects lined up, it looks like a very busy and promising time for the actor and his fans.

BY SUNIT JANGIR

Mumbai, May 28 - Superstar Mohanlal's Drishyam 3 continues its superb box office journey across the globe. Directed by Jeethu Joseph, the highly anticipated thriller has now achieved another historic milestone by becoming the first South Indian film of 2026 to cross the $10 million mark in overseas markets. (adsbygoogle = window.adsbygoogle || []).push({}) The third instalment of the iconic Drishyam franchise has turned into a worldwide phenomenon since its theatrical release, despite mixed word of mouth. The film has recorded excellent collections in major international territories, including the Gulf, North America, the United Kingdom, Australia, and Europe. The overseas performance of Drishyam 3 has been brilliant right from its opening weekend. The film witnessed packed shows across several international markets, with Malayalam cinema fans turning out in huge numbers to experience Georgekutty's latest chapter on the big screen. The franchise value and Mohanlal's massive popularity among global audiences have played a key role in the film's brilliant run. (adsbygoogle = window.adsbygoogle || []).push({}) What makes this achievement even more significant is that Drishyam 3 has become the first South Indian film of the year to enter the prestigious $10 million overseas club, outperforming several big-budget releases from multiple industries. Among the biggest Malayalam overseas grossers, the Mohanlal starrer has become the third biggest, and is expected to finish at least with the second position. Apart from its phenomenal overseas numbers, the film is also performing solidly domestically. With strong occupancy during weekdays and massive support from family audiences, Drishyam 3 is heading towards becoming one of the highest-grossing Malayalam films of all time. Given its current momentum, Drishyam 3 is expected to continue dominating the box office in the second week also. (adsbygoogle = window.adsbygoogle || []).push({}) Top Malayalam Overseas Grossers S. No. Movie Overseas Gross 1 L2: Empuraan ₹ 142.25 Cr 2 Lokah Chapter 1 ₹ 119.90 Cr 3 Drishyam 3 ₹ 97.50 Cr 4 Thudarum ₹ 93.80 Cr 5 Vaazha 2 ₹ 85.75 Cr Data as of May 27

BY CHRISTA LINCY

The romantic drama genre in Bollywood has been going through a bit of a quiet phase in 2026, with none of the releases so far managing to truly outshine the rest or post massive numbers. Chand Mera Dil is currently navigating this challenging landscape, trying to find an audience that still appreciates soft, emotional storytelling. While it is one of the top romantic performers of the year, it is clear that the genre as a whole is operating at a much smaller scale compared to the action blockbusters that have dominated the box office lately. On its sixth day, the film collected a net of ₹1.90 Cr across 4,138 shows. This is a 9.5 percent drop from Tuesday, which saw a net of ₹2.10 Cr. This kind of decline is expected during the middle of the week for a film in this category. So far, the total India net collection stands at ₹17.25 Cr, while the total India gross has reached ₹20.38 Cr after nearly a week in theaters. If we look at the romantic genre specifically this year, the film has actually managed to secure the second-highest opening day for a Bollywood romance in 2026. It only trails Pati Patni Aur Woh Do, which opened with a ₹4.00 Cr net. The fact that a ₹1.90 Cr weekday is considered a steady performance highlights just how modest the collections have been for romantic films this year, as no movie in this genre has yet managed to record a breakout success. (adsbygoogle = window.adsbygoogle || []).push({}) For Ananya Panday, this release marks a significant shift in her box office trajectory, as the opening has turned out to be the lowest of her career so far. In the past, her films have generally seen much stronger starts. For instance, Liger opened with ₹15.95 Cr, Student Of The Year 2 did ₹12.06 Cr, and Dream Girl 2 started with ₹10.69 Cr. Even her other releases like Pati Patni Aur Woh at ₹9.10 Cr and Kesari Chapter 2 at ₹7.76 Cr opened well above the levels seen with this film. In the national chains, the sixth-day footfalls remained modest. PVR recorded approximately 760 tickets with a gross of ₹2.38L. INOX added about 360 tickets for a gross of ₹72K, and Cinepolis contributed roughly 240 tickets with a gross of ₹44K. In total, the three major chains accounted for about 1,370 tickets and a combined gross of over ₹3.30L for the day. On BookMyShow, the film saw 32.34K tickets sold in the last 24 hours, taking its total sales on the platform to 325.93K so far. Globally, the film is seeing some minor contributions from international markets. On Day 6, it collected ₹0.25 Cr overseas, bringing the total overseas gross to ₹2.90 Cr. Combined with the India gross of ₹20.38 Cr, the worldwide gross collection now stands at ₹23.28 Cr. Across its entire run so far, the film has played in 26,838 shows. In terms of regional interest, Mumbai and Bengaluru are the strongest performers, showing occupancy rates of 16.5 percent and 14.3 percent respectively. Other regions like the National Capital Region and Ahmedabad are hovering around the 10 percent mark. As the first week draws to a close, the film will need to maintain this level of stability to make the most of its remaining theatrical window before new releases arrive.

BY SUNIT JANGIR

Mumbai, May 28 - Bollywood superstar is all set to return to the cricket field with director Ashutosh Gowarikar's upcoming sports biopic film. The actor is gearing up for one of the most exciting phases of his career as the superstar has reportedly allotted dates to the film, before kickstarting Rajkumar Hirani's 3 Idiots sequel. According to a report by Variety India, Aamir Khan will begin shooting for Gowariker's ambitious period sports drama in October 2026. The film is said to be based on the historic 1952 India-Pakistan Test series, and it revolves around legendary cricketer Lala Amarnath and his friendship with Pakistan captain Abdul Hafeez Kardar during the partition era. (adsbygoogle = window.adsbygoogle || []).push({}) The project is reportedly being mounted on a massive scale and is expected to feature an emotional backdrop combining sports, history, and human relationships. Interestingly, Rajkumar Hirani and writer Abhijat Joshi are also believed to be creatively involved with the screenplay. The development has also impacted the timeline of the much-awaited sequel to 3 Idiots. As per reports, Rajkumar Hirani's next directorial starring Aamir Khan will now go on floors in mid-2027 instead of earlier schedules, purely because of the script's readiness. (adsbygoogle = window.adsbygoogle || []).push({}) The sequel has already generated huge excitement among fans, especially after Aamir Khan previously confirmed that discussions around the project were indeed happening. Reports suggest that the film may feature a significant time jump and reunite the original trio of Aamir Khan, R. Madhavan, and Sharman Joshi. Meanwhile, the film is also expected to feature Vicky Kaushal in a prominent role. Meanwhile, Aamir's reunion with Ashutosh Gowariker has become a major talking point in the industry. Their last collaboration, Lagaan, remains one of Indian cinema's most celebrated films and even received an Academy Award nomination in the Best Foreign Language Film category. With two major projects lined up back-to-back, Aamir Khan appears set for a grand comeback phase over the next few years.

BY CHRISTA LINCY

2026 is turning out to be a massive year for Marathi cinema, following the strong performance of Krantijyoti Vidyalay Marathi Madhyam and the record-setting run of Raja Shivaji. Deool Band 2 has now firmly joined this successful trend, showing a level of consistency that is rare for even the biggest releases. While its extended first week is still ongoing, the film has already started challenging some of the most historic milestones in the industry by maintaining a rock-solid hold through its first seven days. On its first Wednesday, the film earned a net collection of ₹3.35 Cr. What is particularly impressive about this figure is that it represents no change at all from the previous day collection. Holding completely flat on a weekday is a clear sign of very strong word-of-mouth. This steady performance across 1,878 shows has pushed the total India net collection to ₹25.85 Cr and the total India gross to ₹30.40 Cr within the first week. With a seven-day total net of ₹25.85 Cr, Deool Band 2 has officially become the second-highest first-week net grosser in the history of Marathi cinema. It managed to surpass the opening week collection of Sairat, which stood at ₹25.50 Cr. Currently, the only film ahead of it in the all-time list is Raja Shivaji, which holds the top record with a first-week net of ₹36.25 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) The regional performance remains the backbone of this success. The film maintained an overall occupancy of 38.0 percent on Wednesday. Pune continues to be the primary driver, recording a strong 45.5 percent occupancy across 404 shows. Mumbai also contributed significantly with 33.3 percent occupancy over 624 shows. These high occupancy levels in major Marathi-speaking hubs suggest that the film is connecting deeply with its core audience. In the national chains, the film saw steady footfalls for a seventh day. PVR led the contributions with approximately 1,270 tickets sold, bringing in a gross of ₹2.75L. INOX added around 660 tickets with a gross of ₹1.38L, while Cinepolis recorded roughly 470 tickets for a gross of ₹1.20L. Combined, the big three chains accounted for about 2,400 tickets and a total gross of ₹5.33L for the day. With a worldwide gross now standing at ₹30.40 Cr, all of which has come from the domestic market, the film has already proven to be a massive success. The fact that it has managed to stay so consistent throughout its opening week bodes well for its second-week prospects. As it enters its second weekend, the focus will be on how close it can get to the lifetime records of the biggest hits in the industry.