BY SUNIT JANGIR

Mumbai, May 22 - The decade-long record of director Nagraj Manjule's social romantic tragedy Sairat has finally been broken as Riteish Deshmukh's historical epic Raja Shivaji has become the highest-grossing Marathi film of all time, taking just 22 days to achieve the historic feat. Produced by Jio Studios and Mumbai Film Company, Raja Shivaji minted around 109.35 crores worldwide in three weeks (21 days), and it has surpassed the total gross of Sairat (110 crores) at the time of writing this piece to become the number 1 Marathi grosser ever. (adsbygoogle = window.adsbygoogle || []).push({}) Raja Shivaji, however, received support from its Hindi dubbed version, unlike Sairat, which was purely a Marathi-language release. Directed by and starring Riteish Deshmukh, the blockbuster has grossed approximately 29 crores from the Hindi version and over 76 crores gross from the original Marathi version in 21 days, while the overseas contribution stands at an estimated 4.20 crores so far. Released on May 1 on the occasion of Maharashtra Day, Raja Shivaji opened to record-breaking numbers with approximately 13.85 crores worldwide on its first day. The film remained exceptionally strong throughout the opening weekend, collecting around 41.65 crores worldwide in its first three days, setting a new benchmark for Marathi cinema. (adsbygoogle = window.adsbygoogle || []).push({}) The historical action drama, based on the life of Chhatrapati Shivaji Maharaj, showed a solid hold during the weekdays of its initial week. However, mixed word of mouth impacted the film's long-term theatrical run, with collections beginning to slow down after the second weekend. The 150 crores worldwide milestone, which looked possible after the huge opening weekend, now appears out of reach. Despite the slowdown, Raja Shivaji is still expected to finish its theatrical run close to the 125 crores mark, which would be a solid result for a regional-language title. The film has performed excellently in Maharashtra, where the subject and emotional connect with audiences helped it emerge as one of the biggest Marathi blockbusters ever produced. (adsbygoogle = window.adsbygoogle || []).push({}) Highest-Grossing Marathi Films S. No. Movie Worldwide Gross 1 Raja Shivaji (2026) ₹ 110+ Cr* (22D) 2 Sairat (2016) ₹ 110 Cr 3 Baipan Bhari Deva (2023) ₹ 90.50 Cr 4 Ved (2022) ₹ 73 Cr 5 Natsamrat (2016) ₹ 46 Cr*

BY CHRISTA LINCY

In the world of Kollywood, there is an elite circle that only the absolute titans of the industry manage to enter—the 3 Million Ticket Club on BookMyShow. It's a space where digital footfalls translate into cinematic history, and Suriya's latest juggernaut, Karuppu, has just crashed the gates. After a blistering first week, the film hasn't just performed; it has redefined the velocity of ticket sales for a Tamil film in 2026, proving that the vintage Suriya hype is well and truly back. The journey began with a massive signal of intent even before the first projector started rolling. With over 242,000 Interests registered on the platform, the stage was set for a record-breaking opening. On its very first day, Karuppu clocked a staggering 700,000 tickets, instantly securing the 4th spot on the all-time Day 1 sales list for Tamil cinema. The surge was so intense that the 9 AM special shows in Tamil Nadu acted like a catalyst, pushing booking spikes to a peak of 46,200 tickets per hour—a personal best for Suriya that nearly brought the servers to a standstill. Karuppu - BookMyShow Week 1 Ticket Sales Breakdown DAY TICKETS SOLD (BMS) MILESTONES / NOTES Pre-Sales 75,000 Strong Advance Momentum Day 1 (Friday) 700,140 4th Highest Ever Day 1 for Kollywood Day 2 (Saturday) 690,030 Hit 1.5M Mark; 2nd Highest Tamil Saturday Day 3 (Sunday) 497,600 1st film in 2026 to sell 500K on Sunday Day 4 (Monday) 300,490 Hit 2M Mark; Averaged 4 tickets/second Day 5 (Tuesday) 261,960 Crossed 2.5 Million Sales Day 6 (Wednesday) 210,210 Steady Mid-week Hold Day 7 (Thursday) 186,840 Wraps Week 1 at ~2.92 Million TOTAL WEEK 1 2,922,270 Historic Debut Run (adsbygoogle = window.adsbygoogle || []).push({}) What makes this run truly impressive is the consistency of the momentum. Usually, films see a sharp decline once the weekend ends, but Karuppu defied traditional logic. On its first Monday, it moved over 300,000 tickets, maintaining an incredible rate of roughly four tickets sold every single second throughout the day. By the end of its fifth day, the film had already stormed past the 2.5 million sales mark. The multilingual appeal also played a huge role; the Telugu version, titled Veerabhadrudu, was a beast of its own, crossing 250,000 tickets by Monday and contributing significantly to the overall moolah entering the kitty. By hitting the 3 million milestone shortly after its first week, Karuppu has now officially joined the ranks of the all-time greats. It currently trails only a handful of industry giants in the lifetime sales ladder. This performance has easily eclipsed Suriya's previous benchmarks like Kanguva and Singam 2, cementing its status as his highest ticket-selling film on the platform. It's not just about the numbers; it's about the speed—reaching the 1 million mark in two days and the 2 million mark by day four shows a level of audience hunger rarely seen. (adsbygoogle = window.adsbygoogle || []).push({}) As the dust settles on the first week, the Karuppu effect is clear. It has become the gold standard for theatrical longevity in 2026, outperforming the first-Saturday records of almost every major blockbuster this year. With the film now comfortably sitting in the elite 3M+ club, the conversation has shifted from will it be a hit to how high can it go? For now, Suriya and the team can take a bow as they share the stage with the biggest legends of Tamil cinema. Elite Company: Tamil Movies with 3M+ BMS Ticket Sales MOVIE NAME BMS TICKET SALES YEAR Jailer 9.21 Million 2023 Leo 7.30 Million 2023 Coolie 6.12 Million 2025 Amaran 4.90 Million 2024 The GOAT 4.48 Million 2024 Karuppu 3.00 Million+ 2026

BY SUNIT JANGIR

Kochi, May 22 - Drishyam 3 has taken a thunderous start at the global box office, with the Mohanlal starrer clocking over 45 crore worldwide on its opening day. Directed by Jeethu Joseph, the much-awaited thriller sequel has emerged as the second biggest opening ever for a Malayalam film, continuing the phenomenal legacy of the franchise. According to early estimates, the film grossed around 18.50 crore in India, including around 11 crores gross in Kerala. The overseas markets contributed a massive 25 crore (estimates), taking the total worldwide opening to the 43.50 crore range. The Gulf region, North America, the UK, and Australia delivered exceptional numbers, proving the franchise's huge international pull. (adsbygoogle = window.adsbygoogle || []).push({}) The film had already generated historic momentum before release through advance bookings. The worldwide day-one pre-sales crossed 35 crore gross, with Kerala alone contributing over 8 crore in advances. Despite the mixed word of mouth, Drishyam 3 is now heading towards a gigantic opening weekend, which could be close to 150 crores if the momentum continues. Released on May 21, coinciding with Mohanlal's birthday, the film has benefited from massive fan anticipation and strong audience curiosity surrounding Georgekutty's return. The thriller has opened to packed theatres across Kerala and overseas territories, with social media reactions largely praising the suspense elements and Mohanlal's performance. (adsbygoogle = window.adsbygoogle || []).push({}) Top 5 Biggest Malayalam Opening Day Grossers Worldwide S. No. Movie Opening Day Worldwide Gross 1 L2: Empuraan (2025) ₹ 67.50 Cr 2 Drishyam 3 (2026) ₹ 43.50 Cr (est.) 3 Patriot (2026) ₹ 28.10 Cr 4 Marakkar (2021) ₹ 20.30 Cr 5 Kurup (2021) ₹ 18.30 Cr

BY CHRISTA LINCY

Sequels in the romantic-comedy genre often carry a specific set of expectations, and Pati Patni Aur Woh Do has spent its first week navigating those waters with a fair amount of steadiness. As the film completes its initial seven-day run, it is clear that the franchise value has helped it maintain a decent pace at the ticket windows, even as the usual weekday cooling-off period takes effect. On Day 7, the film brought in a net collection of 2.00 Cr. This represents a 27.3% drop from the previous day's 2.75 Cr, which is a standard trajectory for a mid-week Thursday. With this, the first week total for India net collections stands at a solid 29.00 Cr. When we look at the gross figures, the domestic total has reached 34.43 Cr, and with an overseas contribution of 5.85 Cr, the worldwide gross collection currently sits at 40.28 Cr. This has been achieved across a total of 41,492 shows since its release. (adsbygoogle = window.adsbygoogle || []).push({}) Pati Patni Aur Woh Do - Week 1 Box Office Breakdown DAY COLLECTION (NET) SHOWS OCCUPANCY Day 1 (Friday) ₹ 4.00 Cr 6,822 12.0% Day 2 (Saturday) ₹ 5.75 Cr 6,717 16.0% Day 3 (Sunday) ₹ 7.75 Cr 6,350 22.0% Day 4 (Monday) ₹ 3.25 Cr 5,563 13.0% Day 5 (Tuesday) ₹ 3.50 Cr 5,541 21.0% Day 6 (Wednesday) ₹ 2.75 Cr 5,559 12.0% Day 7 (Thursday) ₹ 2.00 Cr 4,940 11.0% Total Week 1 ₹ 29.00 Cr - - Analyzing the regional pulse on its seventh day, the film saw its most significant show count in the National Capital Region (NCR) with 819 shows and an 8.8% occupancy. Mumbai followed with 282 shows and a slightly higher fill-rate of 11.5%. Other key urban centers also showed life, with Bengaluru recording the highest occupancy among major cities at 14.3% from 110 shows, while Lucknow and Kolkata hovered around the 11.3% and 9.0% marks respectively. These numbers suggest that the urban youth and family audience remain the primary drivers for this rom-com. (adsbygoogle = window.adsbygoogle || []).push({}) The footfalls translated well into ticket sales across digital and physical platforms. On BookMyShow, the film added 30.81K tickets on Thursday, taking its total weekly tally on the platform to approximately 447.47K tickets. In the major national multiplex chains—PVR, INOX, and Cinepolis—the movie sold around 5,693 tickets on Day 7. For the entire first week, these national chains have accounted for roughly 1.19 lakh ticket sales. This level of engagement indicates that despite the competitive landscape, the film is finding its audience in the premium properties. With a reported budget in the range of 50 to 60 crore, Pati Patni Aur Woh Do has completed the first phase of its theatrical journey with a respectable amount of moolah in the kitty. While it still has some distance to go to achieve full cost recovery, the steady performance through the weekdays is a positive sign. As it enters its second week, the focus will be on whether it can maintain its grip on the urban markets and continue to push towards the breakeven point.

BY CHRISTA LINCY

When a project is titled as Part 1, it naturally carries the weight of a larger narrative and the expectation of a massive footprint. Krishnavataram Part 1: The Heart arrived in theaters with significant ambition and a reported budget of 60 crore, aiming to blend emotional depth with a grand cinematic scale. However, as the film wraps up its second week, the box office numbers suggest that the movie is finding it an uphill task to recover its hefty investment, signaling a period of underperformance despite its wide release. On its 15th day, the film brought in a net collection of 0.95 Cr. This represents a 13.6% slide from the 1.10 Cr it earned on Wednesday. While the film is still holding on to 1,824 shows, the daily collections dipping below the 1-crore mark this early in the run is a point of concern for analysts. The Hindi version continues to be the primary contributor, bringing in 0.85 Cr on Thursday, while the Telugu and Tamil versions remain on the fringes with minimal contributions. (adsbygoogle = window.adsbygoogle || []).push({}) Krishnavataram Part 1: The Heart - Week 2 Collection Breakdown DAY COLLECTION (NET) SHOWS OCCUPANCY Day 9 (2nd Friday) ₹ 1.20 Cr 1,634 17.7% Day 10 (2nd Saturday) ₹ 2.30 Cr 1,836 28.7% Day 11 (2nd Sunday) ₹ 3.20 Cr 1,984 37.0% Day 12 (2nd Monday) ₹ 1.00 Cr 2,014 14.3% Day 13 (2nd Tuesday) ₹ 1.45 Cr 2,088 29.1% Day 14 (2nd Wednesday) ₹ 1.10 Cr 2,080 16.4% Day 15 (2nd Thursday) ₹ 0.95 Cr 1,824 15.2% Total Week 2 ₹ 11.20 Cr - - A closer look at the language-wise performance reveals that the Hindi market has been doing all the heavy lifting, while the other regional versions have struggled to make a mark at the ticket windows. Here is the cumulative breakdown of the net collections across different languages: Hindi: ₹ 22.46 Cr Telugu: ₹ 1.88 Cr Tamil: ₹ 0.38 Cr Total India Net: ₹ 24.72 Cr (adsbygoogle = window.adsbygoogle || []).push({}) The total India net collection after 15 days now stands at 24.72 Cr, with the gross total reaching 29.15 Cr. Since the movie has not seen a significant release overseas, its worldwide gross also stays pegged at the 29.15 Cr mark. When we look at these totals against the 60-crore budget, the moolah in the kitty is currently less than half of the production cost. With the theatrical window narrowing, the film will need an extraordinary hold in its third week to avoid being labeled a commercial disappointment. The regional occupancy report for Day 15 shows that the film is finding some traction in specific hubs, though the overall numbers remain modest. Mumbai saw the highest fill-rate at 18.3% across 130 shows, while Ahmedabad followed with 11.5% from 142 shows. In the National Capital Region (NCR), the film maintained a much larger presence with 206 shows but saw a lower occupancy of 10.8%. Similarly, Surat contributed with 141 shows but struggled at a 7.0% fill-rate. Despite a decent show count in these cities, the average morning and night show turnouts are failing to see the kind of surge needed for a box office comeback. (adsbygoogle = window.adsbygoogle || []).push({}) Analyzing the footfalls through digital platforms and national chains gives us a clearer picture of the week's engagement. On BookMyShow, the second week recorded a total of 286.73K ticket sales, with Saturday and Sunday accounting for the bulk of the traffic. The lifetime ticket sales on the platform have now touched 634.83K. Meanwhile, in the big national chains—PVR, INOX, and Cinepolis—the film sold a combined total of 82,238 tickets during its second-week marathon. On Thursday alone, these chains contributed 4,570 tickets to the tally. Ultimately, Krishnavataram Part 1: The Heart finds itself in a precarious position as it enters its third week. While a 11.20 Cr second-week total proves there is still a core audience following the journey, the massive gap between current earnings and the 60-crore budget is hard to ignore. For a film intended to be the start of a larger franchise, the road ahead looks increasingly difficult, and it will need a miracle in its third-week run to significantly change its commercial trajectory.

BY CHRISTA LINCY

When an action-packed juggernaut like Karuppu hits the theaters, the box office usually prepares for a high-octane impact, and the first week numbers suggest exactly that. After seven days of absolute arson at the ticket windows, the film has successfully cemented its position as one of the elite performers of 2026. While the week concluded with the usual working-day stabilization, the sheer volume of moolah added to the producers kitty is a clear indicator of the films massive reach across the southern states. On Day 7, Karuppu brought in a net collection of 8.10 Cr, which marks a 24.3% drop from the previous day. For a big-ticket release navigating its first Thursday, this is a standard trend as the initial weekend frenzy settles into a steady theatrical run. By the end of its first week, the total India net collection stands at a formidable 113.85 Cr, while the gross total in the domestic market has soared to 131.82 Cr. When you factor in the international performance, the worldwide gross has already breached the 188.82 Cr mark, all achieved across a massive 41,396 shows. (adsbygoogle = window.adsbygoogle || []).push({}) To truly appreciate the magnitude of this performance, we need to look at how Karuppu stacks up against the all-time heavyweights of Kollywood. Securing a spot in the top 10 list of highest first-week openers is a badge of honor that only the most anticipated films earn. By claiming the 8th spot, the film has officially rubbed shoulders with the industry's biggest blockbusters, proving that its opening week momentum is nothing short of elite. Here is how the leaderboard looks for the top ten Tamil net openers in history: Top 10 Highest Kollywood Week 1 Openers (Tamil Net) RANK MOVIE NAME 1ST WEEK TAMIL NET 1 Leo ₹ 212.20 Cr 2 Jailer ₹ 184.65 Cr 3 The Greatest of All Time ₹ 156.40 Cr 4 Coolie ₹ 149.95 Cr 5 Good Bad Ugly ₹ 113.60 Cr 6 Vettaiyan ₹ 105.07 Cr 7 Ponniyin Selvan - Part 2 ₹ 100.04 Cr 8 Karuppu ₹ 96.10 Cr 9 Amaran ₹ 93.00 Cr 10 Vidaamuyarchi ₹ 70.75 Cr A closer look at the state-wise gross for Day 7 reveals the dominance of the home turf. Tamil Nadu remains the primary bellwether for the film, contributing a solid 6.75 Cr gross on Thursday. The Telugu states (APTG) followed with 1.40 Cr, while Karnataka and Kerala added 0.77 Cr and 0.35 Cr respectively. In terms of occupancy, the film is witnessing a phenomenal hold in urban centers. Chennai led the charge with a 51.3% occupancy, closely followed by Coimbatore at 49.0%. Over in the Telugu market, Vizag-Visakhapatnam emerged as a stronghold with 19.8% occupancy, proving that the film's appeal has successfully transcended linguistic borders. Karuppu - Day 7 Box Office Summary LANGUAGE COLLECTION (NET) SHOWS OCCUPANCY Tamil ₹ 6.90 Cr 3,599 35.0% Telugu ₹ 1.20 Cr 1,541 20.0% Total Day 7 ₹ 8.10 Cr 5,140 30.5% (adsbygoogle = window.adsbygoogle || []).push({}) The international footprint of the film is equally noteworthy. According to reports from Venky Box Office, Karuppu earned a gross of 42K in North America on Wednesday, taking its total in the region to a near-million-dollar mark of 980K. Overall, the overseas market contributed 3.00 Cr on the final day of the week, taking the total international gross to 57.00 Cr. This steady performance abroad has provided a significant cushion to the worldwide totals, making it a truly global success story for the makers. The digital engagement and footfalls in premium properties provide the best perspective on the films popularity. On BookMyShow, Karuppu has joined the big league, ranking 5th in all-time first-week ticket sales, just below titans like Jailer, Leo, and Coolie. On Thursday alone, it sold 187K tickets, outperforming major hits like Amaran and Leo in daily velocity. In the national multiplex chains—PVR, INOX, and Cinepolis—the film maintained a steady pace on its seventh day, selling approximately 29,842 tickets. Here is a look at the massive ticket sales footprint for the entire week: (adsbygoogle = window.adsbygoogle || []).push({}) Pre-Sales | BookMyShow: 75K | National Multiplex Chains: - Day 1 (Friday) | BookMyShow: 700K | National Multiplex Chains: 29.1K Day 2 (Saturday) | BookMyShow: 690K | National Multiplex Chains: 106.7K Day 3 (Sunday) | BookMyShow: 497K | National Multiplex Chains: 120.7K Day 4 (Monday) | BookMyShow: 300K | National Multiplex Chains: 50.5K Day 5 (Tuesday) | BookMyShow: 262K | National Multiplex Chains: 46.8K Day 6 (Wednesday) | BookMyShow: 210K | National Multiplex Chains: 41.7K Day 7 (Thursday) | BookMyShow: 187K | National Multiplex Chains: 29.8K Total Week 1 | BookMyShow: 2922K | National Multiplex Chains: 425K (Approx) As the film enters its second week, all eyes will be on how it performs against new releases. With 29.22 Lakh tickets already booked via BMS and a total net collection that has comfortably crossed the century mark, Karuppu has already secured its status as a winner. The stability seen in Chennai and Coimbatore suggests that the film will continue to have a long tail at the box office, potentially eyeing much bigger milestones in the coming days.

BY CHRISTA LINCY

When a film based on a historical icon hits the big screen, it is often more than just a cinematic event; it becomes a cultural phenomenon. Raja Shivaji has proven to be exactly that, capturing the hearts of the audience and maintaining a relentless grip on the box office as it completes its third week. The movie has already marched past the prestigious 100 Crore milestone globally, and now it stands on the doorstep of making history by becoming the highest-grossing Marathi film of all time. As we wrap up the third week, the film brought in 0.85 Cr on Day 21. While this represents a 22.7% drop from the previous day's 1.10 Cr, such a trend is perfectly normal for a mid-week Thursday. The heavy lifting continues to be done by the Marathi version, which contributed 0.70 Cr on Day 21 with a healthy 17.0% occupancy across 1,092 shows. The Hindi version added 0.15 Cr from 714 shows. What is particularly impressive is the regional hold; centers like Pune recorded a strong 24.0% occupancy, while Mumbai stayed steady at 16.3%, showing that the core audience is still showing up in large numbers. (adsbygoogle = window.adsbygoogle || []).push({}) Raja Shivaji - Week 3 Box Office Collection Breakdown DAY COLLECTION (NET) SHOWS OCCUPANCY Day 15 (3rd Friday) ₹ 1.45 Cr 2,142 15.8% Day 16 (3rd Saturday) ₹ 2.70 Cr 2,172 24.9% Day 17 (3rd Sunday) ₹ 3.45 Cr 2,223 32.0% Day 18 (3rd Monday) ₹ 1.15 Cr 2,165 13.8% Day 19 (3rd Tuesday) ₹ 1.30 Cr 2,152 21.4% Day 20 (3rd Wednesday) ₹ 1.10 Cr 2,204 14.1% Day 21 (3rd Thursday) ₹ 0.85 Cr 1,806 13.8% Total Week 3 ₹ 12.00 Cr - - The cumulative numbers paint a picture of a certified blockbuster. Total India net collections now stand at 88.95 Cr, with the gross total crossing the 100 Cr mark in India alone at 105.18 Cr. When we add the overseas kitty of 4.18 Cr, the worldwide gross reaches a massive 109.36 Cr. This has been achieved across a mammoth 82,625 shows. This level of sustained interest across three weeks is a testament to the film's quality and the emotional connection the audience has with the subject matter. (adsbygoogle = window.adsbygoogle || []).push({}) The digital footprint of the film has been equally staggering. On BookMyShow, the third week saw a flurry of activity with a total of 345.79K tickets booked. This momentum was fueled by daily peaks like 86.98K on Saturday and 76.69K on Sunday. Even on the final day of the week, 21.13K tickets were snatched up, taking the total lifetime ticket sales on the platform to over 24.25 lakh. In the big national chains—PVR, INOX, and Cinepolis—the movie sold a combined 55,929 tickets during this seven-day period. These are strong numbers for any film in its third week, let alone a regional heavyweight. However, the real excitement lies in what is about to happen today. For years, Sairat has held the throne as the number one Marathi film with a worldwide collection of 110 Crore. Raja Shivaji currently sits at 109.36 Cr, meaning it needs just 0.64 Cr more to become the new king of Marathi cinema. Given the current trend, this record is almost certain to be broken on Day 22. It is a historic moment for the industry, as a new champion is about to be crowned. Ultimately, Raja Shivaji has proven that epic storytelling combined with historical reverence is a winning formula at the box office. As it prepares to dethrone Sairat and take the top spot, the film has not just collected moolah; it has cemented its place as a landmark achievement in Indian regional cinema. The journey from here on will be about how far it can push this new record, but for now, the celebration of its record-breaking run is well-deserved.

BY SACNILK TEAM

Here is the Hindi movie Chand Mera Dil box office collection which is a romantic drama film. This film is directed by Vivek Soni and produced by Dharma Productions. ## Chand Mera Dil stars Ananya Pandey, Lakshya Lalwani, and Aastha Singh in key roles. ## Chand Mera Dil Box Office Collection Day Wise | All Language DayIndia Net Collection Day 1 [1st Friday] ₹ - Cr * may earn Total ₹ - Cr ## India Net Collection ₹ - Cr ## Worldwide Collection ₹ - Cr ## Overseas Collection ₹ - Cr ## India Gross Collection ₹ - Cr ## Chand Mera Dil Budget: ₹ - Cr * Approx ## Chand Mera Dil Verdict: Coming Soon ## Chand Mera Dil Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 22nd May 2026 ## For more and the latest news about Bollywood Box Office Collection, Stay tuned to us.

BY CHRISTA LINCY

The horror-comedy genre has long been a favorite for Indian audiences, but every so often, a film comes along that truly captures the zeitgeist. Bhooth Bangla has done exactly that, proving that with the right mix of chills and chuckles, a movie can sustain interest well into its second month. As the film concludes its fifth week, the steady flow of moolah into the producers kitty suggests that this ghost story has plenty of life left in it. On its 35th day, which happened to be the fifth Thursday, the film added 0.70 Cr to its total. This represents a minor 12.5% drop from the previous day's 0.80 Cr collection, showing a very healthy hold in theaters. By the end of this seven-day stretch, Bhooth Bangla managed to rake in a stellar 7.15 Cr, bringing the total India net collection to a commendable 171.45 Cr. The India gross has now officially crossed the major milestone of 200 Cr, currently sitting at 203.21 Cr. (adsbygoogle = window.adsbygoogle || []).push({}) Bhooth Bangla - Week 5 Box Office Breakdown DAY COLLECTION (NET) SHOWS OCCUPANCY Day 29 (Friday) ₹ 0.75 Cr 2,297 11.0% Day 30 (Saturday) ₹ 1.40 Cr 2,397 16.0% Day 31 (Sunday) ₹ 1.90 Cr 2,442 21.0% Day 32 (Monday) ₹ 0.70 Cr 2,384 11.0% Day 33 (Tuesday) ₹ 0.90 Cr 2,439 18.0% Day 34 (Wednesday) ₹ 0.80 Cr 2,457 12.0% Day 35 (Thursday) ₹ 0.70 Cr 2,219 11.0% Total Week 5 ₹ 7.15 Cr - - When analyzing the screening frequency for the week, the film maintained a footprint of 16,635 shows across the country. The average occupancy for this fifth-week period stood at approximately 14.28%. While the weekdays saw a more modest turnout, the weekend surge—peaking at 21.0% on Sunday—significantly bolstered the average. On the international front, the film added 0.03 Cr on Day 35, taking its total overseas gross to 53.66 Cr. This pushes the worldwide gross collection to a massive 256.87 Cr, achieved across a total of 221,300 shows since its release. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the ground-level engagement through ticket sales, we see a logical and expected dip. In the major national multiplex chains like PVR, INOX, and Cinepolis, the film sold a combined total of 30,180 tickets during this fifth week. For context, the fourth week saw a total of 56,592 tickets in these chains, so the film is holding nearly half its previous week strength. The digital footprint on BookMyShow is equally impressive; the film recorded 128.66K ticket bookings this week, compared to 234K in the fourth week. Impressively, the total lifetime ticket sales on BMS have now hit 3.20 million, placing it at the 7th spot in the all-time ticket sales leaderboard for the 2025-26 season. What makes this fifth-week performance truly remarkable is how it comfortably towers over other post-COVID blockbusters. Bhooth Bangla has managed to outshine every major competitor in this specific time frame, showcasing a level of durability that most big-ticket releases lose after the first few weeks. To put things in perspective, the film has more than doubled the fifth-week earnings of some of the biggest hits in recent years, proving that its grip on the audience is uniquely strong. Here is how it ranks among the elite Week 5 performers: 1. Bhooth Bangla - ₹ 7.15 Cr 2. Sooryavanshi - ₹ 2.98 Cr 3. Jolly LLB 3 - ₹ 2.00 Cr 4. OMG 2 - ₹ 0.97 Cr 5. Sky Force - ₹ 0.70 Cr Ultimately, Bhooth Bangla's ability to tower over the charts this late in the game is a clear signal of its massive staying power. While most films run out of steam and screen space after the first month, this horror-comedy is still adding significant moolah to its already impressive tally. It has evolved from a strong opening into a historic theatrical marathon, setting a daunting benchmark for any upcoming films in the genre to try and match.

BY CHRISTA LINCY

Dhurandhar 2: The Revenge has done more than just break records; it has effectively redefined the impact of a franchise film within the larger spy universe. This cinematic world has built significant trust with the audience, and this sequel has capitalized on that goodwill to reach heights rarely seen in Indian cinema.When we talk about the landscape of modern Indian cinema, the spy universe has emerged as a juggernaut, creating a level of excitement that few other franchises can match. Dhurandhar 2: The Revenge is the latest titan in this cinematic world, and its performance has been nothing short of historic. As the film navigates its ninth week at the box office, it is not just fighting for numbers; it is solidifying its legacy as a once-in-a-generation blockbuster. Let us dive into the data to see how this heavy hitter is wrapping up its record-breaking journey. As we enter the twilight of its theatrical run, the momentum remains remarkably steady. On Day 64, which was the tenth Thursday, the film brought in a net collection of 0.20 Cr. What is interesting here for those following the trends is the absolute stability; this figure is an exact match to the 0.20 Cr collected on Wednesday. Holding its ground across 368 shows after more than two months is a clear indicator that the audience interest has not completely evaporated, even with newer releases hitting the screens. (adsbygoogle = window.adsbygoogle || []).push({}) Dhurandhar 2: The Revenge - Week 9 Box Office Breakdown DAY COLLECTION (NET) SHOWS OCCUPANCY Day 58 (Friday) ₹ 0.26 Cr 389 15.2% Day 59 (Saturday) ₹ 0.53 Cr 418 28.0% Day 60 (Sunday) ₹ 0.63 Cr 436 32.8% Day 61 (Monday) ₹ 0.15 Cr 389 14.0% Day 62 (Tuesday) ₹ 0.22 Cr 408 27.0% Day 63 (Wednesday) ₹ 0.20 Cr 409 16.0% Day 64 (Thursday) ₹ 0.20 Cr 368 16.0% Total Week 9 ₹ 2.19 Cr - - When analyzing the screening frequency and theater fill-rates for the week, the film maintained a footprint of 2,817 shows across the country. The average occupancy for this seven-day period stood at approximately 21.28%. While the weekdays saw a more modest turnout, the weekend surge—peaking at 32.8% on Sunday—significantly bolstered the average, proving that the film still has enough legs to draw in crowds during leisure hours even after two months of dominance. (adsbygoogle = window.adsbygoogle || []).push({}) The bigger picture is where the numbers truly become staggering. To date, the total India net collection has reached 1,146.75 Cr, while the India gross stands at 1,372.42 Cr. When we factor in the overseas market, where the film has grossed 426.67 Cr, the worldwide total hits a massive 1,799.09 Cr. This officially makes it the second highest-grossing Indian film of all time globally. This feat was achieved through a marathon run spanning 524,278 shows, showing just how wide the film was distributed to reach every corner of the audience. Looking at the ground-level engagement through ticket sales, we see a logical and expected dip. In the major national chains—PVR, INOX, and Cinepolis—the film sold a combined total of 20,963 tickets over the last seven days. While the weekend saw the usual spike, the weekday numbers show a predictable cooling off. Similarly, on BookMyShow, the movie recorded approximately 41.70K ticket sales for the week until the tracking concluded on Day 62. To give you some context, the eighth week saw about 81,000 tickets booked through the same platform, so the sales have effectively halved as the film reaches its natural saturation point. In the end, Dhurandhar 2: The Revenge has proven that the spy universe is a goldmine when backed by the right scale and storytelling. While a 2.19 Cr ninth week might seem small compared to its opening days, it is the finishing touch on a colossal mountain of revenue. The film has already done its job, rewriting the record books and setting a daunting benchmark for any future blockbusters to follow.

BY SACNILK TEAM

Here is the Marathi movie Deool Band 2 box office collection, which is a drama film. This film is directed by Pravin Tarde and produced by Vatavruksha Entertainment. ## Deool Band 2 stars Mohan Joshi, Snehal Tarde, Mahesh Manjrekar, Pravin Tarde, and Prasad Oak in key roles. ## Deool Band 2 Box Office Collection Day Wise | All Language [See Footfalls] DayIndia Net Collection Change(+/-) Day 1 [1st Thursday] ₹ 2.45 Cr - Day 2 [1st Friday] ₹ 2.55 Cr 4.08% Day 3 [1st Saturday] ₹ 4.85 Cr 90.20% Day 4 [1st Sunday] ₹ 5.9 Cr 21.65% Day 5 [1st Monday] ₹ 3.4 Cr -42.37% Day 6 [1st Tuesday] ₹ 3.35 Cr -1.47% Day 7 [1st Wednesday] ₹ 3.35 Cr 0.00% Day 8 [2nd Thursday] ₹ 4.35 Cr 29.85% Week 1 Collection ₹ 30.2 Cr - Day 9 [2nd Friday] ₹ 3.1 Cr -28.74% Day 10 [2nd Saturday] ₹ 5 Cr 61.29% Day 11 [2nd Sunday] ₹ 5.75 Cr 15.00% Day 12 [2nd Monday] ₹ 2.6 Cr -54.78% Day 13 [2nd Tuesday] ₹ 2.35 Cr -9.62% Day 14 [2nd Wednesday] ₹ 1.8 Cr -23.40% Day 15 [3rd Thursday] ₹ 1.8 Cr 0.00% Week 2 Collection ₹ 22.4 Cr -25.83% Day 16 [3rd Friday] ₹ 1.4 Cr -22.22% Day 17 [3rd Saturday] ₹ 2.6 Cr 85.71% Day 18 [3rd Sunday] ₹ 3.15 Cr 21.15% Day 19 [3rd Monday] ₹ 1.15 Cr -63.49% Day 20 [3rd Tuesday] ₹ 1.1 Cr -4.35% Day 21 [3rd Wednesday] ₹ 0.9 Cr -18.18% Day 22 [4th Thursday] ₹ 0.85 Cr -5.56% Week 3 Collection ₹ 11.15 Cr -50.22% Day 23 [4th Friday] ₹ 1.27 Cr 49.41% Day 24 [4th Saturday] ₹ 1.4 Cr 10.24% Day 25 [4th Sunday] ₹ 1.8 Cr 28.57% Day 26 [4th Monday] ₹ 0.5 Cr -72.22% Day 27 [4th Tuesday] ₹ 0.55 Cr 10.00% Day 28 [4th Wednesday] ₹ 0.35 Cr -36.36% Total ₹ 69.62 Cr (estimated) - ## Take Subscription To See Footfalls ## India Net Collection ₹ 69.62 Cr ## Worldwide Collection ₹ 81.78 Cr ## Overseas Collection ₹ 0 Cr ## India Gross Collection ₹ 81.78 Cr ## Deool Band 2 Budget: ₹ - Cr * Approx ## Deool Band 2 Verdict: Coming Soon ## Deool Band 2 Screen count ## India: - ## Overseas: - ## Worldwide total: - ## Release Date: 21st May 2026 ## For more and the latest news about Marathi Film Box Office Collection, Stay tuned to us.

BY CHRISTA LINCY

Lakshya and Ananya Panday's upcoming love story, Chand Mera Dil, is all set for its theatrical release this Friday. However, just hours before it hits the big screen, there is a major update regarding its duration. According to an exclusive report by Bollywood Hungama, the film has now become roughly 11 minutes longer than its original censor cut. The Central Board of Film Certification had initially cleared the movie with a runtime of 135.36 minutes on May 8. But on May 20, the producers went back to the board to include some extra footage they had voluntarily added. The CBFC has now passed an extended version that includes eight new scenes. These additions range from short clips to a significant sequence in the first half lasting nearly four minutes. This brings the final runtime of the film to 145.53 minutes, or 2 hours and 25 minutes. This Vivek Soni directorial, produced by Karan Johar and Dharma Productions, is looking to attract a wide audience with a very aggressive pricing strategy on its opening day. As previously shared by Bollywood Hungama, tickets for all shows on May 22 before 5:00 PM are priced at just 149 rupees. For evening shows starting after 5:00 PM, the price will be a flat 199 rupees. This move is clearly intended to boost the initial footfalls across the country. (adsbygoogle = window.adsbygoogle || []).push({}) Looking at the advance booking numbers for the opening day, the national chains are showing decent traction. In the three major multiplexes—PVR, INOX, and Cinepolis—the film has already sold roughly 32,270 tickets. PVR leads the way with about 15,380 tickets, followed by INOX with 10,900 and Cinepolis with 5,990 tickets. This has resulted in a gross of approximately 64.20 lakh rupees from these chains alone, with PVR contributing 31.60 lakh, INOX adding 20.85 lakh, and Cinepolis bringing in 11.75 lakh. Despite the release being just around the corner, advance bookings in several Mumbai theaters and other regions faced some minor delays. The change in runtime forced theater programmers to restructure their show schedules at the last minute to accommodate the longer version. Additionally, exhibitors have noted that the unexpected success of the Marathi film Deool Band 2 has created a bit of a scheduling challenge in certain pockets where it is performing exceptionally well. While most cinemas have now opened their bookings, the team behind Chand Mera Dil has reportedly been very flexible with exhibitors regarding the show counts. With Lakshya and Ananya Panday leading this romantic drama, the focus is now on how this extended cut will perform under these competitive conditions. Fans of the genre will be hoping that the added 11 minutes bring even more depth to this highly anticipated love story.